Authors: E. C. Bentley
Tags: #Literature & Fiction, #Classics, #Mystery; Thriller & Suspense, #Mystery, #British Detectives
'It was not until he returned a week later that I grasped the situation. He was looking white and strange, and as soon as he saw me he asked me where Mr. Marlowe was. Somehow the tone of his question told me everything in a flash.'
'I almost gasped; I was wild with indignation. You know, Mr. Trent, I don't think I should have minded at all if any one had thought me capable of openly breaking with my husband and leaving him for somebody else. I dare say I might have done that. But that coarse suspicion . . . a man whom he trusted . . . and the notion of concealment. It made me see scarlet. Every shred of pride in me was strung up till I quivered, and I swore to myself on the spot that I would never show by any word or sign that I was conscious of his having such a thought about me. I would behave exactly as I always had behaved, I determined—and that I did, up to the very last. Though I knew that a wall had been made between us now that could never be broken down—even if he asked my pardon and obtained it—I never once showed that I noticed any change.'
'And so it went on. I never could go through such a time again. My husband showed silent and cold politeness to me always when we were alone—and that was only when it was unavoidable. He never once alluded to what was in his mind; but I felt it, and he knew that I felt it. Both of us were stubborn in our different attitudes. To Mr. Marlowe he was more friendly, if anything, than before—Heaven only knows why. I fancied he was planning some sort of revenge; but that was only a fancy. Certainly Mr. Marlowe never knew what was suspected of him. He and I remained good friends, though we never spoke of anything intimate after that disappointment of his; but I made a point of seeing no less of him than I had always done. Then we came to England and to White Gables, and after that followed—my husband's dreadful end.'
She threw out her right hand in a gesture of finality. 'You know about the rest—so much more than any other man,' she added, and glanced up at him with a quaint expression.
Trent wondered at that look, but the wonder was only a passing shadow on his thought. Inwardly his whole being was possessed by thankfulness. All the vivacity had returned to his face. Long before the lady had ended her story he had recognized the certainty of its truth, as from the first days of their renewed acquaintance he had doubted the story that his imagination had built up at White Gables, upon foundations that seemed so good to him.
He said, 'I don't know how to begin the apologies I have to make. There are no words to tell you how ashamed and disgraced I feel when I realize what a crude, cock-sure blundering at a conclusion my suspicion was. Yes, I suspected—you! I had almost forgotten that I was ever such a fool. Almost—not quite. Sometimes when I have been alone I have remembered that folly, and poured contempt on it. I have tried to imagine what the facts were. I have tried to excuse myself.'
She interrupted him quickly. 'What nonsense! Do be sensible, Mr. Trent. You had only seen me on two occasions in your life before you came to me with your solution of the mystery.' Again the quaint expression came and was gone. 'If you talk of folly, it really is folly for a man like you to pretend to a woman like me that I had innocence written all over me in large letters—so large that you couldn't believe very strong evidence against me after seeing me twice.'
'What do you mean by "a man like me"?' he demanded with a sort of fierceness. 'Do you take me for a person without any normal instincts? I don't say you impress people as a simple, transparent sort of character—what Mr. Calvin Bunner calls a case of open-work; I don't say a stranger might not think you capable of wickedness, if there was good evidence for it: but I say that a man who, after seeing you and being in your atmosphere, could associate you with the particular kind of abomination I imagined, is a fool—the kind of fool who is afraid to trust his senses . . . . As for my making it hard for you to approach the subject, as you say, it is true. It was simply moral cowardice. I understood that you wished to clear the matter up; and I was revolted at the notion of my injurious blunder being discussed. I tried to show you by my actions that it was as if it had never been. I hoped you would pardon me without any words. I can't forgive myself, and I never shall. And yet if you could know—' He stopped short, and then added quietly, 'Well, will you accept all that as an apology? The very scrubbiest sackcloth made, and the grittiest ashes on the heap . . . . I didn't mean to get worked up,' he ended lamely.
