Alias Grace (7 page)
Authors: Margaret Atwood
From Dr. Simon Jordan, care of Major C. D. Humphrey, Lower
Union Street, Kingston, Canada West; to Dr. Edward Murchie,
Dorchester, Massachusetts, The United States of America
.
May 1st, 1859.
My dear Edward:
I was sorry not to have been able to make a visit to Dorchester, to see how you are getting on, now that you have hung your shingle up, and have been busy ministering to the local halt and the blind, while I have been gypsying about Europe, seeking how to cast out devils; which, between us, I have not learned the secret of as yet; but as you may suppose,
the time between my arrival at Loomisville, and my departure from it, was much taken up with preparations, and the afternoons were perforce consecrated to my mother. But upon my return, we must arrange to meet, and to lift a glass or two together “for auld lang syne”; and to talk over past adventures, and current prospects.
After a moderately smooth journey across the Lake, I have arrived safely at my destination. I have not yet met my correspondent and, as it were, employer, the Reverend Verringer, as he is away on a visit to Toronto, and so I still have that pleasure to anticipate; although if his letters to me are any indication, he suffers like many clergymen from a punishable lack of wit and a desire to treat us all as straying sheep, of which he is to be the shepherd. However, it is to him – and to the good Dr. Binswanger, who proposed me to him as the best man for the purpose on the western side of the Atlantic – for the price, which is not high, the Methodists being notoriously frugal – that I owe this splendid opportunity; an opportunity which I hope to be able to exploit in the interests of the advancement of knowledge, the mind and its workings being still, despite considerable progress, a
terra incognita
.
As to my situation – Kingston is not a very prepossessing town, as it was burned to the ground some two decades ago and has been rebuilt with charmless dispatch. The new buildings are of stone or brick, which will, one hopes, make them less prone to conflagrations. The Penitentiary itself is in the style of a Greek temple, and they are very proud of it here; though which pagan god is intended to be worshipped therein, I have yet to discover.
I have secured rooms in the residence of a Major C. D. Humphrey, which although not luxurious, will be commodious enough for my purposes. I fear however that my landlord
is a dipsomaniac; on the two occasions upon which I have encountered him, he was having difficulty putting on his gloves, or else taking them off, he seemed uncertain which; and gave me a red-eyed glare, as if to demand what the Devil I was doing in his house. I predict that he will end as an inhabitant of the private Asylum I still dream of establishing; although I must curb my propensity to view each new acquaintance as a future paying inmate. It is remarkable how frequently military men, when retired on half-pay, go to the bad; it is as if, having become habituated to strong excitements and violent emotions, they must duplicate them in civilian life. However, my arrangements were made, not with the Major – who would doubtless not have been able to recall having made them – but with his long-suffering wife.
I take my meals – with the exception of the breakfasts, which have thus far been even more deplorable than the breakfasts we shared as medical students in London – at a squalid inn located in the vicinity, where every meal is a burnt offering, and nothing is thought the worse for the addition of a little dirt and grime, and a seasoning of insects. That I remain here despite these travesties of the culinary art, I trust you will recognize as a measure of my true devotion to the cause of science.
As for society, I must report that there are pretty girls here as elsewhere, albeit dressed in the Paris fashions of three years ago, which is to say the New York fashions of two. Despite the reforming tendencies of the country’s present government, the town abounds both in disgruntled Tories, and also in petty provincial snobberies; and I anticipate that your bearish and carelessly dressed, and what is more to the purpose, your Yankee democrat friend, will be viewed with some suspicion by its more partisan inhabitants.
Nonetheless, the Governor – at the urging of Reverend Verringer, I suppose – has gone out of his way to be accommodating, and has arranged to have Grace Marks placed at my disposal for several hours every afternoon. She appears to act in the household as a sort of unpaid servant, though whether this service is viewed by her as a favour or a penance, I have yet to ascertain; nor will it be an easy task, as the gentle Grace, having been hardened in the fire now for some fifteen years, will be a very hard nut to crack. Enquiries such as mine are ineffective, unless the trust of the subject may be gained; but judging from my knowledge of penal institutions, I suspect Grace has had scant reason to trust anyone at all for a very long period of time.
