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Authors: Ilya Ilf

Tags: #Literature & Fiction, #Dramas & Plays, #Regional & Cultural, #Russian, #Drama & Plays

The Twelve Chairs (29 page)

BOOK: The Twelve Chairs
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but that did not disturb the smooth operator in the least. He had worked out
a surprise plan to extract him from the most hopeless game.
The Grossmeister was greeted with applause. The small club-room was
decorated with coloured flags left over from an evening held a week before
by the lifeguard rescue service. This was clear, furthermore, from the
slogan on the wall:
ASSISTANCE TO DROWNING PERSONS IS
IN THE HANDS OF THOSE PERSONS THEMSELVES
Ostap bowed, stretched out his hands as though restraining the public
from undeserved applause, and went up on to the dais.
"Comrades and brother chess players," he said in a fine speaking voice:
"the subject of my lecture today is one on which I spoke, not without
certain success, I may add, in Nizhni-Novgorod a week ago. The subject of my
lecture is 'A Fruitful Opening Idea'.
"What, Comrades, is an opening? And what, Comrades, is an idea? An
opening, Comrades, is quasi una fantasia. And what, Comrades, is an idea? An
idea, Comrades, is a human thought moulded in logical chess form. Even with
insignificant forces you can master the whole of the chessboard. It all
depends on each separate individual. Take, for example, the fair-haired
young man sitting in the third row. Let's assume he plays well. . . ." The
fair-haired young man turned red.
"And let's suppose that the brown-haired fellow over there doesn't play
very well."
Everyone turned around and looked at the brown-haired fellow.
"What do we see, Comrades? We see that the fair-haired fellow plays
well and that the other one plays badly. And no amount of lecturing can
change this correlation of forces unless each separate individual keeps
practising his dra-I mean chess. And now, Comrades, I would like to tell you
some instructive stories about our esteemed ultramodernists, Capablanca,
Lasker and Dr Grigoryev."
Ostap told the audience a few antiquated anecdotes, gleaned in
childhood from the Blue Magazine, and this completed the first half of the
evening.
The brevity of the lecture caused certain surprise. The one-eyed man
was keeping his single peeper firmly fixed on the Grossmeister.
The beginning of the simultaneous chess match, however, allayed the
one-eyed chess player's growing suspicions. Together with the rest, he set
up the tables along three sides of the room. Thirty enthusiasts in all took
their places to play the Grossmeister. Many of them were in complete
confusion and kept glancing at books on chess to refresh their knowledge of
complicated variations, with the help of which they hoped not to have to
resign before the twenty-second move, at least.
Ostap ran his eyes along the line of black chessmen surrounding him on
three sides, looked at the door, and then began the game. He went up to the
one-eyed man, who was sitting at the first board, and moved the king's pawn
forward two squares.
One-eye immediately seized hold of his ears and began thinking hard.
A whisper passed along the line of players. "The Grossmeister has
played pawn to king four."
Ostap did not pamper his opponents with a variety of openings. On the
remaining twenty-nine boards he made the same move-pawn to king four. One
after another the enthusiasts seized their heads and launched into feverish
discussions. Those who were not playing followed the Grossmeister with their
eyes. The only amateur photographer in the town was about to clamber on to a
chair and light his magnesium flare when Ostap waved his arms angrily and,
breaking off his drift along the boards, shouted loudly:
"Remove the photographer! He is disturbing my chess thought!"
What would be the point of leaving a photograph of myself in this
miserable town, thought Ostap to himself. I don't much like having dealings
with the militia.
Indignant hissing from the enthusiasts forced the photographer to
abandon his attempt. In fact, their annoyance was so great that he was
actually put outside the, door.
At the third move it became clear that in eighteen games the
Grossmeister was playing a Spanish gambit. In the other twelve the blacks
played the old-fashioned, though fairly reliable, Philidor defence. If Ostap
had known he was using such cunning gambits and countering such tested
defences, he would have been most surprised. The truth of the matter was
that he was playing chess for the second time in his life.
At first the enthusiasts, and first and foremost one-eye, were
terrified at the Grossmeister's obvious craftiness.
With singular ease, and no doubt scoffing to himself at the
backwardness of the Vasyuki enthusiasts, the Grossmeister sacrificed pawns
and other pieces left and right. He even sacrificed his queen to the
brown-haired fellow whose skill had been so belittled during the lecture.
The man was horrified and about to resign; it was only by a terrific effort
of will that he was able to continue.
The storm broke about five minutes later. "Mate!" babbled the
brown-haired fellow, terrified out of his wits. "You're checkmate, Comrade
Grossmeister!'
Ostap analysed the situation, shamefully called a rook a "castle" and
pompously congratulated the fellow on his win. A hum broke out among the
enthusiasts.
