Unravel Me (38 page)

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Authors: Tahereh Mafi

BOOK: Unravel Me
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Because this never should have happened.

This was a mistake.

“You’re choosing him?” Warner asks, barely breathing, still looking as if he might
fall over. “Is that what just happened? You’re choosing Kent over me? Because I don’t
think I understand what just happened and I need you to say something, I need you
to tell me what the hell is happening to me right now—”

“No,” I gasp. “No, I’m not choosing anyone—I’m not—I’m n-not—”

But I am. And I don’t even know how I got here.

“Why?” he says. “Because he’s the safer choice for you? Because you think you
owe
him something? You are making a mistake,” he says, his voice louder now. “You’re
scared. You don’t want to make the difficult choice and you’re running away from me.”

“Maybe I just d-don’t want to be with you.”

“I know you want to be with me!” he explodes.

“You’re wrong.”

Oh my God what am I saying I don’t even know where I’m finding these words, where
they’re coming from or which tree I’ve plucked them from. They just keep growing in
my mouth and sometimes I bite down too hard on an adverb or a pronoun and sometimes
the words are bitter, sometimes they’re sweet, but right now everything tastes like
romance and regret and liar liar pants on fire all the way down my throat.

Warner is still staring.

“Really?” He struggles to rein in his temper and takes a step closer, so much closer,
and I can see his face too clearly, I can see his lips too clearly, I can see the
anger and the pain and the disbelief etched into his features and I’m not so sure
I should be standing anymore. I don’t think my legs can carry me much longer.

“Y-yes.” I pluck another word from the tree lying in my mouth, lying lying lying on
my lips.

“So I’m wrong.” He says the sentence quietly, so, so quietly. “I’m wrong that you
want me. That you want to be with me.” His fingers graze my shoulders, my arms; his
hands slide down the sides of my body, tracing every inch of me and I’m pressing my
mouth shut to keep the truth from falling out but I’m failing and failing and failing
because the only truth I know right now is that I’m mere moments from losing my mind.

“Tell me something, love.” His lips are whispering against my jaw. “Am I blind, too?”

I am actually going to die.

“I will not be your clown!” He breaks away from me. “I will not allow you to make
a mockery of my feelings for you! I could respect your decision to
shoot me
, Juliette, but doing this—doing—doing what you just did—” He can hardly speak. He
runs a hand across his face, both hands through his hair, looking like he wants to
scream, to break something, like he’s really, truly about to lose his mind. His voice
is a rough whisper when he finally speaks. “It’s the play of a coward,” he says. “I
thought you were so much better than that.”

“I’m not a coward—”

“Then be honest with yourself!” he says. “Be honest with me! Tell me the truth!”

My head is rolling around on the floor, spinning like a wooden top, circling around
and around and around and I can’t make it stop. I can’t make the world stop spinning
and my confusion is bleeding into guilt which quickly evolves into anger and suddenly
it’s bubbling raging rising to the surface and I look at him. I clench my shaking
hands into fists. “The truth,” I tell him, “is that I never know what to think of
you! Your actions, your behavior—you’re never consistent! You’re horrible to me and
then you’re kind to me and you tell me you love me and then you hurt the ones I care
most about!

“And you’re a liar,” I snap, backing away from him. “You say you don’t care about
what you do—you say you don’t care about other people and what you’ve done to them
but I don’t believe it. I think you’re hiding. I think the real you is hiding underneath
all of the destruction and I think you’re better than this life you’ve chosen for
yourself. I think you can change. I think you could be different. And I feel sorry
for you!”

These words these stupid stupid words they won’t stop spilling from my mouth.

“I’m sorry for your horrible childhood. I’m sorry you have such a miserable, worthless
father and I’m sorry no one ever took a chance on you. I’m sorry for the terrible
decisions you’ve made. I’m sorry that you feel trapped by them, that you think of
yourself as a monster who can’t be changed. But most of all,” I tell him, “most of
all I’m sorry that you have no mercy for yourself!”

Warner flinches like I’ve slapped him in the face.

The silence between us has slaughtered a thousand innocent seconds and when he finally
speaks his voice is barely audible, raw with disbelief.

