Zen and the Art of Motorcycle Maintenance (17 page)

BOOK: Zen and the Art of Motorcycle Maintenance
3.44Mb size Format: txt, pdf, ePub

Hume would have answered that the eighteen-year-old had no thoughts whatsoever, and in giving this answer would have defined himself as an empiricist, one who believes all knowledge is derived exclusively from the senses. The scientific method of experimentation is carefully controlled empiricism. Common sense today is empiricism, since an overwhelming majority would agree with Hume, even though in other cultures and other times a majority might have differed.

The first problem of empiricism, if empiricism is believed, concerns the nature of ``substance.'' If all our knowledge comes from sensory data, what exactly is this substance which is supposed to give off the sensory data itself? If you try to imagine what this substance is, apart from what is sensed, you'll find yourself thinking about nothing whatsoever.

Since all knowledge comes from sensory impressions and since there's no sensory impression of substance itself, it follows logically that there is no knowledge of substance. It's just something we imagine. It's entirely within our own minds. The idea that there's something out there giving off the properties we perceive is just another of those common-sense notions similar to the common-sense notion children have that the earth is flat and parallel lines never meet.

Secondly, if one starts with the premise that all our knowledge comes to us through our senses, one must ask, From what sense data is our knowledge of causation received? In other words, what is the scientific empirical basis of causation itself?

Hume's answer is ``None.'' There's no evidence for causation in our sensations. Like substance, it's just something we imagine when one thing repeatedly follows another. It has no real existence in the world we observe. If one accepts the premise that all knowledge comes to us through our senses, Hume says, then one must logically conclude that both ``Nature'' and ``Nature's laws'' are creations of our own imagination.

This idea that the entire world is within one's own mind could be dismissed as absurd if Hume had just thrown it out for speculation. But he was making it an airtight case.

To throw out Hume's conclusions was necessary, but unfortunately he had arrived at them in such a way that it was seemingly impossible to throw them out without abandoning empirical reason itself and retiring into some medieval predecessor of empirical reason. This Kant would not do. Thus it was Hume, Kant said, who ``aroused me from my dogmatic slumbers'' and caused him to write what is now regarded as one of the greatest philosophical treatises ever written, the Critique of Pure Reason, often the subject of an entire University course.

Kant is trying to save scientific empiricism from the consequences of its own self-devouring logic. He starts out at first along the path that Hume has set before him. ``That all our knowledge begins with experience there can be no doubt,'' he says, but he soon departs from the path by denying that all components of knowledge come from the senses at the moment the sense data are received. ``But though all knowledge begins with experience it doesn't follow that it arises out of experience.''

This seems, at first, as though he is picking nits, but he isn't. As a result of this difference, Kant skirts right around the abyss of solipsism that Hume's path leads to and proceeds on an entirely new and different path of his own.

Kant says there are aspects of reality which are not supplied immediately by the senses. These he calls a priori. An example of a priori knowledge is ``time.'' You don't see time. Neither do you hear it, smell it, taste it or touch it. It isn't present in the sense data as they are received. Time is what Kant calls an ``intuition,'' which the mind must supply as it receives the sense data.

The same is true of space. Unless we apply the concepts of space and time to the impressions we receive, the world is unintelligible, just a kaleidoscopic jumble of colors and patterns and noises and smells and pain and tastes without meaning. We sense objects in a certain way because of our application of a priori intuitions such as space and time, but we do not create these objects out of our imagination, as pure philosophical idealists would maintain. The forms of space and time are applied to data as they are received from the object producing them. The a priori concepts have their origins in human nature so that they're neither caused by the sensed object nor bring it into being, but provide a kind of screening function for what sense data we will accept. When our eyes blink, for example, our sense data tell us that the world has disappeared. But this is screened out and never gets to our consciousness because we have in our minds an a priori concept that the world has continuity. What we think of as reality is a continuous synthesis of elements from a fixed hierarchy of a priori concepts and the ever changing data of the senses. Now stop and apply some of the concepts Kant has put forth to this strange machine, this creation that's been bearing us along through time and space. See our relation to it now, as Kant reveals it to us.