Time to push off, thought Ostap, serenely wandering up and down the
rows of tables and casually moving pieces about.
"You've moved the knight wrong, Comrade Grossmeister," said one-eye,
cringing. "A knight doesn't go like that."
"So sorry," said the Grossmeister, "I'm rather tired after the
lecture."
During the next ten minutes the Grossmeister lost a further ten games.
Cries of surprise echoed through the Cardboardworker club-room.
Conflict was near. Ostap lost fifteen games in succession, and then another
three.
Only one-eye was left. At the beginning of the game he had made a large
number of mistakes from nervousness and was only now bringing the game to a
victorious conclusion. Unnoticed by those around, Ostap removed the black
rook from the board and hid it in his pocket.
A crowd of people pressed tightly around the players.
"I had a rook on this square a moment ago," cried one-eye, looking
round, "and now it's gone!"
"If it's not there now, it wasn't there at all," said Ostap, rather
rudely.
"Of course it was. I remember it distinctly!"
"Of course it wasn't!"
"Where's it gone, then? Did you take it?"
"Yes, I took it."
"At which move?"
"Don't try to confuse me with your rook. If you want to resign, say
so!"
"Wait a moment, Comrades, I have all the moves written down."
"Written down my foot!"
"This is disgraceful!" yelled one-eye. "Give me back the rook!"
"Come on, resign, and stop this fooling about."
"Give me back my rook!"
At this point the Grossmeister, realizing that procrastination was the
thief of time, seized a handful of chessmen and threw them in his one-eyed
opponent's face.
"Comrades!" shrieked one-eye. "Look, everyone, he's hitting an
amateur!"
The chess players of Vasyuki were aghast.
Without wasting valuable time, Ostap hurled a chessboard at the lamp
and, hitting out at jaws and faces in the ensuing darkness, ran out into the
street. The Vasyuki chess enthusiasts, falling over each other, tore after
him.
It was a moonlit evening. Ostap bounded along the silvery street as
lightly as an angel repelled from the sinful earth. On account of the
interrupted transformation of Vasyuki into the centre of the world, it was
not between palaces that Ostap had to run, but wooden houses with outside
shutters.
The chess enthusiasts raced along behind.
"Catch the Grossmeister!" howled one-eye.
"Twister!" added the others.
"Jerks!" snapped back the Grossmeister, increasing his speed.
"Stop him!" cried the outraged chess players.
Ostap began running down the steps leading down to the quay. He had
four hundred steps to go. Two enthusiasts, who had taken a short cut down
the hillside, were waiting for him at the bottom of the sixth flight. Ostap
looked over his shoulder. The advocates of Philidor's defence were pouring
down the steps like a pack of wolves. There was no way back, so he kept on
going.
"Just wait till I get you, you bastards!" he shouted at the two-man
advance party, hurtling down from the sixth flight.
The frightened troopers gasped, fell over the balustrade, and rolled
down into the darkness of mounds and slopes. The path was clear.
"Stop the Grossmeister !" echoed shouts from above.
The pursuers clattered down the wooden steps with a noise like falling
skittle balls.
Reaching the river bank, Ostap made to the right, searching with his
eyes for the boat containing his faithful manager.
Ippolit Matveyevich was sitting serenely in the boat. Ostap dropped
heavily into a seat and began rowing for all he was worth. A minute later a
shower of stones flew in the direction of the boat, one of them hitting
Ippolit Matveyevich. A yellow bruise appeared on the side of his face just
above the volcanic pimple. Ippolit Matveyevich hunched his shoulders and
began whimpering.
"You are a softie! They practically lynched me, but I'm still happy and
cheerful. And if you take the fifty roubles net profit into account, one
bump on the head isn't such an unreasonable price to pay."
In the meantime, the pursuers, who had only just realized that their
plans to turn Vasyuki into New Moscow had collapsed and that the
Grossmeister was absconding with fifty vital Vasyukian roubles, piled into a
barge and, with loud shouts, rowed out into midstream. Thirty people were
crammed into the boat, all of whom were anxious to take a personal part in
settling the score with the Grossmeister. The expedition was commanded by
one-eye, whose single peeper shone in the night like a lighthouse.
"Stop the Grossmeister!" came shouts from the overloaded barge.
"We must step on it, Pussy!" said Ostap. "If they catch up with us, I
won't be responsible for the state of your pince-nez."
Both boats were moving downstream. The gap between them was narrowing.
Ostap was going all out.
"You won't escape, you rats!" people were shouting from the barge.
Ostap had no time to answer. His oars flashed in and out of the water,
churning it up so that it came down in floods in the boat.
Keep going! whispered Ostap to himself.
