Authors: Paul Auster
Winter Journal (2 page)
Man in the Dark
Invisible
Sunset Park
NONFICTION
The Invention of Solitude
The Art of Hunger
Why Write?
Hand to Mouth
The Red Notebook
Collected Prose
SCREENPLAYS
Three Films:
Smoke, Blue in the Face
,
Lulu on the Bridge
The Inner Life of Martin Frost
POETRY
Collected Poems
ILLUSTRATED BOOKS
The Story of My Typewriter
(with Sam Messer)
Auggie Wren’s Christmas Story
(with Isol)
City of Glass
(adapted by Paul Karasik
and David Mazzucchelli)
EDITOR
The Random House Book of
Twentieth-Century French Poetry
I Thought My Father Was God
and Other True Tales
from NPR’s
National Story Project
Samuel Beckett:
The Grove Centenary Edition
Copyright © 2012 by Paul Auster
All rights reserved. The use of any part of this publication reproduced, transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, or stored in a retrieval system, without the prior written consent of the publisher – or, in case of photocopying or other reprographic copying, a licence from the Canadian Copyright Licensing Agency – is an infringement of the copyright law.
Library and Archives Canada Cataloguing in Publication
Auster, Paul, 1947-
Winter journal / Paul Auster.
eISBN: 978-0-7710-0906-8
1. Auster, Paul, 1947-.
2. Authors, American – 20th century –Biography. I. Title.
PS3551.U75Z46 2012 818’.5403 C2012-900955-5
McClelland & Stewart,
a division of Random House of Canada Limited
One Toronto Street
Suite 300
Toronto, Ontario
M5C 2V6
v3.1
Contents
You think it will never happen to you, that it cannot happen to you, that you are the only person in the world to whom none of these things will ever happen, and then, one by one, they all begin to happen to you, in the same way they happen to everyone else.
Your bare feet on the cold floor as you climb out of bed and walk to the window. You are six years old. Outside, snow is falling, and the branches of the trees in the backyard are turning white.
Speak now before it is too late, and then hope to go on speaking until there is nothing more to be said. Time is running out, after all. Perhaps it is just as well to put aside your stories for now and try to examine what it has felt like to live inside this body from the first day you can remember being alive until this one. A catalogue of sensory data. What one might call a
phenomenology of breathing
.
You are ten years old, and the midsummer air is warm, oppressively warm, so humid and uncomfortable that even
as you sit in the shade of the trees in the backyard, sweat is gathering on your forehead.
It is an incontestable fact that you are no longer young. One month from today, you will be turning sixty-four, and although that is not excessively old, not what anyone would consider to be an advanced old age, you cannot stop yourself from thinking about all the others who never managed to get as far as you have. This is one example of the various things that could never happen, but which, in fact, have happened.
The wind in your face during last week’s blizzard. The awful sting of the cold, and you out there in the empty streets wondering what possessed you to leave the house in such a pounding storm, and yet, even as you struggled to keep your balance, there was the exhilaration of that wind, the joy of seeing the familiar streets turned into a blur of white, whirling snow.
Physical pleasures and physical pains. Sexual pleasures first and foremost, but also the pleasures of food and drink, of lying naked in a hot bath, of scratching an itch, of sneezing and farting, of spending an extra hour in bed, of turning your face toward the sun on a mild afternoon in late spring or early summer and feeling the warmth settle upon your skin. Innumerable instances, not a day gone by without some moment or moments of physical pleasure, and yet pains are no doubt more persistent and intractable, and at one time or another nearly every part of your body has been subjected to assault.
Eyes and ears, head and neck, shoulders and back, arms and legs, throat and stomach, ankles and feet, not to mention the enormous boil that once sprouted on the left cheek of your ass, referred to by the doctor as a
wen
, which to your ears sounded like some medieval affliction and prevented you from sitting in chairs for a week.
The proximity of your small body to the ground, the body that belonged to you when you were three and four years old, that is to say, the shortness of the distance between your feet and head, and how the things you no longer notice were once a constant presence and preoccupation for you: the little world of crawling ants and lost coins, of fallen twigs and dented bottle caps, of dandelions and clover. But especially the ants. They are what you remember best. Armies of ants traveling in and out of their powdery hills.
You are five years old, crouched over an anthill in the backyard, attentively studying the comings and goings of your tiny six-legged friends. Unseen and unheard, your three-year-old neighbor creeps up behind you and strikes you on the head with a toy rake. The prongs pierce your scalp, blood flows into your hair and down the back of your neck, and you run screaming into the house, where your grandmother tends to your wounds.
Your grandmother’s words to your mother: “Your father would be such a wonderful man—if only he were different.”