I have had only one opportunity thus far of viewing the object of my investigations, and so it is too soon to convey my impressions. Let me say only that I am hopeful; and, as you have so kindly expressed a desire to have news of my progress, I will take pains to keep you informed of it; and until then, I remain, my dear Edward,
Your old friend and erstwhile companion,
Simon.
S
imon sits at his writing table, gnawing the end of his pen and looking out the window at the grey and choppy waters of Lake Ontario. Across the bay is Wolfe Island, named after the famous poetic general, he supposes. It’s a view he does not admire – it is so relentlessly horizontal – but visual monotony can sometimes be conducive to thought.
A gust of rain patters against the windowpane; low tattered clouds are scudding above the lake. The lake itself heaves and surges; waves are pulled in against the shore, recoil, are pulled in again; and the willow trees below him toss themselves like heads of long green hair, and bend and thrash. Something pale blows past: it looks like a woman’s white scarf or veil, but then he sees it is only a gull, fighting the wind. The mindless turmoil of Nature, he thinks; Tennyson’s teeth and claws.
He feels none of the jaunty hopefulness he has just expressed. Instead he is uneasy, and more than a little dispirited. His reason for being here seems precarious; but it’s his best chance at the moment. When he entered upon his medical studies, it was out of a young
man’s perversity. His father was a wealthy mill owner then, and fully expected Simon to take over the business in time; and Simon himself expected the same thing. First, however, he would rebel a little; he would slip the traces, travel, study, test himself in the world, and also in the world of science and medicine, which had always appealed to him. Then he would return home with a hobby-horse to ride, and the comfortable assurance that he need not ride it for money. Most of the best scientists, he knows, have private incomes, which allows them the possibility of disinterested research.
He hadn’t expected the collapse of his father, and also of his father’s textile mills – which came first he’s never been sure. Instead of an amusing row down a quiet stream, he’s been overtaken by a catastrophe at sea, and has been left clinging to a broken spar. In other words he has been thrown back on his own resources; which was what, during his adolescent arguments with his father, he claimed to most desire.
The mills were sold, and the imposing house of his childhood, with its large staff of domestics – the chambermaids, the kitchen maids, the parlour maids, that ever-changing chorus of smiling girls or women with names like Alice and Effie, who cosseted and also dominated his childhood and youth, and whom he thinks of as having somehow been sold along with the house. They smelled like strawberries and salt; they had long rippling hair, when it was down, or one of them did; it was Effie, perhaps. As for his inheritance, it’s smaller than his mother thinks, and much of the income from it goes to her. She sees herself as living in reduced circumstances, which is true, considering what they have been reduced from. She believes she is making sacrifices for Simon, and he doesn’t want to disillusion her. His father was self-made, but his mother was constructed by others, and such edifices are notoriously fragile.
Thus the private asylum is far beyond his reach at present. In order to raise the money for it he would have to be able to offer
something novel, some new discovery or cure, in a field that is already crowded and also very contentious. Perhaps, when he has established his name, he will be able to sell shares in it. But without losing control: he must be free, absolutely free, to follow his own methods, once he has decided exactly what they are to be. He will write a prospectus: large and cheerful rooms, proper ventilation and drainage, and extensive grounds, with a river flowing through them, as the sound of water is soothing to the nerves. He’ll draw the line at machinery and fads, however: no electrical devices, nothing with magnets. It’s true that the American public is unduly impressed by such notions – they favour cures that can be had by pulling a lever or pressing a button – but Simon has no belief in their efficacy. Despite the temptation, he must refuse to compromise his integrity.
It’s all a pipe dream at present. But he has to have a project of some sort, to wave in front of his mother. She needs to believe that he’s working towards some goal or other, however much she may disapprove of it. Of course he could always marry money, as she herself did. She traded her family name and connections for a heap of coin fresh from the mint, and she is more than willing to arrange something of the sort for him: the horse-trading that’s becoming increasingly common between impoverished European aristocrats and upstart American millionaires is not unknown, on a much smaller scale, in Loomisville, Massachusetts. He thinks of the prominent front teeth and duck-like neck of Miss Faith Cartwright, and shivers.
