A Mystery of Errors (17 page)

"Mr. Smythe," she said, looking past him into the room. "I must speak with Mr. Smythe at once!"

Chapter 9

SMYTHE HAD NOT INTENDED TO spend most of the day at Green Oaks, but Sir William was a genial and gracious host who had seemed genuinely pleased to have his company. And after a few hours with him, Smythe began to understand why. Sir William's success had introduced him into elegant society, and eventually, into a life at court. He had risen from the most humble beginnings to become one of the wealthiest men in the country, one who could even claim the queen as an acquaintance. He was the living embodiment of the new age in England, where a man could rise above the station of his birth through industry and perseverance—and a little luck—and through success in trade achieve entry into the upper ranks of society. Even, possibly, attain a peerage and become a member of the aristocracy.

It was, Smythe realized, precisely what his father's dream had been, only his father had overreached himself. Like Icarus, whose wings had melted from the sun, his father had tried to fly too high too quickly and his hopes had melted as his dreams came crashing down around him. Now he was a bitter old man, confronting the specter of his own mortality and fallibility, and Smythe found it impossible even to speak with him. It was a source of some discomfort to him, even a little shame, for he felt he owed his father more than that, but he could not give more than would be accepted. And his father, at least for the present, could not bring himself to accept anything from him. Not even his sympathy.

By contrast, Sir William had achieved success far beyond what Symington Smythe the elder could have dreamed, but while he outwardly seemed to enjoy the fruits of it, inwardly, he was frustrated and displeased. The society in which he moved now had its own rewards and privileges, and they were not inconsequential, but in many ways, it was a society that felt alien to him. These were not people like himself, who had pulled themselves up by their own bootstraps, but people who had been born to wealth and privilege—"born to the blood," as the saying went—and he did not feel any kinship with them. He found them indolent and decadent, sycophantic and fawning, especially toward the queen and the members of her inner circle, and most of all, he found them detestably superficial.

"In the queen's court," he had said, sarcastically, "a 'friend' is one who stabs you in the
chest.
I know them all, every last one of the treacherous leeches, and there is not a one who has not, at one time or another, asked a favor of me—most of which I granted—and to be fair, on occasion, I have asked favors in return. Yet, for all that, I would still not turn my back on any of them."

"Not even the queen?" Smythe had asked.

"Oh, especially not the queen. But in her case—and I suppose Walsingham's, as well—that is understandable. They do not live by the same rules as all the rest of us. They cannot afford to. Those two
are
England, and they must think of England first and foremost, above all else. The true statesman cannot afford a conscience. And if the queen has one, she has hidden it well away and has shown it to no one. I neither think ill of her for that nor fault her in any way. She is, after all, Henry's daughter, and she has seen firsthand what the caprices of statesmanship and the vicissitudes of politics can do. And Walsingham, her chief minister— some would say her headsman—is merely a creature spawned by such a world, a man who stands forthrightly at her side even as he moves among the shadows like a ghost. Every monarch needs a Walsingham, and every country could benefit from a monarch like our queen. But as for all
the
rest of them…"

His voice had trailed off in disgust and he simply shook his head. And so, as Smythe rode home at an easy pace, he thought he understood Sir William, perhaps better than any of his elegant friends at court could ever understand him. He knew now not only why Sir William pursued a secret life as a brigand called Black Billy, but why he was a patron to a man like Marlowe, an immoral young rooster of a poet who seemed to thrive on danger and sensual overindulgence. It explained why, instead of eagerly attending the masques and balls at court, which he felt forced to do upon occasion, he much preferred the raucous company of a rowdy Cheapside tavern. And why, instead of sitting stultified with boredom while some court musician played effetely on the virginals, he preferred a lusty, bawdy songfest at a roadside inn where no one knew his name. Sir William was a charming and rakish eccentric, to be sure, but more than that, he was a man out of his element and that often made him feel lonely.

The forge at the smithy on his estate was first rate, as could be expected, and more than large enough for any project. It did not receive much use and Sir William had said that he could help himself to it anytime he pleased.

