This Is How You Lose Her (14 page)

BOOK: This Is How You Lose Her
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This is your last chance, but instead of begging for mercy you bark:
Fine
.

Within an hour she has deleted you from Facebook. You send one exploratory text to her but it is never answered.

Years later you will see her in Dudley Square but she will pretend not to recognize you, and you won’t force the issue.

Nicely done, Elvis says. Bravo.

You two are watching his daughter knock around the playground near Columbia Terrace. He tries to be reassuring. She had a kid. That probably wasn’t for you.

Probably not.

Even these little breakups suck because they send you right back to thinking about the ex. Right back into the depression. This time you spend six months wallowing in it before you come back to the world.

After you pull yourself back together you tell Elvis: I think I need a break from the bitches.

What are you going to do?

Focus on me for a while.

That’s a good idea, says his wife. Besides it only happens when you’re not looking for it.

That’s what everybody claims. Easier to say that than This shit sucks.

This shit sucks, Elvis says. Does that help?

Not really.

On the walk home a Jeep roars past; the driver calls you a
fucking towelhead.
One of the ex-sucias publishes a poem about you online. It’s called “El Puto.”

Year 3

You take your break. You try to get back to your work, to your writing. You start three novels: one about a pelotero, one about a narco and one about a bachatero—all of them suck pipe. You get serious about classes and for your health you take up running. You used to run in the old days and you figure you need something to keep you out of your head. You must have needed it bad, because once you get into the swing of it you start running four five six times a week. It’s your new addiction. You run in the morning and you run late at night when there’s no one on the paths next to the Charles. You run so hard that your heart feels like it’s going to seize. When winter rolls in, there’s a part of you that fears you’ll fold—Boston winters are on some terrorism shit—but you need the activity more than anything so you keep at it even as the trees are stripped of their foliage and the paths empty out and the frost reaches into your bones. Soon it’s only you and a couple of other lunatics. Your body changes, of course. You lose all that drinking and smoking chub and your legs look like they belong to someone else. Every time you think about the ex, every time the loneliness rears up in you like a seething, burning continent, you tie on your shoes and hit the paths and that helps; it really does.

By winter’s end you’ve gotten to know all the morning regulars and there’s even this one girl who inspires in you some hope. You pass each other a couple of times a week and she’s a pleasure to watch, a gazelle really—what economy, what gait, and what an amazing fucking cuerpazo. She has Latin features but your radar has been off a while and she could just as likely be a morena as anything. She always smiles at you as you pass. You consider flopping in front of her—My leg! My leg!—but that seems incredibly cursí. You keep hoping you’ll bump into her around town.

The running is going splendid and then six months in you feel a pain in your right foot. Along the inside arch, a burning that doesn’t subside after a few days’ rest. Soon you’re hobbling even when you’re not running. You drop in on emergency care and the RN pushes with his thumb, watches you writhe, and announces you have plantar fasciitis.

You have no idea what that is. When can I run again?

He gives you a pamphlet. Sometimes it takes a month. Sometimes six months. Sometimes a year. He pauses. Sometimes longer.

That makes you so sad you go home and lie in bed in the dark. You’re afraid. I don’t want to go back down the hole, you tell Elvis. Then don’t, he says. Like a hardhead you keep trying to run but the pain sharpens. Finally, you give up. You put away the shoes. You sleep in. When you see other people hitting the paths, you turn away. You find yourself crying in front of sporting goods stores. Out of nowhere you call the ex, but of course she doesn’t pick up. The fact that she hasn’t changed her number gives you some strange hope, even though you’ve heard she’s dating somebody. Word on the street is that the dude is super good to her.

Elvis encourages you to try yoga, the half-Bikram kind they teach in Central Square. Mad fucking ho’s in there, he says. I’m talking ho’s by the ton. While you’re not exactly feeling the ho’s right now, you don’t want to lose all the conditioning you’ve built up, so you give it a shot. The namaste bullshit you could do without, but you fall into it and soon you’re pulling vinyasas with the best of them. Elvis was certainly right. There are mad ho’s, all with their asses in the air, but none of them catch your eye. One miniature blanquita does try to chat you up. She seems impressed that of all the guys in class you alone never take off your shirt, but you skitter away from her cornpoke grin. What the hell are you going to do with a blanquita?

