The Wrong Woman (22 page)

Read The Wrong Woman Online

Authors: Charles D Stewart

BOOK: The Wrong Woman
2.34Mb size Format: txt, pdf, ePub

"I am mighty glad you said that," he offered. "I was afraid you might have to
leave. That's why I wanted you to pass."

"And that's why I
wanted
to pass, too," she said.

Now that the coast was clear they resumed their confessions. At times they
sat in silence, holding hands.

As the time approached when they ought to start back, they were reminded to
make more definite plans. He would take her to Merrill, leave the horse and
buggy there, and come home to Thornton on the night train. On the following day
he would come down with one of his own horses to get the buggy and she could
ride up "home" with him and catch the early train back.

"I want you to come up right away and look over the house and get acquainted
with the neighborhood."

"Are we going to have nice neighbors?" she asked.

"First-class. A mighty fine lot of folks. They 'll all put themselves out to
accommodate you. I think you 'll like them."

"Oh, I know I shall," she answered.

"And I 'll have something I want to give you, too. And we can talk things
over and make up our minds about the date. I don't see any use in waiting a long
time, do you?"

"Wellno; not too long. But of course there are quite a number of things that
need to be done first."

"Yesof course," he mused. "Quite a number of things that have to be done.
And there 's the license to get, too," looking up suddenly at the court-house.

"What!right now?"

"We might as well get it while we 're right here, don't you think? I might
have to come out here after it anywayand maybe the Comanche would be up and on
a rampage. Here we are right now. And there's the court-house."

"It does seem the most sensible wayof course. You had better do whatever you
think best."

Upon receiving this commission he arose and proceeded for the license. As he
set foot upon the court-house steps he paused and looked back at her. He was
straight as a ramrod; there was self-confidence in his carriage and pride in his
mien.

"I 'll bet ten dollars
I 'll
pass," he said.

 

 

 

CHAPTER XII

Susie's mashe who made the "real Northern" piewas busy in her kitchen. A
dishpanful of dough, which had risen till it overhung the edges of the pan,
indicated that it was high time to knead a batch of bread. She was just clearing
the table with this end in view when she heard a familiar sound in the distance,
and going to the window she saw that Jonas Hicks was at home again. He turned
loose his "string," now reduced to two yoke, and went into the house.

While it was no unusual thing for Jonas to go into the house, it was seldom
that he stayed long, for which reason Mrs. Berry tarried at the window in
expectation of getting another sight of him. While she was thus waiting she saw
Mrs. Harmon making her way across the open. Evidently she was bound for Jonas's
house. She had hardly reached the door when Mrs. Norton and Kitty Wright made
their appearance on Claxton Road, arm in arm. They turned off the road and bent
their steps in the same direction. In a little while Mrs. Plympton and another
of her aristocratic neighbors issued forth and joined company, walking faster.
They too struck out across the common. What might this mean?

To Mrs. Berry, who knew nothing of the unreturned rockery, and nothing of the
mysterious doings of Steve Brown, this was a question which called for an
answer.

Evidently it was no preconcerted move. Mrs. Berry, being a woman, could see,
from various indications of dress and manner, that each of them was going simply
because she had seen the other do so, and this was reason enough; but still,
behind it all, there must have been some original reason; and what was it?

Mrs. Berry proceeded to the kitchen and faced her work. She addressed her
remarks particularly to the dough.

"Well, I guess I can just let my work go for
once
in my life," she
said. She spread out her hands and pushed down the dough till it was about half
its former size. "There, now," she said. "Rise again."

Donning a clean apron and her best hat, and giving Susan some parting
instructions, she opened the door and set forth for the common destination. Mrs.
Berry had the courage of her curiosity. She was not meddlesome, but only
interested; and as there was nothing whatever between her and what she saw in
the world,not even an education,she dealt with life in her own resourceful
way. Mrs. Berry was a "railroad widow"; she supported herself and Susan by
ceaseless industry helped out by a small income received from "the Company" when
her husband was killed in the faithful discharge of his duty.

By the time she had put in her appearance at Jonas's ever-open door, the
ladies had come to a period in their conference with Jonas and now they were
engaged in expressing various sorts of surprise. They were quite astonished at
somethingwhatever the nature of it might be.

