Zelda Fitzgerald: Her Voice in Paradise (70 page)

BOOK: Zelda Fitzgerald: Her Voice in Paradise
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55
Time,
9 Apr
.
1934.

56
New
York
Post,
3 Apr. 1934.

57
On 30 April Zelda was allowed to return to New York with a nurse to see the last day of her exhibition.

58
ZSF
to
FSF
,
c.
1 Apr. (author’s dating) 1934,
CO
187, Box 44, Folder 29,
PUL
. She reminded him of the mass of stuff she had written and wondered if
Esquire
might take some of it. Even though his own novel was due out 12 April he was still nervous about her writing.

59
FSF
to Slocum, 8 Apr. 1934; Slocum to
FSF
, 11 Apr. 1934,
CO
745, Box 1, Folder 1,
PUL
.

60
ZSF
to
FSF
, two letters, Apr. 1934 (author’s dating),
CO
187, Box 44, Folders 24, 41,
PUL
.

61
ZSF
to
FSF
, Apr/May 1934,
CO
187, Box 44, Folder 46,
PUL
.

62
Malcolm Cowley, review of
Tender,
The
New
Republic,
6 June 1934.

63
Quoted in Mellow,
Invented
Lives,
p. 418.

64
Donnelly and Billings,
Sara
and
Gerald,
p. 38. Scott used other friends as models for the Divers’ circle. Ring Lardner and Charlie MacArthur became Abe North. Nicole’s acid sister Baby Warren was based on Scott’s disapproving sister-in-law Rosalind Smith and Sara Murphy’s sharp-tongued sister Hoytie, while Rosemary Hoyt, the naïve young actress who is infatuated by Dick, was based on Lois Moran and possibly also on Mary Hay. According to Scott’s notes for the novel Barban was based on a combination of Edouard Jozan, Mario Braggiotti, Tommy Hitchcock and two Princetonians, Percy Pyne and Denny Holden. Bruccoli and other critics believe Barban was also based on Ernest Hemingway though Scott did not list him.

65
Murphy finally gave up all painting after the deaths of both his sons.

66
Sara Murphy to
FSF
, 1934,
CO
187, Box 51, Folder 15,
PUL
.

67
Donnelly and Billings,
Sara
and
Gerald,
p. 43.

68
Gerald Murphy to
FSF
, 31 Dec. 1935, co187, Box 51, Folder 13,
PUL
.

69
FSF
to
EH
, 10 May 1934, J. F. Kennedy Library.

70
EH
to
MP
, 30 Apr. 1934,
The
Only
Thing
That
Counts.

71
Hemingway later thought
Tender
Is
The
Night
was excellent, of a higher standard than anything Scott had written before. He did wonder however whether Scott’s writing career might be over. He sent via Perkins affectionate greetings to Scott with the
assurance
that the novel was threateningly good.

72
FSF
to Mencken, 23 Apr. 1934,
PUL
, lent by Enoch Pratt Free Library; Mencken to
FSF
, 26 Apr. 1934.

73
ZSF
to
FSF
, Apr. 1934; May 1934 (author’s dating),
CO
187, Box 44, Folders 41, 46,
PUL
.

74
ZSF
, ‘Auction – Model 1934’,
Collected
Writings,
p. 438.

75
Sheppard Pratt, founded as Sheppard Asylum in 1853, was given an influx of funds five years later by Enoch Pratt, a rich railroad and steamship owner. It was one of the USA’s oldest mental hospitals, housing 500 patients in 1934. In 1931 6 per cent of its patients were hospitalized free; in 1932 198 of its 271 patients paid less than the full fees, which averaged $38 per week. Most full-fee-paying patients came from the South like Zelda because the Deep South had few private mental hospitals.

76
ZSF
to
FSF
,
c.
Apr. 1934 (author’s dating);
c.
Apr./May 1934 (author’s dating),
CO
187, Box 44, Folders 42, 46,
PUL
.

