A Razor Wrapped in Silk (20 page)
‘I told Oleg Sergeevich.’
‘And the police?’
‘The police have better things to do than chase runaways.’
‘Runaways? The boy was not a slave here, I hope. He was free to leave.’
‘Exactly. He was free to leave. And he did.’
‘Were you not afraid for his safety?’
‘I dare say he can look after himself.’
‘Why did you spread malicious rumours about the young gentlewoman who runs the school Mitka attended?’
‘Malicious? Who says they’re malicious?’
‘You called her a witch, I believe.’
‘She came round here, poking her nose where it wasn’t wanted. I could see right through her. Godless and depraved, she is. That’s why she was after Mitka. She likes them young.’
‘Are you aware there are laws to protect people from such slander?’
‘Slander, is it?’ The woman’s voice rose to a pitch at the limit of human hearing. ‘I saw the way she looked at the children. Licking her lips. I sent her packing, I can tell you.’
‘I advise you to curtail such vile allegations or you may find yourself in deep trouble.’
Granny Kvasova’s face contracted in distaste. However, she seemed to take in Virginsky’s threat. She calmed down enough for her voice to drop several tones to a more comfortable register. ‘A friend of hers, are you?’
Virginsky noted the malice in her cold eyes. ‘I am here as a magistrate, on official business.’ He looked about him dismissively. ‘This place … what kind of a home life do you provide the children here?’
‘It’s a roof over their heads, warm grub in their bellies. A bed to sleep in.’
‘Where do they sleep?’
‘You want to see their beds, do you?’ There was something unspeakably disgusting about the intonation with which she managed to invest the question.
Virginsky looked away from the woman, suppressing an impulse to strike her. The children were beginning to rise from their hurried meal. ‘I repeat, I am a magistrate. I am investigating the disappearance of a child who was in your care. The more I can learn about his life before he went missing, the better our chances of finding him.’
‘I don’t see how looking at his bed will help.’
‘I have not come here to discuss my methods with you, old woman. Show me where he slept, before I haul you in and charge you with obstructing a magistrate in the execution of his duties.’
‘There’s nothing much to see, I tell you,’ said Granny Kvasova, undaunted.
‘Nevertheless,’ insisted Virginsky.
The children were now filing out to return to work, each one enclosed in his or her own morose silence. They were not like children, but like shrunken adults, already worn down and defeated by the treadmill of their existence. What was most shocking to Virginsky was the blankness of their expressions. He saw no trace of the outrage or horror that they should by rights have displayed at the prospect of the afternoon ahead of them. In one or two, perhaps, there was a look of puzzled awe, as if they were struggling to comprehend the mystery of their lives. But that may simply have been the expression their faces naturally fell into when they were exhausted.
‘You will show me the sleeping quarters. Now.’
Granny Kvasova clicked her tongue and took her time. She led Virginsky through a door in the side wall of the canteen, directly into a dormitory. The beds, such as they were, consisted of a series of long wooden platforms, subdivided by partitions. Each of the sleeping booths created by this arrangement was numbered, and furnished with a coarse grey blanket. As there was no space separating each ‘bed’ from its neighbour, the children had nowhere to put any personal belongings. Indeed, it seemed doubtful that they possessed any. Worse still, there was no space for them to simply be. No chairs to sit in. No floor to play on. The room was severely purposed. You came into it, found your booth, and fell into it to sleep the sleep of the physically exhausted.
It was cold but airless. The accumulated smells of humanity, or their ghosts, stirred resentfully at this unwonted daytime intrusion.
‘Which was Mitka’s bed?’
‘What difference does it make? Someone else has it now.’
‘He has been replaced?’
‘Of course.’
‘Even so, show me where he slept.’
Granny Kvasova approached one of the booths and bowed grimly at it. Virginsky rubbed his chin as he contemplated the empty space. In truth, he did not know what he was looking for. He wondered what Porfiry Petrovich would do, without reaching any definite conclusion. He realised he had only insisted on seeing the bed because he had been goaded by the old woman’s obstructiveness.
He tried to imagine Mitka curled up on the bed. Of course, he had no idea what Mitka looked like. Instead, an image of
Pasha, the boy he had spoken to that morning, flashed momentarily before him.
