Wolf Hall (40 page)

“There are some strange cold people in this world. It is priests, I think. Saving your presence. Training themselves out of natural feeling. They mean it for the best, of course.”

“It was not a mistake. We did have a year. I think of her every day.”

The door opens; it is Alice bringing in lights. “This is your daughter?”

Rather than explain his family, he says, “This is my lovely Alice. This is not your job, Alice?”

She bobs, a small genuflection to a churchman. “No, but Rafe and the others want to know what you are talking about so long. They are waiting to know if there will be a dispatch to the cardinal tonight. Jo is standing by with her needle and thread.”

“Tell them I will write in my own hand, and we will send it tomorrow. Jo may go to bed.”

“Oh, we are not going to bed. We are running Gregory's greyhounds up and down the hall and making a noise fit to wake the dead.”

“I can see why you don't want to break off.”

“Yes, it is excellent,” Alice says. “We have the manners of scullery maids and no one will ever want to marry us. If our aunt Mercy had behaved like us when she was a girl, she would have been knocked round the head till she bled from the ears.”

“Then we live in happy times,” he says.

When she has gone, and the door is closed behind her, Cranmer says, “The children are not whipped?”

“We try to teach them by example, as Erasmus suggests, though we all like to race the dogs up and down and make a noise, so we are not doing very well in that regard.” He does not know if he should smile; he has Gregory; he has Alice, and Johane and the child Jo, and in the corner of his eye, at the periphery of his vision, the little pale girl who spies on the Boleyns. He has hawks in his mews who move toward the sound of his voice. What has this man?

“I think of the king's advisers,” Dr. Cranmer says. “The sort of men who are about him now.”

And he has the cardinal, if the cardinal still thinks well of him after all that has passed. If he dies, he has his son's sable hounds to lie at his feet.

“They are able men,” Cranmer says, “who will do anything he wants, but it seems to me—I do not know how it seems to you—that they are utterly lacking in any understanding of his situation . . . any compunction or kindness. Any charity. Or love.”

“It is what makes me think he will bring the cardinal back.”

Cranmer studies his face. “I am afraid that cannot happen now.”

He has a wish to speak, to express the bottled rage and pain he feels. He says, “People have worked to make misunderstandings between us. To persuade the cardinal that I am not working for his interests, only for my own, that I have been bought out, that I see Anne every day—”

“Of course, you do see her . . .”

“How else can I know how to move next? My lord cannot know, he cannot understand, what it's like here now.”

Cranmer says gently, “Should you not go to him? Your presence would dispel any doubt.”

“There is no time. The snare is set for him and I dare not move.”

There is a chill in the air; the summer birds have flown, and black-winged lawyers are gathering for the new term in the fields of Lincoln's Inn and Gray's. The hunting season—or at least, the season when the king hunts every day—will soon be over. Whatever is happening elsewhere, whatever deceits and frustrations, you can forget them in the field. The hunter is among the most innocent of men; living in the moment makes him feel pure. When he returns in the evening, his body aches, his mind is full of pictures of leaves and sky; he does not want to read documents. His miseries, his perplexities have receded, and they will stay away, provided—after food and wine, laughter and exchange of stories—he gets up at dawn to do it all over again.

But the winter king, less occupied, will begin to think about his conscience. He will begin to think about his pride. He will begin to prepare the prizes for those who can deliver him results.

It is an autumn day, whitish sun flitting behind the loosening, flickering leaves. They go into the butts. The king likes to do more than one thing at once: talk, direct arrows at a target. “Here we will be alone,” he says, “and I will be free to open my mind to you.”

In fact, the population of a small village—as it might be, Aslockton—is circulating around them. The king does not know what “alone” means. Is he ever by himself, even in his dreams? “Alone” means without Norfolk clattering after him. “Alone” means without Charles Brandon, who in a summer fit of fury the king advised to make himself scarce and not come within fifty miles of the court. “Alone” means just with my yeoman of the bow and his menials, alone with my gentlemen of the privy chamber, who are my select and private friends. Two of these gentlemen, unless he is with the queen, sleep at the foot of his bed; so they have been on duty for some years now.

When he sees Henry draw his bow, he thinks, I see now he is royal. At home or abroad, in wartime or peacetime, happy or aggrieved, the king likes to practice several times in the week, as an Englishman should; using his height, the beautiful trained muscles of his arms, shoulders and chest, he sends his arrows snapping straight to the eye of the target. Then he holds out his arm, for someone to unstrap and restrap the royal armguard; for someone to change his bow, and bring him a choice. A cringing slave hands a napkin, to mop his forehead, and picks it up from where the king has dropped it; and then, exasperated, one shot or two falling wide, the King of England snaps his fingers, for God to change the wind.

The king shouts, “From various quarters I receive the advice that I should consider my marriage dissolved in the eyes of Christian Europe, and may remarry as I please. And soon.”

He doesn't shout back.

“But others say . . .” The breeze blows, his words are carried off, toward Europe.

“I am one of the others.”

“Dear Jesus,” Henry says. “I will be unmanned by it. How long do you suppose my patience lasts?”

He hesitates to say, you are still living with your wife. You share a roof, a court, wherever you move together, she on the queen's side, you on the king's; you told the cardinal she was your sister not your wife, but if today you do not shoot well, if the breeze is not in your favor or you find your eyes blurred by sudden tears, it is only sister Katherine whom you can tell; you can admit no weakness or failure to Anne Boleyn.

