Until I Find You (81 page)

“Don’t, Jackie,” Robbie said. “Let it go.”

“My dad didn’t go to Australia, did he?” Jack asked Robbie de Wit. “He was in Amsterdam the whole time, wasn’t he?”

“Your father had a
following,
Jackie. Your mom couldn’t help herself.”

“Help herself
how
?” Jack asked.

Robbie tripped forward, almost falling; he offered Jack the faded
Daughter Alice
on his upper right arm as if he were daring Jack to punch him on his mom’s tattoo. “I won’t betray her, Jack,” Robbie said. “Don’t ask me.”

“I apologize, Robbie.” Jack was ashamed of himself for being even a little aggressive with him.

Robbie put his hand on the back of Jack’s neck; bowing, off-balance, he touched his egg-shaped forehead to the tip of Jack’s nose. “Your mom loved you, Jackie. She just didn’t love anybody, not even you, like she loved
William.
”

The Old Girls, not counting Leslie Oastler, had gone home. The single ones—especially those Old Girls who were divorced, and proud of it—took some of the tattoo artists with them. Mr. Ramsey, bidding Jack his usual adieu—“Jack Burns!”—had taken a tattoo artist home with him, too. (Night-Shift Mike from Sailors’ Friend Tattoo in Norfolk, Virginia. Mike was indeed a friend of sailors!)

Even Miss Wong, at last in touch with the hurricane she was born in, danced up a storm—most memorably losing control of herself on the gym floor, jitterbugging with both Fronhofer brothers to “Stuck Inside of Mobile with the Memphis Blues Again.” (Miss Wong went home with the better-looking brother.)

Remarkably, the Malcolms stayed late—Mrs. Malcolm being unusually cheered by the presence of Marvin “Mekong Delta” Jones from Tuscaloosa, Alabama. Marvin had lost both legs, and part of his nose, in the Vietnam War; he’d parked his wheelchair alongside Mrs. Malcolm’s and had entertained both her and Mr. Malcolm with his hilarious stories, perhaps apocryphal, of trying to get laid when he was wheelchair-bound and had half a nose. (“Not everyone is sympathetic,” one story began; he had Wheelchair Jane in stitches.)

Miss Wurtz, who went home at a proper hour—needless to say, The Wurtz went home
alone—
brought the house down by singing along with Bob. Her renditions of “All I Really Want to Do” and “I’ll Be Your Baby Tonight” were haunting. Flattop Tom told Jack there was nobody like her in Cleveland; North Dakota Dan said there was no one like Miss Wurtz in Bismarck, either. (How, Jack wondered, had Edmonton been so blessed?)

The Oastler mansion was a motel that night, the motorcycles stationed like sentinels on the lawn—some of them lurking close to the house, as if they were intruders seeking access through a window.

Lucky Pierre passed out on the living-room couch, where he was covered by so many of the bikers’ leathers that no one knew where he was in the morning—that is, until Joe Ink sat on him.

Flipper Volkmann and Wolverine Wally had to be separated—that old Michigan matter again. They put Flipper to bed in Jack’s former bedroom and made the Wolverine spend the night in the kitchen, where the less-good-looking of the Fronhofer brothers watched over him—the one who
hadn’t
gone home with Miss Wong and the hurricane she carried inside her.

Bad Bill Letters and Slick Eddie Esposito slept head-to-toe on the dining-room table, where their conversation about Night-Shift Mike, the sailors’ friend, was overheard throughout the house. “You’d have to have your eyes in your asshole, Bill, to not know Night-Shift was a fag,” Slick Eddie said.

“Eddie, if you had your eyes in your asshole, you’d be the first to know Night-Shift was a fag,” Bad Bill told him.

“You’re an asshole, Bill,” Slick Eddie said.

“Of
course
I’m an asshole!” Bad Bill replied. “Tell me somethin’ I don’t know.” But Slick Eddie was fast asleep; he was already snoring. “Sweet dreams, assholes!” Bad Bill cried, as if he were addressing everyone in the house.

“Sweet dreams, assholes!” Badger Schultz and his wife, Little Chicken Wing, called from the laundry room, where they were sleeping on the floor on an antique quilt.

“Great party, huh?” Jack whispered to the Skretkowicz sister he was sleeping with in Emma’s bed.

