Anatomy of Murder (23 page)

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Authors: Imogen Robertson

Tags: #Historical fiction, #Crime Fiction

BOOK: Anatomy of Murder
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Manzerotti smiled. ‘Do you not think, madam, that the greatest art is inspired by tragedy? The most beautiful songs I sing are of loss and grief. Joy leaves no lasting impression on the world.’
‘That seems a rather depressing philosophy.’
He was watching her as she spoke and Harriet found the completeness of his attention settled on her like sable, and made her long for luxury. ‘I do not mean to suggest there is no place for joy in life, Mrs Westerman. Only that as life reveals its true self only in death, and that as love shows itself most fully in its loss, it is perhaps no surprise that the glories of great art often treat with subjects of suffering.’
Crowther spoke: ‘Our apologies, sir, for calling on you so early. You know the reason for our visit.’
Manzerotti with a gesture invited them to take their seats and nodded, suddenly practical.
‘You wish to know of my dealings with Fitzraven. It is simply stated. I was pleased and flattered to be offered the opportunity of singing here. I know I have been spoken of in London, and I wished very much to give substance to the kind words of praise that have been carried across the Channel to this place. A successful season in London is an important thing.’
Harriet looked directly at him. ‘Did Fitzraven expect you to pay him for the opportunity?’
Manzerotti smiled at her again and she thought briefly of the woman who had thrown herself in front of his coach.
‘He did, madam. I found on my arrival here that it had been an unnecessary expense. Mr Harwood told me he had expressly instructed Fitzraven to secure my services, and those of Johannes, if he could.’
Crowther examined his cuffs. ‘That must have been an annoyance, sir.’
‘It was. I was angry. But not enough to kill him, if that is your implication, Mr Crowther.’
The two men looked at each other for several silent moments. Harriet’s eyes rested on a small painting of a slave market that hung to the left of the doorway.
‘Bribery seems common practice in opera,’ she remarked.
Manzerotti stood and crossed to the fire and held his hands out towards the flames.
‘I am glad to be singing in London, but I miss the warmer weather of my own city,’ he remarked. There was a strange muscled grace apparent even in his most ordinary movements. ‘It is perhaps more common than one would like, Mrs Westerman. But the arts require the patronage of the rich and influential. A recommendation here, an introduction there, the chance to sing for an Emperor or some lady of taste and influence – on such things we poor servants of music must build the fragile structure of a career. Where such things matter, you will always find people looking to make a little profit of their own. I myself am ready to tip the gate-keepers to gain an audience.’ He looked back into the flames. ‘Sometimes I make an introduction or recommendation of my own. Sometimes it becomes necessary to use more blunt forms of payment.’
Manzerotti had a trick of colouring the pitch and timbre of his speaking voice so that each phrase left the outline of music in the air. Harriet had the impression of being rocked to and fro as he spoke in oily waters.
Crowther looked at him and said with a slow blink, ‘But surely your talent speaks for itself, Mr Manzerotti?’
The castrato nodded in return, as if acknowledging a compliment, though the slight twist of his lips suggested he recognised the satirical edge to Crowther’s question. ‘Thank you, Mr Crowther. But a man may be talented indeed, and gain no foothold in these arts. We must also be fashionable to receive our opportunity to perform. To be a romantic artist, slave only to the music, might sound very fine, but it is uncomfortable and does the music no service if it is heard only by its singer. I flatter, I practise, I perform. This is my trade, just as Dr Gregson’s trade is his secret recipe for pills against gout. He takes an inch or two in the
London Advertiser
, I make influential friends and celebrate their taste.’
‘Such as Lord Carmichael,’ Crowther said.
‘Indeed. My Lord is a gracious host and I met him first many years ago in Milan, so he invited me to make his home my residence during the season. Though I must sing for my supper here also. I am part of the collection, albeit on a ‒ let me remember the phrase ‒ a
temporary
footing. Lord Carmichael is entertaining the better people in Town at a reception here tomorrow evening. Miss Marin will sing also. I hope you shall attend?’
‘Was Fitzraven also to be part of the collection here? He seems to have been made of less fine stuff than yourself, yet we know he boasted of being admitted here after his return from the continent.’
Manzerotti lifted his shoulders. ‘There are many people in Milan through whom he might have gained that introduction. I did not put their hands together, nor was I here when he visited Lord Carmichael.’ He shrugged again and the silk of his coat rippled up and down his back. ‘Perhaps my Lord found him amusing.’ He continued in a brisker tone ‘But I am not being very helpful to you – perhaps I can be more so. When I first met Fitzraven I was pleased to be his friend for the opportunities he offered. But since I arrived in London to take up my appointment at your opera house, that liking for him has diminished. I believe I observed him following me not less than three times since I arrived, and I think he did the same to others in the employ of the opera house.’