Ippolit Matveyevich had given up hope. The larger boat was gaining on
them and its long hull was already flanking them to port in an attempt to
force the Grossmeister over to the bank. A sorry fate awaited the
concessionaires. The jubilance of the chess players in the barge was so
great that they all moved across to the sides to be in a better position to
attack the villainous Grossmeister in superior forces as soon as they drew
alongside the smaller boat.
"Watch out for your pince-nez, Pussy," shouted Ostap in despair,
throwing aside the oars. "The fun is about to begin."
"Gentlemen!" cried Ippolit Matveyevich in a croaking voice, "you
wouldn't hit us, would you? "
"You'll see!" roared the enthusiasts, getting ready to leap into the
boat.
But at that moment something happened which will outrage all honest
chess players throughout the world. The barge listed heavily and took in
water on the starboard side.
"Careful!" squealed the one-eyed captain.
But it was too late. There were too many enthusiasts on one side of the
Vasyuki dreadnought. As the centre of gravity shifted, the boat stopped
rocking, and, in full conformity with the laws of physics, capsized.
A concerted wailing disturbed the tranquillity of the river.
"Ooooooh!" groaned the chess players.
All thirty enthusiasts disappeared under the water. They quickly came
up one by one and seized hold of the upturned boat. The last to surface was
one-eye.
"You jerks!" cried Ostap in delight. "Why don't you come and get your
Grossmeister? If I'm not mistaken, you intended to trounce me, didn't you? "
Ostap made a circle around the shipwrecked mariners.
"You realize, individuals of Vasyuki, that I could drown you all one by
one, don't you? But I'm going to spare your lives.
Live on, citizens! Only don't play chess any more, for God's sake.
You're just no good at it, you jerks! Come on, Ippolit Matveyevich, let's
go. Good-bye, you one-eyed amateurs! I'm afraid Vasyuki will never become a
world centre. I doubt whether the masters of chess would ever visit fools
like you, even if I asked them to. Good-bye, lovers of chess thrills! Long
live the 'Four Knights Chess Club'!"
CHAPTER THIRTY-FIVE
ET ALIA
Morning  found  the concessionaires  in sight of  Chebokary. Ostap  was
dozing at the rudder while Ippolit Matveyevich sleepily moved the oars
through the water. Both were shivering from the chilliness of the night.
Pink buds blossomed in the east. Ippolit Matveyevich's pince-nez was all of
a glitter. The oval lenses caught the light and alternately reflected one
bank and then the other. A signal beacon from the left bank arched in the
biconcave glass. The blue domes of Chebokary sailed past like ships. The
garden in the east grew larger, and the buds changed into volcanoes, pouring
out lava of the best sweetshop colours. Birds on the bank were causing a
noisy scene. The gold nosepiece of the pince-nez flashed and dazzled the
Grossmeister. The sun rose. Ostap opened his eyes and stretched himself,
tilting the boat and cracking his joints.
"Good morning, Pussy," he said, suppressing a yawn. "I come to bring
greetings and to tell you the sun is up and is making something over there
glitter with a bright, burning light. . ." "The pier. . . ." reported
Ippolit Matveyevich. Ostap took out the guide-book and consulted it. "From
all accounts it's Chebokary. I see: 'Let us note the pleasantly situated
town of Chebokary.' "Do you really think it's pleasantly situated, Pussy?
'At the present time Chebokary has 7,702 inhabitants' "Pussy! Let's give up
our hunt for the jewels and increase the population to 7,704. What about it?
It would be very effective. We'll open a 'Petits Chevaux' gaming-house and
from the 'Petits Chevaux' we'll have une grande income. Anyway, to continue:
'Founded in 1555, the town has preserved some very interesting
churches. Besides the administrative institutions of the Chuvash Republic,
Chebokary also has a workers' school, a Party school, a teachers' institute,
two middle-grade schools, a museum, a scientific society, and a library. On
the quayside and in the bazaar it is possible to see Chuvash and Cheremis
nationals, distinguishable by their dress. . . .'"
But before the friends were able to reach the quay, where the Chuvash
and Cheremis nationals were to be seen, their attention was caught by an
object floating downstream ahead of the boat.
"The chair!" cried Ostap. "Manager! It's our chair!"
The partners rowed over to the chair. It bobbed up and down, turned
over, went under, and came up farther away from the boat. Water poured
freely into its slashed belly.
It was the chair opened aboard the Scriabin, and it was now floating
slowly towards the Caspian Sea.