“Yeah, your mom woulda
loved
it!” Ms. Skretkowicz said. She was, alas, the one who’d been married to Flattop Tom. She also had a fabulous octopus tattooed on her ass; it completely covered both cheeks. “Flattop Tom’s work,” she admitted a little sadly. “Not to take nothin’ away from the octopus.”

Down the hall, Leslie was in bed with the other Skretkowicz sister. “She was a real sweetie,” Mrs. Oastler would tell Jack later. It was no surprise to Leslie that the other Skretkowicz sister had never been married—not to Flattop Tom or to anybody else. (Her biting Jack’s earlobe had been insincere.)

Jack was awake for a long time, not only because of the tender ministrations of the former Mrs. Flattop Tom. Emma used to say that Jack’s more than occasional sleeplessness was the plight of a nondrinker in a world of drinkers. (Jack doubted this.) It is fair to say that what the heterosexual Skretkowicz sister could do with the octopus on her ass would keep anyone awake for a long time, but Jack had more on his mind than that interesting octopus.

He regretted, again, his bad behavior with Robbie de Wit, who had come all the way from Rotterdam out of his love for Alice. Understandably, Robbie would never
betray
her—to use his word for it. If Jack wanted to know those things his mom had kept from him, or how she’d distorted his dad’s story in her telling of the tale, Jack needed to do his own homework—to make his own discoveries.

Jack needed to take that trip he’d threatened to take when his mother was still alive. Not to find William, as Miss Wurtz had urged him—at least not yet. Not
that
trip, but the trip Jack had taken with his mom when he was four.

Allegedly, when Jack was three, his capacity for consecutive memory was comparable to that of a nine-year-old. At four, his retention of detail and understanding of linear time were equal to an eleven-year-old’s—or so he’d been told. But what if that wasn’t true? What if he’d actually been a
normal
little boy? A four-year-old whose memory was as easy to manipulate as that of any four-year-old, a four-year-old like any other, whose retention of detail and understanding of linear time were completely unreliable.

That
was why Jack was wide awake. He suddenly knew it was a joke for him to even imagine he could remember what had happened to him in those North Sea ports when he was four, almost thirty years ago!
That
was the trip Jack needed to take—alone, or certainly not with Leslie Oastler. It was not only a trip he’d already taken; it was possibly a trip he’d largely imagined, or it had been under his mother’s management and she’d imagined it for him.

It was not the time to look for his father; it was the time to discover if William was worth looking for.

They’d gone to Copenhagen first. His mother hadn’t manipulated that; at least Jack knew where their trip had started, and where he would soon be returning. “Copenhagen,” he said aloud—not meaning to. As unlikely as this may seem, Jack had forgotten about the Skretkowicz sister, whose strong thigh gripped his waist.

She’d kicked the covers off; maybe the word
Copenhagen
had triggered something, because her hips were moving. Long-distance motorcyclists have a certain authority in their hips—in the case of Jack’s Skretkowicz sister, even in her sleep. A green, somewhat startled-looking sea horse was tattooed on her forearm, which was flung across Jack’s chest. The sea horse stared unblinkingly into the flickering light from the weather channel on Emma’s small TV, which was on mute. The Skretkowicz sisters had a long ride ahead of them in the morning; the former Mrs. Flattop Tom had wanted to know the forecast for Ohio.

There was a storm story on the weather channel. Palm trees were snapped in half, docks had been swept away in high seas, a small boat was smashed on some rocks, breakers were pounding—all without a sound. The blue-green light from the television illuminated the tattoo on Ms. Skretkowicz’s hip; the light threw into relief the barbed dorsal spines near the base of a stingray’s whiplike tail.

Yes, Jack observed, there was a
stingray
tattooed on his Skretkowicz sister’s undulating hip. The tentacles of the octopus (on her ass) appeared to be reaching for the ray, as if the tattoo artist’s body were a map of the ocean’s floor.

Jack had to arch his back to reach for the remote, which he still couldn’t quite reach; it was not the response to her hips that his biker friend had expected. “Don’t go,” she whispered hoarsely, still half asleep. “Where are you going?”

“Copenhagen,” Jack repeated.

“Is it raining there?” she asked him groggily.

It would be April before he could get there, Jack was thinking; there was a good chance it would be raining. “Probably,” he answered.

“Don’t go,” she whispered again, as if she were falling back to sleep—or at least she wanted to.

“I
have
to go,” he told her.

“Who’s in Copenhagen?” his Skretkowicz sister asked. Jack could tell she was wide awake now. “What’s her name?” she said, her biker’s thigh gripping him tighter.

