Travellers in Magic (4 page)

I probably would have called her eventually, but one day my office-mate's sister came wandering into the office looking for him, and I ended up taking her out for coffee. Her name was Laura, and she was very sensible.

I was home, a few weeks after I'd started seeing Laura, when I heard a loud pounding at the door. I set down the
Journal of Multivariate Analysis
and got up. Once I'd unlocked the door to the apartment I wished I hadn't. It was Cassie.

“You want order in your life!” she said with no preamble. Her face was twisted and ugly, her brown eyes hard and flat. I tried to stop her but she pushed her way into the room. “Goddamn it, you want everything to be dull and predictable, you want to know what's going to happen in your life at every minute. Don't you?”

I couldn't think of anything to say.

“Well, don't you?” she said loudly. I knew enough about her to tell that she was on the verge of tears. “The way I live is too unpredictable for you, right? If somebody gave you a timetable of your life that told you everything that was going to happen from now until you die you'd welcome it, wouldn't you? Well?”

She reached into her purse and took out a small manila envelope. “Cassie, I—” I said.

“Well, here!” she said, thrusting the envelope at me. “I hope you're happy!”

A little dazed, I took it. It seemed too slight to be a timetable of my life. I reached inside and took out—photographs. Photographs of me.

She was turning to go. “Cassie,” I said. “Where did you get these?”

“My grandmother!” she said, and broke away and ran loudly down the hall.

I took all the photographs out and looked at them after she had gone. There were only five of them. The first one showed me at my graduation walking across the stage in a cap and gown to receive my diploma. But I hadn't been at either of my graduations, not the one at my high school or the one at college where I received my B.A. degree. I turned the picture this way and that, trying to figure out how it had been done. There were these odd details—the guy in front of me was in a wheelchair, for example—but on the whole it was very believable. The person on stage looked a lot like me.

The next picture showed me in an unfamiliar kitchen, pouring myself a cup of coffee. In the third one I was running down the street in the rain, a briefcase flying out from one hand. I looked harassed, and older too, in some indefinable way. The next one was a picture of me and a woman I had never met. We were in a tight embrace and I had a look of perfect peace on my face. The picture ended just below the neck, but I had the impression we were both naked. And in the last picture I was definitely older—at least thirty—and bending down to talk to a five- or six-year-old boy.

I ran the pictures through my hands, shuffling them like a deck of cards. So that's what Cassie's grandmother had been doing all those months in her room. She must have had a darkroom in there. I could see her bent over the photographs, cutting a head from this one, a background from that one, maybe re-touching them, arranging them so that they looked like actual photographs. What a strange hobby. No wonder when she came out of her room she would say things like “The wind blows the skeleton of his lips.”

I looked at the photographs again. Very nice, but I didn't see what the hell I was supposed to do with them. I put them back in the envelope, stuffed the envelope in a drawer and forgot about them.

There was a man in a wheelchair in front of me at my graduation. I felt vaguely uneasy when I saw him—he reminded me of something unpleasant, but I couldn't remember what—but I managed to put him out of my mind. My parents had come out from Chicago to see me graduate—otherwise, I suppose, I wouldn't have gone to this graduation either—and at the reception afterward I introduced them to Laura and my friends without thinking too much about the ceremony. It was only when we were out to dinner that I remembered the photograph.

“What is it?” Laura said. “Is something wrong?” Later she told me that until she saw me that night she had never believed in the cliche “his jaw dropped.”

“Nothing,” I said uneasily, and, I guess, closed my jaw. Amazing, I thought. An amazing coincidence. I wondered what Cassie's grandmother would make of it. Cassie. I shook my head. I hadn't thought of her in months. “I just remembered something, that's all.”

When I got home that night I pulled out all my drawers looking for the photographs. I found them at last, buried under the first few drafts of my dissertation. My fingers were shaking when I pulled the photographs out of the manila envelope.

