Blackbriar (4 page)

At first they stalled frequently, until Philippa got used to the gears. The car wheezed, and the wind tore violently at the canvas, which billowed around them, penetrating into all the chinks so that it was no warmer than being outside. For the first few miles the road they were on seemed to be below the fields around it. On either side there was a high mound, covered with bushes, which they could not see over. Suddenly Philippa pulled over to the side of the road, up to a small gate.

“This isn’t the Black Swan,” Danny said.

“No, but I think it’s the farmhouse where Mrs. Creech told me she gets those divine eggs we had for breakfast.” They left Islington in the car and went through the gate, up a few stone steps, and found themselves in a small garden, full of green plants covered by cheesecloth. The plump old woman who answered the door babbled happily and sold them two dozen eggs and some milk. Danny walked around to the back and saw a beautiful little greenhouse. Behind the house was a large barn, from which came the brittle, demented cackling of hundreds of chickens cooped up together.

Soon Philippa shouted for him and they returned to the car. Around a bend in the road a small forest sprang up. The trees stood above them, their exposed roots twisting and clutching down the mound of earth, almost to the road. Just as suddenly, the forest disappeared, the mound sank away, and they were driving down the center of a flat, almost tree-less valley, exposed to the wind and the hills towering around them. One hill loomed closer than the rest, its top covered with strange twisted bushes that seemed almost black. “Blackbriar,” Philippa said softly.

The Black Swan was a large white house at one end of a small green. Across from it a dirt road wound steeply up the hillside. Philippa turned sharply, and Lil began to pull herself up the slope. Danny looked back and saw the road, the inn, and the cows grazing on the green grow smaller and smaller. Just before the view was hidden by trees he caught a glimpse of a gaunt, gray mansion halfway up the hill.

The road became steeper and less distinct. When it reached the top it turned into a small grove of trees, and ended at a rusty gate. Beyond the gate was a rolling field, scattered with tiny round bumps. Danny hopped out and held the gate open, closing it after the car had gone through. When he climbed back in, his city shoes were covered with dripping mud.

The canvas flapped even more as they started across the field. The car swerved and tilted each time they went over a bump. Islington groaned uncomfortably and dug into Danny’s legs with his claws. In the distance was another gate, which Philippa headed for as directly as she could. All around them, beyond the field, they could see only other hilltops. All at once Danny began to realize how isolated they were.

Beyond the second gate was the forest. There was something of a track here, but it was more like a row of deep ruts winding among the trees. The car constantly seemed about to tip over, as Philippa twisted and turned the wheel, slipping with a bounce from one rut into another, trying to avoid thick roots and dead branches that hung across the path. Islington howled and clung to Danny with claws like needles. Crockery and milk bottles rattled, egg cartons and heavy canvas bags slid around in the back. Philippa sat very straight, her hands clutching the wheel, a cigarette clenched in her lips. Danny’s door kept swinging open, and he tried to hang on to the back of the seat, to the roof, but there was nothing he could really grab. The car slipped under a low branch which scraped heavily against the canvas. Looking over at Philippa, who was concentrating so intensely, Danny tried to keep from falling out of the car, to keep a hold on Islington without getting his eyes scratched out. He heard a milk bottle crash to the floor just as a canvas bag landed on a carton of eggs. He began to laugh. At first it was only a chuckle, but before he knew it he was out of control, rolling around in the seat, clutching his sides. Philippa was shocked for a second, and then began to laugh herself, which did not improve her driving.

They lumbered through the dense forest in the little battered car, narrowly missing every tree in their way. The grunting of the motor and their hysterical laughter echoed through the deep silence. They did not stop laughing until, around a curve, they found themselves in a wide clearing. Their new home stood before them.

Stark and gray, the old house rose from the ground as if it had grown there.

The car came to a sudden stop and the motor died. Philippa and Danny stepped slowly out. The only sounds were a few lonely bird calls, and the wind.

