When They Were Boys

Also by Larry Kane:

Ticket to Ride:

Inside the Beatles' 1964 and 1965 Tours that Changed the World

(Running Press, 2003)

Lennon Revealed

(Running Press, 2005)

Larry Kane's Philadelphia

(Temple University Press, 2000)

Death by Deadline,

an e-book novel

(Dynamic Images, 2011)

The True Story of the Beatles'

Rise to the Top

Larry Kane

© 2013 by Larry Kane

Published by Running Press,

A Member of the Perseus Books Group

All rights reserved under the Pan-American and International Copyright Conventions

This book may not be reproduced in whole or in part, in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system now known or hereafter invented, without written permission from the publisher
.

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Library of Congress Control Number: 2013938630

E-Book ISBN 978-0-7624-5095-4

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Digit on the right indicates the number of this printing

Cover and interior design by Bill Jones

Edited by Greg Jones

Typography: Adobe Garamond and Neutra Text

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To Donna, Michael, Alexandra, Doug, Jen, Aiden
,

Benjamin, and Peyton

CONTENTS

Acknowledgments

First Words: Present Day/Violent Past

Part One: Stirrings

Part Two: Fever

Part Three: Across the Sea

Part Four: Where Were You in '61?

Part Five: Turning Points

Part Six: Secrets to Success

Part Seven: 1963–New Year's Day

Bibliography

Index

Photography Credits

ACKNOWLEDGMENTS

There are so many people to thank, but let me start with Bill Harry, Tony Barrow, Sam Leach, Allan Williams, Yoko Ono, the staff at Studio One, Ron Ellis, Ellen Ellis, Freda Kelly, Denny Somach, Louise Harrison, Jerry Blavat, Julia Baird, and Tony Bramwell. Also thanks to Chris Carter of KLOS and XM–Sirius Satellite Radio, Alan White, Rod Davis, Colin Hanton, Colin Hall, Len Garry, Hunter Davies, Colin Fallows, Kathy McCabe, Mac Walter, Dave Forshaw, Sir Ron Watson, Joe Flannery, Jude Southerland Kessler, Mark Lapidos, Bruce Spizer, David Bedford, Ed Jackson, Roag Best, the White House Social Office, June Furlong, Horst Fascher, Pauline Sutcliffe, Billy Kinsley, Billy J. Kramer, John Rose, Tony Guma, Jodi Blau Ritzen, Dr. Mike Brocken, Joe Ankrah, Jonathan Davies, BBC TV, Buz Teacher, Spencer Leigh, Kevin Roach, John Gannon, Theo Somach, Jim Turner, Kevin Donahue, Marc Hudson, Joe Johnson, Andre Gardner, and Tim Riley.

Special gratitude to my family, to whom this book is dedicated; literary agent Faith Childs; the book's editor, Greg Jones (this makes three books with him); and Running Press Editorial Director Jennifer Kasius, Publisher Chris Navratil, Photo Consultant Sue Oyama, Designer Bill Jones, Project Editor Annie Lenth, Tina Camma, Allison Devlin, and Gigi Lamm.

Thanks to all.

FIRST WORDS: PRESENT DAY/VIOLENT PAST

When the former Richard Starkey began his rendition of “Yellow Submarine,” we all started to scramble, looking for some shelter from the storm on this sweltering summer night at Alpine Village in East Troy, Wisconsin. As he would sing later, “It Don't Come Easy.”

It was 1989, the summer that Ringo Starr & His All-Starr Band was created, and the 37,000-seat venue nestled between Chicago and Milwaukee was under attack from the gods of water and lightning. There was no place to hide as our TV team scattered backstage under canopies, under anything we could find, seeking shelter.

Three hours before, the sun was shining during the afternoon sound check when the drummer and I sat on stools on the stage, sharing, during a videotaped interview, some memories of the Beatles' historic North American tours of 1964 and 1965. In the first of those unforgettable summers, I was a twenty-one-year-old newsman with a ticket to ride to cover young Ringo and his three extraordinary bandmates. It was an unlikely assignment for a man who can't hold a tune or even dance to one, but it began an odyssey, a true life adventure, that would bring me onboard not just for two summers of touring plus parts of the 1966 tour, but for a lifetime of adventure and memories.

My life experience would include fifty-six years of covering news, often having to cover my behind in some really bad and violence-filled places. My love of politics would lead me to presidents, senators, governors, mayors, and politicians of all stripes. I also went to jail, as a visitor, chronicling the life-after-political-death of many a corrupt politician. I anchored the TV news for a long time, and reported on all sorts of stories. But I would always be tethered to the one story I originally didn't want to cover. For—and this is the truth—I never wanted to travel with “the boys,” as insiders called them early on. After all, in early 1964 I had predicted to my puzzled bosses that the “mop tops,” as the Beatles were unceremoniously described by the grown-ups of the time, had no real future. My talent for forecasting the future was bogus.
Tell me in 1964 that I would wind up writing three books on the “Fabs,” as Starkey would later call them, and I would suggest that you were smoking dope, which many of you may have done at one time or another.

The interview with Ringo went well, but the skies were clouding up. By showtime it was a driving rain, like a tropical storm, and the promoters invited us to the green room, the warm and fuzzy green room, which I will forever remember as the magic room. It was there that I found out what Ringo Starr was
really
doing.

My wife, Donna, who rarely accompanied me to news events, was checking out the green room. Donna, who loves photography, had taken pictures of my reunion with Ringo earlier. The green room was subdued. There was an unkempt skinny guy sitting in the corner, looking lonely, sipping a Coke, and sporting a thousand-mile stare into nothingness. I introduced myself. With a sheepish handshake, he said, “I'm Joe Walsh.” Joe Walsh of the Eagles? Yes, it was. On the other side of the room, E Street Band saxophonist Clarence Clemons had that always-cheerful look.

Not far away, munching on some food, was Dr. John, the king of the piano, the pride of New Orleans. And the hits just kept on coming in the magic room: Nils Lofgren; musician supreme, the one and only Billy Preston; drummer Levon Helm; bassist Rick Danko; and drummer Jim Keltner. “Amazing,” I thought. Ringo had made magic, assembling an all-star lineup of musical greats to supplement his limited repertoire. Could Ringo alone sustain a McCartney-like concert for two hours or more? Probably not. But in the process of putting together this extraordinary collection of artists, he had created a knockout concert; it was more than just a casting call to help rejuvenate stifled careers of fellow artists. For the ex–Beatles drummer, this was, in fact, the beginning of redemption. And it was an experience he was delighted to share.