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Authors: Doris Lessing

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BOOK: To Room Nineteen
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Not long before the war ended Rose came home late one night, dragging her feet tiredly along the dark pavement, thinking that she had forgotten to buy anything for supper. She turned into her street, was troubled by a feeling that something was wrong, looked
down towards the house where she lived, and stopped dead. There were heaps of smoking rubble showing against the reddish glare of fire. At first she thought: ‘I must have come to the wrong street in the black-out.’ Then she understood and began to run towards her home, clutching her handbag tightly, holding the scarf under her chin. At the edge of the street was a deep crater. She nearly fell into it, but righted herself and walked on stumblingly among bomb refuse and tangling wires. Where her gate had been she stopped. A group of people were standing there. ‘Where’s my father?’ she demanded angrily. ‘Where is he?’ A young man came forward and said, ‘Take it easy, miss.’ He laid a hand on her shoulder. ‘You live here? I think your Dad was an unlucky one.’ The words brought no conviction to her and she stared at him, frowning. ‘What have you done with him?’ she asked, accusingly. ‘They took him away, miss.’ She stood passively, then she heavily lifted her head and looked around her. In this part of the street all the houses were gone. She pushed her way through the people and stood looking down at the steps to the basement door. The door was hanging loose from the frame, but the glass of the window was whole. ‘It’s all right,’ she said, half-aloud. She took a key from her handbag and slowly descended the steps over a litter of bricks. ‘Miss, miss,’ called the young man, ‘you can’t go down there.’ She made no reply, but fitted the key into the door and tried to turn it. It would not turn, so she pushed the door, it swung in on its one remaining hinge, and she went inside. The place looked as it always did, save that the ornaments on the mantelpiece had been knocked to the floor. It was half-lit from the light of burning houses over the street. She was slowly picking up the ornaments and putting them back when a hand was laid on her arm. ‘Miss,’ said a compassionate voice, ‘you can’t stay down here.’

‘Why shouldn’t I?’ she retorted, with a flash of stubbornness.

She looked upwards. There was a crack across the ceiling and dust was still settling through the air. But a kettle was boiling on the stove. ‘It’s all right,’ she announced. ‘Look, the gas is still working. If the gas is all right then things isn’t too bad, that stands to reason, doesn’t it now?’

‘You’ve got the whole weight of the house lying on that ceiling,’ said the man dubiously.

‘The house has always stood over the ceiling hasn’t it,’ she said, with a tired humour that surprised him. He could not see what was funny, but she was grinning heavily at the joke. ‘So nothing’s changed,’ she said, airily. But there was a look on her face that worried him, and she was trembling in a hard, locked way, as if her muscles were held rigid against the weakness of her flesh. Sudden spasmodic shudders ran through her, and then she shut her jaw hard to stop them. ‘It’s not safe,’ he protested again, and she obediently gazed around her to see. The kettle and the pans stood as they had ever since she could remember; the cloth on the table was one her mother had embroidered, and through the cracked window she would see the black, solid shape of the dustcan, though beyond it there were no silhouettes of grey houses, only grey sky spurting red flame. ‘I think it’s all right,’ she said, stolidly. And she did. She felt safe. This was her home. She lifted the kettle and began making tea. ‘Have a cup?’ she inquired, politely. He did not know what to do. She took her cup to the table, blew off the thick dust and began stirring in sugar. Her trembling made the spoon tinkle against the cup.

‘I’ll be back,’ he announced suddenly, and went out, meaning to fetch someone who would know how to talk to her. But now there was no one outside. They had all gone over to the burning houses; and after a little indecision he thought: I’ll come back later, she’s all right for the moment. He helped with the others over at the houses until very late, and he was on his way home when he remembered: That kid, what’s she doing? Almost, he went straight home. He had not had his clothes off for nights, he was black and grimy, but he made the effort and returned to the basement under the heap of rubble. There was a faint glow beneath the ruin and, peering low, he saw two candles on the table, while a small figure sat sewing beside them. Well I’ll be … he thought, and went in. She was darning socks. He went beside her and said: ‘I’ve come to see if you’re all right.’ Rose worked on her sock and replied calmly: ‘Yes, of course I’m all right, but thanks for dropping in.’ Her eyes
were enormous, with a wild look, and her mouth was trembling like that of an old woman. ‘What are you doing?’ he asked, at a loss. ‘What do you think?’ she said tartly. Then she looked wonderingly at the sock which was stretched across her palm and shuddered. ‘Your Dad’s sock?’ he said carefully; and she gave him an angry glance and began to cry. That’s better, he thought, and went forward and made her lean against him while he said aloud: ‘Take it easy, take it easy, miss.’ But she did not cry for long. Almost at once she pushed him away and said: ‘Well, there’s no need to let the socks go to waste. They’ll do for someone.’