He consults his watch: his breakfast is late again. He takes it in his rooms, where it arrives every morning, carried in on a wooden tray by Dora, his landlady’s maid-of-all-work. She sets the tray with a thump and a rattle on the small table at the far end of the sitting room, where, once she has gone, he seats himself to devour it, or whatever parts of it he guesses to be edible. He has adopted the
habit of writing before breakfast at the other and larger table so he may be seen bent over his work, and will not have to look at her.
Dora is stout and pudding-faced, with a small downturned mouth like that of a disappointed baby. Her large black eyebrows meet over her nose, giving her a permanent scowl that expresses a sense of disapproving outrage. It’s obvious that she detests being a maid-of-all-work; he wonders if there is anything else she might prefer. He has tried imagining her as a prostitute – he often plays this private mental game with various women he encounters – but he can’t picture any man actually paying for her services. It would be like paying to be run over by a wagon, and would be, like that experience, a distinct threat to the health. Dora is a hefty creature, and could snap a man’s spine in two with her thighs, which Simon envisions as greyish, like boiled sausages, and stubbled like a singed turkey; and enormous, each one as large as a piglet.
Dora returns his lack of esteem. She appears to feel that he has rented these rooms with the sole object of causing trouble for her. She fricassees his handkerchiefs and overstarches his shirts, and loses the buttons from them, which she no doubt pulls off routinely. He’s even suspected her of burning his toast and overcooking his egg on purpose. After plumping down his tray, she bellows, “Here’s your food,” as if calling a hog; then she stumps out, closing the door behind her just one note short of a slam.
Simon has been spoiled by European servants, who are born knowing their places; he has not yet reaccustomed himself to the resentful demonstrations of equality so frequently practised on this side of the ocean. Except in the South, of course; but he does not go there.
There are better lodgings than these to be had in Kingston, but he doesn’t wish to pay for them. These are suitable enough for the short time he intends to stay. Also there are no other lodgers, and he values his privacy, and the quiet in which to think. The house is a
stone one, and chilly and damp; but by temperament – it must be the old New Englander in him – Simon feels a certain contempt for material self-indulgence; and as a medical student he became habituated to a monkish austerity, and to working long hours under difficult conditions.
He turns again to his desk.
Dearest Mother
, he begins.
Thank you for your long and informative letter. I am very well, and making considerable headway here, in my study of nervous and cerebral diseases among the criminal element, which, if the key to them may be found, would go a long way towards alleviating
…
He can’t go on; he feels too fraudulent. But he has to write something, or she will assume he has drowned, or died suddenly of consumption, or been waylaid by thieves. The weather is always a good subject; but he can’t write about the weather on an empty stomach.
From the drawer of his desk he takes out a small pamphlet that dates from the time of the murders, and which was sent to him by Reverend Verringer. It contains the confessions of Grace Marks and James McDermott, as well as an abridged version of the trial. At the front is an engraved portrait of Grace, which could easily pass for the heroine of a sentimental novel; she’d been just sixteen at the time, but the woman pictured looks a good five years older. Her shoulders are swathed in a tippet; the brim of a bonnet encircles her head like a dark aureole. The nose is straight, the mouth dainty, the expression conventionally soulful – the vapid pensiveness of a Magdalene, with the large eyes gazing at nothing.
Beside this is a matching engraving of James McDermott, shown in the overblown collar of those days, with his hair in a forward-swept arrangement reminiscent of Napoleon’s, and meant to suggest tempestuousness. He is scowling in a brooding, Byronic way; the artist must have admired him.
Beneath the double portrait is written, in copperplate:
Grace Marks, alias Mary Whitney; James McDermott. As they appeared at the Court House. Accused of Murdering Mr. Thos. Kinnear & Nancy Montgomery
. The whole thing bears a disturbing resemblance to a wedding invitation; or it would, without the pictures.