0513485001343534196 christopher fowler (4 page)

They were standing in the centre of Waterloo Bridge with the great rain-swollen river sweeping beneath them, broadening out on its way to the sea. 'Why here?' she shouted, the roar of wind and traffic filling her ears.

'I need a good run-up,' he replied. 'Got a tight grip on the casket?'

He checked the box pressed against her sodden breast, then produced an old-fashioned cut-throat razor from his coat and passed it to her with his free hand. 'Hold this. I'm letting go of you for a moment. If you try to escape I will kill you, Amy, I think you know that.' Spanky tore off his jacket and shirt, throwing them out into the Thames.

'I want you to take the razor and run it along my spine.' He pointed to his broad rain-spattered back. 'Do it quickly.' He snapped open the blade for her.

Shaking with cold and fear, she suppressed a shudder of horror as she touched the blade to the point he indicated between his shoulderblades.

'You'll have to push harder than that. Pull it straight down. As deep as you can.'

Wincing, she did as she was told, pushing on the blade and dragging it down. The edge sliced smoothly and cleanly as the skin of his back opened in a widening crimson slit. Spanky was drawing breath in low, guttural gasps, part in pain, part in the pleasure of release from his confinement. As the blade reached his trouser-belt he slapped it from her hand. The razor skittered across the pavement and slid into the gutter.

Swathes of blood washed across his back, diluting in the downpour.

Spanky bent forward with an agonised shout and the epidermis split further apart across his back. From within the carapace of skin, two enormous black wings unfolded like opening umbrellas. As the joints clicked and cracked, the membranes between them flexed and stretched and grew. At first she thought they were made of black leather, but now she saw that they were composed of thousands of tiny interlocking black feathers. He seized her hand and climbed on to the balustrade of the bridge, dragging her up on the ledge with him. The fully opened wings spanned a distance of eighteen feet above them.

'Hold on to your hat.' He turned and gave her a mad grin. 'Here we go.'

Amy's stomach dropped as they launched from the bridge. Intoxicated with the terror of his unbreakable grip, she screamed and howled into the racing clouds above. They swooped down to the scudding grey water, almost touching their shadow, then up and along the path of the river, moving so fast that they outdistanced the falling rain. The pain in her clutched wrist was excruciating. He turned and brought his face close to hers, shouting as the great black wings beat powerfully above them.

'You have the casket.'

'Yes,' she shouted back as they started to climb, 'I have the casket.'

'Then we can make the crossing.' He pumped his membraneous wings fasted ever faster, so that they flexed and shook from humerus to metacarpal, and it seemed that they were moving beyond the speed of earth and sea and weather and light and time.

Something bright shone in her eyes. She forced herself to look up.

Ahead in the clouds, a dazzling area of light had cleared the grey rain to send a mandelbrot set of fractal colours spiralling down toward them, like pieces of rainbow glass from an exploded kaleidoscope.

'You see it?' he bellowed. 'You see it? That's where we're going.

Inside there.'

'No!' she screamed, knowing instinctively that the experience would kill her instantly. This was not a sight for mortal eyes. But they were racing forward at such a velocity that nothing could stop them from reaching the area now. Piercing shards of diamond brilliance enveloped them as they left the earth behind forever and plunged into the heart of the world's existence.

And just as they reached it - it was gone. Slammed shut, vanished, the colours all disappeared, nothing ahead except endless cold grey sky.

Spanky's face was contorted in fury and terror.

'The rings of Cain!' he yelled at the heavens. 'I am returning with the rings!' Already his wings were parting with the impossible velocity, flesh and feathers tearing off in strips, revealing birdlike bloody bones beneath.

With nothing to propel them, their speed slowed. For a moment, it seemed that they were hanging in the air. 'You have the rings,' he screamed at her.

'No, I told you - I have the casket.' The box was still unlocked. She had emptied the rings out as they flew. He had not noticed. With all his energy and concentration centred elsewhere, he had not seen the seven iron bands scatter in the wind and fall back toward the river, and now the doorway home was closed once more.

