The Writer and the World (75 page)

And virtue was its own reward. When Bunker Hunt was given a hand up to the platform it was to announce that the gala had attracted 1,650 paying guests, and not the four hundred or so he and NCPAC had been hoping for in the beginning. After clearing expenses, more than a million dollars had been raised from that tentful of people that evening for NCPAC’s American Heroes for Reagan project.

It was a staggering figure. A middle-aged photographer at our press table became very excited. He had no friend or colleague with him, and he needed to talk to someone. He said across the dark table, “I got a picture of Jerry Falwell on the longhorn. I never thought I would get a picture like that. Got a picture of Bunker too. Bunker was walking and he saw a fork on the grass. He
bent down.
He bent down and picked that fork up and put it in his pocket and he said, ‘That’s the way you save money.’”

A brush with the great, a story that was already a fable.

A
ND IT WAS IN THAT ATMOSPHERE
of success and communal self-congratulation that the NCPAC film “Ronald Reagan’s America” was screened. We at our press table saw it back to front. The screen had been put up in front of us, separating us from the million-dollar nobs.

The film opened with shots of John Wayne. It made him a great American figure, a figure of history almost, rather than a mere modern actor. The message was that all Americans who were positive and did jobs and served the land were like Wayne, were heroes. The subliminal message was that Wayne had been reincarnated in Mr. Reagan. The acting career that might have been an embarrassment in Mr. Reagan’s early political days now worked to his advantage. Americanism had become the conservative cause; and Americanism was most easily grasped, most ideal, and most sentimental (sentimentality being important to any cause of the right), in comic books (“The Justice Society of America”) and the lesser cinema.

S
UCH WEALTH
and power; such science and organization, so prodigally used even for the one-night theatre of the Texas Gala. Such glitter, on the drive back to Dallas. But the greater the success and the greater the promise, the more painful the idea that it might all somehow go. And it was of this idea of threat—the other side of conservative sentimentality—that Ed Jenkins spoke the next morning in the NCPAC room at the Sheraton-Dallas Hotel.

Andrew and I went together. We spoke to Ed Jenkins because at that early hour he was the only senior person there. He was immediately warm, open, anxious to help. He left his literature-stacked counter and sat with us at a round table. He even, at my nervous request, turned down the sound of “Ronald Reagan’s America”—that film seemed to be running all the time near the front desk, perhaps to draw the crowds in.

Ed Jenkins was thirty-two. He worked full-time for the Conservative Alliance, one of the groups within NCPAC. The NCPAC chairman was also the National Director of the Conservative Alliance. The Conservative Alliance (CALL) had a project, the National Coalition for America’s Survival (NCAS), and this was running a Human Rights and National Survival Program (HRNSP). It was on HRNSP that Ed Jenkins was concentrating; and a press kit gave the “basic concept”: “The United States government must stop giving the Soviets and other Communist governments the technology, credit, money and security to violate human rights and commit other acts against God and mankind.”

Ed Jenkins said of CALL, “Our first aim is to stop communism.
And
turn it back. We feel it shouldn’t exist. We feel all the world should be as free as we are.” They were particularly concerned about the transfer of high technology to Russia.

And yet the movement had had simpler, even domestic, beginnings. “It was founded seven years ago. It used to be called ‘Conservatives Against Liberal Legislation.’ The name was changed this year. It was founded to fight the ramming-through of liberal legislation.” And by that Ed Jenkins meant busing, mainly. “The people of the United States did not want busing.” Busing brought misery to many families; Ed Jenkins had a sister who—though she had moved an hour-and-a-half’s drive away from the town where her husband worked—was still tormented by busing.

“There was this group in the country who were fleeing from their own government. Unknown to themselves, they were starting this movement.
I know that I was going to private school at the time and I can remember the desperation of parents—they were trying to get away from something.”