"Yes, she had on that kind of a hat," Jonas was saying. "But she ain't any
woman from around here. She is a school-teacher and educated. I know her."

There was another chorus of "I declare!" which came to a stop as Mrs. Berry
rapped on the door-jamb; then all reference to their business was dropped as
they welcomed her in and made the usual polite inquiries regarding herself and
little Susan. Mrs. Berry seated herself in the proffered chair without any
reference to what the nature of her own errand might have been. When it was seen
that she had settled down to stay, Mrs. Harmon took in hand to make everything
plain and open. They had just received news that Mr. Brown was engaged to be
married. It was this, Mrs. Harmon explained, that they had all been talking
over, and they were all very much delighted. Mrs. Berry, on her part, was not a
whit less interested in such things than the rest of them; she expressed her
opinion that it was really the best thing for a man to do. With which sentiment
they all agreed. Then Jonas spoke.

"You see, Mrs. Berry," he said, "Steve and the young lady passed me on the
road coming in from the ranch; and they stopped and told me all about it. They
just got engaged to-day."

"Oh, indeed," said Mrs. Berry. And then she created consternation by a most
embarrassing question. "And were you all expecting it?"

"Wellyes. We rather
suspected
it, you know," put in Mrs. Harmon,
viewing her benignly. "We heard in a roundabout way that Mr. Brown was paying
attention to a young lady."

This crisis safely passed, gossip revived and took on new life, in the course
of which Mrs. Berry gathered a few details regarding the bride-elect. Talk had
not proceeded far, however, when Mrs. Harmon rose and stationed herself behind
Jonas's kitchen table.

"Ladies," she said, "I think that, just at this time, and while we are all
together, we had better call a meeting of the Circle." She took up Jonas's
long-handled batter-spoon and rapped three times on the table. The result was
that they all sat up a little straighter and came to order. "As you are all
aware," she continued, "the business of our last meeting was left in a rather
unfinished and unsatisfactory state. It has just occurred to me that there is a
little point that ought to be taken up promptly and brought to a general
understanding. I would suggest that anything in our last meeting which might be
of aStar Chamber naturebe expunged from the records, verbal and otherwise. In
every sense I meanentirely. Will some one make a motion to that effect?"

Kitty Wright arose to the occasion.

"I move," she said, "that the proceedings of the last meeting be expunged.
And that it be understood that it be considered a permanent meeting of the
committee of the whole behind closed doors. Also that it be understood that any
membersuch as Mrs. Plympton, for instanceis entitled to vote now, and make
inquiries from any of her sisters, at any time, regarding the nature of the
present parliamentary vocabulary."

"Second the motion," said Mrs. Plympton.

"Moved and seconded that the last meeting be of the aforesaid nature."

The motion was carried.

"And now," said Mrs. Harmon, rapping again with the spoon, "as this little
matter is tended to, I think it no more than proper, in view of the pleasant
news we have just received, that we turn our attention, while the opportunity
offers, to an
entirely different
matter." Here she turned a wary glance
in the direction of the much-mystified Mrs. Berry. "While we are all here I
think it would be a matter of pleasure to all concerned that we make some plans
for the proper treatment of the young lady who is going to settle among us.
Possibly we could do something to entertain her and make her feel at home. If
any of you have an idea on which we could act, motions to that effect will now
be in order."

"Mrs. President," said Kitty Wright, rising to her feet, "I think that would
be just lovely. I move that when Miss Smith arrives to-morrow she be invited to
a chicken dinner at the home of our worthy President; and that two members of
the Circle be invited, including myself."

"Second the motion," said Mrs. Norton.

"Moved and seconded that the young lady and her escort be invited to dinner
at the home of the President, and that Mrs. Wright and Mrs. Norton include
themselves. Are you ready for the question?"

"Question."

The motion was carried.

"Mrs. President," said Mrs. Plympton, rising and receiving recognition, "I
understand from the information that has been conveyed to us by Mr. Hicks, that
the wedding is not likely to be put off to a very late day. It may occur very
soon; therefore any plans that we may have in that regard ought to be set in
motion at once. Now, I have just been thinking that I have those fifty Japanese
lanterns which we used in the lawn festival. I move that a committee be
appointed, at the pleasure of the President, to begin arrangements for
celebrating the return of the bridal couple with a reception
al fresco
in
our peach orchard. And that the Colonel be notified to have his barn in
readiness for another dance."