"I shall hold you to that debt that you incurred. I want to see what you can do," he had said. "And if your skill with forging steel is anywhere near that of your uncle, then you could have a brilliant future as a swordsmith and forget all about this acting nonsense."

"But 'tis what I yearn most of all to do, milord," Smythe had replied.

"Well, then by all means, go and do it. Perhaps you will work it out of your system. But if you ask me, a life as a player is no fit occupation for man. Still, if acting is your dream, then you should certainly pursue it. Far be it from me to tell a man what he should or should not do, for as much as I have done that which I should, I have done even more that I should not, and have enjoyed the latter far more greatly than the former."

"I thank you for your sentiment, milord, and for your hospitality. But I fear that I may no longer have a job when I return, for it is getting late and now I shall never make it back in time for the next performance."

"Never fear," Sir William said. "I am not without some influence, you know. I shall write out a message to James Burbage, the owner of the Theatre, that you were doing me a service at my bidding and should therefore be excused your absence. Your job shall be safe when you return."

Smythe had thanked him and departed, feeling in a curious way that he had made a friend, and yet, he knew that true friends truly needed to be equal, and he could never be the equal of Sir William. And perhaps that was what he needed to remember most of all about his fascinating new acquaintance. He could be on equal terms with a brigand, but never with a knight.

As he entered London, his thoughts turned toward his roommate. He knew that Will had worked all night, trying to rewrite the play, and he hoped that he had been successful. But it had seemed to him a monumental task. Almost impossible. How could an entire play be thoroughly rewritten in one night? Burbage had been monstrously unfair in laying such a task on Shakespeare. But then again, Smythe remembered, Shakespeare had volunteered for it himself. It took nerve, but he had been desperate to show what he could do and he had struck when he saw his opportunity. The question was, had he struck too soon?

Another chance might have arisen later, but now, if he failed at this task, a second chance might never come. It was a risky wager and Shakespeare was betting all upon himself. It took considerable faith in one's own abilities to gamble in this way, but Will had dutifully and purposefully applied himself to the rather daunting task.

Though the poet had tried hard not to disturb him, before he went to sleep, Smythe had heard him mumbling and muttering to himself as he sat hunched over at the table, holding his quill in a gloved hand. On occasion, Will had moaned over some clumsily rendered line, and once, he had straightened on his bench, arching his neck back and gazing at the ceiling, groaning from either muscles sorely tested or sorely tested wits. And he was still hunched over the table and working feverishly when Smythe had left for Green Oaks early in the morning, saying nothing so as not to disturb his concentration.

By now, he thought, all would have been decided, one way or another. It was late in the afternoon and drawing into evening. The performance had long since started and by the time Smythe reached their lodgings, it would have been nearly finished. Had Will managed to deliver the doctored play in time? And had there been time enough for the actors to prepare it, incorporating whatever changes he had made? Or else had Shakespeare failed in his task or, worse yet, finished only to learn that the result had been found wanting? Smythe knew that he would not have very long to wait before he would find out. The company would repair to the tavern downstairs immediately after the performance and he would meet them there.

In the meantime, he would shake the dust out of his clothes, and use the washbasin, and perhaps lie down for a short while to mull over the remarkable events of the day. But when he opened the door to their room, there was yet another remarkable event confronting him. The bed was occupied by a young woman.

Awakened by the creaking door and the weight of his tread upon the squeaky floorboards, she gasped and sat bolt upright in the bed, alarm clearly written on her features. But when she saw him, she seemed at once relieved.

"Oh! 'Tis you, at last!"

For a moment, Smythe thought he had intruded upon a serving wench from the tavern who had been bedded by his roommate in celebration of the completion of his task, but then he saw that she was fully dressed and suddenly realized why she looked familiar. She was not one of the serving wenches from the tavern, but the young woman who had arrived at the Theatre in that coach… Anthony Gresham's coach. He had made a point of remembering the name. She was not wearing the same elegant dress she had worn then, and had garbed herself most plainly, but he recognized her nonetheless. And she, apparently, remembered him. Indeed, it sounded as if she had come specifically to see him, which seemed even more remarkable.

