The Transfer: A Divergent Story (2 page)

I pick a path across the floor, careful not to step on any of the blankets. When I reach the hallway, the man says, “I’d rather eat out of a can than be strangled by a faction.”

I don’t look back.

When I get home, I sit on the front step and take deep breaths of the cool spring air for a few minutes.

My mother was the one who taught me to steal moments like those, moments of freedom, though she
didn’t know it. I watched her take them, slipping out the door after dark when my father was asleep, creeping back home when sunlight was just appearing behind the buildings. She took them even when she was with us, standing over the sink with her eyes closed, so distant from the present that she didn’t even hear me when I spoke to her.

But I learned something else from watching her too, which is that the free moments always have to end.

I get up, brushing flecks of cement from my gray slacks, and push the door open. My father sits in the easy chair in the living room, surrounded by paperwork. I pull up straight, tall, so that he can’t scold me for slouching. I move toward the stairs. Maybe he will let me go to my room unnoticed.

“Tell me about your aptitude test,” he says, and he points at the sofa for me to sit.

I cross the room, stepping carefully over a stack of papers on the carpet, and sit where he points, right on the edge of the cushion so I can stand up quickly.

“Well?” He removes his glasses and looks at me expectantly. I hear tension in his voice, the kind that only develops after a difficult day at work. I should be careful. “What was your result?”

I don’t even think about refusing to tell him. “Abnegation.”

“And nothing else?”

I frown. “No, of course not.”

“Don’t give me that look,” he says, and my frown disappears. “Nothing strange happened with your test?”

During my test, I knew where I was—I knew that while I felt like I was standing in the cafeteria of my secondary school, I was actually lying prostrate on a chair in the aptitude test room, my body connected to a machine by a series of wires. That was strange. But I don’t want to talk to him about it now, not when I can see the stress brewing inside him like a storm.

“No,” I say.

“Don’t lie to me,” he says, and he seizes my arm, his fingers tight like a vise. I don’t look at him.

“I’m not,” I say. “I got Abnegation, just as expected. The woman barely looked at me on my way out of the room. I promise.”

He releases me. My skin pulses from where he gripped it.

“Good,” he says. “I’m sure you have some thinking to do. You should go to your room.”

“Yes, sir.”

I get up and cross the room again, relieved.

“Oh,” he says. “Some of my fellow council members are coming over tonight, so you should eat dinner early.”

“Yes, sir.”

Before the sun goes down, I snatch food from the cupboards and the refrigerator: two dinner rolls and raw carrots with the greens still attached, a hunk of cheese and an apple, leftover chicken without any seasoning on it. The food all tastes the same, like dust and paste. I keep my eyes fixed on the door so I don’t collide with my father’s coworkers. He wouldn’t like it if I was still down here when they came.

I am finishing off a glass of water when the first council member appears on the doorstep, and I hurry through the living room before my father reaches the door. He waits with his hand on the knob, his eyebrows raised at me as I slip around the banister. He points up the stairs and I climb them, fast, as he opens the door.

“Hello, Marcus.” I recognize the voice as Andrew Prior’s. He’s one of my father’s closest friends at work, which means nothing, because no one
really
knows my father. Not even me.

From the top of the stairs I look down at Andrew.
He’s wiping his shoes on the mat. I see him and his family sometimes, a perfect Abnegation unit, Natalie and Andrew, and the son and daughter—not twins, but both two years younger than I am in school—all walking sedately down the sidewalk and bobbing their heads at passersby. Natalie organizes all the factionless volunteer efforts among the Abnegation—my mother must have known her, though she rarely attended Abnegation social events, preferring to keep her secrets like I keep mine, hidden away in this house.

Andrew meets my eyes, and I rush down the hallway to my bedroom, closing the door behind me.

To all appearances, my room is as sparse and clean as every other Abnegation room. My gray sheets and blankets are tucked tightly around the thin mattress, and my schoolbooks are stacked in a perfect tower on my plywood desk. A small dresser that contains several identical sets of clothing stands next to the small window, which lets in only the barest sliver of sunlight in the evenings. Through it I can see the house next door, which is just the same as the one I’m in, except five feet to the east.