77
Mayfield,
Exiles,
p. 214. Mayfield was herself a patient there later and her own
descriptions
of the hospital and her experiences (Mayfield Collection, University of Alabama, Tuscaloosa) precisely match the horror of Zelda’s. Mayfield believed Zelda had been
‘ground down by Scott and the doctors’, that if she had been allowed to leave, to write and paint, she could have survived mentally.

78
Taylor,
Sometimes
Madness,
p. 197.

79
ZSF
to
FSF
,
c
. Oct. 1934.

80
ZSF
to
FSF
, summer 1934:
c.
June (author’s dating) 1934;
c.
June (author’s dating) 1934,
CO
187, Box 44, Folders 49, 26, 47,
PUL
.

81
ZSF
to Dr Elgin and other medical staff, Sheppard Pratt, 1934. Dr William Elgin was born in Cincinnati in 1905, graduated from Washington and Lee University in Virginia, and took his medical degree at Johns Hopkins.

82
ZSF
to
FSF
, undated fragment (author’s dating summer 1934),
CO
187, Box 41, Folder 42,
PUL
.

83
Taylor,
Sometimes
Madness,
p. 300.

84
ZSF
to
FSF
, late May/June 1934,
CO
187, Box 44, Folder 47,
PUL
.

85
Mayfield,
Exiles
, p. 275.

86
FSF
, Notebooks, No. 1362.

87
Quoted in Mellow,
Invented
Lives,
p. 429.

88
Dr Murdoch (Mayfield gives his name as Kenneth Murdock), a graduate of Nebraska Medical School and a Commonwealth Fellow in Psychiatry at Colorado Psychopathic Hospital, joined Sheppard Pratt in 1930 and soon became its third director. He also taught psychiatry at the University of Maryland.

89
ZSF
to
FSF
, late May 1934,
CO
187, Box 44, Folder 47,
PUL
.

90
FSF
to Elgin, 21 May 1934,
CO
187, Box 40, Folder 4,
PUL
.

91
FSF
to
MP
, 13 June 1934. His proposed table of contents began with a 500-word
introduction
by him. The first section, ‘Eight Women’, would contain Zelda’s stories (26, 250 words). The second section, ‘Three Fables’ (5,000 words), would include ‘The Drought and the Flood’, ‘A Workman’ and ‘The House’. The third section, ‘Recapitulation’ (5,000 words), would include ‘Show Mr and Mrs F. –’ and ‘Auction –’ Model 1934’ (total
approximately
50,000 words).

92
FSF
to Rosalind Sayre Smith, 19 July 1934,
CO
187, Box 53, Folder 14A,
PUL
.

93
FSF
to Rosalind Sayre Smith, 16 Aug. 1934, ibid.

94
Quoted in Aaron Latham,
Crazy
Sundays:
F.
Scott
Fitzgerald
in
Hollywood,
Viking Press, New York, 1971, p. 183.

95
FSF
to Stein, 29 Dec. 1934, Yale University. Isabel Owens was there when Zelda refused to hand over her paintings. Owens said ‘She made it stick too.’

96
17 Mar. 1935 at Massachusetts General Hospital.

97
Mencken to
FSF
, 30 May 1935,
CO
187, Box 51,
PUL
.

CHAPTER 23

Zelda was under a stone. She hardly spoke. That Scott’s health had been poor during the winter and spring passed her by. That he had left Baltimore for Tryon, Hendersonville and North Carolina several times was of little consequence.
1
To his letter asking her what she needed, Zelda replied: ‘I don’t need anything at all except hope, which I can’t find by looking either backwards or forwards, so I suppose the thing is to shut my eyes.’
2
Visiting her was like visiting a ghost. Half-remembering his world, she wrote: ‘I want you to be happy again with Scottie – some place where it is bright … and you can have some of the things you have worked so hard for … Please get well and love Scottie and find something to fill up your life –.’
3
  But by midsummer she no longer wrote to him.