‘Are all the children who live here orphans?’
‘Yes, we get them from the Foundling Hospital.’
The woman spoke of them as if they were a commodity, just another raw material to be processed in the factory.
‘What kind of a life is this for children?’
‘It’s not so bad. It keeps them out of trouble. How would they live if they were not here? Ask yourself that. By thieving and whoring, you can be sure.’
‘Not if they were educated.’
‘Educated! A lot of good it did Mitka!’
‘Why do you say that? Do you know what became of him? And no more of your scandalous lies, madam.’
‘Dead in a ditch, I shouldn’t wonder. That boy doesn’t have the sense to keep himself from falling in the canal. He wouldn’t survive a day outside here.’
‘Perhaps not. Perhaps he preferred one day of freedom to a lifetime of this.’
‘If that’s what her school taught him then it did him no favours.’
Virginsky continued to stare at the tiny space allocated to Mitka to sleep in. Even the boy’s dreams, it seemed, had been confined and restricted.
‘Have you seen enough?’ squealed Granny Kvasova. ‘Do you know where to find him now?’ she added sarcastically.
Virginsky shook his head. ‘At least I know what he ran from.’
The following day a sluggish grey fog hung deliberately in the air, as if generated by the city to impede his investigation. Virginsky kept his head bowed as he burrowed into it. The moisture took possession of the urban spaces, forcing the human inhabitants off the streets. It brought with it a sense of spreading hopelessness. The squares and broader avenues were desolate because of it.
He began with the hospitals. There were three children’s hospitals in St Petersburg, the Elizaveta, the Nikolai and the recently completed Prince of Oldenburg’s. The Nikolai was the closest to the bureau, with the Elizaveta about one and a half versts further on along the Fontanka, on the opposite side of the river. Midway between those was the Alexander Municipal Hospital, at which he also made enquiries. The Prince of Oldenburg’s Hospital was a long trudge east, on Ligovsky Prospekt in the Liteynaya District, at the far end of Nevsky Prospekt.
None of the hospitals he visited had any record of admitting a boy called Dmitri Krasotkin, or any child of Mitka’s age or description, on or around the estimated date of Mitka’s disappearance.
Virginsky stood on the top step at the entrance to the Prince of Oldenburg’s Hospital, somehow built as a neo-classical palace; its architect had obviously been more intent on
asserting his patron’s nobility than serving the function of the building. But the pungent chemical smell that still lingered in Virginsky’s nostrils suggested that its doctors were familiar with the latest developments in surgical cleanliness.
The fog was as impenetrable as a gauze bandage around his eyes.
As so often with Virginsky, his emotions expressed themselves in thoughts of a vaguely political cast. His frustration led him to conclude that the very names of the hospitals served to remind the sick how much they owed to their imperial and aristocratic benefactors; so that the practice of philanthropy was seen to be just another weapon in the armoury of oppression. Medical care was in the gift of the autocrat and his friends. And instead of justified rage, this stirred a craven gratitude.
He had learnt to keep such thoughts to himself. But now, as the cold fog smothered him in its obscurity, he felt emboldened to cry out: ‘Sweep them all away!’ He accompanied the cry with an appropriate sweep of his arm, unseen by anyone but himself. Almost immediately, after only a single pulse of numb silence, the low rumbling throb of male laughter came back at him. Virginsky felt his face flush, even though there was no reason to assume the laughter had been directed at him.
He strained to listen and peered into the soft grey fuzz that filled the air. The laughter gave way to singing, or rather a tuneless baritone drone: ‘Save your soul. Give alms to save your soul. Pity a poor sightless sinner. I’ll pray for your soul if you give me a crust. If you haven’t a crust, I’ll settle for a kopek. If you haven’t a kopek, I’ll settle for a rouble. If you have no rouble, gold will do. Give alms to save your soul.’
At first, the voice was right beside him, as though the singer was chanting the words directly into his ear. But he realised that that was just a trick of the fog. The beggar was ahead of him, below, on the street.
With every step down he had the sense that he was stepping off the edge of a cliff into nothing.