It was a
he,
not a
she,
who primarily interested Jack. Since Jack didn’t know his name, it would be hard to find him. But there could be little doubt who Jack was thinking of—the littlest soldier who saved him. Not to diminish the importance of Ladies’ Man Madsen; it’s just that Lars would be easier to find. At least Jack knew his name.

27

The Commandant’s Daughter; Her Little Brother

J
ack slipped away from Toronto without telling Miss Wurtz his plans; he never even said good-bye. He was afraid that Caroline would be disappointed in his decision not to go looking for his father straightaway.

He took only his winter clothes with him; Jack thought they’d be suitable for April in the North Sea. His
Toronto
clothes, Mrs. Oastler called them. Leslie had helped him pack. After all, she’d shopped for Jack’s clothes—she’d even paid for most of them, during the winter Alice was dying—and Mrs. Oastler had her own opinions regarding how he should dress in those European ports of call.

“I hope you know, Jack—you don’t wear the same clothes to a tattoo parlor that you would wear in a church, and vice versa.”

He left Leslie with the responsibility of sending his screenplay of
The Slush-Pile Reader
to Bob Bookman at C.A.A. in Beverly Hills. In the long Canadian winter, Leslie had become Jack’s partner in the project; a couple of times, he’d come close to telling her that Emma had left him more than her notes for a screenplay. But that wouldn’t have been faithful to what Emma had wanted.

In the months he’d spent with his mom in Toronto, Jack’s mail had been forwarded from California. Like her late daughter, Mrs. Oastler invariably read Jack’s mail before giving it to him. She didn’t give
all
his mail to him, either; she was more censorial than Emma. The fan mail from female admirers was not worthy of Jack’s interest, Mrs. Oastler said. She refused to show him the photographs of his she-male tormentors, too.

It must have been February when Jack asked Leslie: “Didn’t I get any Christmas cards this year?”

“Yeah, you got a
ton
of Christmas cards,” Mrs. Oastler answered. “I threw them away.”

“You don’t like Christmas cards, Leslie?”

“Who needs them, Jack? You’re a busy guy.”

Somehow the letter from Michele Maher escaped the censor in Mrs. Oastler and made it into Jack’s hands, although it was a month or more after Leslie had first read Michele’s letter. “This one’s interesting,” Mrs. Oastler said. “Some doctor in Massachusetts with the name of Emma’s character.”

Jack must have looked stricken, or overeager to see the letter, because Leslie didn’t immediately hand it over. “Someone you
know
?” she asked him.

“Someone I
knew,
” he corrected her, holding out his hand. Mrs. Oastler looked the letter over—more carefully than she had the first time. “Emma knew that I knew her,” Jack explained. “Emma knew she was using a real person’s name.”

“Sort of an inside joke—is that what you’re saying, Jack?” She still wouldn’t give him the letter.

“Sort of,” he said.

“Would you like me to read it to you?” Leslie asked. Jack was still holding out his hand. “ ‘Dear Jack—’ ” Mrs. Oastler began, promptly interrupting herself. “Well, even your fans address you as ‘Jack’—you can see why I never guessed that she actually
knew
you.”

“Perfectly understandable,” Jack said, his voice remaining calm.

“Dr. Maher—she’s a
dermatologist,
of all things—goes on,” Leslie continued. “ ‘I know you were close to Emma Oastler, and I’ve read that you’re adapting her novel,
The Slush-Pile Reader,
as a film. Good luck with the screenplay, and your other projects. That novel is one of my favorites, not only because of the main character’s name. With my best wishes, and congratulations on your considerable success as an actor.’ Well, that’s it,” Mrs. Oastler said with a sigh. “It’s a typed letter—probably someone else typed it. She just signed her name, ‘Michele.’ It’s her office letterhead—some sort of doctors’ office building at Mount Auburn Hospital in Cambridge, Massachusetts. On second thought, it’s not
that
interesting a letter; there’s nothing
personal
in it, really. No one reading this would dream that she ever knew you.”

Leslie held the letter at arm’s length in her hand—not quite as if it were dirty laundry, but something potentially worse, something she sensed Jack
wanted.
“May I see the letter, please?” he asked her.

“It’s not the sort of letter one has to
answer,
Jack.”

“Give me the fucking letter, Leslie!”

“I guess it wasn’t a
funny
inside joke—Emma using Michele Maher’s name,” Mrs. Oastler said. She made him reach and take the letter from her hand.