You're Not the One (9781101558959) (31 page)

If this doesn't work, up the ante and:

Reason being, he'll think I'm a bunny boiler and delete my number from his phone faster than you can say, “
Fatal Attraction
.” Result: I'll never get a misdialed call again.

According to Kate this can't be classed as stalking as I'm not posing a physical threat—merely an emotional one, which is far more terrifying for a man.

Then double the amount and say that's how many I've had. No, triple it.

Suggestions: James Blunt's “You're Beautiful,” the
Mamma Mia!
soundtrack,
The Best of Take That
.

One of Robyn's clients works for DirecTV and can hack—I mean “look into”—customers' accounts.

Well, like Kate says, if I can't stop bumping into Nate I might as well make use of the fact. “Turning the situation to your advantage” is how she put it. “Frightening him off so I never see him again” is how I put it.

And carry them with me at all times.

 

“Be prepared” is my big sister's motto. It's now mine too, I reflect, peering round a bookshelf to make sure the coast is clear and Nate's not lurking.

It's the following Monday and I've popped into McKenzie's, my local bookstore, on my way to work. Navigating my way through the aisles stuffed full of paperbacks and signed hardbacks piled high on tables, I head over to the magazine section.

Gosh, I didn't realize there were so many, I think, staring at a smorgasbord of wedding publications displayed on the shelves.
Bride
this,
Wedding
that . . . I grab a handful. Ooh, maybe I should pick up some baby ones too, I decide, pouncing on one with a picture of a pregnant woman, along with the caption “Broody!”

Well, no, it doesn't
really
say that, but that's definitely what Nate will think if he sees it, I conclude, grabbing a copy, fingers crossed the Strategy works. Kate is convinced that it will. “I've never lost a case yet,” she said determinedly as she passed me a pocket-size copy. At this point I'm so desperate I'm prepared to try anything.

My phone starts ringing. I glance at the screen. Nate.
Again.
I've already had half a dozen missed calls from him this morning. He's still insisting he's not calling me on purpose, and it's hard to know what to believe. I press Reject. I sincerely hope this isn't the first case my sister loses.

“Hi. Have you found everything you're looking for?” A smiley-faced assistant interrupts my thoughts.

“Yes, thanks.” I smile back.

“Getting ready for the big day?” She gestures toward the bridal magazines.

“Er, yes . . . something like that.” I nod, clutching them tightly to my chest. The big day when I can forget all about Nate, I tell myself, feeling my phone buzzing in my pocket. Oh God, not again.

This time I pick up. “Hi, Nate,” I say wearily.

“Lucy?” he asks resignedly. Despite what Kate says, he doesn't sound like a crazy stalker ex—he sounds as fed up as I am.

“Yup.”

There's a deep sigh.

“Bye.”

“Bye.”

I hang up. I don't know what to think, or who to believe—Robyn or Kate—so I'm covering my back and taking both their advice.

“Well, if you need any help, my name's Emily.”

I turn back to the assistant. “Thanks.” I start moving off toward the cash register, past the self-help books, when suddenly a section catches my eye: “Love and Romance.” My eyes glide over the spines of the hundreds of books. There's even a whole shelf about the One:
How to Find the One
,
How to Keep the One
,
How to Know He's the One
,
Is He the One?

“Actually . . .” I turn back to Emily.

She beams eagerly. “Yes?”

“Do you have any books on how to
get rid of
the One?”

Arriving at Number Thirty-Eight ten minutes later, I'm surprised to find the gallery closed. That's odd. Where's Magda? Standing on the pavement clutching my magazines and obligatory extra-shot latte, I stare, perplexed, at the electronic grilles tightly laced over the windows. Each and every morning Magda has been here to greet me. I check my watch. Knowing me, I've probably got completely the wrong time. But no, it's just a few minutes after ten a.m.

Puzzled, I balance my coffee and magazines in one hand, fish my set of keys out of my bag, and unlock the front door. As I step inside the dark gallery, the alarm starts beeping, counting down its twenty seconds or whatever it is for me to punch in the code. For an instant I panic. Shit, what is it? Then it comes to me in a flash. Of course, Magda's date of birth—I remember her telling me once.

One, nine, six, five.

The alarm falls silent, and pressing the button for the window grilles, I flick on the lights. A blaze of color bursts out of the shadows as the artwork is illuminated; I feel a rush of pleasure. There's something magical about being alone in a gallery. Once, when I was little, I remember losing my parents in the Louvre in Paris and finding myself alone in a room filled with paintings. Most kids would have probably been scared, started crying, tried frantically to find their mum and dad, but I can still recall that feeling of excitement, of being surrounded by all the different faces, characters, colors. It was like being lost in a world of imagination.

Unfortunately my mum took a rather different view of it and I remember getting severely ticked off when she finally found me and made me stick by her side for the rest of the trip.

Scooping up the mail, I walk across to the reception desk and dump it, along with my magazines, on the counter. Sipping my coffee, I flick on the computer and check our e-mails. There's nothing much of interest—a few press releases, an inquiry about an internship from an art student, an invoice from the waitressing firm we used for the gallery opening, titled “Unpaid. Urgent.” I frown. I thought Magda had sent a check for that last week. I feel a slight twinge of anxiety, but I brush it aside. It must just be an oversight. The check and the e-mail must have crossed, that's all.