Bone the shit out of her, Elvis offers.

Bust a nut in her mouth, your boy Darnell seconds.

Give her a chance, Arlenny proposes.

But you don’t do any of it. At the end of the sessions you move away quickly to wipe down your mat and she takes the hint. She doesn’t mess with you again, though sometimes during practice she watches you with longing.

You actually become pretty obsessed with yoga and soon you’re taking your mat with you wherever you go. You no longer have fantasies that the ex will be waiting for you in front of your apartment, though every now and then you still call her and let the phone ring to the in-box.

You finally start work on your eighties apocalypse novel—“finally starting” means you write one paragraph—and in a flush of confidence you start messing with this young morena from the Harvard Law School that you meet at the Enormous Room. She’s half your age, one of those super geniuses who finished undergrad when she was nineteen and is seriously lovely. Elvis and Darnell approve. Aces, they say. Arlenny demurs. She’s really young, no? Yes, she’s really young and you fuck a whole lot and during the act the two of you cling to each other for dear life but afterward you peel away like you’re ashamed of yourselves. Most of the time you suspect she feels sorry for you. She says she likes your mind, but considering that she’s smarter than you, that seems doubtful. What she does appear to like is your body, can’t keep her hands off it. I should get back to ballet, she says while undressing you. Then you’d lose your thick, you note, and she laughs. I know, that’s the dilemma.

It’s all going swell, going marvelous, and then in the middle of a sun salutation you feel a shift in your lower back and
pau
—it’s like a sudden power failure. You lose all strength, have to lie down. Yes, urges the instructor, rest if you have to. When the class is over you need help from the little whitegirl to rise to your feet. Do you want me to take you somewhere? she asks but you shake your head. The walk back to your apartment is some Bataan-type shit. At the Plough and Stars you fall against a stop sign and call Elvis on your cell.

He arrives in a flash with a hottie in tow. She’s a straight-up Cambridge Cape Verdean. The two of them look like they’ve just been fucking. Who’s that? you ask and he shakes his head.
Drags you into emergency care. By the time the doctor appears you’re crabbed over like an old man.

It appears to be a ruptured disc, she announces.

Yay, you say.

You’re in bed for a solid two weeks. Elvis brings you food and sits with you while you eat. He talks about the Cape Verdean girl. She’s got like the perfect pussy, he says. It’s like putting your dick in a hot mango.

You listen for a bit and then you say: Just don’t end up like me.

Elvis grins. Shit, no one could ever end up like you, Yunior. You’re a DR original.

His daughter throws your books onto the floor. You don’t care. Maybe it will encourage her to read, you say.

So now it’s your feet, your back, and your heart. You can’t run, you can’t do yoga. You try riding a bike, thinking you’ll turn into an Armstrong, but it kills your back. So you stick to walking. You do it one hour each morning and one hour each night. There is no rush to the head, no tearing up your lungs, no massive shock to your system, but it’s better than nothing.

A month later the law student leaves you for one of her classmates, tells you that it was great but she has to start being realistic. Translation: I got to stop fucking with old dudes. Later you see her with said classmate on the Yard. He’s even lighter than you but he still looks unquestionably black. He’s also like nine feet tall and put together like an anatomy primer. They are walking hand in hand and she looks so very happy that you try to find the space in your heart not to begrudge her. Two seconds later, security approaches you and asks for ID. The next day a whitekid on a bike throws a can of Diet Coke at you.

Classes start and by then the squares on your abdomen have been reabsorbed, like tiny islands in a rising sea of lard. You scan the incoming junior faculty for a possible, but there’s nothing. You watch a lot of TV. Sometimes Elvis joins you since his wife doesn’t allow him to smoke weed in the house. He’s taken up yoga now, having seen what it did for you. Lots of ho’s, too, he says, grinning. You want not to hate him.

