0513485001343534196 christopher fowler (11 page)

'This building has been cleared.' Jonathan scrubbed his fist across the filthy pane.

'We have to find a way into that room.'

'Why?' It was useless to assume that Marrick had a natural sense of curiosity, so Jonathan appealed to his greed. 'It could have been sealed off for years. There might be something of value in there.'

'If there was, it was probably nicked years ago. Someone's bound to have been in there already.'

'I think that's unlikely. There's no immediate access, and it looks like it belongs to part of another building. It's hard to even see.'

'Hmm. You have a point there.' They both started looking for a doorway. There was nothing on any of the landings, or on the second floor. At the bottom of the stairs they found a door leading to a basement, but it was locked and there was no key. Marrick picked up a chunk of discarded pipe and smashed at the lock until the damp wood around it splintered and fell away.

'Fucking hell! What died?' Marrick waved a hand in front of his nose.

'Shine your torch down there. These steps look rotten.' The beam rippled back at them. The whole of the basement was under an inch of filthy water. On the far side was an arched passage. Jonathan instinctively knew that this was the way to the room at the centre of the building. He'd seen this type of layout in old architectural books. 'We have to go over there.' He pointed at the arch.

'You're joking. These shoes cost a fucking fortune. I'm not going down there.'

Jonathan's torch caught a stack of planks piled under the stairs. It was a simple matter to lay them like duckboards across the basement. The ceiling was low, and Marrick swore spectacularly as he banged his head.

They arrived at the far side of the room, and Jonathan reached out to touch the heavy oak door set before them. He could hear running water.

The torch illuminated the source through a crack in the wood; a brick channel filled with sluggishly moving liquid, cut through an arched tunnel that led off to an iron grate in the wall. 'The Fleet,' said Jonathan excitedly, 'it's a tributary of the Fleet.'

'What the fuck is that, a river?'

'Certainly a river. It was used as a rubbish dump for centuries. Runs from Hampstead down to Holborn and right across London.'

'What do you mean "runs"? It's still there?'

'It was finally channelled underground at the end of the eighteenth century, but the main part is still used as a sewer. There's a whole network of tributaries attached to it, and this looks like one of them. A lot of basements used to have access to the city's sewer system.' Marrick had lost interest. He pulled at the edge of the door, and it shifted inwards.

'Doesn't look like it's being used any more,' said Jonathan. 'The water's clean.' He shone his torch further along the channel and found another, much smaller door. This one was painted black and studded with iron bolts. 'That has to be the way to the centre-well.'

They carefully stepped across the open water-pipe and examined the door. It was set two feet from the ground, presumably to keep the area behind it dry and avoid the danger of flooding.

'It's locked. I wonder who has the key.'

Marrick dug about in his pocket and produced a handful of loose Yales. 'Take your pick, there's these and dozens more of the bastards back in the office.' But all of them proved too small to fit the lock.

'The mechanism will probably need oiling, anyway,' said Jonathan.

'We wouldn't be able to shift it by ourselves, not if it's been shut for years.' They resolved to come back down on Monday morning.

London was once settled much lower in the ground. Layers were
added; strata of gravel and stone and tarmacadam, layers of bones,
the residue of corpses stricken by pestilence and firestorm, three
decades of cholera victims, the sickly paupers from debtors' jails and
workhouses, the silent majority of the city. Denied a voice in life,
how they longed to speak and be heard.

The first tunnel under the Thames was a private enterprise built
by Marc Brunel and opened, after considerable loss of life, in
1843. Within fifteen weeks, a million pedestrians had paid a penny
each to walk through it, but the novelty wore off fast, and for the
next decade the gloomy arched passageways underneath the river
became the favoured haunt of thieves and prostitutes.

Jonathan was unable to find a key which would fit, so Marrick asked his foreman Barney to take the door off its hinges. Barney did so that Friday morning, following Marrick's instructions not to go inside. Marrick, who fancied himself as a bit of an Indiana Jones, was determined to retain that privilege for himself. Later on in the afternoon, as the biggest storm of the autumn broke over their heads, Jonathan accompanied his employer back to the cellar, and they crossed the sewage channel to the door in the wall.

