This Side of Paradise (Barnes & Noble Classics Series) (16 page)

BOOK: This Side of Paradise (Barnes & Noble Classics Series)
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Amory had felt a curious sinking sensation.
This present type of party was made possible by the surging together of the class after club elections—as if to make a last desperate attempt to know itself, to keep together, to fight off the tightening spirit of the clubs. It was a let-down from the conventional heights they had all walked so rigidly.
After supper they saw Kaluka to the boardwalk, and then strolled back along the beach to Asbury. The evening sea was a new sensation, for all its color and mellow age was gone, and it seemed the bleak waste that made the Norse sagas sad; Amory thought of Kipling’s
“Beaches of Lukanon before the sealers came.”
It was still a music, though, infinitely sorrowful.
Ten o’clock found them penniless. They had suppered greatly on their last eleven cents and, singing, strolled up through the casinos and lighted arches on the boardwalk, stopping to listen approvingly to all band concerts. In one place Kerry took up a collection for the French War Orphans which netted a dollar and twenty cents, and with this they bought some brandy in case they caught cold in the night. They finished the day in a moving-picture show and went into solemn systematic roars of laughter at an ancient comedy, to the startled annoyance of the rest of the audience. Their entrance was distinctly strategic, for each man as he entered pointed reproachfully at the one just behind him. Sloane, bringing up the rear, disclaimed all knowledge and responsibility as soon as the others were scattered inside; then as the irate ticket-taker rushed in he followed nonchalantly.
They reassembled later by the Casino and made arrangements for the night. Kerry wormed permission from the watchman to sleep on the platform and, having collected a huge pile of rugs from the booths to serve as mattresses and blankets, they talked until midnight, and then fell into a dreamless sleep, though Amory tried hard to stay awake and watch that marvellous moon settle on the sea.
So they progressed for two happy days, up and down the shore by street-car or machine, or by shoe-leather on the crowded boardwalk; sometimes eating with the wealthy, more frequently dining frugally at the expense of an unsuspecting restaurateur. They had their photos taken, eight poses, in a quick-development store. Kerry insisted on grouping them as a “varsity” football team, and then as a tough gang from the East Side, with their coats inside out, and himself sitting in the middle on a cardboard moon. The photographer probably has them yet—at least, they never called for them. The weather was perfect, and again they slept outside, and again Amory fell unwillingly asleep.
Sunday broke stolid and respectable, and even the sea seemed to mumble and complain, so they returned to Princeton via the Fords of transient farmers, and broke up with colds in their heads, but otherwise none the worse for wandering.
Even more than in the year before, Amory neglected his work, not deliberately but lazily and through a multitude of other interests. Co-ordinate geometry and the melancholy hexameters of Corneille and Racine held forth small allurements, and even psychology, which he had eagerly awaited, proved to be a dull subject full of muscular reactions and biological phrases rather than the study of personality and influence. That was a noon class, and it always sent him dozing. Having found that “subjective and objective, sir,” answered most of the questions, he used the phrase on all occasions, and it became the class joke when, on a query being levelled at him, he was nudged awake by Ferrenby or Sloane to gasp it out.
Mostly there were parties—to Orange or the Shore, more rarely to New York and Philadelphia, though one night they marshalled fourteen waitresses out of Childs’ and took them to ride down Fifth Avenue on top of an auto bus. They all cut more classes than were allowed, which meant an additional course the following year, but spring was too rare to let anything interfere with their colorful ramblings. In May Amory was elected to the Sophomore Prom Committee, and when after a long evening’s discussion with Alec they made out a tentative list of class probabilities for the senior council, they placed themselves among the surest. The senior council was composed presumably of the eighteen most representative seniors, and in view of Alec’s football managership and Amory’s chance of nosing out Burne Holiday as
Princetonian
chairman, they seemed fairly justified in this presumption. Oddly enough, they both placed D’Invilliers as among the possibilities, a guess that a year before the class would have gaped at.