It was not a large house. The nubbly flint walls were two stories high, broken by only a few narrow windows. The pointed roof was of faded red tiles, covered by a yellowish lichen, and extended for a foot beyond the walls. There were tiles missing in places, and some of the bricks in the two chimneys were gone. It was desolate, it was lonely, it was almost forbidding. Yet it did not seem derelict. There was a feeling of life about the place, as if it had
not
been left for centuries to crumble and decay. Something, Danny felt, was waiting there; and suddenly he had the uncanny sensation that it was waiting for him.

He tried to shake these thoughts away as they walked around the house. It was rectangular in shape. The long side facing over the hill, down through slender scattered trees to hills below, had a few windows. The other long side, with the doorway, faced into a dense pine woods and had no windows at all. Over the doorway was a lopsided arbor made of twisted tree branches, covered with twining brown vines. Philippa took a large key out of her handbag and fitted it into the rusty lock. Neither of them said a word.

The key fit beautifully and the door swung open, squeaking. Cautiously they stepped inside, into a short, narrow passageway only about six feet long. They followed it to the right, into a large room. It was so dark inside that at first they could hardly see a thing. But as their eyes adjusted to the darkness, the room began to take shape around them. They could make out a great stone fireplace against the left wall, with a mantel made of a rough-hewn log. There was a spinning wheel in one corner, and a bookcase built into a wall. In front of the fireplace were two heavy, sagging chairs and a round wooden table. On the other side of the fireplace, behind a door, was a very steep, narrow, winding stairway. And next to this was another door, thick and heavy and ancient. Black iron hinges in strange curving shapes held it to the wall. Danny was fascinated. There seemed to be words carved into the door, but it was too dark to see what they were. Cobwebs, naturally, were everywhere.

Philippa prodded one of the chairs. “Damp,” she said. “What this place needs is a good airing.” She stepped over to a window, rubbed some dust off the mottled pane with one finger, and pushed it open. Light poured into the room, showing them how dusty the windows were. When they were all opened Danny went back to the ancient door. The carvings were now perfectly clear. “Hey, look at this!” he called. “Come over here!”

Philippa peered over Danny’s shoulder. Roughly but deeply carved into the door in an archaic, almost gothic, hand was a list of names. After each name was a date. “Look,” he said, reading the names with difficulty, “‘Euen Bradley—2 December 1665. Lemuel Greaves—5 December 1665. Patience Falk—20 December 1665. Adam Burnside—2 January 1666. Anne Ordway—5 January 1666 . . .’ It’s funny, the dates are all so close together, and they go chronologically. What could it mean? And at the bottom, there’s one name without a date at all. Mary Peachy. I wonder what it means?”

Philippa turned away. “Let’s go look at the rest of the house,” she said. “We’ve got a lot to do today.”

Danny pulled at the iron handle on the door. It scraped slowly open. A gust of cold, moist air blew across his face. Crumbling stone steps led down into impenetrable darkness.

“Come and look at the kitchen,” Philippa called. Her voice sounded hollow and distant. Danny pushed the door closed and hurried past the fireplace, through the little passageway and into the kitchen, which was to the left of the front door.

It was a narrow room, but compact and well arranged. The wooden sink was just below the window. Against one wall was a low shelf, which could be used as a working surface, with other shelves below it. Filling the right side of the room was a big black coal stove. Philippa was crouching before it, her head in the oven. When she emerged there was a black smudge on her forehead. “It looks like it’s in working order,” she said. “I wonder if there’s any coal around?” She stood up. “How do you like the sink? I can look out on the hillside while I’m washing the dishes. Or you can.”

Past the kitchen was a dining room with a dark red tile floor and a small fireplace. The only furniture was a large oval wooden table with four chairs around it. The chairs were ornately carved with figures of strange beasts, crouching and eating each other.

