We the Underpeople (36 page)

"I know what you've said," he interrupted her. "I'm not making any big decisions today, Eleanor. Just rambling and thinking."

"All right then, Mister and Owner. Ramble around and worry about the ground you're walking on. It's you that get the worries for it. I'm glad my daddy took the official pauper words. We used to be rich." Unexpectedly, she brightened and laughed at herself. "Now that, you've heard that too, Rod. Here's your food. Do you have water?"

"I'll steal from the sheep," he said irreverently. She knew he was joking and she waved him a friendly goodbye.

The old, old gap was to the rear of the house, so he left by the front. He wanted to go the long wrong way around, so that neither human eyes nor human minds would stumble on the secret he had found fifty-six years before, the first time he was eight years old. Through all the pain and the troubles he had remembered this one vivid bright secret—the deep cave full of ruined and prohibited treasures. To these he must go.

The sun was high in the sky, spreading its patch of brighter grey above the grey clouds, when he slid into what looked like a dry irrigation ditch.

He walked a few steps along the ditch. Then he stopped and listened carefully, very carefully.

There was no sound except for the snoring of a young hundred-ton ram a mile or so way.

Rod then stared around.

In the far distance, a police ornithopter soared as lazy as a sated hawk.

Rod tried desperately to hier.

He hiered nothing with his mind, but with his ears he heard the slow heavy pulsing of his own blood pounding through his head.

He took a chance.

The trapdoor was there, just inside the edge of the culvert.

He lifted it and, leaving it open, dove in confidently as a swimmer knifing his way into a familiar pool.

He knew his way.

His clothes ripped a little but the weight of his body dragged him past the narrowness of the doorframe.

His hands reached out and like the hands of an acrobat they caught the inner bar. The door behind snapped shut. How frightening this had been when he was little and tried the trip for the first time! He had let himself down with a rope and a torch, never realizing the importance of the trap door at the edge of the culvert!

Now it was easy.

With a thud, he landed on his feet. The bright old illegal lights went on. The dehumidifier began to purr, lest the wetness of his breath spoil the treasures in the room.

There were drama-cubes by the score, with two different sizes of projectors. There were heaps of clothing, for both men and women, left over from forgotten ages. In a chest, in the corner, there was even a small machine from before the Age of Space, a crude but beautiful mechanical chronograph, completely without resonance compensation, and the ancient name "Jaeger Le Coultre" written across its face. It still kept Earth time after fifteen thousand years.

Rod sat down in an utterly impermissible chair—one which seemed to be a complex of pillows built on an interlocking frame. The touch enough was a medicine for his worries. One chair leg was broken, but that was the way his grandfather-to-the-nineteenth had violated the Clean Sweep.

The Clean Sweep had been Old North Australia's last political crisis, many centuries before, when the last underpeople were hunted down and driven off the planet and when all damaging luxuries had to be turned in to the Commonwealth authorities, to be repurchased by their owners only at a revaluation two hundred thousand times higher than their assessed worth. It was the final effort to keep Norstrilians simple, healthy and well. Every citizen had to swear that he had turned in every single item, and the oath had been taken with thousands of telepaths watching. It was a testimony to the high mental power and adept deceitfulness of grandfather-to-the-nineteenth that Rod McBan CXXX had inflicted only symbolic breakage on his favorite treasures, some of which were not even in the categories allowed for repurchase, like offworld drama-cubes, and had been able to hide his things in an unimportant corner of his fields—hide them so well that neither robbers nor police had thought of them for the hundreds of years that followed.