Hume has been saying, in effect, that everything I know about this motorcycle comes to me through my senses. It has to be. There's no other way. If I say it's made of metal and other substances, he asks, What's metal? If I answer that metal's hard and shiny and cold to the touch and deforms without breaking under blows from a harder material, Hume says those are all sights and sounds and touch. There's no substance. Tell me what metal is apart from these sensations. Then, of course, I'm stuck.

But if there's no substance, what can we say about the sense data we receive? If I hold my head to the left and look down at the handle grips and front wheel and map carrier and gas tank I get one pattern of sense data. If I move my head to the right I get another slightly different pattern of sense data. The two views are different. The angles of the planes and curves of the metal are different. The sunlight strikes them differently. If there's no logical basis for substance then there's no logical basis for concluding that what's produced these two views is the same motorcycle.

Now we've a real intellectual impasse. Our reason, which is supposed to make things more intelligible, seems to be making them less intelligible, and when reason thus defeats its own purpose something has to be changed in the structure of our reason itself.

Kant comes to our rescue. He says that the fact that there's no way of immediately sensing a ``motorcycle,'' as distinguished from the colors and shapes a motorcycle produces, is no proof at all that there's no motorcycle there. We have in our minds an a priori motorcycle which has continuity in time and space and is capable of changing appearance as one moves one's head and is therefore not contradicted by the sense data one is receiving.

Hume's motorcycle, the one that makes no sense at all, will occur if our previous hypothetical bed patient, the one who has no senses at all, is suddenly, for one second only, exposed to the sense data of a motorcycle, then deprived of his senses again. Now, I think, in his mind he would have a Hume motorcycle, which provides him with no evidence whatsoever for such concepts as causation.

But, as Kant says, we are not that person. We have in our minds a very real a priori motorcycle whose existence we have no reason to doubt, whose reality can be confirmed anytime.

This a priori motorcycle has been built up in our minds over many years from enormous amounts of sense data and it is constantly changing as new sense data come in. Some of the changes in this specific a priori motorcycle I'm riding are very quick and transitory, such as its relationship to the road. This I'm monitoring and correcting all the time as we take these curves and bends in the road. As soon as the information's of no more value I forget it because there's more coming in that must be monitored. Other changes in this a priori are slower: Disappearance of gasoline from the tank. Disappearance of rubber from the tires. Loosening of bolts and nuts. Change of gap between brake shoes and drums. Other aspects of the motorcycle change so slowly they seem permanent...the paint job, the wheel bearings, the control cables...yet these are constantly changing too. Finally, if one thinks in terms of really large amounts of time even the frame is changing slightly from the road shocks and thermal changes and forces of internal fatigue common to all metals.

It's quite a machine, this a priori motorcycle. If you stop to think about it long enough you'll see that it's the main thing. The sense data confirm it but the sense data aren't it. The motorcycle that I believe in an a priori way to be outside of myself is like the money I believe I have in the bank. If I were to go down to the bank and ask to see my money they would look at me a little peculiarly. They don't have ``my money'' in any little drawer that they can pull open to show me. ``My money'' is nothing but some east-west and north-south magnetic domains in some iron oxide resting on a roll of tape in a computer storage bin. But I'm satisfied with this because I've faith that if I need the things that money enables, the bank will provide the means, through their checking system, of getting it. Similarly, even though my sense data have never brought up anything that could be called ``substance'' I'm satisfied that there's a capability within the sense data of achieving the things that substance is supposed to do, and that the sense data will continue to match the a priori motorcycle of my mind. I say for the sake of convenience that I've money in the bank and say for the sake of convenience that substances compose the cycle I'm riding on. The bulk of Kant's Critique of Pure Reason is concerned with how this a priori knowledge is acquired and how it is employed.