The scene in the photograph matched point for point with the scene on stage. It might almost have been a picture taken by someone in the audience. There was Dr. Miller, who had been hastily invited to speak when Dr. Fine became ill. There was my friend Larry walking across the stage behind me. You could see his sneakers under the edge of his gown; he hadn't had time to change his shoes. There was the guy in the wheelchair, rolling down the ramp off stage.

I felt as though someone had opened a window and let in a blast of cold air. I was shivering and had to sit down. How had the old lady done it? How on earth had she known?

I looked at the other photographs more intently than I'd ever looked at anything before. My hands were trembling badly. So that's what Cassie had meant. This was to be my life. Someday I'd live in a house with a kitchen like the one in the photograph. I'd have a job that involved carrying a briefcase. And in about ten years I'd talk to a boy about five or six years old. Could the boy be my son? At the thought I felt another chill wind through the room and I shuffled that photograph to the end of the pile.

The picture I looked at the longest, though, was the one of me and the woman embracing. Her face was just under my chin and turned in slightly toward my chest, but from what little I saw I thought that she was beautiful. She had blond, almost gold, hair cut very short, and fine, delicate features. The one eye visible in the picture was closed. I thought she looked happy.

Surprisingly my trembling had stopped. I accepted—somehow—that I was seeing scenes from my future, but the idea no longer frightened me. I saw nothing bad in these pictures, no death or grief or pain. In fact, the future seemed to hold only good things for me. A job, a house, a beautiful woman, perhaps a child.

If Cassie had hoped to frighten me with these photos, hoped somehow to win me back, she had badly miscalculated. It was with a feeling of profound satisfaction that I put the photographs in the manila envelope and put the envelope carefully back in the drawer.

After graduation I got a job with an aircraft company in a suburb of L.A. Feeling a little foolish, I carefully studied the briefcase in the photograph and then went out and got one just like it. I was looking at the photos about two or three times a week now, noting small details. The woman seemed to have small freckles scattered like stars across her face. The boy looked vaguely familiar, though if he were my son that wouldn't be surprising. A car was parked directly in back of him. There was a poster on the wall of the kitchen on which, after a week of effort, I could read the words “Save the Whales.”

Laura and I had several arguments around this time. None of them was very serious—I had thrown out a pamphlet she had given me without reading it, for example, or she disapproved of my choice of restaurants—but each time I would think, “The woman in the photograph wouldn't act this way.” The woman in the photograph, I thought, was wise and loving and giving. After a while Laura and I drifted apart.

I began to date women for a week or a month and then drop them, secretaries from the aircraft company or women I'd pick up in singles bars in the Marina. One morning I woke up in an unfamiliar bed next to a woman I could barely remember and saw by her alarm clock that I had to be at work in an hour. I staggered out to her kitchen and poured myself a cup of coffee. It was only after I drank the coffee that I turned around and saw the Save the Whales poster tacked up on the wall.

I was buoyant all that day. Several people at work even asked me what I was smiling about. If another one of the pictures had come true, I thought, the rest couldn't be that far behind.

The next few months were probably the happiest in my life. I lived in a state of almost constant anticipation. At any moment I might see her, turning the corner or buying a pair of shoes. I invented names for her, Alexandra, Deirdre. I fantasized taking her home and showing her the photograph, telling her the story and seeing her eyes open wide in amazement. I worked hard, dated some, and spent long evenings running the photographs back and forth through my hands.

You can only anticipate for so long, though. Gradually, so gradually I barely noticed it, the photos became less and less important. I only looked at them once or twice a week, then once a month. I stopped holding my breath whenever I saw a woman with short blond hair. I still felt that my future held something wonderful, that my life was more intense than most people's, but I no longer thought about why I felt that way.

