Tracker (9 page)

“Well, let me . . .” I was going to say, “Let me get ready for them,” as I had no idea what one did, really, to have and keep horses. The property had a small pasture with two feet of grass and a three-sided shed, was surrounded by tall ponderosa pines for shade and little else.

But he hung up before I could get another word out, and it seemed that I had just turned around when a large, gaudy pickup hooked to a flashy two-horse trailer pulled into the driveway. It's difficult to describe it without lapsing into poor taste; indeed, the truck and trailer alone were a monument to the word “god-awful.” The color was an eye-ripping red with black rubber mudguards, and on each mudguard was a chrome silhouette of a nude woman, and across the front of the hood was—I swear—an actual six-foot-wide longhorn mounted in a silver boss with an engraving (again, I couldn't make this up) of another
nude woman with impossibly large features, which was, in turn, matched by the mudguards on the trailer and a large painted silhouette of a nude on the front of the trailer cleverly positioned so that a small ventilation opening for the horses to put their heads out . . . Well, you get the picture.

And if the truck and trailer were in bad taste, they were nothing compared to the man. Tall but with a large beer belly covered by an enormous silver and gold belt buckle with
RODEO
engraved over yet another silhouette of a nude woman, on top of tailor-cut jeans tucked inside knee-high white cowboys boots with (a major change in art forms) a bright blue bald eagle stitched on the front.

On his head was an impossibly large cowboy hat with a silver hatband, which I at first thought was made of little conchos but turned out to be little silhouettes of, right . . . more women.

He shook my hand without speaking, turned and opened the back of the trailer, and let two horses step out at the same time, which meant they weren't tied in, nor did they have butt chains on—two major mistakes that prove he knew little about trailering horses and hence little about horses themselves.

Not that it mattered. I had already made up my mind that looking in the yellow pages cold for a horse broker was Very Wrong and that I wouldn't buy a horse from this guy if he gave them away.

And yet . . .

And yet . . .

A thing happened, something I had never seen before.

The horses were simply standing there, at relative peace—no nervousness at all—and there was something about them that seemed, well, inviting. And I thought, felt, that I should go to them and touch them, pet them. I know how that sounds, and I have never been all “woo-woo” about animals, especially horses, of which I knew little except that they were big, huge, nine hundred to a thousand pounds, and potentially dangerous. Very dangerous. Decidedly so if they were startled or panicked or surprised. At that time I had had two friends killed while riding them and knew of several others permanently in wheelchairs. (This was years before actor Christopher Reeve, who as an excellent, Olympic-level rider, was permanently completely disabled—which led directly to his later death—when falling on a simple training jump.)

I actually took a step toward them—worse, toward their rear ends, which is
never
the way you walk up on a strange horse—before stopping.

Josh, my border collie, my friend, had been at my side watching, and before I could move farther, he rose from a sitting position, trotted forward, and without hesitating at all, trotted between the back legs of the mare, paused beneath her belly, then continued up through the front legs.
At that moment she lowered her head and they touched noses, whereupon Josh turned to the right, touched noses with the black horse, who had lowered his head, trotted between his front legs, paused under the belly, through his back legs, then back in front of me, where he sat, looked up and—I swear—nodded.

Or it seemed that he nodded.

Or he wanted to nod.

Or he wanted me to
think
that he nodded.

Or he wanted me to know something. Something good about the horses.

What we had witnessed—the broker and I—had been nothing less than a kind of miracle. Dogs, perhaps many dogs, had been killed simply by getting too close to the back feet of a horse. Years later I would acquire a horse who had mistakenly killed his owner, a young woman who was checking his back feet, when a dog came too close. As it kicked at the dog, the horse caught the woman in the chest with a glancing blow. The force was so powerful it severed her aorta and she bled to death before help could arrive.

For Josh to so nonchalantly trot through the mare's legs, as well as the legs of the black cow pony, then back to me, came in the form of a message. . . .

And I listened.

Also by Gary Paulsen

Dancing Carl

Dogsong

Hatchet

Sentries

Woodsong

 

SIMON & SCHUSTER BOOKS FOR YOUNG READERS
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This book is a work of fiction. Any references to historical events, real people, or real locales are used fictitiously. Other names, characters, places, and incidents are products of the author's imagination, and any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Copyright © 1984 by Gary Paulsen

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Also available in a Simon & Schuster Books for Young Readers paperback edition

First Simon & Schuster Books for Young Readers ebook edition May 2012

The Library of Congress has cataloged the hardcover edition as follows: Paulsen, Gary. Tracker.

Summary: Only thirteen, John must track a deer in the Minnesota woods for his family's winter meat, and in doing so finds himself drawn to the doe who leads him and hating his role as hunter.

[1. Hunting—Fiction. 2. Deer—Fiction]
I. Title.
PZ7.P2843Tr   1984   [Fic]   83-22447
ISBN-13: 978-0-02-770220-0 (hc.)
ISBN-10: 0-02-770220-0 (hc.)
ISBN-13: 978-1-4169-3940-5 (pbk.)
ISBN-10: 1-4169-3940-7 (pbk.)
ISBN-13: 978-1-4424-6712-5 (eBook)