The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) (198 page)

The manor-house, it was said, had been built in the reign of Henry the Seventh. It was mossed and lichened with antiquity; and there was a hint of beginning dilapidation in the time-worn stone of the walls. The formal garden had gone a little wild from neglect; the trimmed hedges and trees had taken on fantastic sprawling shapes; and evil, poisonous weeds had invaded the flower-beds. There were statues of cracked marble and verdigris-eaten bronze amid the shrubbery; there were fountains that had long ceased to flow; and dials on which the foliage-intercepted sun no longer fell. About it all there hung an air of shadow-laden time and subtle decadence. But though he had never known anything but the primitive Australian environment, Hagdon found himself quite at home in this atmosphere of Old World complexities—an atmosphere that was made from the dissolving phantoms of a thousand years, from the breathings of dead men and women, from loves and hates that had gone down to dust. Contrary to his anticipations, he felt no nostalgia whatever for the remote land of his birth and upbringing.

Sir Roderick came to love the sunless gardens and the overtowering yews. But, above and beyond these, he was fascinated by the manor-house itself, by the hall of ancestral portraits and the dark, dusty library in which he found an amazing medley of rare tomes and manuscripts. There were many first editions of Elizabethan poets and dramatists; and mingled with these in a quaint disorder, were antique books on astrology and conjuration, on demonism and magic. Sir Rodereck shivered a little, he knew not why, as he turned the leaves of some of these latter, volumes, from whose ancient vellum and parchment arose to his nostrils an odor that was like the mustiness of tombs. He dosed them hastily; and the first editions were unable to detain him; but he lingered long over certain genealogies and manuscript records of the Hagdon family filled with a strange eagerness to learn as much as he could concerning these shadowy forbears of his.

In going through the records, he was struck by the brevity of the mention accorded to a former Sir Roderick Hagdon, who had lived in the early Seventeenth Century. All other members of the direct line had been dealt with at some length; their deeds, their marriages, and their various claims to distinction (often in the role of soldiers or scholars) were usually set forth with a well-nigh vainglorious unction. But concerning Sir Roderick, nothing more was given than the bare dates of his birth and death, and the fact that he was the father of one Sir Ralph Hagdon. No mention whatever was made of his wife.

Though there was no obvious reason for more than a passing surmise, the present Sir Roderick wondered and speculated much over these singular and perhaps sinister omissions. His curiosity increased when he found that there was no portrait of Sir Roderick in the gallery, and none of his mysterious unnamed lady. There was not even a vacant place between the pictures of Sir Roderick's father and son, to indicate that there ever had been a portrait. The new baronet determined to solve the mystery, if possible: an element of vague but imperative disquietude was now mingled with his curiosity. He could not have analyzed his feelings; but the life and fate of this unknown ancestor seemed to take on for him a special significance, a concern that was incomprehensibly personal and intimate.

At times he felt that his obsession with this problem was utterly ridiculous and uncalled-for. Nevertheless, he ransacked the manor-house in the hope of finding some hidden record; and he questioned the servants, the tenants and the people of the parish to learn if there were any legendry concerning his namesake. The manor-house yielded nothing more to his search; and his inquiries met with blank faces and avowals of ignorance: no one seemed to have heard of this elusive Seventeenth Century baronet.

At last, from the family butler, James Wharton, an octogenarian who had served three generations of Hagdons, Sir Roderick obtained the clue which he sought. Wharton, who was now on the brink of senility, and had grown forgetful and taciturn, was seemingly ignorant as the rest; but one day, after repeated questioning, he remembered that he had been told in his youth of a secret closet behind one of the book-shelves; in which certain manuscripts and heirlooms had been locked away several hundred years before; and which, for some unknown reason, no Hagdon had ever opened since that time. Here, he suggested, something might be found that would serve to illumine the dark gap in the family history. There was a cunning, sardonic gleam in his rheumy eyes as he came forth with this tardy piece of information, and Sir Roderick wondered if the old man were not possessed of more genealogical lore than he was willing to admit. All at once, he conceived the disquieting idea that perhaps he was on the verge of some abominable discovery, on the threshold of things that had been forgotten because they were too dreadful for remembrance.