A sharp crack resounded above them as the great wings bloodily shattered and folded, and with a sickening lurch they dropped back toward the earth. Spanky's anguished howling filled her tortured ears every metre of the way.

Down and down.

The glutinous silt of the river formed undulations across the expanding estuary at Dartford. It trapped all manner of debris swept out with the heavy ebb tide. It cradled Amy's unconscious body, rolling her gently against the shore until some kind old souls spotted her, and dragged her out to warmth and safety. Inside Amy's jacket they found an old casket, gripped so tightly that the corners had bruised her flesh.

Spanky's broken form had fallen more heavily and plunged much deeper, to be snagged by the twisted metal on the riverbed. Held firmly in place, Chad Morrison's body undulated against the current. His earthly form was dead, from the fall, from the loss of blood, but the daemon was still alive and imprisoned within. There was nothing Spanky could do but stare out from his blanched shell in endless horror, gripped by his prison of bloating dead flesh, held in turn by the detritus of the river, beneath that great protector of the city.

He was aware of everything, and unable to do anything. He even thought he saw one of the precious rings float by, inches from his eyes.

Eventually he allowed his senses to dull and close, lulled to a dreamless sleep by the lunar tides.

Somewhere inside the wide pulsing currents of the sea, the seven rings of Cain tumbled and drifted, lost to man and lost to angels.

•

'And that is how Karl Fabergé's most magnificent casket, so beautifully restored by Amy Dale, came to be exhibited here at the British Museum,'

said Dr Harold Masters, eyeing his bored students as they sprawled and drifted in various states of semi-consciousness about the lecture room like dumped shop mannequins. Honestly, he thought, you try to bring history alive for the young, but you might as well not bloody bother.

DRACULA'S LIBRARY

From the Journal of Jonathan Harker, July 2nd 1893

I have always believed that a building can be imbued with the personality of its owner, but never have I felt such a dread ache of melancholy as I experienced upon entering that terrible, desolate place. The castle itself

-less a chateau than a fortress, much like the one that dominates the skyline of Salzburg - is very old, thirteenth century by my reckoning, and a veritable masterpiece of unadorned ugliness. Little has been added across the years to make the interior more bearable for human habitation.

There is now glass in many of the windows and mouldering tapestries adorn the walls, but at night the noise of their flapping reveals the structure's inadequate protection from the elements. The ramparts are unchanged from times when hot oil was poured on disgruntled villagers who came to complain about their murderous taxes. There is one entrance only, sealed by a portcullis and a pair of enormous studded doors. Water is drawn up from a great central well by a complicated wooden-pump contraption. Gargoyles sprout like toadstools in every exposed corner. The battlements turn back the bitter gales that forever sweep the Carpathian mountains, creating a chill oasis within, so that one may cross the bailey - that is, the central courtyard of the castle - without being blasted away into the sky.

But it is the character of the Count himself that provides the castle with its most singular feature, a pervading sense of loss and loneliness that would penetrate the bravest heart and break it if admitted. The wind moans like a dying child, and even the weak sunlight that passes into the great hall is drained of life and hope by the cyanic stained glass through which it is filtered.

I was advised not to become too well-acquainted with my client.

Those in London who have had dealings with him remark that he is 'too European' for English tastes. They appreciate the extreme nobility of his family heritage, his superior manners and cultivation, but they cannot understand his motives, and I fear his lack of sociability will stand him in poor stead in London, where men prefer to discuss fluctuations of stock and the nature of horses above their own feelings. For his part, the Count certainly does not encourage social intercourse. Why, he has not even shaken my hand, and on the few occasions that we have eaten together he has left me alone at the table before ten minutes have passed. It is almost as if he cannot bear the presence of a stranger such as myself.

I have been here for over a month now. My host departed in the middle of June, complaining that the summer air was 'too thin and bright'

for him. He has promised to return by the first week of September, when he will release me from my task, and I am to return home to Mina before the mountain paths become impassable for the winter. This would be an unbearable place to spend even one night were it not for the library. The castle is either cold or hot; most of it is bitter even at noon, but the library has the grandest fireplace I have ever seen. True, it is smaller than the one in the Great Hall, where hams were smoked and cauldrons of soup were boiled in happier times, and which now stands cold and lifeless as a tomb, but it carries the family crest of Vlad Drakul at its mantel, and the fire is kept stoked so high by day that it never entirely dies through the night. It is here that I feel safest.