“You pity me.”

My breath catches. My resolve wavers.

“You think I’m some kind of broken project you can repair.”

“No—I didn’t—”

“You have no
idea
what I’ve done!” His words are furious as he steps forward. “You have no idea what
I’ve seen, what I’ve had to be a part of. You have no idea what I’m capable of or
how much mercy I deserve. I know my own heart,” he snaps. “I know who I am. Don’t
you dare pity me!”

Oh my legs are definitely not working.

“I thought you could love me for
me
,” he says. “I thought you would be the one person in this godforsaken world who would
accept me as I am! I thought you, of all people, would understand.” His face is right
in front of mine when he says, “I was wrong. I was so horribly, horribly wrong.”

He backs away. He grabs his shirt and he turns to leave and I should let him go, I
should let him walk out the door and out of my life but I can’t, I catch his arm,
I pull him back and I say, “Please—that’s not what I meant—”

He spins around and he says, “I do not want your
sympathy
!”

“I wasn’t trying to hurt you—”

“The truth,” he says, “is a painful reminder of why I prefer to live among the lies.”

I can’t stomach the look in his eyes, the wretched, awful pain he’s making no effort
to conceal. I don’t know what to say to make this right. I don’t know how to take
my words back.

I know I don’t want him to leave.

Not like this.

He looks as if he might speak; he changes his mind. He takes a tight breath, presses
his lips together as if to stop the words from escaping and I’m about to say something,
I’m about to try again when he pulls in a shaky breath, when he says, “Good-bye, Juliette.”

And I don’t know why it’s killing me, I can’t understand my sudden anxiety and I need
to know, I have to say it, I have to ask the question that isn’t a question and I
say “I won’t see you again.”

I watch him struggle to find the words, I watch him turn to me and turn away and for
one split second I see what’s happened, I see the difference in his eyes, the shine
of emotion I never would’ve dreamed him capable of and I know, I understand why he
won’t look at me and I can’t believe it. I want to fall to the floor as he fights
himself, fights to speak, fights to swallow back the tremor in his voice when he says,
“I certainly hope not.”

And that’s it.

He walks out.

I’m split clean in half and he’s gone.

He’s gone forever.

SIXTY-THREE

Breakfast is an ordeal.

Warner has disappeared and he’s left a trail of chaos in his wake.

No one knows how he escaped, how he managed to get out of his room and find his way
out of here and everyone is blaming Castle. Everyone is saying he was stupid to trust
Warner, to give him a chance, to believe he might have changed.

Angry
is an insult to the level of aggression in here right now.

But I’m not going to be the one to tell everyone that Warner was already out of his
room last night. I’m not going to be the one to tell them that he probably didn’t
have to do much to find the exit. I won’t explain to them that he’s not an idiot.

I’m sure he figured it out easily enough. I’m sure he found a way to get past the
guards.

Now everyone is ready to fight, but for all the wrong reasons. They want to murder
Warner: first for all he’s done; second for betraying their trust. More frightening
still, everyone is worried that he’ll give away all of our most sensitive information.
I have no idea what Warner managed to discover about this place before he left, but
nothing that happens now can possibly be good.

No one has even touched their breakfasts.

We’re all dressed, armed, ready to face what could be an almost instant death, and
I’m feeling little more than entirely numb. I didn’t sleep at all last night, my heart
and mind plagued and conflicted and I can’t feel my limbs, I can’t taste the food
I’m not eating and I can’t see straight, I can’t focus on the things I’m supposed
to be hearing. All I can think about are all the casualties
and Warner’s lips on my neck, his hands on my body, the pain and passion in his eyes
and the many possible ways I could die today. I can only think about
Warner touching me, kissing me, torturing me with his heart and
Adam sitting beside me, not knowing what I’ve done.

It probably won’t even matter after today.

Maybe I’ll be killed and maybe all the agony of these past 17 years will have been
for naught. Maybe I’ll just fall right off the face of the Earth, gone forever, and
all of my adolescent angst will have been a ridiculous afterthought, a laughable memory.

But maybe I’ll survive.

Maybe I’ll survive and I’ll have to face the consequences of my actions. I’ll have
to stop lying to myself; I’ll have to actually make a decision.

