The Waste Lands

Table of Contents

 

 

 

In 1978, Stephen King introduced the world to the last gunslinger, Roland of Gilead. Nothing has been the same since. More than twenty years later, the quest for the Dark Tower continues to take readers on a wildly epic ride. Through parallel worlds and across time, Roland must brave desolate wastelands and endless deserts, drifting into the unimaginable and the familiar. A classic tale of colossal scope—crossing over terrain from
The Stand, The Eyes of the Dragon, Insomnia, The Talisman, Black House, Hearts in Atlantis,’Salem’s Lot
, and other familiar King haunts—the adventure takes hold with the turn of each page.

 

 

 

 

Roland, the last gunslinger, moves ever closer to the Dark Tower of his dreams and nightmares as he travels through city and country in Mid-World—a macabre world that is a twisted image of our own. With him are those he has drawn to this world: street-smart Eddie and courageous, wheelchair-bound Susannah.

 

Ahead of him are mind-bending revelations about who and what is driving him. Against him is arrayed a swelling legion of foes—both more and less than human. . . .

 

—
Chicago Sun-Times

NOVELS

 

Carrie
’Salem’s Lot
The Shining
The Stand
The Dead Zone
Firestarter
Cujo

 

THE DARK TOWER I:
The Gunslinger
Christine
Pet Sematary
Cycle of the Werewolf
The Talisman
(with Peter Straub)
It
The Eyes of the Dragon
Misery
The Tommyknockers

 

THE DARK TOWER II:
The Drawing
of the Three

 

THE DARK TOWER III:
The Waste Lands
The Dark Half
Needful Things
Gerald’s Game
Dolores Claiborne
Insomnia
Rose Madder
Desperation
The Green Mile

 

THE DARK TOWER IV:
Wizard and Glass
Bag of Bones
The Girl Who Loved
Tom Gordon
Dreamcatcher
Black House
(with Peter Straub)
From a Buick 8

 

 

AS RICHARD BACHMAN
Rage
The Long Walk
Roadwork
The Running Man
Thinner
The Regulators

 

COLLECTIONS
Night Shift
Different Seasons
Skeleton Crew
Four Past Midnight
Nightmares and
Dreamscapes
Hearts in Atlantis
Everything’s Eventual

 

NONFICTION
Danse Macabre
On Writing

 

SCREENPLAYS
Creepshow
Cat’s Eye
Silver Bullet
Maximum Overdrive
Pet Sematary
Golden Years
Sleepwalkers
The Stand
The Shining
Rose Red
Storm of the Century

SIGNET

Published by New American Library, a division of Penguin Putnam Inc., 375 Hudson Street, New York, New York 10014, U.S.A.

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)

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Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R ORL, England

 

 

First Signet Printing, January 1993
First Signet Printing (King Introduction), September 2003

Copyright © Stephen King, 1991, 2003

Illustrations copyright © Ned Dameron, 1991
All rights reserved

 

REGISTERED TRADEMARK—MARCA REGISTRADA

 

 

Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

 

PUBLISHER’S NOTE

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

The publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content.

 

 

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eISBN : 978-1-101-15861-6

This third volume of the tale
is gratefully dedicated to my son
OWEN PHILIP KING:
Khef, Ka,
and
Ka-tet.

Hobbits were big when I was nineteen (a number of some import in the stories you are about to read).

There were probably half a dozen Merrys and Pippins slogging through the mud at Max Yasgur’s farm during the Great Woodstock Music Festival, twice as many Frodos, and hippie Gandalfs without number. J.R.R. Tolkien’s
The Lord of the Rings
was madly popular in those days, and while I never made it to Woodstock (say sorry), I suppose I was at least a halfling-hippie. Enough of one, at any rate, to have read the books and fallen in love with them. The
Dark Tower
books, like most long fantasy tales written by men and women of my generation (
The Chronicles of Thomas Covenant
, by Stephen Donaldson, and
The Sword of Shannara,
by Terry Brooks, are just two of many), were born out of Tolkien’s.