Scott had tried to fill up his life with new companions and
desultory
affairs. During summer 1935 in North Carolina he met Laura Guthrie Hearne, a Columbia Journalism School graduate and amateur psychic who told fortunes to guests at Asheville’s George Vanderbilt Hotel. Hired as Scott’s part-time secretary, she also became go-between and recorder of his affair with Beatrice Dance, a rich Texan, who like Scott was staying at the Grove Park Inn.
4
  Beatrice fell histrionically in love with Scott, who rapidly finished the affair by telling Dance that he was unable to abandon Zelda.
5
  Scott, ever self-serving, accustomed to purloining Zelda’s intimate letters, now sent Beatrice one of Zelda’s saddest to justify his
ruthless
rejection of her.

Dearest and always

Dearest Scott:

I am sorry too that there should be nothing to greet you but an empty shell. The thought of the effort you have made over me, the suffering this
nothing
has cost would be unendurable to any save a completely vacuous mechanism. Had I any feelings they would all be bent in
gratitude
to you and in sorrow that of all my life there should not even be
the smallest relic of the love and beauty that we started with to offer you at the end.

You have been so good to me – and all I can say is that there was always that deeper current running through my heart: my life – you.

You remember the roses in Kinneys yard … we crossed the street and said we loved the south. I thought of the south … thought I was part of the south … We were gold and happy all the way home.

Now that there isn’t any more happiness and home is gone and there isn’t even any past and no emotions but those that were yours … – it is a shame that we should have met in harshness and coldness where there was once so much tenderness and so many dreams … I love you anyway – even if there isn’t any me or any love or even any life …

Oh, Do-Do

Do-Do –

Zelda.
6

Scott spelt out the implications for Dance: ‘There are emotions just as important as ours running concurrently with them – and there is literally no standard in life other than a sense of duty.’
7

The rejected Beatrice was hospitalized with distress while Scott, lungs already inflamed by tuberculosis, went on an alcoholic bender until Dr Paul Ringer admitted him to hospital in Asheville as, in Rosalind’s words, a ‘floundering wreck’. Rosalind added later: ‘Poor devil! I always was sorry for him even while detesting him.’
8
Minnie Sayre told Rosalind she was so crushed by Zelda’s hopelessness that she had to ‘[philosophize] herself into keeping cheerful’. After Rosalind had comforted the Sayres, she visited Zelda, who ‘was dressed in white and seemed very ethereal, somehow, like somebody not of this world’. Rosalind told Scott: ‘Most of the time … she was reproaching herself for having wrecked your life and having brought Scottie into the world … Her present condition was a great shock to me … and I feel
discouraged
about her.’ Zelda begged Rosalind to take her for a ride, but when Rosalind asked Dr Elgin he said Zelda was so
dangerously
ill he could not allow her out in a car for fear she would escape. ‘I pray’, wrote Rosalind, ‘that she will soon be quiet enough to have this little diversion from that horrible atmosphere in which she lives.’
9

Scott’s own diversions to avoid that ‘horrible atmosphere’ included a new friendship with twenty-nine-year-old writer Tony Buttitta, proprietor of Asheville’s Intimate Book Shop in the George Vanderbilt Hotel arcade. One night Buttitta heard a knock at his door.

Standing outside was a tall blond chap in grey flannels who reminded me of a photo on a book jacket. ‘Where’s the Men’s Room?’ the guy said. ‘Why, upstairs’, I answered. ‘Well it’s loaded. Downstairs is loaded too. Find me one that isn’t loaded!’ I led him through the hotel garden, he tripped unsteadily through magnolias, jasmine and mimosa where he did his business. Then he stood under the moonlight and I knew. ‘You’re Scott Fitzgerald’, I said. ‘You have a romantic profile.’ He liked that. He’d crashed, been beaten down, so if someone recognized him,
especially
a fellow writer, he liked that. I told him I’d sold half a dozen of his books but I hadn’t sold hardly any. He didn’t believe he was important any more, but he needed other people to believe it.

That summer, Buttitta, trying to restore Scott’s self-esteem,
introduced
him to prostitute Lottie Stephens: a poor idea, for she
complained
about Scott’s lack of virility while Fitzgerald fretted about contracting syphilis.