"Milady?" Smythe said, taken aback. "Forgive me my impertinence, but am I to understand you have been waiting for me?"

"Oh, for hours!" she said, in exasperation, swinging her legs down to the floor. Smythe caught a tantalizing glimpse of bare calves and ankles nearly to the knee and discreetly looked away. "I had begun to think that you would never come!"

"But… how did you get in here?"

"Your friend, Master Shakespeare, let me in. He told me you would soon return and that if I cared to wait, then I should make myself at home."

"Master Shakespeare, is it? Well, we shall see. But I must admit that I am mystified, milady. To what do I owe this unexpected pleasure?"

She smiled, and seemed to look a bit more calm. "You are very well spoken for an ostler."

"I always try to be well spoken to beautiful women I find lying in my bed," he replied.

She chuckled. "You
are
impertinent, but I do believe it suits you. Your name is Smythe, if I recall aright. Symington Smythe. Is that not so?"

"It is, milady. But friends such as Master Shakespeare call me Tuck."

"Tuck," she repeated, as if trying it on him for size. "I like it. It suits you, too. I am Elizabeth Darcie."

"How do you do, Mistress Darcie?" he bowed slightly from the waist. "You must have come here on an urgent errand, indeed, to risk your reputation upon an unchaperoned visit to an ostler's lodgings. Perhaps, all things considered, it would be better if we spoke downstairs, in the tavern?"

She waved him off. "I have slept up here for hours," she said. "If there is any damage to be done to my reputation, then 'tis already done and doubtless past repair. What is more, I do not care about that in the least. I have a pressing concern that is far greater."

"Perhaps you should care," Smythe replied. "However, be that as it may, I am at your service." He pulled the bench over and sat down.

"I had hoped you would be," she replied. "You have a kind and honest face. And right now, I need a kindness from you, and some honesty."

"If it lies at all within my capability, milady, then consider it done," he said.

She smiled. "Thank you. You are very gallant. What I need from you should not greatly tax your efforts, nor inconvenience you to any great degree. At least, that is my hope. Allow me to explain…"

Smythe nodded, indicating that she should go on.

She took a deep breath and began. "Such is my unhappy situation: Unwillingly, I had been betrothed to Anthony Gresham by my father, who seeks to improve his social standing through the marriage. In turn, my dowry would help the Greshams to recover from some poor investments they had made. And so 'twould seem the match would be of benefit to everyone concerned… save for the unfortunate, reluctant bride, who wants to have no part of it."

"I see," Smythe said. "Your situation sounds indeed unfortunate, though not at all unusual, I fear. Marriage these days, especially among the upper classes, is far more often a matter of

convenience and expediency for the families involved than a fortuitous result of love between the bride and groom. Tenanted estates and lands hang in the balance, as do mercantile interests and position in society."

She sniffed. "You sound like my father. And so love matters not at all?"

"I did not say that," Smythe replied. "As it happens, 'twould matter a great deal to me. But then, my opinion on such matters carries little weight, and these days, few outside the working classes even expect love to play a part in the arrangement of a marriage. My own father's thoughts along these lines were quite similar to those of yours, save that mine squandered the family fortune and thereby spared me the advantages of an inheritance and an arranged match. So now that I am common as the dirt beneath your feet, unlike the socially superior, I can afford to indulge common emotions such as love."

Elizabeth sighed. "Truly, it does seem common to them. It is beyond the compass of my comprehension. The wisdom of our elders holds that in a proper marriage, love would follow on the heels of marriage, and not necessarily hard upon. If, indeed, it ever came, 'twould come in time. Contentment and security, amiability and civility are virtues seemingly far more valued in a marriage than romantic love. Those qualities are said to make for marriages that are more sensible and stable than one based upon an emotion as common and ephemeral as love. At least, such are the prevailing, conventional beliefs. Unfortunately, they are not beliefs I share. And as my beliefs were not conventional, it did not seem I would prevail. That is, until just yesterday, when I received an invitation to the Theatre, an invitation from the very man I was to marry."