I
DON’T THINK
Andrew was a conservative. But as Ed Jenkins spoke about busing—so far from the subject of HRNSP and the Russians, and yet it was possible to see the logic of the political journey, especially to an idealist who might be unwilling to beat a racial drum or even acknowledge racial passions—as Ed Jenkins spoke, I saw that Andrew, for all his writer’s coolness, and even with his academic background, was sympathetic, and responding. Andrew, from New Jersey, understood perfectly what Ed Jenkins was talking about.

It was because of busing that people began sending their children to church schools, Ed Jenkins went on. It was because of busing that religious fundamentalism became respectable.

So here, sixteen years later, was unexpected confirmation of what Eldridge Cleaver had written in
Soul on Ice
: “A broad national consensus was developed over the civil rights struggle … The task which the new right has feverishly undertaken is to erode and break up this consensus, something that is a distinct possibility since the precise issues and conditions which gave birth to the consensus no longer exist.”

Ed Jenkins said: “I should say that before this, fundamentalists were not political. The idea people had of them was that they were not an important force in this country. But you must also understand that the New Right is not just a fundamentalist movement. It’s
all
people. But the fundamentalist movement is a very important part of it. I’m not a fundamentalist, but I have a lot of respect for it.

“I belong to the Episcopalian Church myself. It’s one of the mainline churches in the United States, but I left it. I left it because when I went there I did not hear religion. I heard our priest rail against our government and the injustices of our society and Vietnam. He would tell us that the United States was an imperialist power and that our soldiers were killing women and children. At this point I had three brothers-in-law in Vietnam—two of them didn’t come back.

“The change was so dramatic, so subtle. I think that the liberalism that America embraced in the late Sixties and early Seventies created the power base of the right today.

“I left the church, as I told you, because my priest had decided that religion had to become a social movement. These mainline churches—like the Episcopalians—were actually becoming a part of the government. And to them if a fundamentalist church became involved with something political they were a bunch of nuts. But as long as it was a mainline church sending priests—on our money—down to Selma, Alabama, to be involved in violence, that was a social cause, and not a political cause.”

And now, without any prompting from Andrew or me, Ed Jenkins began to talk about his family history. It was part of his openness. It was also his response to our interest in him.

“My father was very conservative. He grew up in Akron, Ohio. He was the son of a very poor family. Irish and Welsh. On my mother’s side there is some German and Dutch. My father was probably the stereotypical American. He worked his way through high school, college. He usually had three jobs. He graduated in journalism because he couldn’t afford medical school. But he went back and he eventually became a doctor. When he was twenty-seven, twenty-eight, twenty-nine. He started with nothing. He died at the age of fifty-seven from overwork. But he had done the two things he had set out to do. Not just become a doctor, but the best doctor he could be. And, two, make sure his children would never have to go through what he had to go through. He would tell me stories, with his mother there, how when he was growing up they would have meat maybe once a week—and he was an only child. Because they were poor my father wasn’t—I wouldn’t say malnutritioned—but he didn’t get the vitamins, the food he needed, and because of that he was very frail and very small all his life.”

Ed Jenkins was not frail; but he had inherited something of his father’s small stature.

Andrew, who was partly Russian, asked: “Your grandfather?”

“He was a factory worker. When he could get work. My grandfather played on the first football team in America. He died very poor. Those people on the early teams made no money. My grandmother could remember being so ecstatic—it was very early on—because there was a championship game, and each member of the winning team was going to
get five
dollars.”

•   •   •

F
ROM ONE POINT
of view, this was a story of deprivation in a land of plenty; in many countries it might have provoked anger. But from another point of view the story was of a rise: grandfather a factory worker, father a doctor. That was how Ed Jenkins looked on it. “It was instilled from birth that anybody could do anything in the world they wished, that if they had the desire and the will there was nothing to stop them. That was the beauty of America. I can remember other neighbours’ kids getting in trouble for different things and getting spanked. The worst thing anyone in our family could do was
not doing our best
, whether it was cutting the grass or studying at school.”

Andrew said, “You got spanked for that?”

“Yes.”

I asked, “When did your father die?”