Rod picked up his favorite:
Hamlet,
by William Shakespeare. Without a viewer, the cube was designed to act when touched by a true human being. The top of the cube became a little stage, the actors appeared as bright miniatures speaking Ancient Inglish, a language very close to Old North Australian, and the telepathic commentary, cued to the Old Common Tongue, rounded out the story. Since Rod was not dependably telepathic, he had learned a great deal of the Ancient Inglish by trying to understand the drama without commentary. He did not like what he first saw and he shook the cube until the play approached its end. At last he heard the dear high familiar voice speaking in Hamlet's last scene:

 
I am dead, Horatio. Wretched queen, adieu!
You that look pale and tremble at this chance,
That are but mutes or audience to this act,
Had I but time—as this fell sergeant, death,
Is strict in his arrest—O! I could tell you—
But let it be, Horatio, I am dead.
 

Rod shook the cube very gently and the scene sped down a few lines. Hamlet was still talking:

 
. . . what a wounded name,
Things standing thus unknown, shall live behind me.
If thou didst ever hold me in thy heart,
Absent thee from felicity a while,
And in this harsh world draw thy breath in pain
To tell my story.
 

Rod put down the cube very gently.

The bright little figures disappeared.

The room was silent.

But he had the answer and it was wisdom. And wisdom, coeval with man, comes unannounced, unbidden, and unwelcome into every life. Rod found that he had discovered the answer to a basic problem.

But not his own problem. The answer was Houghton Syme's, Old Hot and Simple. It was the Hon. Sec. who was already dying of a wounded name. Hence the persecution. It was the Onseck who had the "fell sergeant, death" acting strictly in his arrest, even if the arrest were only a few decades off instead of a few minutes. He, Rod McBan, was to live; his old acquaintance was to die; and the dying—oh, the dying, always, always!—could not help resenting the survivors, even if they were loved ones, at least a little bit.

Hence the Onseck.

But what of himself?

Rod brushed a pile of priceless, illegal manuscripts out of the way and picked up a small book marked,
Reconstituted Late Inglish Language Verse.
At each page, as it was opened, a young man or woman seven centimeters high stood up brightly on the page and recited the text. Rod ruffled the pages of the old book so that the little figures appeared and trembled and fled like weak flames seen on a bright day. One caught his eye and he stopped the page at midpoem. The figure was saying:

 
The challenge holds, I cannot now retract
The boast I made to that relentless court,
The hostile justice of my self-contempt.
If now the ordeal is prepared, my act
Must soon be shown. I pray that it is short,
And never dream that I shall be exempt.
 

He glanced at the foot of the page and saw the name, Casimir Colegrove. Of course, he had seen that name before. An old poet. A good one. But what did the words mean to him, Rod McBan, sitting in a hidden hole within the limits of his own land? He was a Mister and Owner, in all except final title, and he was running from an enemy he could not define.

"The hostile justice of my self-contempt . . ."

That
was
the key of it! He was not running from the Onseck. He was running from himself. He took justice itself as hostile because it corresponded with his sixty-odd years of boyhood, his endless disappointment, his compliance with things which would never, till all worlds burned, be complied with. How could he hier and spiek like other people if somewhere a dominant feature had turned recessive? Hadn't real justice already vindicated him and cleared him?

It was he himself who was cruel.

Other people were kind. (Shrewdness made him add "sometimes.")

He had taken his own inner sense of trouble and had made it fit the outside world, like the morbid little poem he had read a long time ago. It was somewhere right in this room, and when he had first read it, he felt that the long-dead writer had put it down for himself alone. But it wasn't really so. Other people had had their troubles too and the poem had expressed something older than Rod McBan. It went:

 
The wheels of fate are spinning around.
Between them the souls of men are ground
Who strive for throats to make some sound
Of protest out of the mad profound
Trap of the godmachine!
 

"Godmachine," thought Rod, "now that's a clue. I've got the only all-mechanical computer on this planet. I'll play it on the stroon crop, win all or lose all."

The boy stood up in the forbidden room.

"Fight it is," he said to the cubes on the floor, "and a good thanks to you, grandfather-to-the-nineteenth. You met the law and did not lose. And now it is my turn to be Rod McBan."

He turned and shouted to himself,

"To Earth!"

