Arguably: Selected Essays (86 page)

Once again, after a tour of some thatched hamlets and some local schools for the special cases, I experienced an urgent need to be elsewhere or alone. How many times can one pretend to “interview” the parents of a child born with bright-yellow skin? The cleft palates, the deafness, the muteness, the pretzel limbs and lolling heads … and the terrible expressions on the faces of the parents, who believe that this horror can sometimes skip a generation. There is just enough knowledge for agony and remorse, in other words, but not enough for any “healing process.” No answer, above all, to the inescapable question: When will it stop? A rain from hell began falling about forty years ago. Unto how many unborn generations? At a school full of children who made sign language to one another or who couldn’t sit still (or who couldn’t move much at all), or who couldn’t see or couldn’t hear, I took the tour of the workshops where trades such as fishnet weaving or car repair are taught, and was then asked if I would like to say a few words, through an interpreter, to the assembly. I quite like a captive audience, but I didn’t trust myself to say a fucking thing. Several of the children in the front row were so wizened and shrunken that they looked as if they could be my seniors. I swear to you that Jim Nachtwey has taken photographs, as one of his few rivals, Philip Jones Griffiths, also took photographs, that simply cannot be printed in this magazine, because they would poison your sleep, as they have poisoned mine.

“After such knowledge,” as T. S. Eliot asked in “Gerontion,” “what forgiveness?” That’s easy. The question of forgiveness just doesn’t come up. The world had barely assimilated the new term “genocide,” which was coined only in the 1940s, before the United States government added the fresh hell of “ecocide,” or mass destruction of the web of nature that connects human and animal and herbal life. I think we may owe the word’s distinction to my friend Orville Schell, who wrote a near-faultless essay of coolheaded and warmhearted prose in the old
Look
magazine in March 1971. At that time, even in a picture magazine, there weren’t enough photographs of the crime, so his terse, mordant words had to suffice, which makes me faintly proud to be in the same profession. And at some points, being naturally scrupulous about the evidence, he could only speculate: “There are even reports of women giving birth to monsters, though most occurrences are not reported because of nonexistent procedures for compiling statistics.”

Well, we know now, or at least we know better. Out of a population of perhaps 84 million Vietnamese, itself reduced by several million during the war, there are as many as one million cases of Agent Orange affliction still on the books. Of these, the hardest to look at are the monstrous births. But we agree to forgive ourselves for this, and to watch real monsters such as Robert McNamara and Henry Kissinger, who calmly gave the orders and the instructions, as they posture on chat shows and cash in with their “memoirs.” But, hey, forget it. Forget it if you can.

No more Latin after this, I promise, but there is an old tag from the poet Horace that says,
Mutato nomine de te fabula narratur
. “Change only the name and this story is also about you.” The Vietnam War came home, and so did many men who had been exposed to Agent Orange, either from handling it and loading it or from being underneath it. If you desire even a faint idea of the distance between justice and a Vietnamese peasant family, take a look at how long it took for the American victims of this evil substance to get a hearing. The chemical assault on Vietnam began in 1961, in the early days of the Kennedy administration, and it kept on in spite of many protests for another ten years. The first effective legal proceeding brought in any American court was in 1984, in New York. This class action, settled out of court, was so broadly defined, in point of American victims and their stricken children, that almost nobody got more than $5,000 out of it, and there was a sharp (or do I mean blunt?) cutoff point beyond which no claim could be asserted. Six million acres of Vietnam had been exposed to the deadly stuff, and, as is the way with protracted litigation, the statistics began to improve and harden. It was established that there was a “match” between those who had been exposed and those who were subject, or whose offspring were subject, to alarming disorders. Admiral Zumwalt, who had first used the phrase “wrong war, wrong place, wrong time” in connection with Vietnam, took a hand in forwarding the legal cause and might have added that his grandson should not be (or do I mean should be?) the last one to suffer for a mistake. More than a mistake. A crime.

Long after both senior male Zumwalts had died—or in 2003, to be precise—the Supreme Court ruled that the issue had not been completely put to rest by the 1984 settlement. The way now lies open for a full accounting of this nightmarish affair. A report, written by Professor Jeanne Stellman, of Columbia University, as part of a U.S. government study, has concluded that nearly two million more gallons of herbicide were disseminated than has yet been admitted, and that the dioxin content of each gallon was much higher than had been officially confessed. (It has been calculated from tests on some Vietnamese that their dioxin levels are 200 times higher than “normal.”) The implications are extraordinary, because it is now possible that thousands of Americans may join a million of their former Vietnamese adversaries in having a standing to sue.

“Doesn’t it ever end? When will Agent Orange become history?” These were the words of Kenneth Feinberg, who figured as the court’s “special master” in the 1984 suit, and who has more recently run the Victim Compensation Fund for the families of those who died in the attacks of September 11, 2001. One should not leave him to answer his own question all by himself. Agent Orange will “become history” in a different way from the trauma of September 11. Of that event, it’s fairly safe to say, there will be no lapse of memory at least until everybody who lived through it has died. Of this Vietnam syndrome, some of us have sworn, there will likewise be no forgetting, let alone forgiving, while we can still draw breath. But some of the victims of Agent Orange haven’t even been born yet, and if that reflection doesn’t shake you, then my words have been feeble and not even the photographs will do.

(
Vanity Fair
, August 2006)

Once Upon a Time in Germany

T
HE NUMBER OF COMMUNIST revolutionaries in the world has declined much faster than the number of gangsters and stickup artists, but at the movies it’s still a fairly safe bet that such stories will be portrayed in such a way as to inspire at least a twinge of penis envy. You will know what I mean, even if you didn’t actually bother to watch Benicio Del Toro playing Che, or Johnny Depp taking the part of John Dillinger. It’s a trope that goes back at least as far as
Viva Zapata!:
the quasi-sexual charisma of the outlaw.

