Authors: Mary Ann Rodman
Yankee Girl
Valerie's voice is as sweet as honey. She's the obvious choice to star in the Nativity.
But this is Mississippi, 1964. Things are far from simple. There is uproar when Valerie is picked to play the angelâ¦because she's black. As one of the first black children to attend Parnell School, she has to face violent protestors outside and vicious bullies inside the classroom.
Alice is torn between standing up for Valerie, and being popular with the in-crowd. Nicknamed “Yankee Girl” because of her accent and attitudes, Alice has found it hard to make friends since moving to the Deep South. Struggling between guilt and fear, it takes a tragedy for Alice to find the courage to act.
Yankee Girl
is a truly resonant story about racism and doing the right thing, based on the author's own experiences.
“Rodman's novel is unputdownable and the events she describes riveting.”
Books for Keeps
“Moving and powerful.”
The Bookseller
“Yankee Girl is a subtle novel. Along with
Roll of Thunder Hear my Cry
and
To Kill a Mockingbird
, it will change the way [readers] understand the modern world and the people who live in it.”
Write Away!
“Rich in detail and lively writing.”
Kirkus Reviews
“Mary Ann Rodman has written a wonderful book about the power of friendship which will appeal to all ages.”
School Librarian
For my parents, Roy and Frances Rodman
Special thanks to Sharon Darrow, Marion Dane Bauer, Ron Koertge, and Randy Powell at the Vermont College MFA in Writing for Children Program for their support and guidance; to Roy Rodman and Marion Turner for sharing their memories of the era; and to Craig Downing, Frances Rodman, and Shannon Rodman Blazek, my patient and faithful readers.
Also by Mary Ann Rodman:
Jimmy's Stars
JACKSON DAILY JOURNAL
, Tuesday, August 4, 1964
FBI AGENTS FIND MISSING CIVIL RIGHTS WORKERS
Bodies Found in Dirt Dam
“Hey, kid. Look what I've got,” shouted the mover from inside the van.
I whipped around to see him walking my bike down the ramp. I rushed over and grabbed the handlebars. I would check later to see if the movers had scratched or dented or in any way damaged my precious bike, Blue Rover. Right now, it was my ticket away from Mama, who was in one of her moods on account of us moving to Mississippi. I didn't even run into the house for my transistor radio. Usually, I didn't go anywhere without my transistor. You never knew when you might hear a Beatles song.
I ran Blue Rover down the driveway, put my left foot on the lower pedal, threw the other leg over the seat, and pumped away. Getting on my bike that way drove Mama nuts. I didn't care; I thought it looked neat, like a cowboy leaping on a horse.
Mama glanced away from the furniture on the sidewalk as I whizzed by.
“Alice Ann Moxley, where do you think you're going?”
“Exploring,” I called without looking back. Time to check out my new territory.
I pedalled hard for about four blocks. It was hot. Really, really hot. Much hotter than in the house. Chicago sizzled in the summer, but the Lake Michigan breeze took the stickiness out of the air. Not here. Not the slightest whisper of a breeze. I inhaled thick, syrupy air that smelled of pine sap and cut grass. My legs felt heavy and my head started to spin. Maybe I'd better slow down. Maybe I should go back to the house.
I pictured Mama yelling at the movers. I pictured how much stuff was still in the van for Mama to yell about. I kept pedalling. Only slower.
Besides, this was my chance to make some friends. We moved a lot because of Daddy's job, so I was used to making new friends every couple of years. I never missed my old friends, because I figured I'd never see them again. They'd forget about me and I'd forget about them. That's just the way things went. I'd find friends here. No sweat.
I just had to meet them first.
Although it was ten o'clock in the morning, there was no one out and about. In Chicago, kids would be riding bikes or playing Barbies on the front steps. I didn't see a soul except a white-haired Negro man pushing a lawnmower.
I stopped short. Negroes lived far, far away from white people in Chicago. You only saw Negroes downtown at the museums or waiting for the El train. Not in your own neighbourhood.
I thought about the headline I had clipped from the newspaper at the motel that morning. FBI AGENTS FIND MISSING CIVIL RIGHTS WORKERS; BODIES FOUND IN DIRT DAM. Last year, my fifth-grade teacher made us keep a current-events scrapbook and I still did. These days my father, an FBI agent,
was
current events.
The FBI sent Daddy down South to protect black people who were registering to vote. White Mississippians didn't want black people voting, or doing a lot of other things that white people took for granted. Negroes had separate schools and public rest rooms and water fountains.
“âSeparate but equal' my foot,” said Daddy. We were watching the news one night in Chicago. Walter Cronkite was talking about Negroes being arrested for sitting at a lunch counter in Mississippi.
“How come those people don't want to eat with Negroes?” I asked.
“It's complicated, Pookie.” Daddy sighed. “Part of it is that Negroes look different. And that white people used to own Negro slaves. Some whites think they are better and smarter than black people.”
“Isn't that why we fought the Civil War? And the North won!”