After about five years I quit the aircraft company and went into consulting. I had saved some money, but the first year on my own was very rocky. Then I began to make a reputation for myself and in the second year earned almost twice what I would have with the company. I bought a house in the suburbs. I was working very hard now, so hard I had almost no time to date or entertain friends. It didn't matter, because I knew that sooner or later I would see the blond woman and my life would change. Sometimes, working late into the night, I caught myself wondering what she would think of the way I'd decorated the spare bedroom, or whether she'd like it if I had a pool put in the back yard.

One day I locked my keys in my car and hurried to a phone booth to call the automobile club. It was raining lightly, and suddenly I recognized the scene from the photograph. I felt vindicated. My life was on the right track.

Ten years after I graduated I saw Cassie again. I had gone to a firm in an unfamiliar part of town, and on my way to the car I remembered that I didn't have any food in the house. I crossed the street to the supermarket, and in the parking lot, holding a bag of groceries in one hand and a child's hand in the other, was Cassie. It took me a few minutes to recognize her. By that time she had already turned to me. She knew who I was immediately. “Robert?” she said, grinning widely. She looked as though she'd hardly aged.

“Cassie!” I said. “How you doing?”

“Fine, just fine,” she said. “How are you?”

“I'm fine. How's Aurora? When did you get married?” I nodded at the kid, now pulling hard on Cassie's arm and humming to himself.

“I'm not married,” she said. Of course. Same old Cassie.

The kid said something I couldn't catch, and I squatted down to hear him better. “My mommy's a singing parent,” he said, talking around the largest piece of candy I had ever seen.

“A singing parent?” I said.

“Single parent,” Cassie said, and I stood up, feeling foolish. “So I guess you graduated, huh?”

People in school or at the aircraft company sometimes talked about inspiration, about suddenly solving a problem that had bothered them for weeks, seeing the problems that their solution brought up and going on to solve them too, on and on, effortlessly. I had always envied them profoundly. That sort of thing had never happened to me. But now, as I stood up, I realized that Cassie's son was the boy in the photograph; that he looked familiar because he looked like Cassie, though without her red hair; that since I was the oldest in the photograph with the child all the other scenes must have happened to me already. All this took a fraction of a second, and I was able to say, “Yeah, I did,” before the realization hit me and I said, “You cheated me!”

The boy, so familiar now, looked up, alarmed. “What do you mean?” Cassie said.

“Those photographs,” I said. “Those goddamn photographs you gave me, you little bitch. You wanted to get my hopes up, you wanted me to think that some day I'd meet a woman I'd fall in love with, and all this time it was a lie. All the scenes have happened, including the one with your stupid son just now, all except the one with that woman. And I'm too old for that one now. You put it in there just to—to—”

“I remember now,” Cassie said, looking thoughtful. The boy started to pull her hand again. “I gave you those photographs, that's right. I was mad at you, because you never called me. I got them from my grandmother. But all the scenes were true, she told me. All of them. If they said you were going to meet a woman then you'll meet her. I didn't really look at the pictures all that closely. Wait. You're right—there was one with a woman in it. I asked my grandmother who she was and she said she worked in a department store. Was my son in one? I don't remember that.”

In a department store, I thought, feeling bereft. Now I remembered a woman I'd taken home about five years ago. Halfway though the evening I'd realized she looked a little like the woman in the photograph, but she had turned to face me and the illusion was broken. Her name was Irma, and she had worked in a department store, I thought, amazed that I could remember so much. She'd left in the middle of the night because she'd been worried about her dog. I never called her back.

“You mean I've been waiting—” I said. “Waiting ten years for a woman, and all this time—”

Cassie shrugged. “I don't know,” she said. “Look, I'm sorry if—”

“Sorry,” I said numbly. “Somehow that doesn't seem to cover wasting ten years of my life. I guess you got your revenge after all.”

“I wasn't out for revenge,” she said. “I wanted to show you something. To show you that life isn't as much fun when you know what's going to happen. To make you loosen up a bit.”

“Yeah, well, you did just the opposite,” I said, turning away.