‘I lost my sight in the service of the Tsar. God save the Tsar! God save his soul. I pray for the souls of all who give alms. Heaven awaits those who give alms.’
As Virginsky moved towards the voice, he saw a soft white figure through the drifting mist. As he approached, the details of the man’s appearance became clearer. He was dressed, Virginsky realised with a flash of astonishment, in a white tunic, half of a Guards officer’s dress uniform. The tunic was grubby now; even so, Virginsky saw the rust-coloured stains, now muted by the layers of filth over them. Virginsky looked into the man’s face. It too was filthy, but for all that, it was a surprisingly handsome face, or once had been: the remnants of his looks were being swallowed up by the bloated effects of dissolution. He could have been aged anywhere between forty and sixty. His hair was long and matted. His eyes oscillated wildly in their sockets, searching desperately for a point of focus in their darkness.
‘You there!’ Virginsky held out an arm to catch hold of the man as he ran towards him. He could have sworn the beggar looked straight at him. His eyes were strangely compelling – enough so to give Virginsky pause as he closed in on him. In that moment, the beggar turned on his heels and broke into a run. Virginsky’s hand grasped the mist.
Virginsky gave chase. He kept his eyes fixed on the tunic, which appeared strangely insubstantial. It flickered in and out
of focus, subject to the shifting density of the fog. As Virginsky closed the gap between them, the tunic gained solidity, almost within his grasp now. The other man seemed to stumble. Then suddenly the flash of white flew up into the fog-filled air, like a kite snapped up on the wind. For an instant, Virginsky half-believed the beggar had taken wing. He came to a halt and craned his head. Something white plummeted out of the infinite greyness, as if regurgitated. It fell flat onto the pavement, a sprawl of fabric.
Virginsky bent down to retrieve the discarded officer’s tunic.
Prince Naryskin surveyed the interior of the bank with a proprietorial gaze. He nodded approvingly at the artworks hung on the walls. A huge canvas depicting classical ruins in a romantic landscape caught his eye, provoking an onset of aesthetic salivation. He recognised it as the work of Hubert Robert, and believed it would go well with three similar paintings by the same artist in his possession (albeit purchased with money he had borrowed from this very bank). The painting before him showed the skeletal structure of a dilapidated amphitheatre, golden in the light of a dying sun. The few isolated human figures were dwarfed by the great stone remains, which stood to remind them of the vanity of human ambition. It answered his soul’s craving for an irrevocable solitude. Sometimes he believed that it was only the presence of other people, with their inconvenient desires and clamorous demands, that prevented him from being happy.
At any rate, the room was so in keeping with his taste that it seemed almost to be an annexe to his palace on the Fontanka.
Perhaps his satisfaction was premature, as he had not yet signed the papers that would make him a director of the bank, adding the name Naryskin to those of Bakhmutov and von Lembke. He made a mental note: it would be better for all if it simply became known as the Naryskin Bank. What was the
point of bringing in a genuine Russian aristocrat if they did not then exploit the association to the full? However, it was certainly a more pleasant sensation to enter the bank as a prospective director rather than in the humiliating position of a spendthrift in need of funds.
Prince Naryskin looked with less approval on the pink-cheeked young man approaching him with a fawning smile. He recognised him as the one on whom Bakhmutov had attempted to settle Yelena. It struck him as an insult that Bakhmutov had sent this individual to greet him; but then again, Bakhmutov’s own person was hardly more pleasing to him.
‘Your Excellency, Ivan Iakovich and Baron von Lembke await you in the boardroom. May I take your hat and coat?’
Prince Naryskin did not deign to look at the young man. He handed over his beaver and allowed his velvet top-coat, trimmed with a sable collar, to be peeled from him without any acknowledgement of the courtesy.
‘This way, Your Excellency.’
*
Prince Naryskin was gratified by the alacrity with which Bakhmutov and von Lembke rose to their feet. The German was puffing on a fat cigar. His eyes narrowed greedily as he took in the prince. An unexpectedly tiny pink tongue lapped out to moisten his lips.
Bakhmutov’s posture was more relaxed, though affectedly so. He gave the impression that his suavity was something he could turn on, or off, at will.