Anthology of Japanese Literature (26 page)

BOOK: Anthology of Japanese Literature
9.54Mb size Format: txt, pdf, ePub
ads

MUROMACHI
PERIOD

1333-1600

ESSAYS IN IDLENESS

[
Tsurezure-Gusa
]
by Yoshida Kenk
ō

"Essays in Idleness" is a collection in 243 sections which range in length from a few lines to three or four pages. It was written about 1340. Yoshida Kenko (1283-1350) was a celebrated poet and court official of his time, who became a Buddhist monk in 1324. In many ways "Essays in Idlenesk' seems to echo the delightful "Pillow Book" of Sei Sh
ō
nagon, but there is a melancholy tinge to its worldly wisdom which is perhaps due more to the tragic period in which the essays were composed than to Kenk
ō
's religious convictions.

To while away the idle hours, seated the livelong day before the inkslab, by jotting down without order or purpose whatever trifling thoughts pass through my mind, verily this is a queer and crazy thing to do!

. .

It is desirable to have a knowledge of true literature, of composition and versifying, of wind and string instruments; and it is well, moreover, to be learned in precedent and court ceremonies, so as to be a model for others. One should write not unskilfully in the running hand, be able to sing in a pleasing voice and keep good time to music; and, lastly, a man should not refuse a little wine when it is pressed upon him.

. .

However gifted and accomplished a young man may be, if he has no fondness for women, one has a feeling of something lacking, as of a precious wine cup without a bottom. Admire the condition of a lover! Drenched with dews and frosts and aimlessly wandering; ever concerned to shun the world's reproof and escape his parents' reproaches; hither and thither pursued by doubt and distress; and spending his nights withal sleepless upon a solitary couch.

But it is well that a man do not become addicted to lewdness, a constant and familiar companion of women.

. .

Were we to live on for ever—were the dews of Adashino never to vanish, the smoke on Toribeyama
1
never to fade away—then indeed would men not feel the pity of things.

Truly the beauty of life is its uncertainty. Of all living things, none lives so long as man. Consider how the ephemera awaits the fall of evening, and the summer cicada knows neither spring nor autumn. Even a year of life lived peacefully seems long and happy beyond compare; but for such as never weary of this world and are loath to die, a thousand years would pass away like the dream of a single night.

What shall it avail a man to drag out till he becomes decrepit and unsightly a life which some day needs must end? Long life brings many shames. At most before his fortieth year is full, it is seemly for a man to die.

After that age it is pitiful to see how, unashamed of his looks, he loves to thrust himself into the society of others and, cherishing his offspring in the evening of his days, craves to live on and on that he may watch them grow and prosper. So he continues, his heart set on nought but worldliness, and hardening to the pity of things.

. .

Of all things that lead astray the heart of man there is nought like fleshly lust. What a weakly thing is this heart of ours. Though a perfume, for example, is but a transient thing, and though he knows full well that incense is burned to give an odor to garments, yet a man's heart will always be stirred by a vague perfume.

The Magician of Kume, the legend runs, lost his magic power through looking at a maiden washing clothes. This may well have been, for here was no charm from without, but the real beauty of plump and glistening limbs.

. .

There is a charm about a neat and proper dwelling house, although this world, 'tis true, is but a temporary abode. Even the moonshine, when it strikes into the house where a good man lives in peaceful ease, seems to gain in friendly brilliancy.

The man is to be envied who lives in a house, not of the modern, garish kind, but set among venerable trees, with a garden where plants grow wild and yet seem to have been disposed with care, verandas and fences tastefully arranged, and all its furnishings simple but antique.

A house which multitudes of workmen have devoted all their ingenuity to decorate, where rare and strange things from home and abroad are set out in array, and where even the trees and shrubs are trained unnaturally—such is an unpleasant sight, depressing to look at, to say nothing of spending one's days therein. Nor, gazing on it, can one but reflect how easily it might vanish in a moment of time.