So don’t miss the opportunity of seeing the year’s best-made and most counter-romantic action thriller,
The Baader Meinhof Complex
. Unlike earlier depictions of the same events by German directors such as Volker Schlöndorff and Rainer Werner Fassbinder, Uli Edel’s film interrogates and ultimately indicts (and convicts) the West German terrorists rather than the state and society which they sought to overthrow.

It does this in the most carefully objective way, by taking the young militants, at least in the first instance, at their own face value. It is Berlin on June 2, 1967, and the rather shabby and compromised authorities of the postwar Federal Republic are laying down a red carpet for the visiting Shah of Iran. A young journalist named Ulrike Meinhof has written a mordant essay, in the form of an open letter to the Shah’s wife, about the misery and repression of the Iranian system. When students protest as the Shah’s party arrives at the Berlin Opera, they are first attacked by hired Iranian goon squads and then savaged by paramilitary formations of brutish German cops. It’s the best 1960s street-fighting footage ever staged, and the “police riot” element is done with electrifying skill. On the fringes of the unequal battle, a creepy-looking plainclothes pig named Karl-Heinz Kurras unholsters his revolver and shoots an unarmed student, named Benno Ohnesorg, in the head.

That is only the curtain-raiser, and the birth of “the Movement of 2 June.” Not much later, the student leader Rudi Dutschke is also shot in the head, but in this instance by an unhinged neo-Nazi. Now the rioting begins in earnest as West German youth begin to see a pattern to events. The shaky postwar state built by their guilty parents is only a façade for the same old grim and evil faces; Germany has leased bases on its soil for another aggression, this time against the indomitable people of Vietnam; any genuine domestic dissent is met with ruthless violence. I can remember these events and these arguments and images in real time, and I can also remember some of those who slipped away from the edge of the demonstrations and went, as they liked to think of it, “underground.” The title of the film announces it as an exploration of exactly that syndrome: the cult of the urban guerrilla.

There was a prevalent mystique in those days about the Cuban and Vietnamese and Mozambican Revolutions, as well as about various vague but supposedly glamorous groups such as the Tupamaros in Uruguay. In the United States, the brief resort to violence by the Black Panthers and then by the Weather Underground was always imagined as an extension of “Third World” struggles onto the territory of imperialist North America. Other spasmodic attempts to raise armed insurrection—the so-called Front for the Liberation of Quebec, the I.R.A., and the Basque E.T.A.—were confined to national or ethnic minorities. But there were three officially democratic countries where for several years an actual weaponized and organized group was able to issue a challenge, however garbled and inarticulate, to the very legitimacy of the state. The first such group was the Japanese Red Army, the second (named partly in honor of the first) was West Germany’s Red Army Faction, led by Andreas Baader and Ulrike Meinhof, and the third was the Red Brigades in Italy.

You may notice that the three countries I have just mentioned were the very ones that made up the Axis during the Second World War. I am personally convinced that this is the main reason the phenomenon took the form it did: The propaganda of the terrorists, on the few occasions when they could be bothered to cobble together a manifesto, showed an almost neurotic need to “resist authority” in a way that their parents’ generation had so terribly failed to do. And this was also a brilliant way of placing the authorities on the defensive and luring them into a moral trap. West Germany in the late 1960s and 1970s is not actually holding any political prisoners. Very well then, we will commit violent crimes for political reasons and go to prison for them, and then there will be a special wing of the prison for us, and then the campaign to free the political prisoners by violence can get under way. This will strip the mask from the pseudo-democratic state and reveal the Nazi skull beneath its skin. (In a rather witty move that implicitly phrases all this in reverse, the makers of
The Baader Meinhof Complex
have cast Bruno Ganz as the mild but efficient head of West German “homeland security,” a man who tries to “understand” his opponents even as he weaves the net ever closer around them. It requires a conscious effort to remember Ganz’s eerie rendition of the part of the Führer in
Downfall
five years back.)

It doesn’t take long for the sinister ramifications of the “complex” to become plain. Consumerism is equated with Fascism so that the firebombing of department stores can be justified. Ecstatic violence and “action” become ends in themselves. One can perhaps picture Ulrike Meinhof as a “Red” resister of Nazism in the 1930s, but if the analogy to that decade is allowed, then it is very much easier to envisage her brutally handsome pal Andreas Baader as an enthusiastic member of the Brownshirts. (The gang bought its first consignment of weapons from a member of Germany’s neo-Nazi underworld: no need to be choosy when you are so obviously in the right.) There is, as with all such movements, an uneasy relationship between sexuality and cruelty, and between casual or cynical attitudes to both. As if curtain-raising a drama of brutality that has long since eclipsed their own, the young but hedonistic West German toughs take themselves off to the Middle East in search of the real thing and the real training camps, and discover to their dismay that their Arab hosts are somewhat … puritanical.

This in turn raises another question, with its own therapeutic implications. Did it have to be the most extreme Palestinians to whom the Baader Meinhof gangsters gave their closest allegiance? Yes, it did, because the queasy postwar West German state had little choice but to be ostentatiously friendly with the new state of Israel, at whatever cost in hypocrisy, and this exposed a weakness on which any really cruel person could very easily play. You want to really, really taunt the grown-ups? Then say, when you have finished calling them Nazis, that their little Israeli friends are really Nazis, too. This always guarantees a hurt reaction and a lot of press.