Traitor (12 page)

The crowd murmured, then fell silent. The earl was coming from the main gate, carried on a chair by four servants. At his side walked Cole. The earl waved weakly, and the crowd stood and applauded. He was taken to the front row and helped into the settle, where he slumped back into the cushions. He nodded to his neighbour, Dee, but did not appear to say anything. Perhaps he did not have the energy for speech. On his other side, Shakespeare noticed, Eliska had appeared. She attentively touched the earl’s sleeve and said a few words, to which he nodded. Her eyes then turned to Shakespeare and she tilted up her chin.

Will Shakespeare was in the centre of the stage, a few feet from the front row. He bowed low in honour of his patron. The earl motioned him over with a feeble wave of his fingers. Will approached the nobleman and went down on one knee in obeisance. Derby leant forward and took Will’s forearms in his bony fingers, signalling him to rise. He clutched at him and mouthed some words. Will smiled and nodded, then backed away.

The play began. The scene was a Greek palace. The Duke of Theseus was discussing his wedding plans with his betrothed, Hippolyta. The action quickly moved to woods, into the land of faeries and dreams. John Shakespeare half watched it and half watched the crowd.

Cole appeared beside him.

‘You know, Mr Shakespeare,’ he said quietly, ‘there was a time, not long ago, when an event such as this at Lathom House would have brought forth the greatest in the land – Southampton, Ralegh, Essex, Northumberland and scores more. Now no one wants to know my lord of Derby, except this rabble. And they are here only to see if he is alive or dead
– and for the pleasure of your brother’s poetic verse. The Hesketh affair has left a miasma around his lordship. The great of the land shun him as though he trailed murrain in his wake.’

It was true. The faces of those here this evening might be well known in Lancashire, but none of the great men or women of the royal court was in evidence. Was this the circle of a man with a powerful claim to be king? The Earl of Derby’s star had fallen to earth.

‘Now that he appears better, do you still believe he was poisoned?’

Cole nodded. ‘I do, Mr Shakespeare. I fear I do. I would suspect the Jesuits or some of the Heskeths, but there are others, too, who would wish him ill. I am greatly perturbed for the earl and countess. They feel abandoned, you know.’

Shakespeare was silent. He could see that Cole was stretched as tautly as a man on the rack. This affair was placing a huge burden on him as steward of the earl’s household and estates. Apart from Oxx and Godwit, he was the one person in this house Shakespeare trusted.

‘What do you know of the Lady Eliska?’

‘She sent letters of introduction ahead and her name seemed to mean something to his lordship, but I confess I know little more than that.’

‘How long has she been here?’

‘She arrived two weeks since, Mr Shakespeare.’

The wind was whipping up from the west. Clouds scudded and threatened to hasten the gloom of the evening. But the play was well under way and the audience was appreciative. In the second act, there was a thunder of applause as Will appeared on stage as Oberon. He was closely followed by the Countess of Derby as Titania. The crowd gasped in admiration, then rose to their feet applauding. Alice, the countess, was attired in a peasant smock that had been decorated all over
with leaves and flowers. At her back was a pair of wings made of thin osier bent to shape and stretched with fine gossamer linen; on her curled and tumbling hair, she wore a crown of pink petals and golden-yellow roses.

Shakespeare watched her, captivated. Edmund Tilney, the Master of the Revels and the man with the power to say Yes or No to any play or player, might not approve of a female on stage, but, Shakespeare decided, she had acquitted herself with grace and skill.

As the sky darkened, a series of pitch torches flared up and lit the action. The flames flattened and dashed in the squally wind, lending an eerie note to his brother’s curious tale of love and magical spells in the forest.

The rain held off until the final scene of the fifth act.

‘
If we shadows have offended
,’ the mischievous Puck intoned as Titania and Oberon left the stage and the first drops of rain began to fall, ‘
think but this, and all is mended, that you have but slumbered here, while these visions did appear
…’

Suddenly the earl moaned, low and growling, and then howled in terror and pain. The same despairing scream Shakespeare had heard before, yet more hideous. All eyes were on the stage, expectant. Was this some final chapter in the tale? The audience sat forward, preparing to cheer or applaud, whichever was appropriate, for they knew the end was near.