The appearance of a house is in some sort an index to the character of its occupant.

. .

Once in the month of September I passed over the plain of Kurusu and sought out a certain village among the hills beyond, when, threading my way far down a narrow moss-grown path, I came upon a lonely hut. There was never a sound to greet me, save the dripping of water from a pipe buried in fallen leaves, but I knew that someone lived there, for sprays of chrysanthemum and maple leaves bestrewed the shelf before the shrine, and "Ah!" thought I, "In such a place a man can spend his days." But as I stood and gazed in wonder, I perceived in the garden beyond a great orange tree, its branches weighted down with fruit. It was strongly closed in on all sides by a fence. This broke the spell, and I thought to myself, "If only that tree had not been there!"

. .

It is a joyful thing indeed to hold intimate converse with a man after one's own heart, chatting without reserve about things of interest or the fleeting topics of the world; but such, alas, are few and far between. Not that one desires a companion who will sit opposite and never utter a word in contradiction—one might as well be alone. Far better in hours of loneliness the company of one who, while he will listen with respect to your views, will disagree a little, and argue, saying "Yes, that is so, but . . .," or "For this reason such and such is the case."

And yet, with those who are not of the same way of thinking or are contentious, a man can discuss only things of passing interest, for the truth is there must not be any wide gulf between bosom friends.

. .

To sit alone in the lamplight with a book spread out before you, and hold intimate converse with men of unseen generations—such is a pleasure beyond compare.

. .

It wakes one up to go away from home for a time, no matter whither. Exploring and rambling about the countryside you come upon a host of unwonted sights in rustic spots and mountain hamlets. You get a messenger to take letters to the capital, and you write and say "Do not forget to send me so-and-so at the next opportunity." All this is in its way amusing. Of course you have a thousand things to think of in such a place.

Pleasant also to slip away and go into retreat in some mountain temple.

. .

It is well for a man to be frugal, to abstain from luxury, to possess no treasure nor to covet this world's goods. Since olden times there has rarely been a sage who was wealthy.

In China there was once a man called Hsü Yu. He had not a single possession in the world. He even scooped up water with his hands, until a friend gave him a gourd. But one day, when he had hung it from a branch, it rattled in the wind; whereupon, disturbed by the noise, he threw it away and once more took to drinking from his clasped hands. How pure and free the heart of such a man.

. .

A certain recluse, I know not who, once said that no bonds attached him to this life, and the only thing he would regret leaving was the sky.

. .

Though the breeze blow not, the flower of the heart of man will change its hue. Now looking back on months and years of intimacy, to feel that your friend, while you still remember the moving words you exchanged, is yet growing distant and living in a world apart—all this is sadder far than partings brought by death.

. .

In hours of quiet thought one cannot but be overcome by longing for the past.

When, to while away the long nights after folk have gone to rest, we go through our odd belongings, sometimes, as we throw away such scraps of paper as we do not want to keep, the handwriting of one who is no more, or an idle sketch maybe, will catch the eye and vividly recall the moment it was made.

It is affecting, too, after the lapse of many years, to come across the letters even of one who is still living, and to call to mind the year and the occasion when they were written.

The things they were wont to use have no heart, yet remain unchanged throughout the long, long years. A melancholy reflection.

. .

There is no such mournful time as follows on a death. For the days of retirement a crowd of people go up together to some mountain village, into a cramped and incommodious house, and there they busily perform the offices for the dead. So the appointed time passes with unwonted quickness. The last day is pitiless indeed; for in silence they gather together their possessions, each for himself, and go their several ways. Only when they have returned to their own homes will they begin to feel exceeding sad.

Months and years pass by, and still they do not forget, though, as the saying goes, the departed grows more distant every day. However that may be, they seem not to feel so deeply as at the time of death, for now they chatter and laugh together. The body is laid to rest upon some lonely mountainside, whither the mourners come on rare appointed days, soon the tablet is overgrown with moss, buried in fallen leaves, and looks in time as if none came to visit there save even storms and the nocturnal moon.