I know how inertia carried my mother to Abnegation, if indeed that man was speaking the truth about
what she’d told him. I can see it happening to me, too, tomorrow when I stand among the bowls of faction elements with a knife in my hand. There are four factions I don’t know or trust, with practices I don’t understand, and only one that is familiar, predictable, comprehensible. If choosing Abnegation won’t lead me to a life of ecstatic happiness, at least it will lead me to a comfortable place.

I sit on the edge of the bed.
No, it won’t,
I think, and then I swallow the thought down, because I know where it comes from: the childish part of me that is afraid of the man holding court in the living room. The man whose knuckles I know better than his embrace.

I make sure the door is closed and wedge the desk chair under the knob just in case. Then I crouch next to the bed and reach under it to the trunk I keep there.

My mother gave it to me when I was young, and told my father it was for spare blankets, that she had found it in an alley somewhere. But when she put it in my room, she didn’t fill it with spare blankets. She closed my door and touched her fingers to her lips and set it on my bed to open it.

Inside the unlocked trunk was a blue sculpture. It looked like falling water, but it was really glass, perfectly clear, polished, flawless.

“What does it do?” I asked her at the time.

“It doesn’t do anything obvious,” she said, and she smiled, but the smile was tight, like she was afraid of something. “But it might be able to do something in here.” She tapped her chest, right over the sternum. “Beautiful things sometimes do.”

Since then I have filled the trunk with objects that others would call useless: old spectacles without glass in them, fragments of discarded motherboards, spark plugs, stripped wires, the broken neck of a green bottle, a rusted knife blade. I don’t know if my mother would have called them beautiful, or even if I would, but each of them struck me the same way that sculpture did, as secret things, and valuable ones, if only because they were so overlooked.

Instead of thinking about my aptitude test result, I pick up each object and turn it in my hands so I’ve memorized every part of every one.

I wake with a start to Marcus’s footsteps in the hallway just outside the bedroom. I’m lying on the bed with the objects strewn on the mattress around me. His footsteps are slowing down as he comes closer to the door, and I
pick up the spark plugs and motherboard pieces and wires and throw them back into the trunk and lock it, stowing the key in my pocket. I realize at the last second, as the doorknob starts to move, that the sculpture is still out, so I shove it under the pillow and slide the trunk under the bed.

Then I dive toward the chair and pull it from under the knob so my father can enter.

When he does, he eyes the chair in my hands with suspicion.

“What was that doing over here?” he says. “Are you trying to keep me out?”

“No, sir.”

“That’s the second time you’ve lied to me today,” Marcus says. “I didn’t raise my son to be a liar.”

“I—” I can’t think of a single thing to say, so I just close my mouth and carry the chair back to my desk where it belongs, right behind the perfect stack of schoolbooks.

“What were you doing in here that you didn’t want me to see?”

I clutch the back of the chair, hard, and stare at my books.

“Nothing,” I say quietly.

“That’s three lies,” he says, and his voice is low but
hard as flint. He starts toward me, and I back up instinctively. But instead of reaching for me, he bends down and pulls the trunk from beneath the bed, then tries the lid. It doesn’t budge.

Fear slides into my gut like a blade. I pinch the hem of my shirt, but I can’t feel my fingertips.

“Your mother claimed this was for blankets,” he says. “Said you got cold at night. But what I’ve always wondered is, if it still has blankets in it, why do you keep it locked?”

He holds out his hand, palm up, and raises his eyebrows at me. I know what he wants—the key. And I have to give it to him, because he can see when I’m lying; he can see everything about me. I reach into my pocket, then drop the key in his hand. Now I can’t feel my palms, and the breathing is starting, the shallow breathing that always comes when I know he’s about to explode.

I close my eyes as he opens the trunk.

“What is this?” His hand moves through the treasured objects carelessly, scattering them to the left and right. He takes them out one by one and thrusts them toward me. “What do you need with
this
, or
this
. . . !”