‘That’s right, miss.’ He stood hesitantly beside her and, after a moment, she lifted her head and looked at him. For the first time she saw him. He was a slight man, of middle height, who seemed young because of the open, candid face, though his hair was greying. His pleasant grey eyes rested compassionately on her and his smile was warm. ‘Perhaps you’d like them,’ she suggested. ‘And there’s his clothes, too – he didn’t have anything very special, but he always looked after his things.’ She began to cry again, this time more quietly, with small, shuddering sobs. He sat gently beside her, patting her hand as it lay on the table, repeating. ‘Take it easy, miss, take it easy, it’s all right.’ The sound of his voice soothed her and soon she came to an end, dried her eyes and said in a matter-of-fact voice: ‘There, I’m just silly, what’s the use of crying?’ She got up, adjusted the candles so that they would not gutter over the cloth, and said: ‘Well, we might as well have a cup of tea.’ She brought him one, and they sat drinking in silence. He was watching her curiously; there was something about her that tugged at his imagination. She was such an indomitable little figure sitting there staring out of sad, tired eyes, under the ruins of her home, like a kind of waif. She was not pretty, he decided, looking at the small, thin face, at the tired locks of black hair lying tidily beside it. He felt tender towards her; also he was troubled by her. Like everyone who lived through the big cities during the war, he knew a great deal about nervous strain; about shock; he could not have put words around what he knew, but he felt there was still something very wrong with Rose; outwardly, however, she seemed sensible, and so
he suggested: ‘You’d better get yourself some sleep. It’ll be morning soon.’

‘I’ve got to be getting to work. I’m working an early shift.’

He said: ‘If you feel like it,’ thinking it might be better for her to work. And so he left her, and went back home to get some sleep.

That next evening he came by expecting to find her gone, and saw her sitting at the table, in the yellow glow from the candles, her hands lying idly before her, staring at the wall. Everything was very tidy, and the dust had been removed. But the crack in the ceiling had perceptibly widened. ‘Hasn’t anyone been to see you?’ he asked carefully. She replied evasively: ‘Oh, some old nosy parkers came and said I mustn’t stay.’ ‘What did you tell them?’ She hesitated and then said: ‘I said I wasn’t staying here, I was with some friends.’ He scratched his head, smiling ruefully: he could imagine the scene. ‘Those old nosy parkers,’ she went on resentfully, ‘interfering, telling people what to do.’

‘You know, miss, I think they were right, you ought to move out.’

‘I’m staying here,’ she announced defiantly, with unmistakable fear. ‘Nothing’s getting me out. Not all the king’s horses.’

‘I don’t expect they could spare the king’s horses,’ he said, trying to make her laugh; but she replied seriously, after considering it: ‘Well, even if they could.’ He smiled tenderly at her literal-mindedness, and suggested on an impulse: ‘Come to the pictures with me, doesn’t do any good to sit and mope.’

‘I’d like to, but it’s Sunday, see?’

‘What’s the matter with a Sunday?’

‘Every Sunday I go and see a friend of mine who has a little girl …’ she began to explain; and then she stopped, and went pale. She scrambled to her feet and said: ‘Oh oh, I never thought …’

‘What’s wrong, what’s up?’

‘Perhaps that bomb got them too, they were along this street – oh dear, oh dear, I never came to think – I’m wicked, that’s what I am …’ She had taken up her bag and was frantically wrapping her scarf around her head.

‘Here, miss, don’t go rushing off – I can find out for you, perhaps I know – what was her name?’

She told him. He hesitated for a moment and then said: ‘You’re having bad luck, and that’s a fact. She was killed the same time.’

‘She?’ asked Rose, quickly.