Mrs. Manderson laughed, and her laugh carried him away with it. He knew well by this time that sudden rush of cascading notes of mirth, the perfect expression of enjoyment; he had many times tried to amuse her merely for his delight in the sound of it.
'But I love to see you worked up,' she said. 'The bump with which you always come down as soon as you realize that you are up in the air at all is quite delightful. Oh, we're actually both laughing. What a triumphant end to our explanations, after all my dread of the time when I should have it out with you. And now it's all over, and you know; and we'll never speak of it any more.'
'I hope not,' Trent said in sincere relief. 'If you're resolved to be so kind as this about it, I am not high-principled enough to insist on your blasting me with your lightnings. And now, Mrs. Manderson, I had better go. Changing the subject after this would be like playing puss-in-the-corner after an earthquake.' He rose to his feet.
'You are right,' she said. 'But no! Wait. There is another thing—part of the same subject; and we ought to pick up all the pieces now while we are about it. Please sit down.' She took the envelope containing Trent's manuscript dispatch from the table where he had laid it. 'I want to speak about this.'
His brows bent, and he looked at her questioningly. 'So do I, if you do,' he said slowly. 'I want very much to know one thing.'
'Tell me.'
'Since my reason for suppressing that information was all a fantasy, why did you never make any use of it? When I began to realize that I had been wrong about you, I explained your silence to myself by saying that you could not bring yourself to do a thing that would put a rope round a man's neck, whatever he might have done. I can quite understand that feeling. Was that what it was? Another possibility I thought of was that you knew of something that was by way of justifying or excusing Marlowe's act. Or I thought you might have a simple horror, quite apart from humanitarian scruples, of appearing publicly in connection with a murder trial. Many important witnesses in such cases have to be practically forced into giving their evidence. They feel there is defilement even in the shadow of the scaffold.'
Mrs. Manderson tapped her lips with the envelope without quite concealing a smile. 'You didn't think of another possibility, I suppose, Mr. Trent,' she said.
'No.' He looked puzzled.
'I mean the possibility of your having been wrong about Mr. Marlowe as well as about me. No, no; you needn't tell me that the chain of evidence is complete. I know it is. But evidence of what? Of Mr. Marlowe having impersonated my husband that night, and having escaped by way of my window, and built up an alibi. I have read your dispatch again and again, Mr. Trent, and I don't see that those things can be doubted.'
Trent gazed at her with narrowed eyes. He said nothing to fill the brief pause that followed. Mrs. Manderson smoothed her skirt with a preoccupied air, as one collecting her ideas.
'I did not make any use of the facts found out by you,' she slowly said at last, 'because it seemed to me very likely that they would be fatal to Mr. Marlowe.'
'I agree with you,' Trent remarked in a colorless tone.
'And,' pursued the lady, looking up at him with a mild reasonableness in her eyes, 'as I knew that he was innocent I was not going to expose him to that risk.'
There was another little pause. Trent rubbed his chin, with an affectation of turning over the idea. Inwardly he was telling himself, somewhat feebly, that this was very right and proper; that it was quite feminine, and that he liked her to be feminine. It was permitted to her—more than permitted—to set her loyal belief in the character of a friend above the clearest demonstrations of the intellect. Nevertheless, it chafed him. He would have had her declaration of faith a little less positive in form. It was too irrational to say she 'knew'. In fact (he put it to himself bluntly), it was quite unlike her. If to be unreasonable when reason led to the unpleasant was a specially feminine trait, and if Mrs. Manderson had it, she was accustomed to wrap it up better than any woman he had known.
'You suggest,' he said at length, 'that Marlowe constructed an alibi for himself, by means which only a desperate man would have attempted, to clear himself of a crime he did not commit. Did he tell he was innocent?'
