Three Promises

 

DEDICATION

For “The Boot” and Dennis Morgan.

For the fans who waited so patiently (you did wait patiently, right?) to learn what happened to Brendan.

To Ed and Lee Ann, I wish you both the greatest happiness in your new life together.

And for Geofferson Ray Loughery, my newest fan. Though your parents should wait until you're a little older before reading this book to you . . . like two.

 

CONTENTS

 

AUTHOR'S NOTE

T
here's a saying in the military that no battle plan survives first contact with the enemy. For me, the same is true with my writing. No outline survives the first few chapters; new characters are created and take on a life of their own, side plots and stories emerge that beg to be told. Sometimes they're just flourishes that can be stored away, or ignored as unimportant. But others are more insistent and just won't be silent. These are those stories. They needed to be told. They give you a deeper insight into the American Faerie Tale universe and let you see beyond the confines of the story line that birthed them. You won't need to have read
The Stolen
and/or
The Forgotten
to enjoy these pieces. If this is your first book in the American Faerie Tale world, I hope you enjoy these glimpses into the lives of characters that I love writing about so much. Fair warning, there are spoilers in these stories if you haven't read the first two books. And if you have read the other books, I hope you enjoy this deeper look at the characters that make up that magical world.

The first promise, “The Legacy of Past Promises,” is a sort of origin story for Elaine (introduced in
The Forgotten
). It explains why she's no longer a noble amongst the fae, and where her distrust of the fae courts comes from. I was delighted to really explore her story and let it, and her, be everything they could be. Timeline wise, it's set about six months before the beginning of
The Forgotten
.

The second promise is “The Promise of New Beginnings.” I admit my stories tend to have a touch of the bittersweet to them, but if any story deserves an unapologetic happy ending, it's a wedding story. I love Edward and Caitlin; and their wedding, though far from perfect, was something I really wanted to share with my readers. In this story you'll get some deeper insights into the two unlikely loves, and perhaps will even see them in a new light. This story takes places a few months after the end of
The Forgotten
.

The third promise, “A Promise of Three Parts: Past, Present, and Future,” is an overdue payment to my patient readers; namely, what happened to Brendan. My biggest surprise was how what I had thought were two drastically different story lines (Brendan's from
The Stolen
and Wraith's from
The Forgotten
) came together so perfectly. Please forgive me for taking so long to give you closure, dear readers. I hope it was worth waiting for.

The last story, “The Legion of Solomon,” isn't one of the promises mentioned in the title of this collection. I had intended it to be a one-­off, or perhaps lead to a series of its own someday. But the Legion of Solomon was a concept that resonated with me, and so it found its way into the American Faerie Tale universe—­during the epilogue of
The Forgotten
. I'm including it—­only slightly modified to fit into the AFT canon—­as a thank-­you, and, I hope, as a tantalizing tidbit for readers who wanted to learn more about Ovation/Collins (
The Forgotten)
. I hope you enjoy learning a little more about Ovation's origin and the role the Legion plays in the mortal world.

Thanks,

Bishop O'Connell

 

THE LEGACY OF PAST PROMISES

 

E
laine stared at the painting. While her body didn't move, her heart and mind danced in the halls of heaven. The depth and intensity of mortal passion was astounding to her, and her ability to experience it through art was like a drug. The heavy silence that filled her vast loft was broken by the high-­pitched whistle of the teakettle. Elaine extricated herself from the old battered chair, which was so comfortable it should be considered a holy relic. She crossed her warehouse flat to the kitchen area, purposely stepping heavily so the old hardwood floor creaked. She smiled at the sound. It was like a whisper that contained all the memories the building had seen. Unlike the fae, the mortal world was constantly aging. But for those who knew how to listen, it sang of a life well lived in every tired sound. The flat took up the entire top floor of a warehouse that had been abandoned in the early 1900s. She owned it now and was its only permanent tenant. The lower floors of the five-­story building were offered as a place to stay to the fifties—­half-­mortal, half-­fae street kids, unwelcome in either world—­she knew and trusted. But with all the unrest in Seattle, she was currently its only occupant.

She turned off the burner and the kettle went quiet. Three teaspoons of her personal tea blend went into the pot. The water, still bubbling, went next. The familiar and comforting aroma filled the air, black tea with whispers of orange blossom. Light poured in from the south-­facing wall of floor-­to-­ceiling windows. But she ignored the view of the Seattle skyline. The twenty-­foot ceiling was constructed of heavy wooden beams and slats, broken only by the silver of air ducts, a relatively recent addition. The floor was oak, original to the building but well maintained over the years, as were the exposed bricks of the walls and pillars. The flat was large, 5,000 square feet of open space, sparsely furnished with secondhand pieces. They had been purchased so long ago, they were technically antiques now. But she looked past all that to the paintings that covered the walls, collected over centuries and not always through strictly legal means. Nearly every school was represented by at least one piece. Her eyes followed the heavy strokes of a Van Gogh, thought lost by the general public. The emotions and impressions left behind by the artist washed over her. The melancholy and near madness, the longing and love, all mixed together like the colors of the painting itself.

