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Authors: Daniel Abraham

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tiny lips that had spilled the woman's lifeblood. It was a death as

grotesque as any Eiah had heard in the tales of poets who had tried to

bind the andat and fallen short.

 

Tears filled her eyes. Something like love or pity or gratitude filled

her heart to bursting. She looked at the woman's face for the first

time. The woman hadn't been pretty. A thick jaw, a heavy brow, acne

pocks. Eiah held back from kissing her cheek. Parit was confused enough

as it stood. Instead, Eiah wiped her eyes on her sleeve and took the

dead woman's hand.

 

"What happened?" she asked.

 

"The watch saw a cart going west out of the soft quarter," Parit said.

"The captain said there were three people, and they were acting nervous.

When he hailed them, they tried to run."

 

"Did he catch them?"

 

Parit was staring at Eiah's hand clasping the dead woman's fingers.

 

"Parit," she said. "Did he catch them?"

 

"What? No. No, all three slipped away. But they had to abandon the cart.

She was in it," Parit said, nodding at the corpse. "I'd asked anything

unusual to be brought to me. I offered a length of silver."

 

"They earned it," Eiah said. "Thank you, Parit-kya. I can't tell you how

much this means."

 

"What should we do?" Parit asked, sitting on his stool like a fresh

apprentice before his master. He'd always done that when he felt himself

at sea. Eiah found there was warmth in her heart for him even now

 

"Burn her," Eiah said. "Burn her with honors and treat her ashes with

respect."

 

"Shouldn't we ... shouldn't we tell someone? The utkhaiem? The Emperor?"

 

"You already have," Eiah said. "You've told me."

 

There was a moment's pause. Parit took a pose that asked clarification.

It wasn't quite the appropriate one, but he was flustered.

 

"This is it, then," he said. "This is what you were looking for."

 

"Yes," Eiah said.

 

"You know what happened to her."

 

"Yes."

 

"Would you..." Parit coughed, looked down. His brow was knotted. Eiah

was half-tempted to go to him, to smooth his forehead with her palm.

"Could you explain this to me?"

 

"No," she said.

 

AFTER THAT, IT WAS SIMPLE. THEY WOULDN'T REMAIN IN SARAYKEHT, NOT WHEN

they'd so nearly been discovered. The Emperor's daughter asked favors of

the port master, of the customs men on the roads, of the armsmen paid by

the city to patrol and keep the violence in the low towns to an

acceptable level. Her quarry weren't smugglers or thieves. They weren't

expert in covering their tracks. In two days, she knew where they were.

Eiah quietly packed what things she needed from her apartments in the

palace, took a horse from the stables, and rode out of the city as if

she were only going to visit an herb woman in one of the low towns.

 

As if she were coming back.

 

She found them at a wayhouse on the road to Shosheyn-Tan. The winter sun

had set, but the gates to the wayhouse courtyard were still open. The

carriage Eiah had heard described was at the side of the house, its

horses unhitched. The two women, she knew, were presenting themselves as

travelers. The man-old, fat, unpleasant to speak withwas posing as their

slave. Eiah let the servant take her horse to be cared for, but instead

of going up the steps to the main house, she followed him back to the

stables. A small shack stood away at an angle. Quarters for servants and

slaves. Eiah felt her lips press thin at the thought. Rough straw

ticking, thin blankets, whatever was left to eat after the paying guests

were done.

 

"How many servants are here now?" Eiah asked of the young maneighteen

summers, so four years old when it had happened-brushing down her horse.

He looked at her as if she'd asked what color ducks laid the eggs they

served at table. She smiled.

 

"Three," the servant said.

 

"Tell me about them," she said.

 

He shrugged.

 

"There's an old woman came in two days ago. Her master's laid up sick.

Then a boy from the Westlands works for a merchant staying on the ground

floor. And an old bastard just came in with two women from Chaburi-Tan."

 

"Chaburi-Tan?"

 

"What they said," the servant replied.

 

Eiah took two lengths of silver from her sleeve and held them out in her

palm. The servant promptly forgot about her horse.

 

"When you're done," she said, "take the woman and the Westlander to the

back of the house. Buy them some wine. Don't mention me. Leave the old man."

 

The servant took a pose of acceptance so total it was just short of an

open pledge. Eiah smiled, dropped the silver in his palm, and pulled up

a shoeing stool to sit on while she waited. The night was cool, but

still not near as cold as her home in the north. An owl hooted deep and

low. Eiah pulled her arms up into her sleeves to keep her fingers warm.

The scent of roasting pork wafted from the wayhouse, and the sounds of a

flute and a voice lifted together.

 

The servant finished his work and with a deferential nod to Eiah, made

his way to the servants' house. It was less than half a hand before he

emerged with a thin woman and a sandy-haired Westlands boy trailing him.

Eiah pushed her hands back through her sleeves and made her way to the

small, rough shack.

 

He was sitting beside the fire, frowning into the flames and eating a

mush of rice and raisins from a small wooden bowl. The years hadn't been

kind to him. He was thicker than he'd been when she knew him, an

unhealthy fatness that had little to do with indulgence. His color was

poor; what remained of his hair was white stained yellow by neglect. He

looked angry. He looked lonesome.

 

"Uncle Maati," she said.

 

He startled. His eyes flashed. Eiah couldn't tell if it was anger or

fear. But whatever it was had a trace of pleasure to it.

 

"Don't know who you mean," he said. "Name's Daavit."

