The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) (182 page)

BOOK: The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics)
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'Yes, master,' echoed the automaton. 'You are Maal Dweb, the all-wise, the all-powerful, and it is well that you have done these things.'

 

'However,' continued Maal Dweb, 'the repetition of even the most remarkable thaumaturgies can grow tiresome after a certain number of times. I do not think that I shall deal again in this fashion with any woman, or deal thus with any man. Is it not well, Mong Lut, that I should vary my sorceries in future? Am I not Maal Dweb, the all resourceful?'

 

'Indeed, you are Maal Dweb,' agreed the automaton, 'and it would no doubt be well for you to diversify your enchantments.'

 

Maal Dweb was not ill pleased with the answers that the automaton had given. He cared little for converse, other than the iron echoing of his metal servitors, who assented always to all that he said, and spared him the tedium of arguments. And it may have been that there were times when he wearied a little even of this, and preferred the silence of the petrified women, or the muteness of the beasts that could no longer call themselves men.

 

THE MAZE OF THE ENCHANTER

 

With no other light than that of the four diminutive moons of Xiccarph, each in a different phase but all decrescent, Tiglari had crossed the bottomless swamp of Soorm, wherein no reptile dwelt and no dragon descended - but where the pitch-black ooze was alive with continual heavings and writhings. He had carefully avoided the high causey of white corundum that spanned the fen, and had threaded his way with infinite peril from isle to sedgy isle that shuddered gelatinously beneath him. When he reached the solid shore and the shelter of the palm-tall rushes, he was equally careful to avoid the pale porphyry stairs that wound heavenward through dizzy, nadir-cleaving chasms and along glassy scarps to the ever-mysterious and terrible house of Maal Dweb. The causey and the stairs were guarded by those that he did not wish to meet: the silent, colossal iron servitors of Maal Dweb, whose arms ended in long crescent blades of tempered steel which were raised in implacable scything against any who came thither without their master's permission.

 

Tiglari's naked body was smeared from crown to heel with the juice of a jungle plant repugnant to all the fauna of Xiccarph. By virtue of this he hoped to pass unharmed the ferocious ape-like creatures that roamed at will through the cliff-hung gardens and halls of the Tyrant. He carried a coil of woven root-fiber, wonderfully strong and light, and weighted with a brazen ball at one end, for use in climbing the mountain. At his side, in a sheath of chimera-skin, he wore a needle-sharp knife that had been dipt in the mortal poison of winged vipers.

 

Many, before Tiglari, with the same noble dream of tyrannicide, had attempted to cross the pitchy fen and scale the forbidding scarps. But none had returned; and the fate of such as had actually won to the mountain palace of Maal Dweb was a much-disputed problem; since no man had ever again beheld them, living or dead. But Tiglari, the jungle hunter, skilled in the slaying of fierce and crafty beasts, was undeterred by the more than hideous probabilities before him.

 

The escalade of the mountain would have been a highly dangerous feat by the full light of the three suns of Xiccarph. With eyes that were keen as those of some night-flying pterodactyl, Tiglari hurled his weighted coil about projecting coigns and fang-like salients. Hand over hand, he went up with simian ease from foothold to precarious foothold; and at length he attained a narrow buttress beneath the final cliff. From this vantage, it was an easy matter to fling his rope around the crooked bole of a tree that leaned gulfward with scimitar-like foliage from the gardens of Maal Dweb.

 

Evading the sharp and semi-metallic leaves that seemed to slash downward as the tree bent limberly with his dangling weight, he stood, stooping warily, on the fearsome and widely fabled mesa. Here, it was rumored, with no human aid, the half-demoniac sorcerer and scientist had carved the more lofty pinnacles of the old mountain into walls, cupolas and turrets, and had levelled a great space about them. This space he had covered immediately with loamy soil, produced by magic; and therein he had planted curious baneful trees from outlying worlds beyond the suns of Xiccarph, together with flowers that might have been those of some teeming and exuberant hell.