However, he did not hesitate: he was conscious of a veritable compulsion to learn whatever could be learned. The bookcase indicated built the half-senile butler was one which contained most of the volumes of demonism and magic. It was now removed; and Sir Roderick went over the uncovered wall inch by inch. After much futile fumbling, he located mod pressed a hidden spring, and the door of the sealed room swung Open.

It was little more than a cupboard, though a man could have concealed himself within it in time of need. Doubtless it had been built primarily for some such purpose. From out its narrow gloom the moldiness of dead ages rushed upon Sir Roderick, together with the ghosts of queer exotic perfumes such as might have poured from the burning of unholy censers in Satanic rites. It was an effluence of mystery and of evil, Within, there were several ponderous brazen-bound volumes of mediaeval date, a thin manuscript of yellowing parchment, and two portraits whose faces had been turned to the wall, as if it were unlawful for even the darkness of the sealed door to behold them. Sir Roderick brought the volumes, the manuscript and the portraits Forth to the light. The pictures, which he examined first, represented a pan and woman who were both in the bloom of life. Both were attired in Seventeenth Century costumes; and the new Sir Roderick did not doubt for a moment that they were the mysterious couple concerning whom the family records were so reticent.

He thrilled with a strange excitement, with a feeling of some momentous revelation that he could not wholly comprehend, as he looked upon them. Even at a glance, he saw the singular resemblance of the first Sir Roderick to himself—a likeness otherwise unduplicated in the family, which tended to an almost antinomian type. There were the same falcon-like features, the same pallor of brow and cheek, the same semi-morbid luster of eyes, the same bloodless lips that seemed to be carven from a marble that had also been chiselled for the long hollow eyelids. The majority of the Hagdons were broad and sanguine and ruddy; but in these two, a darker strain had repeated itself across the centuries. The main difference was in the expression, for the look of the first Sir Roderick was that of a man who has given himself with a passionate devotion to all things evil and corrupt; who has gone down to damnation through some inevitable fatality of his own being.

Sir Roderick gazed on the picture with a fascination that was partly horror, and partly the stirring of emotions which he could not have named. Then he turned to the woman, and a wild agitation overmastered him before the sullen-smiling mouth and the malign oval of the lovely cheeks. She, too, was evil, and her beauty was that of Lilith. She was like some crimson-lipped and honey-scented flower that grows on the brink of hell; but Sir Roderick knew, with the terror and fearful rapture of one who longs to fling himself from a precipice, that here was the one woman he might have loved, if haply he had known her. Then, in a moment of reeling and whirling confusion, it seemed to him that he known and loved her, though he could not remember when or where.

The feeling of eery confusion passed; and Sir Roderick began to examine the brass-bound volumes. They were written in a barbarous decadent Latin, and dealt mainly with methods and formulas for the evocation of such demons as Acheront, Amaimon, Asmodi and Ashtoreth, together with innumerable others. Sir Roderick shuddered at the curious drawings with which they were illuminated; but they did not detain him long. With a thrill of actual trepidation, like one who is about to enter some awful and unhallowed place, he took up the manuscript of yellowing parchment.

It was late afternoon when he began to read; and rays of dusty amber were slanting through the low panes of the library windows. As he read on, he gave no heed to the sinking of the light; and the last words were plain as runes of fire when he finished his perusal in the dusk. He closed his eyes, and could still see them:

"And Sir Roderick Hagdonne was now deemed a moste infamous warlocke, and hys Ladye Elinore a nefandous witche. . . . And both were burned at the stake on Hagdonne Common for their crimes against God and man. And their sorcerous deedes and practices were thought so foule a blotte on ye knighthoode of England, that no man speaks thereof, and no grandam tells the tale to the children at her knee. So, by God Hys mercy, the memorie of thys foulnesse shall haply be forgotten; for sorely itte were an ill thing that such should be recalled."