All through the spring Amory had kept up an intermittent correspondence with Isabelle Borgé, punctuated by violent squabbles and chiefly enlivened by his attempts to find new words for love. He discovered Isabelle to be discreetly and aggravatingly unsentimental in letters, but he hoped against hope that she would prove not too exotic a bloom to fit the large spaces of spring as she had fitted the den in the Minnehaha Club. During May he wrote thirty-page documents almost nightly, and sent them to her in bulky envelopes exteriorly labelled “Part I” and “Part II.”
“Oh, Alec, I believe I’m tired of college,” he said sadly, as they walked the dusk together.
“I think I am, too, in a way.”
“All I’d like would be a little home in the country, some warm country, and a wife, and just enough to do to keep from rotting.”
“Me, too.”
“I’d like to quit.”
“What does your girl say?”
“Oh!” Amory gasped in horror. “She wouldn’t
think
of marrying ... that is, not now. I mean the future, you know.”
“My girl would. I’m engaged.”
“Are you really?”
“Yes. Don’t say a word to anybody, please, but I am. I may not come back next year.”
“But you’re only twenty! Give up college?”
“Why, Amory, you were saying a minute ago——”
“Yes,” Amory interrupted, “but I was just wishing. I wouldn’t think of leaving college. It’s just that I feel so sad these wonderful nights. I sort of feel they’re never coming again, and I’m not really getting all I could out of them. I wish my girl lived here. But marry—not a chance. Especially as father says the money isn’t forthcoming as it used to be.”
“What a waste these nights are!” agreed Alec.
But Amory sighed and made use of the nights. He had a snap-shot of Isabelle, enshrined in an old watch, and at eight almost every night he would turn off all the lights except the desk lamp and, sitting by the open windows with the picture before him, write her rapturous letters.
... Oh, it’s so hard to write you what I really feel when I think about you so much; you’ve gotten to mean to me a dream that I can’t put on paper any more. Your last letter came and it was wonderful! I read it over about six times, especially the last part, but I do wish, sometimes, you’d be more frank and tell me what you really do think of me, yet your last letter was too good to be true, and I can hardly wait until June! Be sure and be able to come to the prom. It’ll be fine, I think, and I want to bring you just at the end of a wonderful year. I often think over what you said on that night and wonder how much you meant. If it were any one but you—but you see I thought you were fickle the first time I saw you and you are so popular and everything that I can’t imagine your really liking me best.
Oh, Isabelle, dear—it’s a wonderful night. Somebody is playing “Love Moon” on a mandolin far across the campus, and the music seems to bring you into the window. Now he’s playing “Good-by, Boys, I’m Through,” and how well it suits me. For I am through with everything. I have decided never to take a cocktail again, and I know I’ll never again fall in love I couldn’t-you’ ve been too much a part of my days and nights to ever let me think of another girl. I meet them all the time and they don’t interest me. I’m not pretending to be blasé, because it’s not that. It’s just that I’m in love. Oh, dearest Isabelle (somehow I can’t call you just Isabelle, and I’m afraid I’ll come out with the “dearest” before your family this June), you’ve got to come to the prom, and then I’ll come up to your house for a day and everything’ll be perfect....
And so on in an eternal monotone that seemed to both of them infinitely charming, infinitely new.
 
June came and the days grew so hot and lazy that they could not worry even about exams, but spent dreamy evenings on the court of Cottage, talking of long subjects until the sweep of country toward Stony Brook became a blue haze and the lilacs were white around tennis-courts, and words gave way to silent cigarettes.... Then down deserted Prospect and along McCosh with song everywhere around them, up to the hot joviality of Nassau Street.
Tom D‘Invilliers and Amory walked late in those days. A gambling fever swept through the sophomore class and they bent over the bones till three o’clock many a sultry night. After one session they came out of Sloane’s room to find the dew fallen and the stars old in the sky.
“Let’s borrow bicycles and take a ride,” Amory suggested.
“All right. I’m not a bit tired and this is almost the last night of the year, really, because the prom stuff starts Monday.”
They found two unlocked bicycles in Holder Court and rode out about half-past three along the Lawrenceville Road.
“What are you going to do this summer, Amory?”
“Don’t ask me—same old things, I suppose. A month or two in Lake Geneva—I’m counting on you to be there in July, you know—then there’ll be Minneapolis, and that means hundreds of summer hops, parlor-snaking, getting bored—But oh, Tom,” he added suddenly, “hasn’t this year been slick!”