I flinch, over and over again, and don’t have an an
swer. I don’t need them. I don’t need any of them.

“This is
rank
with self-indulgence!” he shouts, and he shoves the trunk off the edge of the bed so its contents scatter all over the floor. “It poisons this house with selfishness!”

I can’t feel my face, either.

His hands collide with my chest. I stumble back and hit the dresser. Then he draws his hand back by his face to hit me, and I say, my throat tight with fear, “The Choosing Ceremony, Dad!”

He pauses with his hand raised, and I
cower
, shrinking back against the dresser, my eyes too blurry to see out of. He usually tries not to bruise my face, especially for days like tomorrow, when so many people will be staring at me, watching me choose.

He lowers his hand, and for a second I think the violence is over, the anger stalled. But then he says, “Fine. Stay here.”

I sag against the dresser. I know better than to think he’ll leave and mull things over and come back apologizing. He never does that.

He will return with a belt, and the stripes he carves into my back will be easily hidden by a shirt and an
obedient Abnegation expression.

I turn around, a shudder claiming my body. I clutch the edge of the dresser and wait.

That night I sleep on my stomach, pain biting each thought, with my broken possessions on the floor around me. After he hit me until I had to stuff my fist into my mouth to muffle a scream, he stomped on each object until it was broken or dented beyond recognition, then threw the trunk into the wall so the lid broke from the hinges.

The thought surfaces:
If you choose Abnegation, you will never get away from him
.

I push my face into my pillow.

But I’m not strong enough to resist this Abnegation-inertia, this fear that drives me down the path my father has set for me.

The next morning I take a cold shower, not to conserve resources as the Abnegation instruct, but because it numbs my back. I dress slowly in my loose, plain Abnegation clothes, and stand in front of the hallway mirror to cut my hair.

“Let me,” my father says from the end of the hallway. “It’s your Choosing Day, after all.”

I set the clippers down on the ledge created by the sliding panel and try to straighten up. He stands behind me, and I avert my eyes as the clippers start to buzz. There’s only one guard for the blade, only one length of hair acceptable for an Abnegation male. I wince as his fingers stabilize my head, and hope he doesn’t see it, doesn’t see how even his slightest touch terrifies me.

“You know what to expect,” he says. He covers the top of my ear with one hand as he drags the clippers over the side of my head. Today he’s trying to protect my ear from getting nicked by clippers, and yesterday he took a belt to me. The thought feels like poison working through me. It’s almost funny. I almost want to laugh.

“You’ll stand in your place; when your name is called, you’ll go forward to get your knife. Then you’ll cut yourself and drop the blood into the right bowl.” Our eyes meet in the mirror, and he presses his mouth into a near-smile. He touches my shoulder, and I realize that we are about the same height now, about the same size, though I still feel so much smaller.

Then he adds gently, “The knife will only hurt for a
moment. Then your choice will be made, and it will all be over.”

I wonder if he even remembers what happened yesterday, or if he’s already shoved it into a separate compartment in his mind, keeping his monster half separate from his father half. But I don’t have those compartments, and I can see all his identities layered over one another, monster and father and man and council leader and widower.

And suddenly my heart is pounding so hard, my face is so hot, I can barely stand it.

“Don’t worry about me handling the pain,” I say. “I’ve had a lot of practice.”

For a second his eyes are like daggers in the mirror, and my strong anger is gone, replaced by familiar fear. But all he does is switch off the clippers and set them on the ledge and walk down the stairs, leaving me to sweep up the trimmed hair, to brush it from my shoulders and neck, to put the clippers away in their drawer in the bathroom.

Then I go back into my room and stare at the broken objects on the floor. Carefully, I gather them into a pile and put them in the wastebasket next to my desk, piece by piece.

Wincing, I come to my feet. My legs are shaking.

In that moment, staring at the bare life I’ve made for myself here, at the destroyed remnants of what little I had, I think,
I have to get out
.

It’s a strong thought. I feel its strength ringing inside me like the toll of a bell, so I think it again.
I have to get out.