"Hi there, friend!" called Ostap. "Long time no see. You know,
Vorobyaninov, that chair reminds me of our life. We're also floating with
the tide. People push us under and we come up again, although they aren't
too pleased about it. No one likes us, except for the criminal investigation
department, which doesn't like us, either. Nobody has any time for us. If
the chess enthusiasts had managed to drown us yesterday, the only thing left
of us would have been the coroner's report. 'Both bodies lay with their feet
to the south-east and their heads to the north-west. There were jagged
wounds in the bodies, apparently inflicted by a blunt instrument.' The
enthusiasts would have beaten us with chessboards, I imagine. That's
certainly a blunt instrument. The first body belonged to a man of about
fifty-five, dressed in a torn silk jacket, old trousers, and old boots. In
the jacket pocket was an identification card bearing the name Konrad
Karlovich Michelson . ..' That's what they would have written about you,
Pussy."
"And what would they have written about you?" asked Ippolit Matveyevich
irritably.
"Ah! They would have written something quite different about me. It
would have gone like this: 'The second corpse belonged to a man of about
twenty-seven years of age. He loved and suffered. He loved money and
suffered from a lack of it. His head with its high forehead fringed with
raven-black curls was turned towards the sun. His elegant feet, size
forty-two boots, were pointing towards the northern lights. The body was
dressed in immaculate white clothes, and on the breast was a gold harp
encrusted with mother-of-pearl, bearing the words of the song "Farewell, New
Village!" The deceased youth engaged in poker-work, which was clear from the
permit No. 86/1562, issued on 8/23/24 by the Pegasus-and-Parnasus
craftsmen's artel, found in the pocket of his tails.' And they would have
buried me, Pussy, with pomp and circumstance, speeches, a band, and my
grave-stone would have had the inscription 'Here lies the unknown
central-heating engineer and conqueror, Ostap-Suleiman-Bertha-Maria Bender
Bey, whose father, a Turkish citizen, died without leaving his son,
Ostap-Suleiman, a cent. The deceased's mother was a countess of independent
means."
Conversing along these lines, the concessionaires nosed their way to
the bank.
That evening, having increased their capital by five roubles from the
sale of the Vasyuki boat, the friends went aboard the diesel ship Uritsky
and sailed for Stalingrad, hoping to overtake the slow-moving lottery ship
and meet the Columbus Theatre troupe in Stalingrad.
The Scriabin reached Stalingrad at the beginning of July. The friends
met it, hiding behind crates on the quayside. Before the ship was unloaded,
a lottery was held aboard and some big prizes were won.
They had to wait four hours for the chairs. First to come ashore was
the theatre group and then the lottery employees. Persidsky's shining face
stood out among them. As they lay in wait, the concessionaires could hear
him shouting:
"Yes, I'll come to Moscow immediately. I've already sent a telegram.
And do you know which one? 'Celebrating with you.' Let them guess who it's
from."
Then Persidsky got into a hired car, having first inspected it
thoroughly, and drove off, accompanied for some reason by shouts of
"Hooray!"
As soon as the hydraulic press had been unloaded, the scenic effects
were brought ashore. Darkness had already fallen by the time they unloaded
the chairs. The troupe piled into five two-horse carts and, gaily shouting,
went straight to the station.
"I don't think they're going to play in Stalingrad," said Ippolit
Matveyevich.
Ostap was in a quandary.
"We'll have to travel with them," he decided. "But where's the money?
Let's go to the station, anyway, and see what happens."
At the station it turned out that the theatre was going to Pyatigorsk
via Tikhoretsk. The concessionaires only had enough money for one ticket.
"Do you know how to travel without a ticket?" Ostap asked Vorobyaninov.
"I'll try," said Vorobyaninov timidly.
"Damn you! Better not try. I'll forgive you once more. Let it be. I'll
do the bilking."
Ippolit Matveyevich was bought a ticket in an upholstered coach and
with it travelled to the station Mineral Waters on the North Caucasus
Railway. Keeping out of sight of the troupe alighting at the station
(decorated with oleander shrubs in green tubs), the former marshal went to
look for Ostap.
Long after the theatre had left for Pyatigorsk in new little local-line
coaches, Ostap was still not to be seen. He finally arrived in the evening
and found Vorobyaninov completely distraught.
"Where were you?" whimpered the marshal. "I was in such a state?"
"You were in a state, and you had a ticket in your pocket! And I
wasn't, I suppose! Who was kicked off the buffers of the last coach of your
train? Who spent three hours waiting like an idiot for a goods train with
empty mineral-water bottles? You're a swine, citizen marshal! Where's the
theatre? "
"In Pyatigorsk."
"Let's go. I managed to pick up something on the way. The net income is
three roubles. It isn't much, of course, but enough for the first purchase
of mineral water and railway tickets."
Creaking like a cart, the train left for Pyatigorsk and, fifty minutes
later, passing Zmeika and Beshtau, brought the concessionaires to the foot
of Mashuk.
BOOK: The Twelve Chairs
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