Barney had set the square iron panel to one side. Marrick assumed proprietorial charge of the flashlight, and now wielding a crowbar in his other fist, shone his beam ahead into a rubble-filled corridor. Jonathan followed him through, pausing beside a crumpled sheet of newspaper,
The Daily Sketch, May 18th, 1949
. He rose, disappointed, hoping to find something older. At least it was dry in here. They had to be under the centre-well of the buildings now. The room he had seen would be above them at the end of the passage and to the right.

'I don't know why I'm fucking wasting my time down here. I should never have let you talk me into this.' Marrick picked his way across the littered floor, leaving Jonathan to fend for himself in the dark. From far above them came the distant rumble of thunder, like masonry being emptied into a skip. Jonathan listened to his boss's muttered complaints, knowing that the merest sliver of hope would drive him forward. 'You never know what we might find,' he said. 'There, at the end, where you just pointed the torch. What is that?'

Twisted curlicues of iron hung from the ceiling. A number of sections had rusted through, and lay on the floor like giant fruit-rinds. Marrick cast the beam upwards. 'Looks like part of a staircase,' said Jonathan.

'Not like any fucking staircase I've ever seen. You reckon this room of yours is above here?'

'There's nowhere else it could be.' He raised his eyes to the stained plaster ceiling and saw the slightly protuberant square of plaster in the corner of the passage. It was half the size of the first door, but large enough for a man to climb through. 'There's your door,' he said excitedly.

'There should be an iron ring set flat in the front section, buried under the plaster.'

'How could you know that?' Marrick stopped and stared back at him through the glare of the torch beam. 'You haven't been down here before.'

'I've read about these things. It's a relic room. Lots of wealthy old houses used to have them. You built a special room, just a small one, and sealed a treasured possession inside, and built the rest of the house around it.'

'Then what?'

'Then nothing. You sealed the room up from the outside and forgot all about it, and the building would have good luck all of its life. It was a pagan thing. By giving up something precious you appeased the household gods. The old Roman habits died hard. Not all Londoners were Christians, you know.'

Marrick's eyes glittered in the gloom. 'So you reckon there's something really valuable in there?'

'There could be, I don't know. They tucked away all sorts of belongings. Gold candlesticks, silver and pewter plate, chalices, they were all popular sacrifices.'

'Reading all them books of yours finally paid off, eh?' Marrick thumped the ceiling square with the end of his crowbar. The plaster coating that covered it sounded thin. A few more thumps rained wafer-fine pieces on to his shoulders. It only took a few minutes to reveal the edges of the door. When he shone the torch back up, they could both see it; a dirty iron ring, recessed into the square. 'Give me a hand here,'

said Marrick, thrusting the torch at him. 'Hold that steady.' His fingers followed the outline of the ring and dug around it, pulling it down toward him. As he brought his weight to bear on it, the door grudgingly opened downwards in a shower of plaster fragments.

'Christ, this thing must be on a fucking spring,' Marrick cried, 'I can barely hold it.'

'Do you want me to help?'

'You'd give yourself a hernia. Just grab the bottom corners as soon as you can reach them.' He was right. Jonathan could feel the power of the door as it tried to close itself. Marrick moved the torch to the inside of the hole. Pinpoints of reflected light glittered back. 'There's definitely something in there all right. Keep a hold on the door.'

Marrick braced his feet against the walls and raised his arms into the open hole, pulling himself up. 'Used to - ugh - do this sort of thing in gym,'

he gasped through gritted teeth. As his torso, his legs and finally his expensive Italian shoes disappeared into the hole, Jonathan shoved against the door with all his might to keep the heavy spring from slamming it shut.

'What can you see?' he called.

'Hang on a minute, let me get my breath - ' Marrick shone the torch around the room, which was less than five feet square. The air was thick and old, but breathable. His head brushed against the brick ceiling.

Beside him at head-height was the tiny window he had seen from outside.