“And the South will never forgive us,” said Daddy with a sour smile.
What a dumb idea, white people thinking they were better than black people. But that was all Down South, far away from me. It wasn't my problem.
Then we moved to Mississippi. Suddenly, it
was
my problem. And I was scared.
The trip from Chicago to Jackson, Mississippi, took two whole days. Daddy had the car radio on all the way. I hoped for the Beatles, but no. Daddy punched the radio buttons from one newscast to the next as each faded away. For a long time the news was all about the Ku Klux Klan burning down Negro churches and killing civil rights workers. I knew all about the Ku Klux Klan from Walter Cronkite. They wore white robes and hooded masks and hated Negroes, Jews, and anybody else who didn't agree with them. Hated them enough to kill.
“Would the Klan hurt us?” I asked.
“Don't you worry, Pookie.” Daddy patted me on the head as if I were five instead of eleven. “The Klan won't get near the Moxleys.”
By Memphis, we didn't hear any more about the Klan or bombings. Instead we heard about “outside agitators, stirring up the coloured”.
“What's an outside agitator?” I asked.
“Anybody who thinks that Negroes have a right to vote.” Daddy gripped the steering wheel until his knuckles turned white.
“I guess that makes us outside agitators, huh?” I said.
“Let's talk about something else, shall we?” said Mama in a tight voice. Somewhere between Chicago and Memphis a new wrinkle had appeared on Mama's forehead.
Eventually, our car sped past a sign: WELCOME TO MISSISSIPPI â THE HOSPITALITY STATE. I held my breath, waiting for KKKers in their pointy hoods to leap out of the dark and shoot into the car. Daddy glanced at me in the backseat.
“If anybody asks, you tell them your daddy works for the federal government,” he said. “But only if they ask twice.”
Now, in this morning's blazing sun, I shuddered, remembering the tone of his voice. Could anything bad happen in such an ordinary-looking place? No hooded men. No burning crosses. This neighbourhood didn't seem that different from my old one in Chicago.
It was awful quiet, except for the
put-put-put
of the lawnmower. Then, in the distance I heardâ¦girls chanting? I headed towards the sound.
At the end of the block, I saw five girls in shorts and sneakers, lined up on a driveway. They appeared to be about my age.
A bony-looking blonde stomped back and forth, yelling like a drill sergeant. “Straighten up, Cheryl.”
A tan girl with a pixie haircut threw back her shoulders.
“Gum out of your mouth, Debbie.” The blonde pointed to the ground.
Debbie was short and had a ton of hair ratted way high. “Who d'ya think you are? A teacher or something?” She had the thickest Southern accent I had ever heard outside of the movies.
Closer up, I could see that the blonde had a pointy nose and matching chin. She jerked that chin at Debbie's pile of hair. “Maybe you think you're so cute, we can't do without you. Is that it?”
“Maybe,” said Debbie, as if “maybe” were two words. She went right on chomping her gum.
“Aw c'mon, Saranne,” said a tall girl, her brown hair flipped under in a pageboy. “Quit acting like it's such a big deal. It's just cheerleading Hi Y football.”
The blonde girl, Saranne, folded her arms over her flat chest. “All right for you, Mary Martha Goode,” she said. “You think you're so tough because, because⦔ Her voice trailed off.
The tall girl, Mary Martha, gave her a
so-what?
look.
“I'm hot,” whined Debbie. “My hair is falling down.”
I caught the eye of a redhead on the end. Aha! My chance to be friendly.
“Hi, you guys,” I called with a big arm wave. I was all ready to ask them if Paul McCartney was their favourite Beatle, and if they thought his girlfriend Jane Asher was cute. Everybody liked Paul.
Saranne's eyebrows pushed up to her bangs. “You
guys
?” she repeated as if they were swear words. “I'm not a
guy
.” She looked around at the other girls. “Y'all hear a Yankee round here? I think I heard a Yankee.”
“I'm not a Yankee.” Whatever that was.
“Y'are too,” drawled Debbie. “Just listen to you.”
The girls all giggled. All except Mary Martha.
“Oh, quit picking at her,” said Mary Martha. She turned to me. “A Yankee's anybody from up North. Where you from?”
“Chicago,” I mumbled.
“'Fraid you're a Yankee then.” Mary Martha didn't look unfriendly. She looked curious.
“Well, Yankee Girl.” Saranne tapped her sneaker toe on the driveway. “If you're all finished, we have to practise.” She made a big deal of turning her back to me. “Ready? Let's do âTurn on the Radio'.”
The girls popped into line like they'd been booted in the butt. They stood feet together, knees locked, hands on hips, chests thrust out. At least Mary Martha and Cheryl had chests; Saranne and Debbie and the redhead did not.
“Ready? Hit it,” barked Saranne.
The girls jumped sideways and yelled:
Turn on the radio
Whaddya hear?
Elvis Presley doin' a cheer
You gotta F-I-G-H-T
F-I-G-H-T
You gotta fight, fight, fight
For victory