But although I read the books in 1966 and 1967, I held off writing. I responded (and with rather touching wholeheartedness) to the sweep of Tolkien’s imagination—to the ambition of his story—but I wanted to write my own kind of story, and had I started then, I would have written his. That, as the late Tricky Dick Nixon was fond of saying, would have been wrong. Thanks to Mr. Tolkien, the twentieth century had all the elves and wizards it needed.

In 1967, I didn’t have any idea what my kind of story might be, but that didn’t matter; I felt positive I’d know it when it passed me on the street. I was nineteen and arrogant. Certainly arrogant enough to feel I could wait a little while on my muse and my masterpiece (as I was sure it would be). At nineteen, it seems to me, one has a right to be arrogant; time has usually not begun its stealthy and rotten subtractions. It takes away your hair and your jump-shot, according to a popular country song, but in truth it takes away a lot more than that. I didn’t know it in 1966 and ’67, and if I had, I wouldn’t have cared. I could imagine—barely—being forty, but fifty? No.
Sixty?
Never! Sixty was out of the question. And at nineteen, that’s just the way to be. Nineteen is the age where you say
Look out, world, I’m smokin’ TNT and I’m drinkin’ dynamite, so if you know what’s good for ya, get out of my way—here comes Stevie.

Nineteen’s a selfish age and finds one’s cares tightly circumscribed. I had a lot of reach, and I cared about that. I had a lot of ambition, and I cared about that. I had a typewriter that I carried from one shit-hole apartment to the next, always with a deck of smokes in my pocket and a smile on my face. The compromises of middle age were distant, the insults of old age over the horizon. Like the protagonist in that Bob Seger song they now use to sell the trucks, I felt endlessly powerful and endlessly optimistic; my pockets were empty, but my head was full of things I wanted to say and my heart was full of stories I wanted to tell. Sounds corny now; felt wonderful then. Felt very cool. More than anything else I wanted to get inside my readers’ defenses, wanted to rip them and ravish them and change them forever with nothing but story. And I felt I could do those things. I felt I had been
made
to do those things.

How conceited does that sound? A lot or a little? Either way, I don’t apologize. I was nineteen. There was not so much as a strand of gray in my beard. I had three pairs of jeans, one pair of boots, the idea that the world was my oyster, and nothing that happened in the next twenty years proved me wrong. Then, around the age of thirty-nine, my troubles set in: drink, drugs, a road accident that changed the way I walked (among other things). I’ve written about them at length and need not write about them here. Besides, it’s the same for you, right? The world eventually sends out a mean-ass Patrol Boy to slow your progress and show you who’s boss. You reading this have undoubtedly met yours (or will); I met mine, and I’m sure he’ll be back. He’s got my address. He’s a mean guy, a Bad Lieutenant, the sworn enemy of goofery, fuckery, pride, ambition, loud music, and all things nineteen.

But I still think that’s a pretty fine age. Maybe the best age. You can rock and roll all night, but when the music dies out and the beer wears off, you’re able to think. And dream big dreams. The mean Patrol Boy cuts you down to size eventually, and if you start out small, why, there’s almost nothing left but the cuffs of your pants when he’s done with you. “Got another one!” he shouts, and strides on with his citation book in his hand. So a little arrogance (or even a lot) isn’t such a bad thing, although your mother undoubtedly told you different. Mine did.
Pride goeth before a fall, Stephen
, she said . . . and then I found out—right around the age that is 19 x 2—that eventually you fall down, anyway. Or get pushed into the ditch. At nineteen they can card you in the bars and tell you to get the fuck out, put your sorry act (and sorrier ass) back on the street, but they can’t card you when you sit down to paint a picture, write a poem, or tell a story, by God, and if you reading this happen to be very young, don’t let your elders and supposed betters tell you any different. Sure, you’ve never been to Paris. No, you never ran with the bulls at Pamplona. Yes, you’re a pissant who had no hair in your armpits until three years ago—but so what? If you don’t start out too big for your britches, how are you gonna fill’em when you grow up? Let it rip regardless of what anybody tells you, that’s my idea; sit down and
smoke
that baby.