‘Indeed?’ Harriet said with calm interest, pleased to note her voice did not flutter when she spoke to him. ‘And why should he do such a thing, do you think?’
Manzerotti picked a scrap of lint from his left sleeve. ‘I think he had long made it his business to know a great deal about the people of distinction with whom he came in contact. He liked to come up to me in the opera and say, “Did you dine well at such and such a place? Did such and such a tailor please you? If not, I can recommend for you another place, another tailor”. I believe that in doing such things, he hoped he was gaining my friendship.’
Crowther placed his long hands in his lap and felt the glow from the fire on his grey skin. ‘It seemed he failed,’ he observed.
‘He did. And if his aim was to find out something to embarrass me into further gifts of money, he failed in that also. My life here is . . .’ he lifted his hands, his palms raised and open ‘. . . blameless.’
‘And, of course, you no longer require his friendship?’ Harriet said.
Manzerotti turned his eyes on her again. ‘Dear Mrs Westerman, you make me sound very brutal . . .’ Harriet opened her mouth to apologise and say she meant nothing of the sort, but Manzerotti spoke on. ‘Remember, I had cause to cut him. Had he been honest in his friendship with me, I would have been loyal to him. But he stole from me more than was polite.’
‘Has your work taken you to Paris of late, Mr Manzerotti?’ Crowther asked the question in a rather bored tone and examined his fingertips.
Manzerotti frowned. It was the first time Harriet had seen that perfect brow furrowed in any way and she felt a sudden impulse to smooth it clear again with the tip of her glove. ‘Not of late, Mr Crowther. Why do you ask?’
Crowther did not take his eyes from his cuffs. ‘I am fascinated by the glamour of a life so much unlike my own, perhaps. No matter. But what is more germane, who else in the company do you think found themselves with Fitzraven playing their shadow?’
Manzerotti continued to watch the older man carefully. ‘I observed him following Bywater. Perhaps he found more than matters of tailoring and dining on those expeditions.’
‘You suspect Mr Bywater of something, sir?’ Crowther’s voice by comparison with the avian coo of Manzerotti seemed like wheels on gravel.
‘Of nothing – but he is very much in love with Mademoiselle Marin, Mr Crowther. And the duet . . .’
‘What of the duet, Signor?’ Harriet asked. She was sorry to note that her voice did sound a little breathy, even if it did not flutter, as if she were in the presence of a holy relic. This man seemed to make any space he occupied like a church or a theatre.
Manzerotti shrugged again and said with a smile, ‘It is too good, Signora. Bywater is a man of at best moderate talent, but the duet is the work of a master.’
IV.3
J
OCASTA DIDN’T GO to
see Kate buried, guessing that if Fred and Mrs Mitchell caught sight of her, she’d be up in front of the Magistrate before the grave was full and that he’d impose more ‘fines’ on her than the Constable had. She sent Sam and the two boys he’d fetched along with him though to keep an eye on them, and gave him some scraps of copper and a few words before he went. He’d taken Boyo with him too. The terrier liked him, and she knew he’d get fretful, shut in with her all morning.
Her time between readings she spent in contemplation, thinking over the years of her childhood between the death of the Baron and her coming away. There had been a fuss about his death, and much was left to lie, that even as a child she thought should have been dug up and shook about in the air. The bad feelings, the bitterness at being ignored had rotted and poisoned a place she loved. She’d escaped as far as Kendal by means of an early hopeless marriage, then abandoned that as no way near far enough, and made her way to London. It had taken four weeks of walking, and when she set her bundle down in Charing Cross, she’d sworn never to go back up north, and never to marry again either. Marriage seemed to her just a way to find someone to lie to every day.
Sam came trotting in eventually with a pair of pies and plenty of news.
‘Don’t think they noticed me at all, Mrs Bligh.’ He wiped the crumbs off his face. ‘Milky Boy’s twice given me money now to run about with his messages, and he still wouldn’t know me if I kicked him. For all his reading and writing, I think the fellow is daft.’
‘He doesn’t see you, Sam. He just sees a child and doesn’t think to mind you.’
Sam shrugged. ‘Anyway, it was just the two of them and the priest, and they made quick work of it. I did as you asked. Clayton is keeping an eye on Milky Boy, and Finn’s going to follow
her
about. What are we going to do?’
Jocasta looked at the boy. ‘What age have you, Sam?’
He fed the last of his pie to Boyo and scratched the terrier’s ears. The dog licked his lips with a smack and leaned int Sam’s hand. ‘Don’t know, Mrs Bligh. I went into the workhouse in Camberwell two winters past when my mum died of fever. I think I was about eight when we went in, so ten now, I suppose.’
‘Know your birthday?’
He shook his head. ‘No. Once when Dad was red with the gin he gave me a belt round the ear and told me it was a birthday gift. That was in the spring.’
They sat in silence for a while till their food was settled. Then Jocasta got up with a grunt. Sam scrambled to his feet.
‘Where we going, Mrs Bligh? Are we going to visit the grave?’
Jocasta frowned. ‘What use would that be? Think she’ll leap out and tell us how it was and how to prove it?’ Then, relenting: ‘Maybe later, lad. First we are going up to the kiln. I want to see where she fell.’
 