Kant called his thesis that our a priori thoughts are independent of sense data and screen what we see a ``Copernican revolution.'' By this he referred to Copernicus' statement that the earth moves around the sun. Nothing changed as a result of this revolution, and yet everything changed. Or, to put it in Kantian terms, the objective world producing our sense data did not change, but our a priori concept of it was turned inside out. The effect was overwhelming. It was the acceptance of the Copernican revolution that distinguishes modern man from his medieval predecessors.

What Copernicus did was take the existing a priori concept of the world, the notion that it was flat and fixed in space, and pose an alternative a priori concept of the world, that it's spherical and moves around the sun; and showed that both of the a priori concepts fitted the existing sensory data.

Kant felt he had done the same thing in metaphysics. If you presume that the a priori concepts in our heads are independent of what we see and actually screen what we see, this means that you are taking the old Aristotelian concept of scientific man as a passive observer, a ``blank tablet,'' and truly turning this concept inside out. Kant and his millions of followers have maintained that as a result of this inversion you get a much more satisfying understanding of how we know things.

I've gone into this example in some detail, partly to show some of the high country in close perspective, but more to prepare for what Phædrus did later. He too performed a Copernican inversion and as a result of this inversion produced a resolution of the separate worlds of classical and romantic understanding. And it seems to me that as a result it is possible to again get a much more satisfying understanding of what the world is all about.

Kant's metaphysics thrilled Phædrus at first, but later it dragged and he didn't know exactly why. He thought about it and decided that maybe it was the Oriental experience. He had had the feeling of escape from a prison of intellect, and now this was just more of the prison again. He read Kant's esthetics with disappointment and then anger. The ideas expressed about the ``beautiful'' were themselves ugly to him, and the ugliness was so deep and pervasive he hadn't a clue as to where to begin to attack it or try to get around it. It seemed woven right into the whole fabric of Kant's world so deeply there was no escape from it. It wasn't just eighteenth-century ugliness or ``technical'' ugliness. All of the philosophers he was reading showed it. The whole university he was attending smelled of the same ugliness. It was everywhere, in the classroom, in the textbooks. It was in himself and he didn't know how or why. It was reason itself that was ugly and there seemed no way to get free.

12

At Cooke City John and Sylvia look and sound happier than I have seen them in years, and we whack into our hot beef sandwiches with great whacks. I'm happy to hear and see all their high-country exuberance but don't comment much, just keep eating.

Outside the picture window across the road are huge pines. Many cars pass beneath them on their way to the park. We're a long way down from the timberline now. Warmer here but covered over with an occasional low cloud ready to drop rain.

I suppose if I were a novelist rather than a Chautauqua orator I'd try to ``develop the characters'' of John and Sylvia and Chris with action-packed scenes that would also reveal ``inner meanings'' of Zen and maybe Art and maybe even Motorcycle Maintenance. That would be quite a novel, but for some reason I don't feel quite up to it. They're friends, not characters, and as Sylvia herself once said, ``I don't like being an object!'' So a lot of things we know about one another I'm simply not going into. Nothing bad, but not really relevant to the Chautauqua. That's the way it should be with friends.

At the same time I think you can understand from the Chautauqua why I must always seem so reserved and remote to them. Once in a while they ask questions that seem to call for a statement of what the hell I'm always thinking about, but if I were to babble what's really on my mind about, say, the a priori presumption of the continuity of a motorcycle from second to second and do this without benefit of the entire edifice of the Chautauqua, they'd just be startled and wonder what's wrong. I really am interested in this continuity and the way we talk and think about it and so tend to get removed from the usual lunchtime situation and this gives an appearance of remoteness. It's a problem.

It's a problem of our time. The range of human knowledge today is so great that we're all specialists and the distance between specializations has become so great that anyone who seeks to wander freely among them almost has to forego closeness with the people around him. The lunchtime here-and-now stuff is a specialty too.

Other books

If I Die by Rachel Vincent
Crashed by Timothy Hallinan
Seven Dead Pirates by Linda Bailey
Star of Wonder by JoAnn S. Dawson
The Power of Five Oblivion by Anthony Horowitz
McNally's Risk by Lawrence Sanders
Adam's Promise by Julianne MacLean
9-11 by Noam Chomsky