Buttitta recalled how Scott would suddenly start sobbing: ‘He always sobbed about Zelda. He’d cry out: “We meant so much to each other in our early life. But Zelda wanted to be a star. She didn’t feel what I did was important to her.”’ Buttitta felt ‘Scott had to be the star. Scott wanted Zelda in the audience. He kept saying “I feel responsible because now she’s gone batty.”’
10

What Scott saw as battiness was Zelda’s retreat from suicide into religious despair. ‘God has evolved us,’ she wrote to him, ‘that we may ennoble our souls until they shall have attained a spiritual stature.’

She had reverted to her preoccupation with homosexuality, with God on her side. ‘Since Eden, man has been endowed with a double sexual impulse. Complete sexual fulfillment between man and wife is homosexuality. It is God’s word that this is so.’ She knew Scott’s negative view of ‘fairies’, but hoped he would accept homosexual
practices
as part of their marital contract because God did. ‘God’s promise to man is emotional fulfillment … that is sucking the genital organs of your mate …’ Zelda hoped these ‘beautiful and honourable’ practices might stop married couples becoming
homosexual
, which she knew from her experience was always
punished
.
11

Scott had returned, debt-ridden and depressed, from Asheville to Baltimore’s Cambridge Arms where Isabel Owens was caring for Scottie. By November, finances and spirits sunk, he had moved them to cheaper accommodation at 3300 St Paul Avenue, where he wrote a series of mediocre stories about a widowed father and his teenage daughter Gwen; only two were sold. He gave Scottie ten
dollars, left her with Mrs Owens and the Finneys and headed for Hendersonville, North Carolina, where he rented a tawdry room at Skylands Hotel. Later he had to borrow $7,500 from Oscar Kalman.
12

Only weeks into his fortieth year, suffering his own nervous breakdown, he wrote three wretchedly honest confessional essays: ‘The Crack-Up’, ‘Pasting It Together’ and ‘Handle With Care’. Ironically they were brilliant pieces of writing about a writer who can no longer write because he can no longer care. Scott felt they were creative attempts at examining his emotional and spiritual bankruptcy. Perkins saw them as disgusting exercises in self-pity which would further ruin Scott’s disintegrating reputation. Hemingway saw them as shameful and cowardly. Only Sara Murphy understood Scott:

You have been cheated … but to have Zelda’s wisdom taken away – which would have meant
everything
to you, is crueller even than death. She would have felt all the right things through the bad times – and found the words to help. For you, & for her real friends – I miss her too – You have had a horrible time – worse than any of us, I think – and it has gone on for so long … your spirit & courage are an example to us all.
13

At Christmas 1935, Scott tried to cheer up fourteen-year-old Scottie by organizing a theatre party for her, Peaches Finney and friends, but his gloom disoriented them.

During the spring when Arnold Gingrich made Scott’s
self-revelatory
articles public in
Esquire,
Scott’s health worsened
14
as Zelda’s religious fervour increased. Rosalind, visiting Zelda in April, was horrified. ‘I found her at Sheppard Pratt weighing only 89 pounds and fast going downhill.’ Through regular conversations with God, Zelda believed she was in direct communication with Christ, Apollo and William the Conqueror. Dressed in white, she either prayed by her bed day and night or, convinced the end of the world was approaching, hastily wrote and distributed God’s word to their friends. On Rosalind’s insistence Scott removed Zelda from Pratt on 7 April 1936 and entered her into Highland Hospital, Asheville, the following day. ‘One of the saddest memories I have’, recalled Rosalind, ‘is of going through her trunk in Baltimore … to see what there was she might want to take with her. What I found was a bit of old clothing, a brass candlestick, and a musical
powder-box
with a Pierrot on top that turned with the tune.’
15