The motion was seconded and carried by extra unanimous vote.

Mrs. Harmon paused a moment before bringing the meeting to an end. While she
was hesitating a chair scraped behind her and Mrs. Berry took the floor.

"I don't know as I belong to this here Circle," said Mrs. Berry, "but anyway
I guess I belong to the Square." A murmur of approval showed that they
appreciated this view, referring as it did to that rectangular neighborhood
surrounding Jonas's twenty acres. "I guess I belong to the Square. And I have
just been thinking that as long as Mr. Brown has been living alone around that
house he has probably got it into a pretty bad mess. Most likely the kitchen is
a sight and the place is all out of order. Somebody ought to go over and sweep
and dust and scrub and red things up. If the young lady was to come along
to-morrow and see things like that she would think we was a
pretty
sort
of a neighborhood. I move and second that I go and do it."

Without a dissenting vote, this motion was carried.

Mrs. Harmon was about to declare the meeting adjourned; but she paused with
her spoon in the air. "Mr. Hicks," she said, turning her head in his direction,
"I believe you understand about the rockery?"

"Yes," replied Jonas, rising. "I 'll tend to that all right. I 'll get them
back and fixed just the same as before. And as long as everybody is bearing
witness, I might as well do the same, as the cat said when she got caught in the
mousetrap. Most likely, if Steve has been hauling things around in that house,
there will be lots of heavy lifting and tall reaching that needs to be done; so
if Mrs. Berry is going over there to fix up I guess I 'll go along too."

Upon this the batter-spoon came down and the meeting was declared adjourned.
But though it was adjourned, it did not immediately dispersewomen's meetings
seldom do. Such delightful duties being in the air, they had to be dwelt upon
and enlarged, and Jonas had to bring forth further details of his favorable
impressions of the young lady. And did he do her justice? Did he let them
understand how well-bred and refined and good-looking she was? Did he, in short,
convey the information that she was just about the sweetest and most delightful
and charming young lady that ever set foot on the soil of Texas? I think, dear
reader, that we may safely intrust that duty to Mr. Jonas Hicks.

 

 

 

 

***END OF THE PROJECT GUTENBERG EBOOK THE WRONG WOMAN***

******* This file should be named 22140-h.txt or 22140-h.zip *******

This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/2/2/1/4/22140

Updated editions will replace the previous one--the old editions will be
renamed.

Creating the works from public domain print editions means that no one owns a
United States copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and without paying
copyright royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project Gutenberg-tm
electronic works to protect the PROJECT GUTENBERG-tm concept and trademark.
Project Gutenberg is a registered trademark, and may not be used if you charge
for the eBooks, unless you receive specific permission. If you do not charge
anything for copies of this eBook, complying with the rules is very easy. You
may use this eBook for nearly any purpose such as creation of derivative works,
reports, performances and research. They may be modified and printed and given
away--you may do practically ANYTHING with public domain eBooks. Redistribution
is subject to the trademark license, especially commercial redistribution.

*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected]. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://www.gutenberg.org/about/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
[email protected]
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://www.gutenberg.org/fundraising/pglaf
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://www.gutenberg.org/fundraising/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.
Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org/
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date. If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.
http://www.gutenberg.org/dirs/etext06/
(Or /etext 05, 04, 03, 02, 01, 00, 99,
98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way. The year of a release date is no longer part
of the directory path. The path is based on the etext number (which is
identical to the filename). The path to the file is made up of single
digits corresponding to all but the last digit in the filename. For
example an eBook of filename 10234 would be found at:
http://www.gutenberg.org/dirs/1/0/2/3/10234
or filename 24689 would be found at:
http://www.gutenberg.org/dirs/2/4/6/8/24689
An alternative method of locating eBooks:
http://www.gutenberg.org/dirs/GUTINDEX.ALL
*** END: FULL LICENSE ***

Other books

EDGE by Koji Suzuki
Camelback Falls by Jon Talton
Lessons in Indiscretion by Karen Erickson
Dragon Blood 5: Mage by Avril Sabine
Jingle Spells by Vicki Lewis Thompson
Beginner's Luck by Len Levinson
The Big Rewind by Libby Cudmore
Go Fetch ! by Shelly Laurenston
Oathblood by Mercedes Lackey