 

Eiah chuckled and stepped into the small room. It smelled of bodies and

smoke and the raisins in Maati's food. Eiah found a small chair and

pulled it to the fire beside the old poet, her chosen uncle, the man who

had destroyed the world. They sat silently for a while.

 

"It was the way they died," Eiah said. "All the stories you told me when

I was young about the prices that the andat exacted when a poet's

binding failed. The one whose blood turned dry. The one whose belly

swelled up like he was pregnant, and when they cut him open it was all

ice and seaweed. All of them. I started to hear stories. What was that,

four years ago?"

 

At first she thought he wouldn't answer. He cupped two thick fingers

into the rice and ate what they lifted out. He swallowed. He sucked his

teeth.

 

"Six," he said.

 

"Six years," she said. "Women started appearing here and there, dead in

strange ways."

 

He didn't answer. Eiah waited for the space of five slow breaths

together before she went on.

 

"You told me stories about the andat when I was young," she said. "I

remember most of it, I think. I know that a binding only works once. In

order to bind the same andat again, the poet has to invent a whole new

way to describe the thought. You used to tell me about how the poets of

the Old Empire would bind three or four andat in a lifetime. I thought

at the time you envied them, but I saw later that you were only sick at

the waste of it."

 

Maati sighed and looked down.

 

"And I remember when you tried to explain to me why only men could be

poets," she said. "As I recall, the arguments weren't all that

convincing to me."

 

"You were a stubborn girl," Maati said.

 

"You've changed your mind," Eiah said. "You've lost all your books. All

the grammars and histories and records of the andat that have come

before. They're gone. All the poets gone but you and perhaps Cehmai. And

in the history of the Empire, the Second Empire, the Khaiem, the one

thing you know is that a woman has never been a poet. So perhaps, if

women think differently enough from men, the bindings they create will

succeed, even with nothing but your own memory to draw from."

 

"Who told you? Otah?"

 

"I know my father had letters from you," Eiah said. "I don't know what

was in them. He didn't tell me."

 

"A women's grammar," Maati said. "We're building a women's gram„ mar.

 

Eiah took the bowl from his hands and put it on the floor with a

clatter. Outside, a gust of wind shrilled past the shack. Smoke bellied

out from the fire, rising into the air, thinning as it went. When he

looked at her, the pleasure was gone from his eyes.

 

"It's the best hope," Maati said. "It's the only way to ... undo what's

been done."

 

"You can't do this, Maati-kya," Eiah said, her voice gentle.

 

Maati started to his feet. The stool he'd sat on clattered to the floor.

Eiah pulled back from his accusing finger.

 

"Don't you tell that to me, Eiah," Maati said, biting at the words. "I

know he doesn't approve. I asked his help. Eight years ago, I risked my

life by sending to him, asking the Emperor of this pisspot empire for

help. And what did he say? No. Let the world be the world, he said. He

doesn't see what it is out here. He doesn't see the pain and the ache

and the suffering. So don't you tell we what to do. Every girl I've

lost, it's his fault. Every time we try and fall short, it's because

we're sneaking around in warehouses and low towns. Meeting in secret

like criminals-"

 

"Maati-kya-"

 

"I can do this," the old poet continued, a fleck of white foam at the

corner of his mouth. "I have to. I have to retrieve my error. I have to

fix what I broke. I know I'm hated. I know what the world's become

because of me. But these girls are dedicated and smart and willing to

die if that's what's called for. Willing to die. How can you and your

great and glorious father tell me that I'm wrong to try?"

 

"I didn't say you shouldn't try," Eiah said. "I said you can't do it.

Not alone."

 

Maati's mouth worked for a moment. His fingertip traced an arc down to

the fire grate as the anger left him. Confusion washed through his

expression, his shoulders sagging and his chest sinking in. He reminded

Eiah of a puppet with its strings fouled. She rose and took his hand as

she had the dead woman's.

 

"I haven't come here on my father's business," Eiah said. "I've come to

help."

 

"Oh," Maati said. A tentative smile found its way to his lips. "Well. I

... that is ..."

 

He frowned viciously and wiped at his eyes with one hand. Eiah stepped

forward and put her arms around him. His clothes smelled rank and

unwashed; his flesh was soft, his skin papery. When he returned her

embrace, she would not have traded the moment for anything.

 

 

1

 

It was the fifth month of the Emperor's self-imposed exile. The day had

been filled, as always, with meetings and conversations and

appreciations of artistic tableaux. Otah had retired early, claiming a

headache rather than face another banquet of heavy, overspiced Galtic food.

 

The night birds in the garden below his window sang unfamiliar songs.

The perfume of the wide, pale flowers was equal parts sweetness and

pepper. The rooms of his suite were hung with heavy Galtic tapestries,

knotwork soldiers slaughtering one another in memory of some battle of

which Otah had never heard.

 

It was, coincidentally, the sixty-third anniversary of his birth. He

hadn't chosen to make it known; the High Council might have staged some

further celebration, and he had had a bellyful of celebrations. In that

day, he had been called upon to admire a gold- and jewel-encrusted

clockwork whose religious significance was obscure to him; he had moved

in slow procession down the narrow streets and through the grand halls

with their awkward, blocky architecture and their strange, smoky

incense; he had spoken to two members of the High Council to no

observable effect. At this moment, he could be sitting with them again,

making the same points, suffering the same deflections. Instead, he

watched the thin clouds pass across the crescent moon.

 

He had become accustomed to feeling alone. It was true that with a word

or a gesture he could summon his counselors or singing slaves, scholars

or priests. Another night, he might have, if only in hope that this time

it would be different; that the company would do something more than

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