“No,” declared Tom emphatically, a new Tom, clothed by Brooks, shod by Franks, “I’ve won this game, but I feel as if I never want to play another. You’re all right—you’re a rubber ball, and somehow it suits you, but I’m sick of adapting myself to the local snobbishness of this corner of the world. I want to go where people aren’t barred because of the color of their neckties and the roll of their coats.”
“You can‘t, Tom,” argued Amory, as they rolled along through the scattering night; “wherever you go now you’ll always unconsciously apply these standards of ‘having it’ or ‘lacking it.’ For better or worse we’ve stamped you; you’re a Princeton type!”
“Well, then,” complained Tom, his cracked voice rising plaintively, “why do I have to come back at all? I’ve learned all that Princeton has to offer. Two years more of mere pedantry and lying around a club aren’t going to help. They’re just going to disorganize me, conventionalize me completely. Even now I’m so spineless that I wonder how I get away with it.”
“Oh, but you’re missing the real point, Tom,” Amory interrupted. “You’ve just had your eyes opened to the snobbishness of the world in a rather abrupt manner. Princeton invariably gives the thoughtful man a social sense.”
“You consider you taught me that, don’t you?” he asked quizzically, eying Amory in the half dark.
Amory laughed quietly.
“Didn’t I?”
“Sometimes,” he said slowly, “I think you’re my bad angel. I might have been a pretty fair poet.”
“Come on, that’s rather hard. You chose to come to an Eastern college. Either your eyes were opened to the mean scrambling quality of people, or you’d have gone through blind, and you’d hate to have done that—been like Marty Kaye.”
“Yes,” he agreed, “you’re right. I wouldn’t have liked it. Still, it’s hard to be made a cynic at twenty.”
“I was born one,” Amory murmured. “I’m a cynical idealist.” He paused and wondered if that meant anything.
They reached the sleeping school of Lawrenceville, and turned to ride back.
“It’s good, this ride, isn’t it?” Tom said presently.
“Yes; it’s a good finish, it’s knock-out; everything’s good tonight. Oh, for a hot, languorous summer and Isabelle!”
“Oh, you and your Isabelle! I’ll bet she’s a simple one ... let’s say some poetry.”
So Amory declaimed “The Ode to a Nightingale” to the bushes they passed.
“I’ll never be a poet,” said Amory as he finished. “I’m not enough of a sensualist really; there are only a few obvious things that I notice as primarily beautiful: women, spring evenings, music at night, the sea; I don’t catch the subtle things like ‘silver-snarling trumpets.’ I may turn out an intellectual, but I’ll never write anything but mediocre poetry.”
They rode into Princeton as the sun was making colored maps of the sky behind the graduate school, and hurried to the refreshment of a shower that would have to serve in place of sleep. By noon the bright-costumed alumni crowded the streets with their bands and choruses, and in the tents there was great reunion under the orange-and-black banners that curled and strained in the wind. Amory looked long at one house which bore the legend “Sixty-nine.” There a few gray-haired men sat and talked quietly while the classes swept by in panorama of life.
Under the Arc-Light
Then tragedy’s emerald eyes glared suddenly at Amory over the edge of June. On the night after his ride to Lawrenceville a crowd sallied to New York in quest of adventure, and started back to Princeton about twelve o’clock in two machines. It had been a gay party and different stages of sobriety were represented. Amory was in the car behind; they had taken the wrong road and lost the way, and so were hurrying to catch up.
It was a clear night and the exhilaration of the road went to Amory’s head. He had the ghost of two stanzas of a poem forming in his mind....
So the gray car crept nightward in the dark and there was no life stirred as it went by.... As the still ocean paths before the shark in starred and glittering waterways, beauty-high, the moon swathed trees divided, pair on pair, while flapping nightbirds cried across the air....
A moment by an inn of lamps and shades, a yellow inn under a yellow moon—then silence, where crescendo laughter fades ... the car swung out again to the winds of June, mellowed the shadows where the distance grew, then crushed the yellow shadows into blue....

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