I have to face the fact that I’m battling feelings for someone who has no qualms about
putting a bullet in another man’s head. I have to consider the possibility that I
might really be turning into a monster. A horrible, selfish creature who cares only
about herself.

Maybe Warner was right all along.

Maybe he and I really are perfect for each other.

Just about everyone has filed out of the dining hall. People are saying last-minute
good-byes to the old and the young ones they’re leaving behind. James and Adam had
a lengthy good-bye just this morning. Adam and I have to head out in about 10 minutes.

“Well damn. Who died?”

I spin around at the sound of his voice. Kenji is up. He’s in this room. He’s standing
next to our table and he looks like he’s about to fall right over but he’s
awake
. He’s alive.

He’s breathing.

“Holy crap.” Adam is gaping. “Holy
shit
.”

“Good to see you too, Kent.” Kenji grins a crooked grin. He nods at me. “You ready
to kick some ass today?”

I tackle him.

“WHOA—hey—thank you, yeah—that’s—uh—” He clears his throat. Tries to shift away from
me and I flinch, pull back. I’m covered everywhere except for my face; I’m wearing
my gloves and my reinforced knuckles, and my suit is zipped up to my neck. Kenji never
usually shies away from me.

“Hey, uh, maybe you should hold off on touching me for a little while, yeah?” Kenji
tries to smile, tries to make it sound like he’s joking, but I feel the weight of
his words, the tension and the sliver of fear he’s trying so hard to hide. “I’m not
too steady on my feet just yet.”

I feel the blood rush out of me, leaving me weak in the knees and needing to sit down.

“It wasn’t her,” Adam says. “You know she didn’t even touch you.”

“I
don’t
know that, actually,” Kenji says. “And it’s not like I’m blaming her—I’m just saying
maybe she’s projecting and doesn’t know it, okay? Because last I checked, I don’t
think we have any other explanations for what happened last night. It sure as hell
wasn’t you,” he says to Adam, “and shit, for all we know, Warner being able to touch
Juliette could just be a fluke. We don’t know anything about him yet.” A pause. He
looks around. “Right? Unless Warner pulled some kind of magical rabbit out of his
ass while I was busy being dead last night?”

Adam scowls. I don’t say a word.

“Right,” Kenji says. “That’s what I thought. So. I think it’s best if, unless absolutely
necessary, I stay away.” He turns to me. “Right? No offense, right? I mean, I did
nearly just die. I think you could cut me some slack.”

I can hardly hear my own voice when I say, “Yeah, of course.” I try to laugh. I try
to figure out why I’m not telling them about Warner. Why I’m still protecting him.
Probably because I’m just as guilty as he is.

“So
anyway
,” Kenji says. “When are we leaving?”

“You’re insane,” Adam tells him. “You’re not going anywhere.”

“Bullshit I’m not.”

“You can barely stand up on your own!” Adam says.

And he’s right. Kenji is clearly leaning on the table for support.

“I’d rather die out there than sit in here like some kind of idiot.”

“Kenji—”

“Hey,” Kenji says, cutting me off. “So I heard through the very loud grapevine that
Warner got his ass the hell out of here last night. What’s that about?”

Adam makes a strange sound. It’s not quite a laugh. “Yeah,” he says. “Who even knows.
I never thought it was a good idea to keep him hostage here. It was an even stupider
idea to trust him.”

“So first you insult my idea, and then you insult Castle’s, huh?” Kenji’s eyebrow
is cocked.

“They were bad calls,” Adam says. “Bad ideas. Now we have to pay for it.”

“Well how was I supposed to know Anderson would be so willing to let his own son rot
in hell?”

Adam flinches and Kenji backpedals.

“Oh, hey—I’m sorry, man—I didn’t mean to say it like that—”

“Forget it.” Adam cuts him off. His face is suddenly hard, suddenly cold, closed off.
“Maybe you should get back to the medical wing. We’re leaving soon.”

“I’m not going anywhere but
out of here
.”

“Kenji, please—”

“Nope.”

“You’re being unreasonable. This isn’t a joke,” I tell him. “People are going to die
today.”

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