She uttered a little laugh of impatience. 'So you think he has been talking me round. No, that is not so. I am merely sure he did not do it. Ah! I see you think that absurd. But see how unreasonable you are, Mr. Trent! Just now you were explaining to me quite sincerely that it was foolishness in you to have a certain suspicion of me after seeing me and being in my atmosphere, as you said.' Trent started in his chair. She glanced at him, and went on: 'Now, I and my atmosphere are much obliged to you, but we must stand up for the rights of other atmospheres. I know a great deal more about Mr. Marlowe's atmosphere than you know about mine even now. I saw him constantly for several years. I don't pretend to know all about him; but I do know that he is incapable of a crime of bloodshed. The idea of his planning a murder is as unthinkable to me as the idea of your picking a poor woman's pocket, Mr. Trent. I can imagine you killing a man, you know . . . if the man deserved it and had an equal chance of killing you. I could kill a person myself in some circumstances. But Mr. Marlowe was incapable of doing it, I don't care what the provocation might be. He had a temper that nothing could shake, and he looked upon human nature with a sort of cold magnanimity that would find excuses for absolutely anything. It wasn't a pose; you could see it was a part of him. He never put it forward, but it was there always. It was quite irritating at times . . . . Now and then in America, I remember, I have heard people talking about lynching, for instance, when he was there. He would sit quite silent and expressionless, appearing not to listen; but you could feel disgust coming from him in waves. He really loathed and hated physical violence. He was a very strange man in some ways, Mr. Trent. He gave one a feeling that he might do unexpected things—do you know that feeling one has about some people? What part he really played in the events of that night I have never been able to guess. But nobody who knew anything about him could possibly believe in his deliberately taking a man's life.' Again the movement of her head expressed finality, and she leaned back in the sofa, calmly regarding him.
'Then,' said Trent, who had followed this with earnest attention, 'we are forced back on two other possibilities, which I had not thought worth much consideration until this moment. Accepting what you say, he might still conceivably have killed in self-defense; or he might have done so by accident.'
The lady nodded. 'Of course I thought of those two explanations when I read your manuscript.'
'And I suppose you felt, as I did myself, that in either of those cases the natural thing, and obviously the safest thing, for him to do was to make a public statement of the truth, instead of setting up a series of deceptions which would certainly stamp him as guilty in the eyes of the law, if anything went wrong with them.'
'Yes,' she said wearily, 'I thought over all that until my head ached. And I thought somebody else might have done it, and that he was somehow screening the guilty person. But that seemed wild. I could see no light in the mystery, and after a while I simply let it alone. All I was clear about was that Mr. Marlowe was not a murderer, and that if I told what you had found out, the judge and jury would probably think he was. I promised myself that I would speak to you about it if we should meet again; and now I've kept my promise.'
Trent, his chin resting on his hand, was staring at the carpet. The excitement of the hunt for the truth was steadily rising in him. He had not in his own mind accepted Mrs. Manderson's account of Marlowe's character as unquestionable. But she had spoken forcibly; he could by no means set it aside, and his theory was much shaken.
'There is only one thing for it,' he said, looking up. 'I must see Marlowe. It worries me too much to have the thing left like this. I will get at the truth. Can you tell me,' he broke off, 'how he behaved after the day I left White Gables?'
'I never saw him after that,' said Mrs. Manderson simply. 'For some days after you went away I was ill, and didn't go out of my room. When I got down he had left and was in London, settling things with the lawyers. He did not come down to the funeral. Immediately after that I went abroad. After some weeks a letter from him reached me, saying he had concluded his business and given the solicitors all the assistance in his power. He thanked me very nicely for what he called all my kindness, and said goodbye. There was nothing in it about his plans for the future, and I thought it particularly strange that he said not a word about my husband's death. I didn't answer. Knowing what I knew, I couldn't. In those days I shuddered whenever I thought of that masquerade in the night. I never wanted to see or hear of him again.'
'Then you don't know what has become of him?'
'No, but I dare say Uncle Burton—Mr. Cupples, you know—could tell you. Some time ago he told me that he had met Mr. Marlowe in London, and had some talk with him. I changed the conversation.' She paused and smiled with a trace of mischief. 'I rather wonder what you supposed had happened to Mr. Marlowe after you withdrew from the scene of the drama that you had put together so much to your satisfaction.'