Of course, such heat is bad for the books and would dry out their pages if continued through the years, but as I labour within this chamber six days out of every seven, it has proven necessary to provide a habitable temperature for me. The servant brings my meals to the Great Hall at seven, twelve and eight, thus I am able to keep 'civilised' hours.

Although I came here to arrange the Count's estate, it is the library that has provided me with the greatest challenge of my life, and I often work late into the night, there being little else to do inside the castle, and certainly no-one to do it with. I travelled here with only two books in my possession; the leather-bound Bible I keep on my bedside table, and the Baedeker provided for my journey by Mina, so for me the library is an enchanted place. Never before, I'll wager, has such a collection of volumes been assembled beyond London. Indeed, not even that great city can boast such esoteric tastes as those displayed by the Count and his forefathers, for here are books that exist in but a single copy, histories of forgotten battles, biographies of disgraced warriors, scandalous romances of distant civilisations, accounts of deeds too shameful to be recorded elsewhere, books of magic, books of mystery, books that detail the events of impossible pasts and many possible futures!

Oh, this is no ordinary library.

In truth, I must confess I am surprised that he has allowed me such free access to a collection that I feel provides a very private insight into the life and tastes of its owner. Tall iron ladders, their base rungs connected to a central rail, shift along the book-clad walls. Certain shelves nearest the great vaulted ceiling have gold-leafed bars locked over them to keep their contents away from prying eyes, but the Count has provided me with keys to them all. When I asked him if, for the sake of privacy, he would care to sort the books before I cast my gaze upon them (after all, he is a member of the Carpathian aristocracy, and who knows what family secrets hide here) he demurred, insisting that I should have full run of the place. He is a charming man, strange and distant in his thoughts, and altogether too much of an Easterner for me to ever fully gain his confidence, for I act as the representative of an Empire far too domesticated for his tastes, and I suspect, too diminished in his mind.

Yes, diminished, for there is little doubt he regards the British intellect as soft and sated, even though there is much in it that he admires. He comes a from a long line of bloodletting lords, who ruled with the sword-blade and despised any show of compassion, dismissing it as frailty. He is proud of his heritage, of course, yet learning to be ashamed, contrition being the only civilised response to the sins of the past.

I think perhaps he regards this vast library, with its impossible mythologies and ghastly depictions of events that may never happen, as part of that bloody legacy he is keen to put behind him. He is, after all, the last of his line. I suspect he is allowing me to catalogue these books with a view to placing the contents up for auction. The problem, though, is that it is almost impossible for me to judge how I should place a price on such objects. Regardless of what is contained within, the bindings themselves are frequently studded with precious and semi-precious jewels, bound in gold-leaf and green leather, and in one case what suspiciously appears to be human skin. There is no precedent to them, and therefore there can be no accurate estimate of value.

How, then, am I to proceed?

From the Journal of Jonathan Harker, July 15th 1893

Regarding the library: I have devised a system that allows me to create a table of approximate values, and that for now must suffice. First, I examine the binding of the book, noting the use of valuable ornamentation and pigments. Then I make note of the author and the subject, gauging their popularity and stature; how many copies have been printed (if indicated) and where; how many editions; the age of the work and its length; and finally, content, whether scandalous and likely to cause offence, whether of general interest, usefulness and the like. To this end I find myself making odd decisions, putting a history of Romanian road-mapping before the
Life and Times of Vladimir the Terrible
because the former may be of more utility in charting this neglected territory. Thus the banal triumphs over the lurid, the ordinary over the outrageous, the obvious over the obscure. A fanciful mind might imagine that I was somehow robbing the library of its power by reclassifying these tomes in such a manner, that by quantifying them I am reducing the spell they cast. Fancies grow within these walls. The castle is conducive to them.