Uncharted: The Fourth Labyrinth

Uncharted: The Fourth Labyrinth
is a work of fiction. Names, places, and incidents either are products of the author’s imagination or are used fictitiously.

A Del Rey Trade Paperback Original

Copyright © 2011 by Sony Computer Entertainment America LLC

All rights reserved.

Published in the United States by Del Rey, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

D
EL
R
EY
is a registered trademark and the Del Rey colophon is a trademark of Random House, Inc.

UNCHARTED is a trademark of Sony Computer Entertainment America LLC. Created and developed by Naughty Dog, Inc. “PLAYSTATION” AND THE “PS” FAMILY LOGO ARE REGISTERED TRADEMARKS AND “PS3” AND THE PLAYSTATION NETWORK LOGO ARE TRADEMARKS OF SONY COMPUTER ENTERTAINMENT INC.

eISBN: 978-0-345-52934-3

Cover design: Phil Balsman
Cover illustration: Jon Foster

www.delreybooks.com

v3.1

Contents

Cover

Title Page

Copyright

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Dedication

Acknowledgments

Other Books by This Author

About the Author

1

Tropical birds scattered as Drake veered the Jeep onto an old rutted track, snapping branches and tearing away vines, plowing through the rain forest with killers in pursuit, bullets flying, a gorgeous but pouty girl in the passenger’s seat, and a bitch of a headache. With only one of his arms on the wheel, the Jeep slewed to the left, and the pouty girl screamed as he forced the vehicle back onto the trail just before they would have crashed into a felled tree.

Nathan Drake was beginning to hate the jungle.

He glanced in the rearview mirror an instant before a bullet shattered it, forcing him to risk glancing back over his shoulder. There were three vehicles in pursuit, a lumbering truck that had fallen to the rear and two Jeeps just like the one he was driving; which made sense considering that this one had been parked next to them when he’d stolen it.

The jungle had closed in around them, a wild tangle of rain forest the people of Ecuador called El Oriente, which seemed to him a pretty ordinary-sounding name for a place full of things that could kill you—like brutal sons of bitches employed by pissed-off South American drug lords.

The rutted track he’d taken forced the three vehicles into single file; which was good since it meant only one carload of them could be shooting at him at any given time. Bullets tore at leaves and cracked branches, the Jeep juddered up and down, rattling his teeth, and Drake kept his head down.

“This is your idea of a rescue?” the girl shouted.

He glanced at her wide eyes and her pretty mouth and her soft skin the color of cinnamon and decided he didn’t like cinnamon. It ruined a good piece of toast as far as he was concerned.

“What the hell makes you think this is a rescue?” he snapped.

She blanched a little at that, and then her eyes narrowed. “Maybe the fact that here you are, rescuing me.”

Drake laughed, but then his smile vanished as he heard bullets plink into the metal rear of the Jeep. The spare tire bolted to the back blew, but that was a damn sight better than losing one of the tires he was actually using.

“Does this
look
like a rescue?” he asked. “You’re along for the ride by accident, sweetheart.”

In truth, it hadn’t been entirely by accident. He’d infiltrated the rain forest compound where Ramón Valdez tended to hide out from the rest of the world, running his drug cartel from a place so remote that nobody wanted to go hunting for him there.
No one with half a brain
, Drake thought. That hadn’t stopped him from tracking Valdez down twice in three years.

He didn’t like jobs that involved outright theft, for reasons that were best explained by the situation unfolding around him that very moment. But in the case of Ramón Valdez, he’d made an exception because he had a prior claim on the item he’d been hired to steal. He’d stolen it once before.

The girl had been a wrinkle in his plan. He’d found her trussed up in Valdez’s bedroom and had intended to leave her there until her efforts to free herself gave him the idea that maybe she wasn’t a willing participant in her bondage. That had complicated matters significantly, because timing was vital to his plan. For a few seconds he had tried to persuade himself that he wouldn’t regret leaving her there—that her struggle was some kind of playacting she’d rehearsed for Valdez’s benefit—but as he had started to walk away, he’d known he was lying to himself. Drake knew a prisoner when he saw one.

“What were you doing there, anyway?” he asked, jerking the wheel to the right.

“Vacation,” she said bitterly in that aren’t-you-a-dumbass tone young women seemed to perfect so early. “What do you think?”

“Not really the question,” Drake said.