Another winding stairway led up from this room. They followed it to a small whitewashed bedroom, which led to a larger bedroom, which in turn led to the largest bedroom of all, at the top of the stairway from the living room. The fireplace here was quite large, and there were windows on two walls. Philippa sank down on the lofty iron bed. “This mattress is damp,” she said. “It’s a good thing there’s sun today. We can drag all these things out and let them get dry.”

She looked at Danny, who was leaning against the fireplace. “Well, what do you think?”

“I like the door with all those names carved on it,” he said. “I wonder if it’s really as old as the dates say?”

“But what about the house? Don’t you have any feelings about it at all?”

Danny did feel a certain muted excitement, tinged with a pleasurable fear, about living in a place that was so strange and old. But, trying to sound bored, he said, “I suppose it’s all right. I just wonder what we’re going to do here all the time.”

“Oh,” she said, tossing her head impatiently, “why do you have to be so damned . . . bloody-minded! Can’t you see what this place is? Why, it’s a perfectly unspoiled, natural, unique . . . country cottage! Places like this just don’t exist any more. It’s exactly what I’ve always dreamed of.” Her voice switched from anger to eagerness. “And I already have so many ideas about what we can do with it. This house is crying out for somebody to pull it back into shape. Why—”

Downstairs there was a sudden, rapid scuffling. Philippa almost jumped from the bed. “What was that?”

“Islington?” Danny suggested.

“I made sure he was locked in the car.” She looked about nervously. Outside the window there were more trees than Danny had ever seen in his life. It was so cold in the room that he could see his breath.

“Why were all those people so secretive . . . ?” Philippa asked softly. They watched each other for a moment, warily. Then, quickly, Philippa stood up, briskly brushing her tweed skirt. “It must have been a mouse,” she said. “We’ve got to let that poor cat out of the car. And we’re wasting precious time just sitting here. If we don’t get organized before dark, we’ll be in a real muddle.”

They dragged down the mattresses from the biggest bedroom and the smallest one and set them out in the sun, along with the living room chairs. With Islington jumping at their heels they carried things in from the car. At first the cat would not enter the house, but waited at the doorway, swinging his tail about nervously and gazing inside. Finally, his nose twitching, he stuck in his head, testing the floor with one paw. When he entered, his back arched for a moment and the fur on his tail stiffened. His head swung back and forth rapidly. “Now why is he acting so strangely?” Philippa asked, pausing with a box of crockery in her arms.

“Aren’t cats always cautious like that?” Danny grunted as he heaved a canvas bag full of blankets over to the stairs.

Philippa watched him as he set it down. “Why don’t you take the flashlight and go see what’s behind that old door,” she said, “since it’s the only thing you like about the house.”

“By myself?” he said quickly, without thinking.

“Islington will go with you.
I’ve
got to put all these dishes away.”

But when, with flashlight in hand, Danny pulled open the heavy door, the cold musty air touched Islington too. He spun away as if he had been hit, his back went up again, he growled and spat and dashed out of the house. Danny switched on the flashlight, and the first thing it brought to light was a pump, standing on the small landing where the stone steps turned. “Hey! A pump!” he shouted.

“Super!” Philippa called from the kitchen. “That must mean there’s an underground well. The pump probably brings water up from it to the sink. What luxury!”

He continued slowly down the steps. The air felt heavy and damp, and he could hear water dripping. He began to be afraid. Fear more intense than he had ever known seemed to seep into him with the moist air and the darkness. When he reached the last step he could barely make himself step down onto the stone floor. He flashed the light quickly over the walls, constantly turning to look behind. There were a few rusty bedsprings and crumbling pieces of furniture, some strange, blunt tools hanging on hooks, and in one corner a dusty black pile of coal.

Upstairs, the cellar door slammed shut with a crash. Suddenly his heart was pounding furiously. As quickly as he could he stumbled up the stairs backwards, probing the darkness with the light. But when he reached the top the door would not open. He began to bang on it with his fist, turning around constantly to shine the light back down the stairs. “Hey!” he cried. “Get me out of here! Let me out!”