Scott had told the Murphys he now felt Zelda was his child, and that he acted as Zelda’s ‘great reality, often the only liason agent who could make the world tangible to her’.
16
The hospital director, Robert Carroll, thought differently. After two weeks at Highland, during which Scott offered Zelda his version of reality, Carroll
suggested
Scott return to Baltimore. ‘You are her emotional
disorganizer
… We did not … organize her treatment until after you left.’
17

The treatment was controversial, fierce and frightening. That it eventually reduced some of Zelda’s symptoms, many of which were the product of earlier treatments, did not outweigh new
devastating
side-effects. Carroll was pioneering injections of placental blood, honey and hypertonic solutions, and of horse blood, into patients’ cerebrospinal fluid. Horse serum caused aseptic
meningitis
with vomiting, fever and head pains, but Carroll used it on Zelda because it could induce long spells of lucidity. He also regularly gave Zelda the now standard electro-shock and insulin shock
treatments
, disregarding their known effects of memory loss.
18
Dr Irving Pine (Zelda’s last psychiatrist) said she was given between thirty and ninety insulin shocks, producing convulsions followed by comas that lasted up to an hour.
19
Mary Parker, assistant to Highland’s psychotherapist (later Zelda’s art therapist), though reluctant to discuss insulin treatment, admitted that ‘insulin was only supposed to be given to “difficult” patients because it shocked their brains so that they couldn’t be left on their own afterwards without a nurse. Though most recovered there
were
bad
after-effects
.’
20

Theorizing that toxic substances caused mental illness, Carroll placed patients on strict diets and regimented exercise routines. Every morning Zelda had outdoor gymnastics, then wholewheat peanut butter sandwiches, followed by occupational therapy (in her case painting), with a five-mile walk every afternoon. Parker recalled how well the schedule suited Zelda’s athletic nature. ‘Dr Carroll believed healthy bodies meant healthy minds, he wanted patients occupied so they couldn’t sit and mope. Zelda played
medicine
ball and volley ball. After the regulation five miles Zelda would climb a hill. Sometimes she’d have to climb the hill ten times! If she got a few minutes freedom she’d turn a dance step.’ But Carroll held more questionable views: the same questionable views as Forel and Slocum had held before him. ‘He believed in re-education for women patients,’ said Parker, ‘which meant redirecting them into wholesome normal values. It was taken for granted women would want to be good wives and mothers in a wholesome way.’
21

Highland’s wholesome programme cost $1,200 a quarter but Scott, pleading poverty, paid only $240 a month plus extra for day trips, concerts, movies and art materials. Scott also sent $100 a month for Zelda’s personal expenses: chewing gum, flowers, fruit, clothes, dentistry and occasional telegrams. He paid for dance lessons and Zelda danced to the point of exhaustion unless
monitored
by nurses. Later she choreographed ballets for hospital events.
22

Scott, increasingly pressured by debts, closed up the Baltimore house and moved to Asheville.
23
Despite the Fitzgeralds’
geographical
proximity they met seldom. Occasionally they lunched at the Inn where, removed from other guests, Zelda nibbled a cucumber salad. Although physically healthier, she told Scott the restrictions stifled her soul. Looking back, she wrote:

Friendship, conviviality, the right of choice, the right of resentment, anger, impetuosities; all these are as much a part of life as obedience, submission, obligation and necessity. In … Highland Hospital, these manifestations of the human temperament are subject to reprimand and regarded as illness. Knowing this, patients (mostly) suppress
themselves
as much as possible, endure, and hope to get out.
24

It is worth noting there is nothing incoherent in Zelda’s analysis.

That summer was exceptionally sad for them both. Gerald wrote grimly that young Patrick’s health had worsened. Hemingway attacked Scott publicly in ‘The Snows of Kilimanjaro’ in August’s
Esquire.
Then on 2 September Scott’s mother died of a cerebral
haemorrhage
. Unexpectedly moved, Scott told Oscar Kalman: ‘A most surprising thing in the death of a parent is not how little it affects you, but how much … there is a sense of being deserted.’
25
To Beatrice Dance he went further: ‘She was a defiant old woman, defiant in her love for me in spite of my neglect of her.’
26

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