What happened to the Cape Verdean girl?

What Cape Verdean girl? he says dryly.

You make little advances. You start doing push-ups and pull-ups and even some of your old yoga moves, but very carefully. You have dinner with a couple of girls. One of them is married and hot for days in the late-thirties Dominican middle-class woman sort of way. You can tell she’s contemplating sleeping with you and the whole time you’re eating your short ribs you feel like you’re on the dock. In Santo Domingo I’d never be able to meet you like this, she says with great generosity. Almost all her conversations start with In Santo Domingo. She’s doing a year at the business school and for how much she gushes about Boston you can tell she misses the DR, would never live anywhere else.

Boston is really racist, you offer by way of orientation.

She looks at you like you’re crazy. Boston isn’t racist, she says. She also scoffs at the idea of racism in Santo Domingo.

So Dominicans
love
Haitians now?

That’s not about race. She pronounces every syllable. That’s about
nationality
.

Of course you end up in bed and it ain’t bad except for the fact that she never never comes and she spends a lot of time complaining about her husband. She takes, if you get my meaning, and soon you are squiring her around the city and beyond: to Salem on Halloween and one weekend to the Cape. No one ever pulls you over when you are with her or asks you for ID. Everywhere you two go she shoots fotos but never any of you. She writes her kids postcards while you’re in bed.

At the end of the semester she returns home. My home, not your home, she says tetchily. She’s always trying to prove you’re not Dominican. If I’m not Dominican then no one is, you shoot back, but she laughs at that. Say that in Spanish, she challenges and of course you can’t. Last day you drive her to the airport and there is no crushing
Casablanca
kiss, just a smile and a little gay-ass hug and her fake breasts push against you like something irrevocable. Write, you tell her, and she says, Por supuesto, and of course neither of you do. You eventually erase her contact info from your phone but not the pictures you took of her in bed while she was naked and asleep, never those.

Year 4

Wedding invitations from the ex-sucias start to arrive in the mail. You have no idea how to explain this berserkería. What the fuck, you say. You reach out to Arlenny for insight. She turns over the cards. I guess it’s what Oates said: Revenge is living well, without you. Fuck Hall and Oates, Elvis says. These bitches think we’re bitches. They think we’re gonna give a shit about vaina like this. He peers at the invite. Is it me or does every Asian girl on the planet marry a white guy? Is it written on the genes or something?

That year your arms and legs begin to give you trouble, occasionally going numb, flickering in and out like a brownout back on the Island. It is a strange pins-and-needles feeling. What the fuck is this? you wonder. I hope I’m not dying. You’re probably working out too hard, Elvis says. But I’m not really working out at all, you protest. Probably just stress, the nurse at emergency care tells you. You hope so, flexing your hands, worrying. You really do hope so.

March you fly out to the Bay to deliver a lecture, which does not go well; almost no one shows up beyond those who were forced to by their professors. Afterward you head alone to K-town and gorge on kalbi until you’re ready to burst. You drive around for a couple of hours, just to get a feel of the city. You have a couple of friends in town but you don’t call them because you know they’ll only want to talk to you about old times, about the ex. You have a sucia in town too and in the end you call her but when she hears your name she hangs up on your ass.

When you return to Boston the law student is waiting for you in the lobby of your building. You are surprised and excited and a little wary. What’s up?

It’s like bad television. You notice that she has lined up three suitcases in the foyer. And on closer inspection her ridiculously Persian-looking eyes are red from crying, her mascara freshly applied.

I’m pregnant, she says.

At first you don’t register it. You joke: And?

You
asshole
. She starts crying. It’s probably your stupid fucking kid.

There are surprises and there are surprises and then there is this.

You don’t know what to say or how to act, so you bring her upstairs. You lug up the suitcases despite your back, despite your foot, despite your flickering arms. She says nothing, just hugs her pillow to her Howard sweater. She is a Southern girl with supremely straight posture and when she sits down you feel as if she’s preparing to interview you. After serving her tea you ask: Are you keeping it?

Of course I’m keeping
it
.

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