‘The mother was killed, the kid’s all right, it was playing in another room.’

Rose slowly sat down, thinking deeply, her hand still holding the scarf together at her chin. Then she said: ‘I’ll adopt her, that’s what I’ll do.’

He was surprised that she showed no sort of emotion at the death of the woman, her friend. ‘Hasn’t the kid got a dad?’ he asked. ‘He’s in North Africa,’ she said. ‘Well, he’ll come back after the war, he might not want you to adopt the kid.’ But she was silent, and her face was hard with determination. ‘Why this kid in particular?’ he asked. ‘You’ll have kids of your own one day.’

She said evasively: ‘She’s a nice kid, you should see her.’ He left it. He could see that there was something here too deep for him to grasp. Again he suggested: ‘Come to the pictures and take your mind off things.’ Obediently she rose and placed herself at his disposal, as it were. Walking along the streets she turned this way and that at the touch of his hand, but in spirit she was not with him. He knew that she sat through the film without seeing it. ‘She’s in a bad way,’ he said helplessly to himself. ‘It’s time she snapped out of it.’

But Rose was thinking only of Jill. Her whole being was now concentrated on the thought of the little girl. Tomorrow she would find out where she was. Some nosy parkers would have got hold of her – that was certain; they were always bossing other people. She would take Jill away from them and look after her – they could stay in the basement until the house got rebuilt … Rose was awake all night, dreaming of Jill; and next day she did not go to work. She went in search of the child. She found her grandmother had taken her. She had never thought of the grandmother, and the discovery was such a shock that she came back to the basement not knowing
how she walked or what she did. The fact that she could not have the child seemed more terrible than anything else; it was as if she had been deprived maliciously of something she had a right to; something had been taken away from her – that was how she felt.

Jimmie came that night. He was asking himself why he kept returning, what it would come to; and yet he could not keep away. The image of Rose, the silent, frightened little girl – which was how he saw her – stayed with him all day. When he entered the basement she was sitting as usual by the candles, staring before her. He saw with dismay that she had made no effort to clean the place, and that her hair was untidy. This last fact seemed worse than anything.

He sat beside her, as usual, and tried to think of some way to make her ‘snap out of it’. At last he remarked: ‘You ought to be making some plans to move, Rose.’ At this, she irritably shrugged her shoulders. She wished he would stop pestering her with this sort of reminder. At the same time she was glad to have him there. She would have liked him to stay beside her silently; his warm friendliness wrapped her about like a blanket, but she could never relax into it because there was a part of her mind alert against him for fear of what he might say.

She was afraid, really, that he might talk of her father. Not once had she allowed herself to think of it – her father’s death, as it must have been. She said to herself the words: My father’s dead, just as she had once said to herself: My mother’s dead. Never had she allowed those words to form into images of death. If they had been ordinary deaths, deaths one could understand, it would have been different. People dying of illness or age, in bed; and then the neighbours coming, and then the funeral – that was understandable, that would have been different. But not the senselessness of a black bomb falling out of the sky, dropped by a nice young man in an aeroplane, not the silly business of a lorry running someone over – no, she could not bear to think of it. Underneath the surface of living was a black gulf, full of senseless horror. All day, at the factory (where she helped to make other bombs) or in the basement at night, she made the usual movements, said the expected things,
but never allowed herself to think of death. She said: My father’s been killed, in a flat, ordinary voice, without letting pictures of death arise into her mind.

And now here was Jimmie, who had come into her life just when she needed his warmth and support most; and even this was two-faced, because it was the same Jimmie who made these remarks, forcing her to think … she would not think, she refused to respond. Jimmie noticed that whenever he made a remark connected in any way with the future, or even with the war, a blank, nervous look came on to her face and she turned away her eyes. He did not know what to do. For that evening he left it, and came back next day. This was the sixth day after the bomb, and he saw that the crack in the ceiling was bulging heavily downwards from the weight on top of it, and when a car passed, bits of plaster flaked down in a soft white rain. It was really dangerous. He had to do something. And still she sat there, her hands lying loosely in front of her, staring at the wall. He decided to be cruel. His heart was hammering with fright at what he was going to do; but he announced in a loud and cheerful voice: ‘Rose, your father’s dead, he’s not going to come back.’

BOOK: To Room Nineteen
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