There may be some who will recall the dead, and think of him with grief. But soon they themselves must pass away. Then how can later generations grieve, who know him only by repute? After a time they go no longer to his tomb, and people do not even know his name or who he was. True, some feeling folk may gaze with pity on what is now but the growth of grasses of succeeding springs; but at last there comes a day when even the pine trees that groaned in the storms, not lasting out their thousand years of life, are split for fuel, and the ancient grave, dug up and turned to rice field, leaves never a trace behind.

. .

Although some will say, "After all this time, why stand on ceremony?" I myself feel that it is a sign of genuine and proper feeling when even the most inseparable friends treat one another, if the occasion demands, with due reserve and decorum. On the other hand, it is sometimes well for people who are not intimate to speak freely.

. .

In the Province of Inaba there was a girl, the daughter of a certain lay priest of noble family, whose hand was asked in marriage by many that heard of her beauty. However, this girl ate nothing but chestnuts, never touching rice or other grain, and her parents therefore refused, saying that such an unusual thing ought not to be seen by others.

. .

This is a story of the priests of the Ninnaji. They had a feast to celebrate the farewell to the world of a young acolyte about to enter the priesthood. In their revels they became drunken, and the acolyte, beginning to feel merry, took a three-legged iron pot that lay nearby and put it on his head. Then, though it fitted very tight, he flattened out his nose, pulled the pot over his face, and began to dance. The whole company grew merry beyond measure, until after performing awhile, he at length tried to pull it off—but in vain! This sobered the feast, and they were thrown into confusion and doubt, wondering what they should do. While they were debating, the pot cut into his head, and blood began to flow and his face swelled up so that he could hardly breathe. They tried to break it, but it was not easily broken, and as the force of the blow went to his head, he could not bear it, and they were obliged to stop. They did not know what to do next, so, throwing a black gauze cloak over the three legs, which looked like horns, they led him, supported by a staff, to the house of a physician in Kyoto. People looked at them with amazement as they went along. It must have been a queer scene when they brought him face to face with the physician on entering his house. When he spoke, his voice was muffled, and resounded so that they could not hear what he said. The physician said that he had never seen such a case in the books, nor had he ever had any oral instruction on the point, so they were obliged to return to the temple. There his friends and relatives, with his old mother, gathered at his bedside and wept and grieved—not that they thought he could hearl At last someone said, "Suppose he does lose his ears and nose, so far as living goes there is no reason why he should not survive. Let us then pull the thing off by main force." So they thrust rice straw all round between his head and the metal, and pulled as if to drag off his head. His ears and nose were torn away, and he escaped with his bare life, suffering afterward many a long day.

. .

A house should be built with the summer in view. In winter one can live anywhere, but a poor dwelling in summer is unbearable. Deep water does not give a cool sensation. Far cooler is a shallow running stream. A room with sliding doors is lighter than one with doors on hinges. When the ceiling is high the room is cold in winter and difficult to light. As for construction, people agree in admiring a place with plenty of spare room, as being pleasing to the eye and at the same time useful for all sorts of purposes.

. .

As soon as we hear a person's name we form in our minds a picture of his appearance; but when we come to see him, he is never the man whose face we had imagined.

BOOK: Anthology of Japanese Literature
9.54Mb size Format: txt, pdf, ePub
ads

Other books

Changing My Mind by Zadie Smith
Man Candy by Melanie Harlow
The Flame Tree by Richard Lewis
Cursed by Nicole Camden
Like a House on Fire by Cate Kennedy
Endangered Species: PART 1 by John Wayne Falbey
Tamed Galley Master by Lizzie Lynn Lee
BLOOD RED SARI by Banker, Ashok K
Wrath of Hades by Annie Rachel Cole