Authors: C.P. Cavafy
Every land has its distinguishing mark.
Particular to Thessaly are horsemanship and horses;
what marks a Spartan
is war’s season; Media has
its tables with their dishes;
hair marks the Celts, the Assyrians have beards.
But the marks that distinguish
Athens are Mankind and the Word.
The Indian Arjuna, a goodly and mild king,
hated slaughter. He never went to war.
But the dreadful god of war was greatly vexed—
(diminished was his glory, his temples emptied)—
and went in great anger to the palace of Arjuna.
The king took fright and said: “Great god,
forgive me if I cannot take a human life.”
In contempt the god replied: “You think yourself
more just than I? By words be not deceived.
No life is ever taken. Know you then that no one
is ever born, that no one ever dies.”
My soul, in the middle of the night,
is confused and paralyzed. Outside:
its life comes into being outside itself.
And it awaits the improbable dawn.
And I await, am worn down, and am bored,
even I, who am in it or with it.
Upon a golden charger Salome bears
the head of John the Baptist
to the young Greek sophist
who recoils from her love, indifferent.
The young man quips, “Salome, your own
head is what I wanted them to bring me.”
This is what he says, jokingly.
And her slave came running on the morrow
holding aloft the head of the Beloved,
its tresses blond, upon a golden plate.
But all his eagerness of yesterday
the sophist had forgotten as he studied.
He sees the dripping blood and is disgusted.
He orders this bloodied thing to
be taken from him, and he continues
his reading of the dialogues of Plato.
Before the god Ea created mankind, the earth was full of
the abominable races
of Apsu—who for bodies had abysses infinite—
and Mummu Tiamat’s wet chaos.
In those days there were Warriors with the bodies of birds;
Folk with human bodies
and the heads of crows; and Breeds of great, enormous bulls
with the heads of men;
and dogs that bayed all night and all the livelong day who had
four bodies and the tails
of fish.—The good Ea and all our other gods wiped out
those creatures
before they set mankind inside of Paradise (from which
alas!, how pitiably they fell).
But when he found himself amid the darkness,
amid the terrifying depths of the earth,
in the company of godless Greeks,
and saw the disembodied forms emerge before him
with apparitions, and with brilliant lights,
for a moment he was afraid, this youth,
and an instinct from his pious years
returned, and he made the sign of the cross.
Immediately the Forms disappeared.
The visions were gone—the lights went out.
The Greeks sneaked glances at each other.
And the young man said: “Did you see that marvel?
My dear companions, I am afraid.
I am afraid, my friends, I want to go.
Did not you see the spirits straightaway
vanish at the moment when I made
the blessed shape of the cross?”
There was much guffawing from the Greeks.
“For shame, for shame that you should speak such words
to us, who are philosophers and sophists.
If you like, go tell such things to the man
of Nicomedia, and tell them to his priests.
Before you there appeared the greatest gods
of our illustrious Greece.
And if they left, do not think for a minute
that they were frightened by a gesture.
It’s merely that when they saw you make
that extremely base and boorish shape
their noble nature was repelled,
and they left and held you in contempt.”
This is what they said, and from his fear,
which was holy and blessed,
the foolish man recovered, and was persuaded
by the godless words of the Greeks.
The cat is distasteful to ordinary people.
Magnetic and mysterious, it wearies their
frivolous minds; nor do they place any
value on its charming manners. [ ]
[ ]
[ ]
But the soul of a cat is its lordly pride.
Liberty, its blood and its nerves.
Its gaze is never cast down.
In the constant concealment of its passions,
in the clarity, the serenity
and beauty of its stances, the discipline
of its movements, how delicate a purity of feeling
may be found. When cats day dream or slumber
a spectral chill surrounds them.
Then, perhaps, the ghosts of olden times
roam around them. Perhaps this vision
leads them to Bubastis; where their holy places
flourished once, and Ramessid ritual crowned them,
and their every movement was an augury for the priests.
In order to make my difficult life more secure
I shall be issuing very few drafts
on the Bank of the Future.
I doubt that it possesses very great assets.
And I’ve begun to fear that in the first crisis
it will suddenly stop making payments.
There is one joy alone, but one that’s blessed,
one consolation only in this pain.
How many thronging vulgar days were missed
because of this ending; how much ennui.
A poet has said: “The loveliest
music is the one that cannot be played.”
And I, I daresay that by far the best
life is the one that cannot be lived.
Whether I am happy or unhappy, I don’t calculate.
But one thing always I joyfully keep in sight—
that in the great addition (the addition of those I hate)
that comprises such great numbers, I don’t count
as one of the many units there. I wasn’t numbered in the great
addition. And for me that delight is sufficient.
