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Authors: Jerome K. Jerome

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Such is life; and we are but as grass that is cut down, and put into the oven and baked.

To go back to the carved oak question, they must have had very fair notions of the artistic and the beautiful, our great-great
grandfathers. Why, all our art treasures of today are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is any real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The ‘old blue’
5
that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried.

Will it be the same in the future? Will the prized treasures of today always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimney-pieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes
6
now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house?

That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes are blue. Its nose is a delicate red, with black spots. Its head is painfully erect, and its expression is amiability carried to the verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her.

But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was.

We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is
with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as ‘those grand old artists that flourished in the nineteenth century, and produced those china dogs’.

The ‘sampler’ that the eldest daughter did at school will be spoken of as ‘tapestry of the Victorian era’, and be almost priceless. The blue-and-white mugs of the present-day road-side inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up the ‘Presents from Ramsgate’, and ‘Souvenirs of Margate’, that may have escaped destruction, and take them back to Jedo as ancient English curios.

At this point, Harris threw away the sculls, got up and left his seat, and sat on his back, and stuck his legs in the air. Montmorency howled, and turned a somersault, and the top hamper jumped up, and all the things came out.

I was somewhat surprised, but I did not lose my temper. I said, pleasantly enough:

‘Hulloa! what’s that for?’

‘What’s that for? Why – ’

No, on second thoughts, I will not repeat what Harris said. I may have been to blame, I admit it; but nothing excuses violence of language and coarseness of expression, especially in a man who has been carefully brought up, as I know Harris has been. I was thinking of other things, and forgot, as anyone might easily understand, that I was steering, and the consequence was that we had got mixed up a good deal with the tow-path. It was difficult to say, for the moment, which was us and which was the Middlesex bank of the river, but we found out after a while, and separated ourselves.

Harris, however, said he had done enough for a bit, and proposed that I should take a turn; so, as we were in, I got out and took the tow-line, and ran the boat on past Hampton Court.
7
What a dear old wall that is that runs along by the river there! I never pass it without feeling better for the sight of it. Such a mellow, bright, sweet old wall; what a charming picture it would make, with the lichen creeping here
and the moss growing there, a shy young vine peeping over the top at this spot, to see what is going on upon the busy river, and the sober old ivy clustering a little farther down! There are fifty shades and tints and hues in every ten yards of that old wall. If I could only draw, and knew how to paint, I could make a lovely sketch of that old wall, I’m sure. I’ve often thought I should like to live at Hampton Court. It looks so peaceful and so quiet, and it is such a dear old place to ramble round in the early morning before many people are about.

But, there, I don’t suppose I should really care for it when it came to actual practice. It would be so ghastly dull and depressing in the evening, when your lamp cast uncanny shadows on the panelled walls, and the echo of distant feet rang through the cold stone corridors, and now drew nearer, and now died away, and all was death-like silence, save the beating of one’s own heart.

We are creatures of the sun, we men and women. We love light and life. That is why we crowd into the towns and cities, and the country grows more and more deserted every year. In the sunlight – in the daytime, when Nature is alive and busy all around us, we like the open hillsides and the deep woods well enough: but in the night, when our Mother Earth has gone to sleep, and left us waking, oh! the world seems so lonesome, and we get frightened, like children in a silent house. Then we sit and sob, and long for the gas-lit streets, and the sound of human voices, and the answering throb of human life. We feel so helpless and so little in the great stillness, when the dark trees rustle in the night-wind. There are so many ghosts about, and their silent sighs make us feel so sad. Let us gather together in the great cities, and light huge bonfires of a million gas-jets, and shout and ring together and feel brave.

Harris asked me if I’d ever been in the maze
8
at Hampton Court. He said he went in once to show somebody else the way. He had studied it up in a map, and it was so simple that it seemed foolish – hardly worth the twopence charged for admission. Harris said he thought the map must have been got up as a practical joke, because it wasn’t a bit like the real thing, and only misleading. It was a country cousin that Harris took in. He said:

‘We’ll just go in here, so that you can say you’ve been, but it’s
very simple. It’s absurd to call it a maze. You keep on taking the first turning to the right. We’ll just walk round for ten minutes, and then go and get some lunch.’

They met some people soon after they had got inside, who said they had been there for three quarters of an hour, and had had about enough of it. Harris told them they could follow him if they liked; he was just going in, and then should turn round and come out again. They said it was very kind of him, and fell behind, and followed.

They picked up various other people who wanted to get it over, as they went along, until they absorbed all the persons in the maze. People who had given up all hopes of ever getting either in or out, or of ever seeing their home and friends again, plucked up courage at the sight of Harris and his party, and joined the procession, blessing him. Harris said he should judge there must have been twenty people following him, in all; and one woman with a baby, who had been there all the morning, insisted on taking his arm, for fear of losing him.

Harris kept on turning to the right, but it seemed a long way, and his cousin said he supposed it was a very big maze.

‘Oh, one of the largest in Europe,’ said Harris.