Shakespeare ran forward to the settle where the earl now lay, crumpled, clutching his belly as though it were on fire. Titania was back on stage, a hand held to her mouth in horror. She ran down and joined Shakespeare beside her husband. The earl’s physicians appeared, like carrion crows, rubbing their hands.

‘Get him inside!’ Shakespeare shouted at the nearest servants. ‘Carry your master to his chamber.’ As the four men who had brought him rushed forward with the chair, Shakespeare
pushed it away. ‘He cannot go on that. If there is no litter, carry him on the settle. Get more men.’

More men arrived. The heavy settle was hauled to their shoulders. Slumped across it, the earl was doubled up, convulsing, unable to talk or breathe properly. His mouth foamed with rust-red spittle. Every wasted sinew was in spasm, like the rictus of death.

Shakespeare ordered the men forward, towards the drawbridge, through the pattering rain and the gusting wind. Turning back for a moment he saw Dr Dee, deep in angry conversation with Lady Eliska. She seemed to be scolding him with sharp, threatening words, harrying him towards the shadows at the edge of the stage.

Shakespeare’s blood chilled. Where in God’s name were Oxx and Godwit?

S
HAKESPEARE STEPPED FORWARD
, his sword drawn, but then sighed with relief. He could see Oxx and Godwit there, just out of earshot in the gloom. Watching. Protecting. He looked again at Dee and Eliska. He heard her say something and laugh lightly.

‘Enough of this, Dr Dee …’

And then she leant forward and kissed the ageing alchemist on the side of his face, while a soft gloved hand cupped the other cheek. Dee’s face looked drawn, but then he seemed to smile and say something before stepping back from her. Shakespeare’s frayed nerves relaxed a little.

Dee turned and caught sight of Shakespeare. He hesitated, then bowed, a mite too sharply.

‘Mr Shakespeare, I hope you are not fearful for me in the presence of this beautiful lady. Do you think she has the face of a Spanish spy?’

Shakespeare looked from one to the other. ‘If she was, then I fear she would be more than a match for you, Dr Dee.’

‘We are old friends, from Prague,’ Dee said cheerfully. ‘Eliska Nováková was my muse, Mr Shakespeare. As bright a creature as any of the angels of the vasty deep with whom I communed.’

‘I am pleased to hear it. I would not have wished you spirited away to Bohemia, caged like a lady’s monkey.’

Eliska laughed while Dee gazed at her admiringly. ‘I confess I sometimes wondered why I bothered to seek angels in the beyond, when my Eliska was here on earth.’

She touched his sleeve affectionately. ‘Because you are a married man, Dr Dee.’ She looked curiously at Shakespeare. ‘Are
you
a married man?’

Shakespeare was about to say that yes, he was a married man and that his wife, Catherine, was the most beautiful woman God ever gave to the world. But then he recalled that he was a widower and Catherine’s remains lay cold in the earth at the churchyard of St John in Walbrook. He shook his head, his jaw clamped tight.

‘We have no time for this,’ he said shortly. ‘My lord of Derby is gravely ill. Do you know aught of medical matters, Dr Dee?’

‘Nothing that will help the earl.’ Dee looked up. The rain was beginning to fall properly. ‘Come –’ he offered his arm to Lady Eliska – ‘let us go into the house. The evening’s entertainment is over. It was a wondrous affair, though wasted on an audience of muddy provincials. Pearls before swine.’

Shakespeare did not move.

‘You go,’ he said. ‘I will stay out here.’ The air was healthier, though he did not say so. He signalled to Oxx and Godwit. ‘Ensure the doctor is secured in his chamber.’

Walter Weld slunk back into the shadows and thrust his pistol back into his belt. Dee was too close-guarded. And yet there was hope. He had been to see Janus Trayne and was heartened by the improvement in his wounded wrist. More importantly, Trayne had dredged up some memory from the sink of his past. It was the memory of a name and a face, of a club-footed, limping man. The man with the knife at Portsmouth. A man named Cooper.

Weld allowed himself a smile; they would have the perspective glass yet.

‘A fine play, brother.’

‘You are generous. Do you think it would be considered ill mannered of me to leave for London? I have commitments. I would not have been here but for the love I owe my lord of Derby. My task is done.’

They were in Will’s tent. Rain seeped in from all corners and from below. They drank deep from goblets of sack, which warmed their throats. It would be an uncomfortable night. Shakespeare could well understand why his brother would wish to be away from here without delay.