This morning, waking in the dimness of another January dawn, a scumbled, grayish light seeping into the bedroom, and there is your wife’s face turned toward your face, her eyes closed, still fast asleep, the covers pulled all the way up to her neck, her head the only part of her that is visible, and you marvel at how beautiful she looks, how young she looks, even now, thirty years after you first slept with her, after thirty years of living together under the same roof and sharing the same bed.
More snow falling today, and as you climb out of bed and walk to the window, the branches of the trees in the back garden are turning white. You are sixty-three years old. It occurs to you that there has rarely been a moment during the long journey from boyhood to now when you have not been in love. Thirty years of marriage, yes, but in the thirty years before that, how many infatuations and crushes, how many ardors and pursuits, how many deliriums and mad surges of desire? From the very start of your conscious life, you have been a willing slave of Eros. The girls you loved as a boy, the women you loved as a man, each one different from the others, some round and some lean, some short and some tall, some bookish and some athletic, some moody and some outgoing, some white and some black and some Asian, nothing on the surface ever mattered to you, it was all about the inner light you would detect in her, the spark of singularity, the blaze of revealed selfhood, and that light would make her
beautiful to you, even if others were blind to the beauty you saw, and then you would burn to be with her, to be near her, for feminine beauty is something you have never been able to resist. All the way back to your first days of school, the kindergarten class in which you fell for the girl with the long blonde ponytail, and how often were you punished by Miss Sandquist for sneaking off with the little girl you had fallen for, the two of you together in a corner somewhere making mischief, but those punishments meant nothing to you, for you were in love, and you were a fool for love then, just as you are a fool for love now.
The inventory of your scars, in particular the ones on your face, which are visible to you each morning when you look into the bathroom mirror to shave or comb your hair. You seldom think about them, but whenever you do, you understand that they are marks of life, that the assorted jagged lines etched into the skin of your face are letters from the secret alphabet that tells the story of who you are, for each scar is the trace of a healed wound, and each wound was caused by an unexpected collision with the world—that is to say, an accident, or something that need not have happened, since by definition an accident is something that need not happen. Contingent facts as opposed to necessary facts, and the realization as you look into the mirror this morning that all life is contingent, except for the one necessary fact that sooner or later it will come to an end.
You are three and a half, and your twenty-five-year-old pregnant mother has taken you along with her on a shopping expedition to a department store in downtown Newark. She is accompanied by a friend of hers, the mother of a boy who is three and a half as well. At some point, you and your little comrade break away from your mothers and begin running through the store. It is an enormous open space, no doubt the largest room you have ever set foot in, and there is a palpable thrill in being able to run wild through this gargantuan indoor arena. Eventually, you and the boy begin belly-flopping onto the floor and sliding along the smooth surface, sledding without sleds, as it were, and this game proves to be so enjoyable, so ecstatic in the pleasure it produces, that you become more and more reckless, more and more daring in what you are willing to attempt. You reach a part of the store where construction work or repair work is under way, and without bothering to take notice of what obstacles might lie ahead, you belly-flop onto the floor again and sail along the glasslike surface until you find yourself speeding straight toward a wooden carpenter’s bench. With a small twist of your small body, you think you can avoid crashing into the leg of the table that is looming before you, but what you do not realize in the split second you have to shift course is that a nail is jutting from the leg, a long nail low enough to be at the level of your face, and before you can stop yourself, your left cheek is pierced by the nail as you go flying past it. Half your face is torn apart. Sixty years later, you have no memories of the
accident. You remember the running and the belly-flopping, but nothing about the pain, nothing about the blood, and nothing about being rushed to the hospital or the doctor who sewed up your cheek. He did a brilliant job, your mother always said, and since the trauma of seeing her firstborn with half his face ripped off never left her, she said it often: something to do with a subtle double-stitching method that kept the damage to a minimum and prevented you from being disfigured for life. You could have lost your eye, she would say to you—or, even more dramatically, You could have been killed. No doubt she was right. The scar has grown fainter and fainter as the years have passed, but it is still there whenever you look for it, and you will carry that emblem of good fortune (eye intact! not dead!) until you go to your grave.
Split eyebrow scars, one left and one right, almost perfectly symmetrical, the first caused by running full tilt into a brick wall during a dodgeball game in grade school gym class (the massively swollen black eye you sported for days afterward, which reminded you of a photograph of boxer Gene Fullmer, who had been defeated in a championship bout by Sugar Ray Robinson around the same time) and the second caused in your early twenties when you drove in for a layup during an outdoor basketball game, were fouled from behind, and flew into the metal pole supporting the basket. Another scar on your chin, origin unknown. Most likely from an early childhood spill, a hard fall onto a sidewalk or a stone that split open your flesh and left its mark, which is still visible whenever you
shave in the morning. No story accompanies this scar, your mother never talked about it (at least not that you can recall), and you find it odd, if not downright perplexing, that this permanent line was engraved on your chin by what can only be called
an invisible hand
, that your body is the site of events that have been expunged from history.