Having concluded their conversations with Manzerotti, Crowther and Harriet made their way to visit Graves at the music shop, it lying, as it did, on both their ways. They found a notice in the window informing them that all copies available of the ‘Yellow Rose Duet’ from the opera
Julius Rex
had been sold, but that more would be available the following morning. Smiling to see it, Harriet pushed open the door. She found not only Graves and his assistant Jane in the little shop, but also her sister Rachel, and Lady Thornleigh. Susan was playing the harpsichord, her first instrument, in the centre of the shop while the adults around her were occupied in setting the room straight. Graves was counting the large amount of money he found in the cash-box in front of him.
‘Dear heavens!’ Harriet exclaimed, looking around her. ‘Have the musicians of London been rioting?’
Lady Susan looked up from the keyboard and grinned. ‘Mrs Westerman! Can you believe it? There was such a crowd here, Graves had to send to the house for Alice and Cecily to help. So Rachel asked Mrs Service if we might come along and see, and she said yes, so we came here and I played, then you wouldn’t believe it but Miss Marin
herself
came in and we sang together and everyone was very nice!’
‘You play and sing beautifully, my dear ‒ I am not surprised they were nice,’ Harriet said.
Rachel sighed. ‘It was remarkable, Harriet. Miss Marin sang some selections from the Ranglegh songbook too, and I do not think there is another copy left of that here either.’ She turned to curtsy to Crowther. ‘I think my sister might have enjoyed the sight, had she not been out chasing murderers while we enjoy these lesser excitements, but I think Mr Crowther would have disliked the crush.’
Crowther failed to repress a shudder.
‘How interesting that Mademoiselle Marin happened past,’ Harriet said, choosing to ignore Rachel’s other remark, and wandered over to the counter to at the few remaining songbooks on display.
Graves’s lips thinned a little as he commented, ‘I do not think it was an accident. I am sure she planned the whole thing very neatly, and there was a man I recognised here from the
London Advertiser.
He was not buying music. I should not be at all surprised if we read of this in the paper tomorrow morning. I am sure there will be mention that Susan was playing here. I should not have let her perform.’

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