I look up from the computer, but still no sign of a golden beehive, so I click on to Facebook. Well, I'll only be a minute. Feeling a flicker of excitement, I log in. Over the past few days Adam and I have been exchanging e-mails. It's all been very light and friendly. He sent me a few lines to tell me about the short film he's been working on; I sent a few carefully constructed lines back about my week at work.

Carefully constructed, as I want to appear keen but cool. Chatty but relaxed. Busy but not
too
busy. As in, if he wants to fix up a date to watch a movie, my calendar isn't that full.

OK, the truth is, it's completely empty, but I can't let him know that. I can't let him know that I've been agonizing over every e-mail I've sent him, trying to make sure I get it
just right
.

God, it used to be so much easier when you just picked up the phone and spoke.

Ooh, look, I have an unread message in my inbox. My stomach flutters as I open it. It's from Adam.

Underneath he's added his number. I stare at the message, as if trying to wring some more meaning from it, other than just he's free this week and he wants me to call him. Oh, for God's sake, Lucy, what's wrong with you? He wants to see you! My stomach gives another flutter. I don't know why I'm so nervous.

Because you like him,
whispers a voice in my head.
And because this is the first guy you've ever really liked apart from Nate.
Reminded of him, I slip my hand into my pocket and finger the Strategy. I'm not sure when I'll have an opportunity to put it properly into practice. Or even if it will work. Unlike my sister, I'm far from convinced she's right. I don't think it's that simple. Right now, though, I don't have any other options.

A shrill barking outside causes me to glance up from the computer screen, just in time to see the door open and Magda appear. Dressed in a fuchsia Jackie O.–style shift dress and matching heels, she's wearing a pair of sunglasses so large they almost look like welding goggles.

“Morning,” I say brightly, rushing over to help her. Under one arm she's carrying Valentino and under the other a large package.

“Ah, Loozy!” she puffs, out of breath. “Thank you, thank you.”

Taking the package from her grasp, I follow dutifully as she stalks stiffly across the polished concrete floor of the gallery, taking minuscule fairy steps because her dress is so tight.

“I'm so sorry I am late,” she continues, redundantly patting her hair to make sure every strand is still hair-sprayed into place. “So sorry.”

“Oh, it's fine, don't worry.” I smile, then pause. “Where do you want me to put this?” I gesture to the package.

“Anywhere, anywhere. I don't care.” She sniffs dismissively, waving her diamond-encrusted hand around her like an air-freshener spray. Reaching a chair, she folds herself carefully into it. “Just as long as I don't have to look at it.”

“What is it?” I ask, propping it up against the wall.

“A painting. From my aunt Irena.”

“Ooh, she gave you a painting?” My curiosity is piqued and I peer at the package, wondering what the painting's like.

“If you can call it that,” she says gloomily. “It was left to me in her will.”

“
Her will?
” I wheel round and look at Magda. I'd presumed she was wearing her sunglasses because she'd had more “enhancement,” but now I notice her face looks a bit red and blotchy, even underneath her layers of makeup. And she's sniffling. “Gosh, I'm so sorry. I had no idea,” I say hastily. “When did she . . . ?”

“Over the weekend,” she replies, tugging out a box of tissues from her tote and loudly blowing her nose.

“Oh, no.” I crouch down beside her and squeeze her hand supportively. “Was it sudden?”

“Nothing is sudden when you're ninety-six.” She shrugs, her palms outstretched. “She had a good life.”

“Are you OK?” I ask with concern.

“I make a living,” she says with another shrug, and blows her nose again.

“No, I mean about your aunt.”

“Oh, yes, yes.” She nods. “Everything is wonderful.”

I study her blotchy face, half hidden under her sunglasses, and feel a protective surge. “No, everything's not wonderful,” I suddenly hear myself saying, and feel a beat of surprise at my outspokenness.

As does Magda, who looks at me with a shocked expression.

For a moment I think she's going to be angry and I swallow hard. “I mean, it's not, is it?” I say, trying to keep my voice from wavering.

There's a pause and then she seems to collapse inward, folding up like a fuchsia ironing board, with only her shoulder pads and beehive sticking out. I watch as they both start shaking and suddenly I realize she's sobbing.

“Oh gosh, Mrs. Zuckerman.” I watch her, feeling completely useless. I don't know what to do. I'm trying to be polite and appropriate given that this is an employee-and-boss-type situation. After all, I can't just give her a big hug and say, “There, there.”

Oh, sod being appropriate.

“There, there,” I soothe, diving to give her a big bear hug. I never realized how tiny she is, but it's like hugging a child. “Don't worry, it's all going to be OK. She's gone to a good place now.”

Abruptly Magda stops sobbing and looks up. She pushes her sunglasses onto her forehead and stares at me, aghast. “These tears are not for Irena.”

“They're not?”

“Oy! Of course not.” She frowns. Or at least tries to, but she's had so many injections in her face that it barely moves. “Irena lived like royalty. She had servants, furs, diamonds.” She waves her fingers at me. “Real diamonds, not like my fake ones!”

“They're fake?” Now it's my turn to look aghast.

Magda hiccups and lets out a pitiful sob. “Everything is fake—the diamonds, the Gucci, the Louis Vuitton.” She thrusts her tote away from her as if she can't bear to look at it. “I am broke, Loozy, broke!”