The smell of her tea, now perfectly brewed, broke her reverie. As she poured tea into a large clay mug, her gaze settled on a Rossetti. Elaine smiled as she remembered seeing the painting come to life. Gabriel Rossetti—­Elaine could never bring herself to think of him as Dante, it was such an absurd name—­had captured Jane's beauty spectacularly. Jane Morris had been a truly beautiful mortal; it was no wonder Gabriel so often chose her as a model.

Elaine carried the mug back to her chair, sank into the plush cushions, and hit play on the remote. Vivaldi's Cello Concerto no. 4 in A Minor filled the space. She closed her eyes, letting the music fill her soul. The mournful cello danced with the playful harpsichord. She sipped her tea, opened her eyes, and her gaze fell upon another painting, the one she'd almost lost. Unwanted memories rose to the surface—­and just like that, she was back in France, deep in the occupied zone.

The war—­or more correctly, the Nazis—­had mostly turned the once beautiful countryside and small villages to rubble. The jackbooted thugs had marched with impunity, leaving only death and destruction in their wake

Even now she could almost hear the voices of her long-­dead friends.

“Ê
tes-­vous attentive?”

Elaine blinked.
“Pardon?”

François narrowed his eyes. “I asked if you were paying attention,” he said, his French heavy with a Parisian accent. “But you answer my question anyway, yes?”

There were snickers from the collection of men, scarcely more than boys, gathered around the table and map.

“Sorry,” Elaine said, her own carefully applied accent fitting someone from the southern countryside. “You were saying a convoy of three German trucks will be coming down this road.” She traced the route on the map with her finger. “And this being one of the few remaining bridges, they'll attempt to cross here. Did I miss something?”

François turned a little pink, then a deeper red when the chuckles turned on him. When Paul offered him the bottle of wine, François's smile returned, and he laughed as well.

“Our little sparrow misses nothing, no?” he asked, then took a swallow of wine before offering her the bottle.

Elaine smiled and accepted.

Six hours later, just before dawn, the explosives had been set and the group was in position. She sat high in a tree, her rifle held close. Despite having cast a charm to turn the iron into innocuous fae iron (a taxing process that had taken her the better part of three weeks), she still wore gloves. On more than one occasion she'd had to use another weapon, one that hadn't been magically treated.

As the first rays of dawn touched her cheeks, she had only a moment to savor the sublime joy of the morning light. Her keen eyes picked up the telltale clouds of black diesel smoke before she ever saw the vehicles. She made a sparrow call, alerting her fellow resistance fighters.

A thrush sounded back.

They were ready.

Elaine hefted her rifle and sighted down the barrel, her fingertip caressing the trigger. She watched the rise, waiting for the first truck to come into view.

Her eyes went wide and her stomach twisted when she saw the two Hanomags, armored halftrack personnel carriers, leading the three big trucks. That was two units, more than twenty soldiers. She made another birdcall, a nightingale, the signal to abort.

The thrush call came in reply, repeated twice. Proceed.

“Fools,” she swore. “You're going to get us all killed.”

She sighted down the rifle again and slowed her breathing. They were outnumbered almost three to one and up against armor with nothing but rifles and a few grenades.

“Just an afternoon walk along the Seine,” she said. Of course Germany now controlled Paris and the Seine, so maybe it was an accurate comparison.

The caravan crawled down the muddy road, inching closer to the bridge. Looking through the scope, she watched the gunner on the lead Hanomag. His head was on a swivel, constantly looking one way then another. Not that she could blame him. This was a textbook place for an ambush.

The first Hanomag stopped just shy of the explosive charges.

Her heart began to race. Had they spotted it? No, it was buried and the mud didn't leave any sign that even she could see. No way could these mortal goose-­steppers have—­

An officer in the black uniform of the SS stepped out of the second Hanomag, flanked by half a dozen regular army soldiers. Elaine sighted him with her scope, noted her heartbeat, and placed her finger on the trigger.

The tingle of magic danced across her skin as the officer drew a talisman from under his coat.
“Offenbaren sich!”
he shouted.

There was a gust of wind, and the leaves on the trees near her rustled. She whispered a charm and felt it come up just as the magic reached her. The spell slid over her harmlessly. Her friends weren't so lucky. A red glow pulsed from the spot where the explosives had been set, and faint pinkish light shone from six spots around the convoy.

“Aus dem Hinterhalt überfallen!”
the officer shouted and pointed to the lights.

The gunners on the Hanomags turned and the soldiers protecting the officer took aim.

“Merde,”
Elaine cursed, then sighted and fired.

There was a crack, and the officer's face was a red mist.

Then everything went to hell.

Soldiers poured from the trucks and the Hanomags, the gunners turned their MG-­42s toward the now-­fading lights marking François and the others. The soldiers took cover behind the armored vehicles and divided their fire between her and her compatriots. She was well concealed, so most of the shots did nothing more than send shredded leaves and bark through the air. Only a few smacked close enough to cause her unease.