A burst of gunfire tore up the trees to his left; the last few bullets stitched the side of the Jeep and then blew out a taillight. A macaw exploded in midflight in a bullet-riddled burst of blood and feathers.

“Maybe you should focus on driving?” the girl asked, panic in her eyes as she ducked lower in her seat. “How can you be so calm?”

“Oh, this isn’t calm,” Drake said, twisting the wheel to veer around a felled tree. The Jeep rumbled over brush and roots and sideswiped a giant kapok tree. “This is me terrified. I can tell by the white knuckles and the way my jaw hurts from clenching.”

The girl glanced at his hands on the wheel. She must have noted the whiteness of his knuckles, because she went a shade paler than before.

“You going to tell me who you are?” Drake demanded.

“My father really didn’t send you?” she asked.

Her disappointment softened him as much as a guy driving through the jungle pursued by people trying to kill him could be softened. He saw the split-trunk tree he’d been watching for, the only kind of landmark that could be expected out here, and cut the wheel to the left, crashing the Jeep through a curtain of hanging vines and onto a trail that had been trodden by hooves but rarely by tires. The Jeep bucked like crazy; it felt like it would shake apart in his hands, leaving him sitting on the driver’s seat and holding the steering wheel with no car around him.

“Sorry, kid. I don’t have a clue what you’re talking about.”

She lifted her chin, trying too late to hide her withered hope. “My name is Alex Munoz. My father is mayor of Guayaquil. He’s been fighting a war against drugs in the city, and he can’t be bought.”

She said this proudly, and Drake didn’t blame her. For the mayor of a major South American city to take on the drug cartels, he had to be either courageous as hell or absolutely nuts. Alex didn’t have to tell him the rest of the story, either. Beautiful girl, no more than nineteen, bound and gagged in a drug lord’s bedroom? She had been a hostage, a negotiating tactic, and probably about to become the victim of something worse.

How do I get into these things?
Drake thought.

But then, it wasn’t Alex Munoz’s fault that he was being shot at. Sure, untying her and getting her out of the compound had given him away and slowed him down, but it had been a risky plan to begin with, and in his experience risky plans almost always ended up in him being shot at—and sometimes actually shot.

“So if Papa didn’t send you, who are you?” Alex asked, her pouty look returning. “What are you going to do with me?”

Drake ignored the second question. If there was anything he’d learned over the years, it was that while running for his life with a woman at his side, it was best never to tell her you didn’t have a plan. “My name’s Drake. Nate Drake.”

If she got the James Bond reference in his delivery, she didn’t let on. “What is this?” Alex asked. “What did you do to make Valdez so angry?”

Drake gestured to the backseat. “See that?”

When Alex glanced into the back, Drake knew what she would see. The staff was wrapped in burlap kept tight by strips of duct tape. The burlap had come from the poppy farm on the other side of the compound from Valdez’s house. Drake had brought the duct tape himself. He’d managed to get the display case in Valdez’s study open without setting off any alarms, had bagged and tagged the staff, and had been making his exit when he glanced into the bedroom and saw the girl with the cinnamon skin. The rest was dumbass history.

“I see it,” Alex said.

“Have you heard of the Dawn Tavern?”

“Are you talking about a bar or Pacariqtambo? The place of origin? Or are you talking about the lost colony?”

“You know the story?” Drake said, glad he didn’t have to explain. Just the fact that they were having this conversation was absurd enough, but he figured it was better than her screaming at him not to let her die or him cursing himself out for coming down here in the first place.

“Of course,” Alex sniffed. “I go to university.”

Great
, Drake thought.
The only brat in the jungle, and she’s in my Jeep
.

In Incan myth, Pacariqtambo was a cave from which the first people had emerged into the world. One of those brothers and sisters was a guy named Ayar Manco who carried a golden staff that was supposed to indicate where his people should build the first Incan city. Legend said that he’d changed his name and founded the city of Cuzco, that he and his sisters had built the first Incan homes with their bare hands. To many people in the region, the story was more history than legend, which meant that the discovery three years ago of the ruins of a lost colony—supposedly an offshoot of those original Incans, going all the way back to Ayar Manco—had stirred up a serious controversy. A local tribe whose people claimed to have known about the lost colony all along insisted that the ruins were the real and actual Pacariqtambo, that after being betrayed by his siblings, Ayar Manco had returned to the cave of his birth with his wife and children and founded this hidden village. The public argument about what was real and what was myth had been raging ever since.