He has studied Henry through his practice round. He has taken up a bow at his invitation, which causes some consternation in the ranks of the gentlemen who stud the grass and lean against trees, wearing their fallen-fruit silks of mulberry, gold and plum. Though Henry shoots well, he has not the action of a born archer; the born archer lays his whole body into the bow. Compare him with Richard Williams, Richard Cromwell as he is now. His grandfather ap Evan was an artist with the bow. He never saw him, but you can bet he had muscles like cords and every one in use from the heels up. Studying the king, he is satisfied that his great-grandfather was not the archer Blaybourne, as the story says, but Richard, Duke of York. His grandfather was royal; his mother was royal; he shoots like a gentleman amateur, and he is king through and through.

The king says, you have a good arm, a good eye. He says disparagingly, oh, at this distance. We have a match every Sunday, he says, my household. We go to Paul's for the sermon and then out to Moorfields, we meet up with our fellow guildsmen and destroy the butchers and the grocers, and then we have a dinner together. We have grudge matches with the vintners . . .

Henry turns to him, impulsive: what if I came with you one week? If I came in disguise? The Commons would like it, would they not? I could shoot for you. A king should show himself, sometimes, don't you feel? It would be amusing, yes?

Not very, he thinks. He cannot swear to it, but he thinks there are tears in Henry's eyes. “For sure we would win,” he says. It is what you would say to a child. “The vintners would be roaring like bears.”

It begins to drizzle, and as they walk toward a sheltering clump of trees, a pattern of leaves shadows the king's face. He says, Nan threatens to leave me. She says that there are other men and she is wasting her youth.

Norfolk, panicking, that last week of October 1530: “Listen. This fellow here,” he jerks his thumb, rudely, at Brandon—who is back at court, of course he is back—“this fellow here, a few years ago, he charged at the king in the lists, and nearly killed him. Henry had not put his visor down, God alone knows why—but these things happen. My lord here ran his lance—bam!—into the king's headpiece, and the lance shattered—an inch, one inch, from his eye.”

Norfolk has hurt his right hand, by the force of his demonstration. Wincing, but furious, earnest, he presses on. “One year later, Henry is following his hawk—it's that cut-up sort of country, flat, deceptive, you know it—he comes to a ditch, he drives in a pole to help him cross, the infernal instrument breaks, God rot it, and there's His Majesty facedown and stunned in a foot of water and mud, and if some servant hadn't clawed him out, well, gentlemen, I shudder to think.”

He thinks, that's one question answered. In case of peril, you may pick him up. Fish him out. Whatever.

“Suppose he dies?” Norfolk demands. “Supposing a fever carries him away or he comes off his horse and breaks his neck? Then what? His bastard, Richmond? I've nothing against him, he's a fine boy, and Anne says I should get him married to my daughter Mary, Anne's no fool, let's put a Howard everywhere, she says, everywhere the king looks. Now I have no quarrel with Richmond, except he was born out of wedlock. Can he reign? Ask yourselves this. How did the Tudors get the crown? By title? No. By force? Exactly. By God's grace they won the battle. The old king, he had such a fist as you will go many a mile to meet, he had great books into which he entered his grudges and he forgave, when? Never! That's how one rules, masters.” He turns to his audience, to the councillors waiting and watching and to the gentlemen of the court and the bedchamber; to Henry Norris, to his friend William Brereton, to Master Secretary Gardiner; to, incidentally, as it happens, Thomas Cromwell, who is increasingly where he shouldn't be. He says, “The old king bred, and by the help of Heaven he bred sons. But when Arthur died, there were swords sharpened in Europe, and they were sharpened to carve up this kingdom. Henry that is now, he was a child, nine years old. If the old king had not staggered on a few more years, the wars would have been to fight all over again. A child cannot hold England. And a bastard child? God give me strength! And it's November again!”

It's hard to fault what the duke says. He understands it all; even that last cry, wrung from the duke's heart. It's November, and a year has passed since Howard and Brandon walked into York Place and demanded the cardinal's chain of office, and turned him out of his house.

There is a silence. Then someone coughs, someone sighs. Someone—probably Henry Norris—laughs. It is he who speaks. “The king has one child born in wedlock.”

Norfolk turns. He flushes, a deep mottled purple. “Mary?” he says. “That talking shrimp?”

“She will grow up.”

“We are all waiting,” Suffolk says. “She has now reached fourteen, has she not?”

“But her face,” Norfolk says, “is the size of my thumbnail.” The duke shows off his digit to the company. “A woman on the English throne, it flies in the face of nature.”

“Her grandmother was Queen of Castile.”

“She cannot lead an army.”

“Isabella did.”

Says the duke, “Cromwell, why are you here? Listening to the talk of gentlemen?”

“My lord, when you shout, the beggars on the street can hear you. In Calais.”

Gardiner has turned to him; he is interested. “So you think Mary can rule?”

He shrugs. “It depends who advises her. It depends who she marries.”

Norfolk says, “We have to act soon. Katherine has half the lawyers of Europe pushing paper for her. This dispensation. That dispensation. The other dispensation with the different bloody wording that they say they've got in Spain. It doesn't matter. This has gone beyond paper.”