‘Yes, it must be,’ replied the cousin, ‘because we’ve walked a good two miles already.’

Harris began to think it rather strange himself, but he held on until, at last, they passed the half a penny bun on the ground that Harris’s cousin swore he had noticed there seven minutes ago. Harris said: ‘Oh, impossible!’ but the woman with the baby said, ‘Not at all,’ as she herself had taken it from the child, and thrown it down there, just before she met Harris. She also added that she wished she never had met Harris, and expressed an opinion that he was an impostor. That made Harris mad, and he produced his map, and explained his theory.

‘That map may be all right enough,’ said one of the party, ‘if you know whereabouts in it we are now.’

Harris didn’t know, and suggested that the best thing to do would be to go back to the entrance, and begin again. For the beginning again part of it there was not much enthusiasm; but with regard to
the advisability of going back to the entrance there was complete unanimity, and so they turned, and trailed after Harris again, in the opposite direction. About ten minutes more passed, and then they found themselves in the centre.

Harris thought at first of pretending that that was what he had been aiming at; but the crowd looked dangerous, and he decided to treat it as an accident.

Anyhow, they had got something to start from then. They did know where they were, and the map was once more consulted, and the thing seemed simpler than ever, and off they started for the third time.

And three minutes later they were back in the centre again.

After that they simply couldn’t get anywhere else. Whatever way they turned brought them back to the middle. It became so regular at length, that some of the people stopped there, and waited for the others to take a walk round, and come back to them. Harris drew out his map again, after a while, but the sight of it only infuriated the mob, and they told him to go and curl his hair with it. Harris said that he couldn’t help feeling that, to a certain extent, he had become unpopular.

They all got crazy at last, and sang out for the keeper, and the man came and climbed up the ladder outside, and shouted out directions to them. But all their heads were, by this time, in such a confused whirl that they were incapable of grasping anything, and so the man told them to stop where they were, and he would come to them. They huddled together, and waited; and he climbed down, and came in.

He was a young keeper, as luck would have it, and new to the business; and when he got in, he couldn’t get to them, and then
he
got lost. They caught sight of him, every now and then, rushing about the other side of the hedge, and he would see them, and rush to get to them, and they would wait there for about five minutes, and then he would reappear again in exactly the same spot, and ask them where they had been.

They had to wait until one of the old keepers came back from his dinner before they got out.

Harris said he thought it was a very fine maze, so far as he was a judge; and we agreed that we would try to get George to go into it, on our way back.

Chapter 7

The river in its Sunday garb – Dress on the river – A chance for the men – Absence of taste in Harris – George’s blazer – A day with the fashion-plate young lady – Mrs Thomas’s tomb – The man who loves not graves and coffins and skulls – Harris mad – His views on George and banks and lemonade – He performs tricks
.

It was while passing through Moulsey lock
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that Harris told me about his maze experience. It took us some time to pass through, as we were the only boat, and it is a big lock. I don’t think I ever remember to have seen Moulsey lock, before, with only one boat in it. It is, I suppose, Boulter’s not even excepted, the busiest lock on the river.

I have stood and watched it sometimes, when you could not see any water at all, but only a brilliant tangle of bright blazers, and gay caps, and saucy hats, and many-coloured parasols, and silken rugs, and cloaks, and streaming ribbons, and dainty whites; when looking down into the lock from the quay, you might fancy it was a huge box into which flowers of every hue and shade had been thrown pell-mell and lay piled up in a rainbow heap that covered every corner.

On a fine Sunday it presents this appearance nearly all day long, while, up the stream, and down the stream, lie, waiting their turn, outside the gates, long lines of still more boats; and boats are drawing near and passing away, so that the sunny river, from the Palace up to Hampton Church, is dotted and decked with yellow, and blue, and orange, and white, and red, and pink. All the inhabitants of Hampton and Moulsey dress themselves up in boating costume, and come and mooch round the lock with their dogs, and flirt, and smoke, and watch the boats, and altogether, what with the caps and jackets of the men, the pretty coloured dresses of the women, the excited
dogs, the moving boats, the white sails, the pleasant landscape, and the sparkling water, it is one of the gayest sights I know of near this dull old London town.

The river affords a good opportunity for dress. For once in a way, we men are able to show
our
taste in colours, and I think we come out very natty, if you ask me. I always like a little red in my things – red and black. You know my hair is a sort of golden brown, rather a pretty shade I’ve been told, and a dark red matches it beautifully; and then I always think a light-blue necktie goes so well with it, and a pair of those Russian-leather shoes and a red silk handkerchief round the waist – a handkerchief looks so much better than a belt.

Harris always keeps to shades or mixtures of orange or yellow, but I don’t think he is at all wise in this. His complexion is too dark for yellows. Yellows don’t suit him; there can be no question about it. I want him to take to blue as a background, with white or cream for relief; but, there! the less taste a person has in dress, the more obstinate he always seems to be. It is a great pity, because he will never be a success as it is, while there are one or two colours in which he might not really look so bad, with his hat on.

BOOK: Three Men in a Boat
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