Tribute (14 page)

“You do fancy work, too?” she asked Dobby. “Medallions, trim?”

“Here and there. Not much call for it these days. You can buy premade cheaper, so most people do.”

“I’m not most people. Fancy work wouldn’t suit this area.” Hands on hips, she turned a circle in the drop-clothed, chewed-up living space. “But simple and interesting might. And could work in the master bedroom, the dining room. Nothing ornate,” she said, thinking out loud. “No winged cherubs or hanging grapes. Maybe a design. Something Celtic . . . that would address the McGowan and the Moloney branches.”

“Moloney?”

“What? Sorry.” Distracted, she glanced back at Dobby. “Moloney would have been my grandmother’s surname—except
her
mother changed it to Hamilton just after Janet was born, then the studio changed it to Hardy. Gertrude Moloney to Trudy Hamilton to Janet Hardy. They called her Trudy as a girl,” she added and thought of the letters.

“Is that so?” Dobby shook his head, dipped his trowel. “Pretty, old-fashioned name Trudy.”

“And not shiny enough for Hollywood, at least when she came up in it. She said in an interview once that no one ever called her Trudy again, once they’d settled on Janet. Not even her family. But sometimes she’d look at herself in the mirror and say hello to Trudy, just to remind herself. Anyway, if I came up with some designs, we could talk about working them in upstairs.”

“We sure could do that.”

“I’ll do some research. Maybe we could . . . Sorry,” she said when the phone in her pocket rang. She pulled it out, stifled a sigh when she saw her mother’s number on the display. “Sorry,” she repeated, then stepped outside to take the call.

“Hello, Mom.”

“Did you think I wouldn’t hear about it? Did you think I wouldn’t see?”

Cilla leaned against the veranda column, stared across the road at Ford’s pretty house. “I’m good, thanks. How are you?”

“You have no right to criticize me, to judge me. To
blame
me.”

“In what context?”

“Save your sarcasm, Cilla. You know exactly what I’m talking about.”

“I really don’t.” What was Ford doing? Cilla wondered. Was he writing? Drawing? Was he turning her into a warrior goddess? Someone who would face down evil instead of calculating how to stretch the budget to accommodate hand crafted plaster medallions, or handle a motherly snit long-distance.

“The article in the paper. About you, about the farm. About me. AP picked it up.”

“Did they? And that bothers you? It’s publicity.”

“ ‘McGowan’s goal is to restore and respect her neglected heritage. Speaking over the busy sounds of banging hammers and buzzing saws, she states: “My grandmother always spoke of the Little Farm with affection, and related that she was drawn to it from the first moment. The fact that she bought the house and land from my paternal great-grandfather adds another strong connection for me.” ’ ”

“I know what I said, Mom.”

“ ‘My purpose, you could even say my mission, is to pay tribute to my heritage, my roots here, by not only restoring the house and the land, but making them shine. And in such a way that respects their integrity, and the community.’ ”

“Sounds a little pompous,” Cilla commented. “But it’s accurate.”

“It goes on and on, a showcase during Janet Hardy’s visits for the luminaries of her day. A pastoral setting for her children, now peeling paint, rotted wood, overgrown gardens through a generation of neglect and disinterest as Janet Hardy’s daughter, Bedelia Hardy, attempted to fill her mother’s sparkling footsteps. How could you let them print that?”

“You know as well as I do you can’t control the press.”

“I don’t want you giving any more interviews.”

“And you should know you can’t control what I do, or don’t. Not anymore. Spin it, Mom. You know how. Grief kept you away, and so on. Whatever happy times you spent here were overshadowed, even smothered, by your mother’s death here. It’ll get you some sympathy and more press.”

The long pause told Cilla her mother was considering the angles. “How could I think of that place as anything but a tomb?”

“There you go.”

“It’s easier for you, it’s different for you. You never knew her. She’s just an image for you, a movie clip, a photograph. She was flesh and blood for me. She was my mother.”

“Okay.”

“It would be better, for everyone, if you vetted interviews with me or Mario. And I’d think any reporter who works for a legitimate paper would have contacted my people for a comment or quote. Be sure they do, next time.”

“You’re up early,” Cilla said by way of evading.