‘I no longer like this place,’ Will continued. ‘It seems a very century since the Christmas of ’91, when Strange’s Men presented six plays before the Queen. Men no longer speak kindly of his lordship. I know not whether he is bewitched or poisoned, but in truth I am sure Lathom is cursed. There is nothing here for me.’

Shakespeare went to Dr Dee’s chamber. Oxx and Godwit were outside, awake.

‘Is he within?’

‘Yes, master,’ Oxx said. ‘There has been no sound for half an hour. I believe he sleeps.’

‘Do not let him go questing for treasure in the morning. He is to stay in the house.’

The guards nodded. Shakespeare left them and went down to the great hall. He guessed the time to be close to midnight. He had stayed with his brother too long and had drunk too much wine. They had talked of women and children and their family. It had been a warm interlude, but he would pay for it: he would feel the ache of the spirit in the morning.

Above him, leading off the gallery, he saw the entrance to the earl’s apartments. All was quiet for the moment. Shakespeare imagined them there: the three physicians wringing their hands; the countess still in her faerie queen rags, soothing his brow. Perhaps Mistress Knott still in her corner, chanting and moaning and invoking spirits against the darkness that ate at the earl’s body. Shakespeare’s stomach clenched at the thought of the earl’s agony. The Earl of Derby, the man who might have been king, was dying, he was sure of it. And there was nothing anyone could do.

He slipped through into the smaller hall. At the side, as Lady Eliska had described, was a wide stairwell. He climbed the stone steps and came to an oak door, half expecting to find the coachman Solko there, standing guard with his pistol, but no one was about. He knocked softly, then lifted the latch and walked in. She was waiting for him. Naked. The air was filled with the exotic scent of oil of spikenard.

He stared at her. She was lying on her bed, on a bank of pillows, reading a book by candlelight. Her body was exquisite. Well-formed breasts, smooth belly, a fair V of soft, golden hair. Slowly, she looked up from her book. Their eyes met.

‘Put on a gown, madame,’ Shakespeare said.

Outside, the rain tapped against the leaded window, which was far from watertight. Rivulets streamed in and ran down the inside of the wall, as they must have done for many years past, for they had carved brown, mouldy streaks.

Eliska put down her book and slid her legs from the bed to the floor. She stood up and faced him.

‘Do you not like what you see, Mr Shakespeare?’

‘I am a man. You are a beautiful woman. Now don a gown or wrap yourself in a blanket. I wish to see your passports from Burghley, and there are other matters to discuss.’

She shrugged her slender shoulders and picked up a loose
linen gown. Unhurriedly, she slipped her arms into the sleeves and fastened it at the front. The full curve of her breasts was still plain to see.

‘Who sent you here, madame – and why?’

She frowned. ‘I came to visit the earl. I am engaged on a grand tour. It is what I have been doing since my father died. The earl and countess were gracious enough to invite me to stay.’

‘But why? Who are you? You said you could assist me. How? And why does Heneage write to you?’ He found himself both stirred and angered by her.

She laughed. ‘As I told you, I am the daughter of a noble merchant, who lived and traded in Prague, one young woman among many at court. With my beloved father dead, I travel the world with my coach, my Solko and my little monkey, finding entertainment where I may. I have more gold than I could ever need. I do not wish estates and castles in Bohemia; I want the whole world. As for Sir Thomas, he sends me his love and tells me to be kind to you.’

‘And he speaks well of you, my lady.’

But I will make up my own mind on that
.

Shakespeare stepped away from her and paced to the window so that his back was towards her.

‘Do I disturb you, Mr Shakespeare?’ she said.

Her voice was sweet and warm. It seemed to chase away the coldness of the rainswept night. The demon Succubus must have such a voice.

He had had enough and turned sharply. ‘Do not take me for an imbecile. There is more to you than this. You speak English as though you have been here for many years, you say you are a friend of Dr Dee … You have links to Prague.’

All roads pointed to that exotic and distant city.

‘And what do you suppose all that might signify?’

‘Dee was in Prague, as was Richard Hesketh. Someone there sent him to England to discover whether my lord, the earl, would seize the throne of England for the Roman Church. Did you know Hesketh?’