Then, at the very bottom of the page, there was a brief, mysterious footnote in a finer hand than the rest:

"There be those amid the thronge who deemed that they saw Sir Rodericke vanish when the flames leaped high; and thys, if true, is the moste damnable proof of hys compact and hys commerce with the Evil One. "

Sir Roderick sat for a long while in the thickening twilight. He was unstrung, he was abnormally shaken and distraught by the biographical record he had just read—a record that had been written by some unknown hand in a bygone century. It was not pleasant for any man to find a tale so dreadful amid the archives of his family history. But the fact that the narrative concerned the first Sir Roderick and his Lady Elinor was hardly enough to account for all the spiritual turmoil and horror into which he was plunged. Somehow, in a way that was past analysis, that was more intimate than his regard for the remote blot on the Hagdon name, he felt that the thing concerned himself also. A terrible nervous perturbation possessed him, his very sense of identity was troubled, he was adrift in a sea of abominable confusion, of disoriented thoughts and capsizing memories. In this peculiar state of mind, by an automatic impulse, he lit the floor-lamp beside his chair and began to re-read the manuscript.

Almost in the casual manner of a modern tale, the story opened with an account of Sir Roderick's first meeting, at the age of twenty-three, with Elinor D'Avenant, who was afterward to become his wife.

This time, as he read, a peculiar hallucination seized the new baronet It seemed to him that the words of the old writing had begun to waver and change beneath his scrutiny; that, under the black lines of script on yellowing parchment, the picture of an actual place was forming. The page expanded, the letters grew dim and gigantic; they seemed to fade out in midair, and the picture behind them was no longer a picture, but the very scene of the narrative. As if the wording were a necromantic spell, the room about him had vanished like the chamber of a dream; and he stood in the open sunlight of a windy moor. Bees were humming around him, and the scent of heather was in his nostrils. His consciousness was indescribably dual; somewhere, he knew, one part of his brain was still reading the ancient record; but the rest of his personality had become identified with that of the first Sir Roderick Hagdon. Inevitably, with no surprize or astonishment, he found himself living in a bygone age, with the perceptions and memories of an ancestor who was long dead.

"Now Sir Roderick Hagdonne, being in the flower of hys youth, became instantlie enamoured of the beauteous Elinore D'Avenant, whenas he mette her of an Aprile morn on Hagdonne heathe."

Sir Roderick saw that he was not alone on the moor. A woman was coming toward him along the narrow path amid the heather. Though clad in the conventional gown and bodice of the period, she was somehow foreign and exotic to that familiar English landscape. She was the woman of the portrait which, in a later life, as another Sir Roderick, he had found in a sealed room of the manor-house. (But this, like much else, he had now forgotten.) Walking with a languid grace amid the homely blossoms of the heath, her beauty was like that of some opulent and sinister lily from Saracenic lands. He thought that he had never seen any one half so strange and lovely.

He stood to one side in the stiff growth, and bowed before her with a knightly courtesy as she passed. She nodded slightly in acknowledgment, and gave him an unfathomable smile and an oblique flash of her dark eyes. From that time, Sir Roderick was her slave and her devotee: he stared after her as she disappeared on the curving slope, and felt the mounting of an irresistible flame in his heart, and the stirring of hot desires and curiosities. He seemed to inhale the spice of a languorous alien perfume with every breath of the homeland air, as he walked onward, musing with ingenuous rapture on the dark, enigmatic beauty of the face he had seen.

Now, in that queer necromantic dream, Sir Roderick seemed to live, or re-live, the events of an entire lustrum. Somewhere, in another existence, another self was conning briefly the paragraphs which detailed these events; but of this he was conscious only at long intervals, and then vaguely. So complete was his immersion in the progress of the tale (as if he had drunk of that Lethe which alone makes it possible to live again) that he was untroubled by any prevision of a future known to the Sir Roderick who sat re-reading an old manuscript. Even as it was written, he returned from the moor to Hagdon Hall with the vision of a fair stranger in his heart; he made inquiries concerning her, and learned that she was the daughter of Sir John D'Avenant, who had but recently received his knighthood for diplomatic services, and had now taken up his abode on the state near Hagdon that went with his title. Sir Roderick was now doubly impelled to call on his new neighbors; and his first visit was soon repeated. He became an open suitor for the hand of Elinor D'Avenant; and, after a wooing of several months, he married her