“I have rehearsals, costume fittings. I’m exhausted before I begin.”

“You’re a trouper. I wanted to ask you something. The last year or so, before Janet died, do you know who she was involved with?”

“Romantically? She could barely get out of bed by herself half the time in the first weeks after Johnnie. Or she’d bounce off the walls and demand people and parties. She’d cling to me one minute, and push me away the next. It scarred me, Cilla. I lost my brother and my mother so close together. And really, I lost them both the night Johnnie died.”

Because she believed that, if nothing else, that was deeply and painfully true, Cilla’s tone softened. “I know. I can’t imagine how terrible it was.”

“No one can. I was alone. Barely sixteen, and I had no one. She left me, Cilla. She chose to leave me. In that house you’re so determined to turn into a shrine.”

“That’s not what I’m doing. Who was she involved with, Mom? A secret affair, a married man. An affair that went south.”

“She had affairs. Why wouldn’t she? She was beautiful and vital, and she needed love.”

“A specific affair, during this specific period.”

“I don’t know.” Dilly’s voice clipped on the words now. “I try not to think about that time. It was hell for me. Why do you care? Why dredge that kind of thing up again? I
hate
the theories and the speculations.”

Tread carefully, Cilla reminded herself. “I’m just curious. You hear talk, and she did spend a lot of time here in that last year, year and a half. She wasn’t really involved with anyone back in L.A., that I’ve heard about. It wasn’t like her to be without a man, a lover, for very long.”

“Men couldn’t resist her. Why should she resist them? Then they’d let her down. They always do. They make promises they don’t keep. They cheat, they steal, and God knows they can’t stand for the woman to be more successful.”

“So how are things with you and Num—with Mario?”

“He’s the exception to the rule. I’ve finally found the kind of man I need. Mama never did. She never found a man worthy of her.”

“And never stopped looking,” Cilla prompted. “She would have wanted the comfort, the love and support, especially after Johnnie died. Maybe she looked here, in Virginia.”

“I don’t know. She never took me with her back to the farm after Johnnie. She said she had to be alone. I didn’t want to go back anyway. It was too painful. That’s why I haven’t been back in all these years. It’s still a fresh wound in my heart.”

And we come full circle, Cilla thought. “Like I said, I’m just curious. So if something or someone occurs to you, let me know. I’d better let you get to rehearsal.”

“Oh, let them wait! Mario had the best idea. It’s phenomenal, and such a good opportunity for you. We’ll work a duet for you and me into the show, in the second act. A medley of Mama’s songs with clips and stills from her movies on screen behind us. We’ll finish with ‘I’ll Get By,’ making it a trio, putting her onstage with us, the way they did with Elvis and Céline Dion. He’s talking to HBO, Cilla, about broadcasting.”

“Mom—”

“We’ll need you back here next week for rehearsals, and costume design, choreography. We’re still working out the composition, but the number would run about four minutes. Four spectacular minutes, Cilla. We want to give you a real chance for a comeback.”

Cilla closed her eyes, debated sawing off her tongue, letting it fly—and settled on somewhere in the middle. “I appreciate that, I really do. But I don’t want to come back, geographically or professionally. I don’t want to perform. I want to build.”

“You’d be building.” Enthusiasm bubbled across the continent. “Your career, and helping me. The three Hardy women, Cilla. It’s landmark.”

My name’s McGowan, Cilla thought. “I think you’d be better spotlighted alone. And the duet with Janet? That could be lovely, heart-wrenching.”

“It’s four minutes, Cilla. You can spare me four fucking minutes a night for a few weeks. And it will turn your life around. Mario says—”

“I’ve just finished turning my life around, and I like where it’s standing. I’ve got to go. I’ve got work.”

“Don’t you—”

Cilla closed the phone, deliberately shoved it back into her pocket. She heard the throat clear behind her and, turning, saw Matt in the doorway. “They just got the grouting done on the tile in the bathroom upstairs. Thought you’d want to take a look.”

“Yeah. We’ll be installing the fixtures tomorrow then.”

“That’d be right.”

“Let me get my sledgehammer. We can start taking down that wall up there. I’m in the mood for demo.”