'Plate,' he called down finally. 'Silver plate by the look of it.' He shifted his feet either side of the trapdoor hole. A great mound of the stuff was stacked in a corner. Each piece was twice the size of the average dinner plate. It looked like the municipal tableware they used for mayoral banquets. He bent down and pulled the largest one free in a cloud of strawdust. It was badly tarnished, but he could still make out the leaping stags, the coat of arms, the portrait of some ugly bird in a pointy headdress. His heart was beating faster. Even an idiot could see that this lot was worth a fucking fortune. He turned it over, and there on the reverse was an inscription, hard to read because the S's were substituted with F's, but the date was clear; 1503. Dear God in Heaven, he was rich.

'Here, cop hold of this.' He passed the plate down to Jonathan, who was propped against the trapdoor and had trouble accepting the heavy metal dish. Marrick switched the torch into the opposite corner, no more than two feet behind him. His mouth fell open.

Jonathan's arms were tiring. He was not sure how much longer he could manage to keep the door down. Beyond in the darkness he could hear the steadily augmenting sound of rushing water. The deluge above them was filtering through the pipes of the building and swelling the sewer channel. 'Hurry up,' he called anxiously. 'The storm's bringing a lot of water down.'

Marrick did not hear. He was staring back at a dead body. It was centuries-dead and dried out, so that it appeared as little more than a skeleton with yellow skin vacuum-formed across its bones. It was small, just over four feet high, its head tilted back and its jaws wide open so that it appeared to be laughing, or screaming. There were iron rings around its wrists, manacling it to the wall. They seemed unnecessarily heavy on such a small frame. A chill crept over Marrick as it occurred to him that the poor creature had been chained up alive and left to die here, and that it was most probably a child.

'Oh, Christ - '

'What's the matter?'

'They walled up something precious to bring themselves luck - '

Several things happened at once just then. An enormous roll of thunder made itself heard all the way to the basement, there was a sudden renewed rush of water through the sewer duct, and Jonathan started in surprise, moving his shoulder from the trapdoor. The spring tightened, the lid swung unstoppably up and slammed shut with a deafening bang. For a moment both men were shocked into silence. Then Marrick began shouting and thumping about in his tiny cell, but the sound of his rage was not enough to carry clearly through the heavy sealed door.

Marrick stood up sharply and cracked his head on the ceiling. His heart was pounding in the darkness. The walls pressed forward. He was unable to catch his breath. Claustrophobia hemmed him in. The dead air in his throat stifled him. He gasped and bellowed at Jonathan, every filthy insult he could conjure, and threw himself to the floor in an attempt to dislodge the trapdoor. But it was somehow arranged so that it could only be opened from the iron ring outside - and only he had had the strength to pull it down. Jonathan would never be able to manage it alone. He forced himself to calm down for a moment. Barney. Jonathan would have to go and get Barney. He might still be at the office. He wished he had not left his mobile phone in his briefcase on the ground floor.

'Jon,' he shouted at the floor, 'go and get Barney to help you! Call him! Get Barney!' He held his breath and listened, but all he could hear was the rain outside and the distant rushing water below. 'Jon, for fuck's sake what are you doing?' His voice rose in fright as the beam from the torch grew yellow and died. He dropped to his knees and scrabbled at the seams of the unmoving door until he could no longer feel his fingers.

Jonathan made his way back along the passageway in total darkness.

He soaked his legs crossing the sewer duct, which was now overflowing the sides of the brick channel. A faint light showed from the distant cellar entrance. When he reached the top of the stairs, he collected Marrick's briefcase. Then he went back to the rumbling river.

Positioning himself by the water that boiled and rushed through the iron grating, he emptied the contents of the case, Marrick's pens, his mobile phone, his cocaine, his lunch receipts, and all the contracts he had drawn up for the purchase and eventual demolition of the building.

Jonathan watched as they passed through the wide iron mesh on their underground journey to the city's dark heart.

'There are no kind gods,' he said aloud. 'The price of true belief will always be terrible.'

Back on the ground floor he studied the huge plate Marrick had passed to him, the lauded ceremonial plate commemorating the death of Elizabeth of York, daughter of Edward IV, sister to the murdered princes in the Tower, beloved mother of Henry VIII. On the back was engraved an elegy, written for her by Sir Thomas More. He was holding a cornerstone of history, long thought lost, finally restored to safe hands. He would never know what else the oubliette contained apart from the large useless article that would now serve the birth of a new urban deity.