The call embarrassed him. He felt unseen eyes staring at him. He almost blushed and would have hated himself if he had.

He stood on the top of a treasure-chest turned on its side. Two more gold coins, worthless as money but priceless as curios, fell noiselessly on the thick old rugs. He thought a goodbye again to his secret room and he jumped upward for the bar. He caught it, chinned himself, raised himself higher, swung a leg on it but not over it, got his other foot on the bar, and then, very carefully but with the power of all his muscles, pushed himself into the black opening above. The lights suddenly went off, the dehumidifier hummed louder, and the daylight dazzled him as the trap door, touched, flung itself open.

He thrust his head into the culvert. The daylight seemed deep grey after the brilliance of the treasure room.

All silent. All clear. He rolled into the ditch.

The door, with silence and power, closed itself behind him. He was never to know it, but it had been cued to the genetic code of the descendants of Rod McBan. Had any other person touched it, it would have withstood them for a long time. Almost forever.

You see, it was not really his door. He was its boy.

"This land has made me," said Rod aloud, as he clambered out of the ditch and looked around. The young ram had apparently wakened; his snoring had stopped and over the quiet hill there came the sound of his panting. Thirsty again! The Station of Doom was not so rich that it could afford unlimited water to its giant sheep. They lived all right. But he would have asked the trustees to sell even the sheep for water, if a real drought set in. But never the land.

Never the land.

No land for sale.

It didn't even really belong to him: he belonged to it—the rolling dry fields, the covered rivers and canals, the sky catchments which caught every drop which might otherwise have gone to his neighbors. That was the pastoral business—its product immortality and its price water. The Commonwealth could have flooded the planet and could have created small oceans, with the financial resources it had at command, but the planet and the people were regarded as one ecological entity. Old Australia—that fabulous continent of Old Earth now covered by the rains of the abandoned Chinesian cityworld of Aojou Nanbien—had in its prime been broad, dry, open, beautiful; the planet of Old North Australia, by the dead weight of its own tradition, had to remain the same.

Imagine trees. Imagine leaves—vegetation dropping uneaten to the ground. Imagine water pouring by the thousands of tons, no one greeting it with tears of relief or happy laughter! Imagine Earth. Old Earth. Manhome itself. Rod had tried to think of a whole planet inhabited by Hamlets, drenched with music and poetry, knee-deep in blood and drama. It was unimaginable, really, though he had tried to think it through.

Like a chill, a drill, a thrill cutting into his very nerves he thought:

Imagine Earth women!

What terrifying beautiful things they must be. Dedicated to ancient and corruptive arts, surrounded by the objects which Norstrilia had forbidden long ago, stimulated by experiences which the very law of his own world had expunged from the books! He would meet them; he couldn't help it; what, what would he do when he met a genuine Earth woman?

He would have to ask his computer, even though the neighbors laughed at him for having the only pure computer left on the planet.

They didn't know what grandfather-to-the-nineteenth had done. He had taught the computer to lie. It stored all the forbidden things which the Law of the Clean Sweep had brushed out of Norstrilian experience. It could lie like a trooper. Rod wondered whether a "trooper" might be some archaic Earth official who did nothing but tell the untruth, day in and day out, for his living. But the computer usually did not lie to him.

If grandfather
¹⁹
had behaved as saucily and unconventionally with the computer as he had with everything else, that particular computer would know all about women. Even things which they did not themselves know. Or wish to know.

Good computer! thought Rod as he trotted around the long, long fields to his house. Eleanor would have the tucker on. Doris might be back. Bill and Hopper would be angry if they had to wait for the Mister before they ate. To speed up his trip, he headed straight for the little cliff behind the house, hoping no one would see him jump down it. He was much stronger than most of the men he knew, but he was anxious, for some private inexpressible reason, for them not to know it.

The route was clear.

He found the cliff.

No observers.

He dropped over it, feet first, his heels kicking up the scree as he tobogganed through loose rock to the foot of the slope.