“In 1967, just before I turned sixteen. My father was opposed to what the government was doing. He felt our government was creating a welfare state, which he said is a mild way of saying ‘socialistic’ On top of that he felt our government was backing down to the communists. He believed that the communists fully planned to take over the entire world. He was a Goldwater Republican until he went to the convention. I went with him. I was twelve.”

So Ed Jenkins was introduced at an early age not only to formal politics, but also—in the middle of his family’s success—to the idea of threat, instability (new horrors replacing the old), the idea of a world barely mastered being taken away again.

“I felt the government was destroying the fabric of America, destroying what made America great.”

But when was that good time, that secure period?

“People sometimes ask me who was the last great president. Some say Kennedy. I don’t think so. At the risk of appearing narrow-minded, I say Teddy Roosevelt. He was a fighter, he was stubborn. He was almost a salesman for America. America was the greatest country in the world and he was willing to go to any lengths to prove it. And he had the qualities I was brought up on—that you do the best you can, whatever it is—and the one thing you can say about Teddy is that when he took on a job he did it with a gusto, a love of life. He
lovedlife.
And he loved America.”

Ed Jenkins had gone to work for the Conservative Alliance for one year, and stayed for four. It was a financial sacrifice, but he considered it
good and necessary. “Just as my father was worried about his children, I am worried about mine.”

Andrew, who was more impressed by Ed Jenkins than he thought he would be, said later, “That story of poverty and struggle is something many people of the right tell.”

Andrew was right. Early poverty was the theme of two of the convention speeches that evening. Senator Domenici told of his poor grocer father in New Mexico. Mr. Hill, a black Baptist pastor, told of sleeping in a pigpen in Dallas in 1947. It caused some heartburn that the pigpen speech wasn’t taken by the networks. It would have been politically very powerful.

D
URING
the convention one of the publications distributed was the
Presidential Biblical Scoreboard.
This purported to give (from various sources) the presidential and vice-presidential candidates’ attitudes to a variety of issues—abortion, homosexuality, women’s rights, pedophilia, pornography, the nuclear freeze, prayers in schools. Just as all these issues were seen as “Biblical” issues, so they all appeared to be aspects of one big issue of right and wrong, requiring only a particular kind of faith.

Mr. Reagan didn’t come out too badly in the
Scoreboard.
Once, before he became president, he was asked by a reporter, “Governor, whom are you patterning your life after?” Mr. Reagan said, “Oh, that’s very easy. The man from—” After all the shots of John Wayne in “Ronald Reagan’s America,” and the emphasis on Mr. Reagan’s own film past, one might have expected Mr. Reagan to say, “The man from Laramie.” But what he said was, “The man from Galilee.” And, oddly, during the convention week, the two did not seem dissimilar. The pervading sentimentality—about old America, the old faith, the West (or the western), old films, old stars—had brought the two ideas together, and almost without blasphemy. Mr. Reagan, running together his three roles—actor, politician, old-fashioned Christian—had made himself into a formidable political personality. He answered many needs; many people of the many-featured right could read their fantasies in him. He was an actor: an actor could say very little, and still stand for a lot.

On Wednesday, at the convention center, after the pigpen speech (delivered in a hectoring, Baptist way), there was a film about Mrs. Reagan. She was shown unveiling a plaque to her surgeon father and appearing
to sob. There was something about her acting career. Frank Sinatra sang the song about Nancy. Mr. Reagan said with emotion, “I don’t know what I’d do without her.” And in the end they walked off down a slope into a wood.

The lights went on and there was applause. We had a surprise. The film was not a substitute for Mrs. Reagan’s presence. Mrs. Reagan had been brought in during the screening of the film and was now on the podium, in white. We had a further surprise: on the big screen at the back there wasn’t a big picture of Mrs. Reagan, but a live view of Mr. Reagan in his room at Trammell Crow’s Anatole Hotel. Mrs. Reagan waved at the big screen. For a second or so Mr. Reagan seemed bemused, but then he started waving back. It was a great moment of family theatre. And it was enough. It was what the delegates needed. All that was required of Mr. Reagan now was his presence. And that was what we got on the last day.