 

 

THERE WAS LITTLE, Cilla decided, more satisfying than beating the hell out of something. It relieved frustration, brought a quick and wild rise of glee, and fulfilled all manner of dark fantasies. The fact was, it was—on several levels—every bit as therapeutic as good sex.

And since she wasn’t having any sex—good or otherwise—at the moment, knocking down walls did the job. She could be having sex, she thought as she strode out of the house trailing plaster dust. Ford and his magic mouth had made that fairly clear.

But she was on a kind of moratorium there—as part of the turn-the-life-around program, she supposed. New world, new life, new style. And in there, she’d found the real Cilla McGowan.

She liked her.

She had the house to rehab, her contractor’s license to study for, a business to establish. And a family mystery to unravel. Scheduling in sex with her hot neighbor wouldn’t be the smartest move.

Of course, he just had to be standing out on his veranda when she walked out, thinking of sex. And the low-down tingle had her asking herself if it was really, completely, absolutely necessary to abstain. They were both adults, unattached, interested, so why couldn’t she walk on over there and suggest they spend the evening together? Doing something more
energetic
than sharing a beer?

Just straight out. No dance, no pretenses, no illusions. Isn’t that what the real Cilla wanted? She angled her head as she considered. And plaster dust rained down from the bill of her cap.

Maybe she should shower first.

“You’re weak and pitiful,” Cilla muttered and, amused at herself, started to circle around to the back of the house and the landscaping crew.

She heard the deep-throated roar of a prime engine, glanced back. The sleek black bullet of a Harley shot down the road and seemed to ricochet through her open gates. Even as it spit gravel, she ran toward it, laughing.

Its occupant jumped off the bike, landed on scarred combat boots and caught Cilla on the fly.

“Hello, doll.” He swung her in one quick circle, then kissed her enthusiastically.

EIGHT

W
ho the hell was that? And why in the hell was she kissing him?

Ford stood holding his after-coffee-before-beer Coke and stared at the man Cilla was currently attached to—like, like sumac on an oak.

What was with the ponytail anyway? And the army boots? And why were the hands—the guy wore a bunch of rings, for Christ’s sake—rubbing Cilla’s ass?

“Turn around, buddy. Turn around so I can get a better look at your Wayfarer-wearing face.”

At Ford’s tone, Spock gave a low, supportive growl.

“Jesus, his whole arm’s tattooed right up to the sleeve of his black T-shirt. See that? You see that?” he demanded, and Spock muttered darkly.

And that glint? Oh yeah, that was an earring.

“Move the hands, pal. You’re going to want to move those hands, otherwise . . .” Ford looked down at his own, surprised to see he’d crushed the can of Coke, and the contents were foaming over his own fingers.

Interesting, he thought. Jealousy? He wasn’t the jealous type. Was he? Okay, maybe he’d had a couple of bouts with it in high school, and that one time in college. But that was just part of growing up. He sure as hell wouldn’t get worked up about some over-tattooed earring guy kissing a woman he’d known for a month.

Okay, maybe she’d gotten under his skin. And Spock’s, he conceded as his dog stood at full alert, snarling and grumbling. But a good part of that could be attributed to the work, and her starring role in it. If he felt territorial, it was just a by-product of the work, nothing more or less.

Maybe a little more, but a man didn’t like to stand around and watch a woman slap her lips to some strange guy’s when they’d been slapped to
his
a couple of days before. The least she could do was stop flaunting it in his face and take it inside where . . .

“Shit. Shit. They’re going inside.”

 

 

“I CAN’T BELIEVE YOU’RE HERE.”

“I told you I’d swing down if I had time.”

“I didn’t think you’d have time, or remember to swing down.”

Steve tipped down his Wayfarers and looked at Cilla over them with his deep and dreamy brown eyes. “When have I ever forgotten you?”

“Do you want a list?”

He laughed, gave her a hip bump as they crossed the veranda. “When it counted. Whoa.” He stopped just inside the doorway, scanned the living area, its pockets of drying plaster, the patchwork of scarred floors and splattered drop cloths. “Excellent.”

“It is, isn’t it? And it will be.”

“Nice space. Floors’ll clean up. Walnut?”