 

Little enough was actually known of these gardens; but the flora that grew on the northern, southern and western sides of the palace was popularly believed to be less deadly than that which faced the dawning of the triple suns. Much of this latter vegetation, according to myth, had been trained and topiarized in the form of an almost infinite labyrinth, balefully ingenious, from which egress was impossible: a maze that concealed in its windings the most fatal and atrocious traps, the most unpredictable dooms, invented by the malign Daedalus. Mindful of this labyrinth, Tiglari had approached the place on the side that fronted the three-fold sunset.

 

Breathless, with arms that ached from the long, arduous climb, he crouched in the garden shadows. About him he saw the heavy-hooded blossoms that leaned from a winy gloom in venomous languour, or fawned toward him with open corollas that exhaled a narcotic perfume or diffused a pollen of madness. Anomalous, multiform, with silhouettes that curdled the blood or touched the brain with nightmare, the trees of Maal Dweb appeared to gather and conspire against him beyond the flowers. Some arose with the sinuous towering of plumed pythons, or aigretted dragons. Others crouched with radiating limbs that were like the hairy members of colossal arachnidans. They seemed to close in upon Tiglari with a stealthy motion. They waved their frightful darts of thorn, their scythe-like leaves. They blotted the four moons with webs of arabesque menace. They reared from interminably coiling roots behind mammoth foliages that resembled an army of interlocking shields.

 

With endless caution and calculation, the hunter made his way forward, seeking a rift in the armed phalanx of vegetable monstrosities. His faculties, ever alert, were abnormally quickened by a grievous fear, intensified by a mighty hatred. The fear was not for himself, but for the girl Athle', his beloved and the fairest of his tribe, who had gone up alone that very evening by the causey of corundum and the porphyry stairs at the summons of Maal Dweb. His hatred was that of a brave man and an outraged lover for the all-powerful, all-dreaded tyrant whom no man had ever seen, and from whose abode no woman came back; who spoke with an iron voice that was audible at will in the far cities or the outmost jungles; who punished the rebellious and the disobedient with a doom of falling fire that was swifter than the thunderstone.

 

Maal Dweb had taken ever the fairest from among the maidens of the planet Xiccarph; and no palace of walled towns, or savage outland cave, was exempt from his unknown scrutiny. He had chosen no less than fifty girls during the three decades of his tyranny; and these, forsaking their lovers and kinsfolk voluntarily, lest the wrath of Maal Dweb should descend upon them, had gone one by one to the mountain citadel and were lost behind its cryptic walls. There, as the odalisques of the aging sorcerer, they were supposed to dwell in halls that multiplied their beauty with a thousand mirrors; and were said to have for servants women of brass and men of iron that mimicked in all ways the motion and speech of living people.

 

Tiglari had poured before Athle' the uncouth adoration of his heart and the barbaric spoils of the chase, but having many rivals, was still unsure of her favor. Cool as a river lily, and no less impartial, she had accepted his worship and that of the others, among whom the warrior Mocair was perhaps the most formidable. Returning at eve from the hunt, Tiglari had found the tribe in lamentation; and, learning that Athle' had departed to the harem of Maal Dweb, was swift to follow.

 

He had not announced his intention to his fellow tribesmen, since the ears of Maal Dweb were everywhere; and he did not know whether Mocair or any of the others had preceded him in his desperate errantry. Mocair, however, had been absent; and it was not unlikely that he had already dared the obscure and hideous perils of the mountain.

 

The thought of this was enough to drive Tiglari forward with a rash disregard of the poisonous, reptile flowers and clutching foliations. He came anon to a gap in the horrible grove, and saw the saffron lights from the lower windows of Maal Dweb, and a dark thronging of domes and turrets that assailed the constellations above. The lights were vigilant as the eyes of sleepless dragons, and appeared to regard him with an evil, unblinking awareness. But Tiglari leapt toward them, across the gap, and heard the clash of sabered leaves that met behind him.

 

Before him was an open lawn, covered with a queer grass that squirmed like innumerable worms beneath his bare feet. He did not care to linger upon that lawn, but ran onward with light, skimming paces. There were no footmarks in the grass; but nearing the portico of the palace, he saw a coil of thin rope that someone had flung aside, and knew that Mocair had preceded him.