Absinthe, datura, and hypoceme,
aconite, hellebore, and hemlock—
all of the bitter and poisonous—
give up their leaves and their terrible flowers
that they might become the great garlands
that are placed on the radiant altar—
ah, the shining altar of Malachite stone—
of the Passion both dreadful and sublime.
The goodly king feels pity for Elsa
and to the Herald he turns.
The Herald calls out, and the trumpets sound.
Ah king, I bid thee once again,
let the Herald call out one more time.
The Herald sounds the summons one more time.
I beg you,
I fall at your feet. Have mercy on me, mercy.
He is far away, very far, and does not hear.
Now, this one last time, let the Herald
sounds the summons. Perhaps he will appear.
The Herald
sounds the summons once again.
And see,
something white shone out on the horizon.
It has appeared, appeared—it is the swan.
Oh our misfortune, Oh misfortune, when
the king feels pity and turns mechanically
to his Herald, without very much hope.
And the Herald cries out, and the trumpets sound.
And again he cries out and the trumpets sound;
and again he cries out and the trumpets sound;
but Lohengrin never comes.
And nonetheless faith would have kept the watch, inviolate.
And who shall say the worst.
(Better for it never to be uttered.)
Who will come to tell us (Let’s not listen to him.
Let’s not listen to him. They’ll have tricked him)
the unjust accusation; and then
the challenge, another challenge from the Herald,
the glorious arrival of Lohengrin—
swan, and magic sword, and holy Grail—
and in the end the single combat,
in which he was defeated by Telramund.
Death stretches out his hand
and touches a glorious general’s brow.
That evening a paper reveals the news.
A great crowd fills the sick man’s house.
His pain has paralyzed his limbs
and his tongue. He turns his gaze
and stares a long while at familiar things.
Serene, he recalls the heroes of olden days.
On the outside—he is covered by silence and stillness.
Inside—he’s devoured by envy for life, by cowardice,
leprous pleasure, foolish spite, fury, malice.
He groans deeply.—He’s expired.—The voice of every
citizen laments. “His death has ruined our city!
Virtue has died with him, O woe is me!”
Heartily know / … / The gods arrive.
—E
MERSON
RÉMONIN.—He’ll disappear at the crucial time; the gods will intervene.
Mme DE RUMIÈRES.—As in ancient tragedies? (Act II, sc. i)
Mme DE RUMIÈRES.—What is the matter?
RÉMONIN.—The Gods have arrived. (Act V, sc. x)
—A
LEXANDRE
D
UMAS
,
FILS
,
L’Etrangère
This will happen now, and later that;
and later still, in a year or two (as I reckon it),
affairs will be such, and manners such.
We won’t fret about the distant future.
What we’ll attempt is something better.
And we’ll ruin whatever we attempt;
we’ll so entangle our affairs that we’ll end up
in deep confusion. And then we’ll stop.
That will be the hour for the gods to work.
They always come, the gods. They will descend
from their machines, and some they’ll save,
others they will violently, suddenly raise
by the middle; and when they’ve brought some order
they will withdraw.—And then this man will do this,
and that man that; and in time the others
will do as they see fit. And so we will start over.
To far-off parts my mind now makes its way.
I walk around the streets of Elsinore,
I wander in the squares, and I remember
her most mournful history, that luckless king,
whom his nephew slew because of some imagined suspicions.
In all the houses of the poor they secretly
(because they were in fear of Fortinbras)
wept for him. A lover of quiet, and mild
was he; and he loved peace (the land had suffered much
from the battles of his predecessor).
He behaved with courtesy to all,
to great and small. High-handedness
he reviled, and he always sought
counsel about the kingdom’s affairs
from people who were sober and experienced.
Why his nephew killed him
they never said with any certainty.
He suspected him of a murder.
The basis of his suspicion was this:
that when, one night when he was walking on
one of the ancient battlements,
he reckoned that he saw a ghost
and with the ghost he had a conversation.
And from the ghost, presumably, he learned
of certain accusations against the king.
It must have been excitement of the imagination,
to be sure, some trick played on his eyes.
(The prince was nervous to extremes.
When he was studying in Wittenberg his fellow
students took him for a lunatic.)
A few days afterwards he went to see
his mother, so that they could have a talk
about some family matters. And suddenly
just as he was talking he became excited
and began to shout, and to cry aloud
that the ghost had appeared in front of him.
But his mother didn’t see a thing.
And on that very day he killed
an aged nobleman without any cause.
Since anyway the prince was due to leave
for England in a day or two,
the king hastened his departure
hurry-scurry, so that he might save him.
But everyone was so indignant
about the horrifying murder that rebels rose up
and tried to storm the palace gates
together with the son of the murdered man
the nobleman Laertes (a young man
who was brave, and was ambitious, too:
some of his friends cried out “Long live
King Laertes!” in the confusion).