Elaine ignored them and sighted one of the MG-­42 gunners.

“Vive la France!”
someone shouted.

Elaine looked up just in time to see Paul leap from cover and charge at the soldiers, drawing their attention and fire. She watched in horror as the Nazi guns tore him to shreds. Somehow, before falling, he lobbed two grenades into one of the armored vehicles. There came a shout of panic from inside the Hanomag and seconds later came two concussive booms. Debris flew up from the open top of the halftrack and the shouts stopped.

François and the others took advantage of Paul's sacrifice, moved to different cover, and started firing. A few Nazi soldiers dropped, but the remaining MG-­42 began spraying the area with a hail of bullets.

Elaine gritted her teeth and fired two shots; both hit the gunner, and he fell. This again drew fire in her direction.

The fight became a blur after that. She took aim and fired, took aim and fired, over and over again, pausing only long enough to reload. It wasn't until she couldn't find another target that Elaine realized it was done, and all the Nazis were dead or dying.

She lay on the branch for a long moment, until the ringing in her ears began to fade. When she moved, a sharp pain in her shoulder brought her up short. More gingerly, she shifted and saw tendrils of white light filled with motes of green drifting from her shoulder. At the center was a growing blossom of gold blood. She rolled and dropped from the tree, landing only slightly less gracefully than normal. Still, the jolt made the pain jump a few numbers on the intensity scale.

She clenched her jaw, hefted her rifle, and carefully inspected the scene. The Germans were all dead, but the driver of one of the Hanomags was still alive. He took a ­couple shots at her with his Luger, but he'd apparently caught some ricochets or shrapnel because he didn't even come close. Elaine put him down with a shot through the viewing port.

“Please, help me,” someone said in bad French.

Elaine spun to see a German soldier lying on the ground. He was little more than a kid, maybe sixteen; it didn't even look like he'd started shaving. She just stared at his tear-­filled eyes, blood running down his cheek from the corner of his mouth. He had at least half a dozen holes in his chest. He was already dead, he just didn't know it.

“Ja,”
she said.

“Dank—­”

His thanks were swallowed by the loud report of the rifle as she put a bullet between his eyes. There was nothing she, or anyone else, could've done for him. She wiped tears away and muttered a curse at Hitler and his megalomaniacal plans.

After double-­checking that all the soldiers were dead, Elaine made her sparrow call. Her mouth was so dry, the call was hardly recognizable.

Only silence answered her.

Swallowing, she hardened her heart and went to where François and the others had been taking cover. She couldn't bring herself to look down at the bloodied mess that had been Paul. She just kept walking. Her rifle fell to the ground, then she went to her knees, sobbing, covering her mouth with her good hand.

They were dead, which wasn't a surprise, but it didn't make finding them any less heartbreaking. Rémy was almost unrecognizable. If it wasn't for his blond hair, now matted with blood—­Elaine's stomach twisted and she retched to one side. Michel, Julien, Daniel, Christophe, and Chris­tian were in slightly better shape, for the most part. Julien's left arm had been chewed up by the machine gun, and Christophe's torso had been ripped open, allowing his insides to spill out. Elaine sobbed and turned to François. His rifle had been discarded and his pistol was still clutched in his left hand, two fingers having been shot off his right.

Sadness mixed with anger, and she screamed curses at him.

“You arrogant fool!” she said between sobs. “Why didn't you just call off the operation? You got them all killed!”

It wasn't long before Elaine grew numb inside. She used her fae healer's kit to remove the bullet from her shoulder, and a liberal smearing of healing ointment numbed the pain enough to give her almost full use of her arm again. Lastly, she set the pinkish, putty-­like
dóú craiceann
over the wound, sealing it like a second skin. She'd never been much of a healer herself, but she got the job done. With effort, and still careful of her wounded shoulder, she dragged Paul into the cover to join his brothers-­in-­arms. Elaine whispered a charm and the earth drew itself up and over her friends. A moment later, lush green grass covered the seven mounds.

“Adieu, mes amis,”
she said softly.

She picked up her rifle and went to the trucks to see what they were carrying. The first held food supplies and ammunition. She loaded her rucksack with both, thankful she'd picked up a German Mauser and so could make use of the German ammunition. The second truck carried spare parts, likely for trucks and tanks from the look of them.

Elaine found four crates marked with the SS symbol in the last truck and searched for a means to pry them open. She came up with a tire lever and, with some effort, opened the first box, moved the packing straw away, and gasped.

Carefully, almost reverently, she withdrew the first painting from the crate. It was a Tintoretto. A fine piece, but he'd always been a tad dark for Elaine's tastes. She carefully set it aside and withdrew the second painting. Her breath caught, and she almost dropped it.

A Botticelli. She stared at herself, posed and dressed as an angel. She'd objected of course, but Sandro had been set on that idea. In the end, he'd captured her marvelously. It had been more than two hundred years since she'd seen the painting. She thought she'd never see it again.

So it was true, the Nazis were collecting artwork. Her friends would've been disappointed to find this prize. At least until she explained it would be a black eye on Hitler himself.