 

There were paths of mottled marble about the palace, and fountains and waterfalls that played with a gurgling as of blood from the throats of carven monsters. The open portals were unguarded, and the whole building was still as a mausoleum lit by windless lamps. No shadows moved behind the brilliant yellow windows; and darkness slept unbroken among the high towers and cupolas. Tiglari, however, mistrusted sorely the appearance of quietude and slumber, and followed the bordering paths for some distance before daring to approach nearer to the palace.

 

Certain large and shadowy animals, which he took for the apish monsters of Maal Dweb, went by him in the gloom. They were hairy and uncouth, with sloping heads. Some of them ran in four-footed fashion, while others maintained the half-erect posture of anthropoids. They did not offer to molest Tiglari: but, whining dismally like dogs, they slunk away as if to avoid him. By this token, he knew that they were veritable beasts, and could not abide the odor with which he had smeared his limbs and torso.

 

At length, he came to a lampless portico with crowded columns. Here, with the silent gliding of a jungle snake, he entered the mysterious and ever-dreadful house of Maal Dweb. Behind the dark pillars, a door stood open; and beyond the door were the dim and seemingly endless reaches of an empty hall.

 

Tiglari went in with redoubled caution, and began to follow the arrased wall. The place was full of unknown perfumes, languorous and somnolent: a subtle reek as of censers in hidden alcoves of love. He did not like the perfumes; and the silence troubled him more and more as he went deeper into the palace. It seemed to him that the darkness was thick with unheard breathings, was alive with invisible and sinister movements.

 

Slowly, like the opening of great yellow eyes, the yellow flames arose in mighty lamps of copper that hung along the hall. Tiglari hid himself behind a heavy-figured arras; but peeping out with eerie trepidation, he saw that the hall was still deserted. Finally, he dared to resume his progress. All about him, the imperial hangings, broidered with purple men and azure women on a field of bright blood, appeared to stir with easy life in a wind that he could not feel; and the lamps regarded him with unwavering splendid eyes. But there was no sign of the presence of Maal Dweb; and the metal servitors and human odalisques of the tyrant were nowhere to be seen.

 

The doors on either side of the hall, with cunningly mated valves of ebony and ivory, were all closed. At the far end, Tiglari saw a rift of flaming light in a somber double arras. Parting the arras very softly, he peered into a huge, brightly illumined chamber that seemed at first sight to be the harem of Maal Dweb, peopled with all the girls that the enchanter had summoned to his mountain dwelling over a course of decades. In fact, it seemed that there were many hundreds, leaning or recumbent on ornate couches, or standing in attitudes of languor or terror. Tiglari discerned in the throng the women of Ommu-Zain, whose flesh is whiter than desert salt; the slim girls of Uthmai, who are moulded from breathing, palpitating jet; the queenly amber girls of equatorial Xala; and the small women of Ilap, who have the tones of newly greening bronze. But among them all, he could not find the lilied beauty of Athle'.

 

Greatly did he marvel at the number of the women and the utter stillness with which they maintained their various postures. There was no lifting nor falling of eyelids, no dropping of hands, no curving nor opening of lips. They were like images of living, subtly painted marble, or goddesses that slept in some enchanted hall of eternity.

 

Tiglari, the intrepid hunter, was awed and frightened. Here, surely, was proof of the fabled sorceries of Maal Dweb. These women - if indeed they were women and not mere statues - had been made the thralls of a death-like spell of immortal slumber. It was as if some invisible medium of adamantine silence had filled the room, had formed about its occupants: a silence wherein, it seemed, no mortal being could draw breath.

 

However, if Tiglari were to continue his search for Maal Dweb and Athle', it was necessary for him to traverse the enchanted chamber. Feeling that a marble sleep might descend upon him at the very crossing of the sill, he went with holden breath and furtive pard-like paces. About him, the women preserved their eternal stillness, their various airs and attitudes. Each, it appeared, had been overcome by the spell at the instant of some particular emotion, whether of fear, wonder, curiosity, vanity, weariness, anger or voluptuousness. Their number was fewer than he had supposed, and the room itself was smaller, but metal mirrors, panelling the walls, had created an illusion of multitude and immensity.

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