The Third Bear (20 page)

Nothing happened for several minutes. We did not investigate the rooms we passed, which lay behind closed doors. We did not stop to look at the paintings. Side tables, lamps, and the like did not interest us. Instead, it was as if we followed the swerving pattern in the carpet to see where it led. I began to think of it now less as the imprint of a body being pulled as the trail of something that had no legs, like a giant slug. There was a suggestion, at the edges of the swerve, of a curious mixture of a deeper red and an amber resin.

We had no specific brief. She knew this, and still she asked, "What are we looking for?"

"Everything," I said, and it was true. Nothing angered him more than the wrong focus. But she was nervous. I could tell.

The corridor seemed to collapse into forest, even though I knew this could not be true. It was simply the overgrowth of potted plants and trees run amok, aided by the bulge of a domed skylight mottled dark green with debris. The trees were almost bony, but tall, and their leaves spread out like emerald daggers. What once were regimented bushes had become feral explosions of branches. Between them lichen and vine had taken hold in cracks in the floor where the carpet had been cut away. The trail of the thing without legs led over the underbrush. Recent.

"What's that? In there - beneath?" she asked. I felt rather than heard a tremor in her voice.

"Something dead," I said. It did not seem important to say more.

"Spectacularly dead," she said, and I thought perhaps I had not felt a tremor after all.

We moved on, farther into the great man's house. Now there were glass cages set into the inner wall and no doors at all, but the cages held only mold and things that had expired a long time ago. Some of them lay close to the glass as if trying to burrow through it. Others had died with their forearms banging against it. We did not examine them closely.

Then we began to encounter the living. The inner wall pulled into itself and left room for more than just glass cages. A muttering rose from the displays that had been left there, behind a torn, bloodied, sometimes shredded crosshatching wire. What lay behind was squirming flesh mottled with fur, an eye or two glancing out from the mess with an odd acknowledgment of fate. A spasming claw. A quivering snout. There was no great seriousness, nor order, to this exhibit. These creatures, neglected and left without food or water, had half-devoured each other, and by their nervous natures had consigned themselves to an ever-contracting existence. They would not leave the ledge on which they'd lived their lives to that point. Now they were deranged, and lay on the border between life and death without knowing the difference.

"Survivors," she said.

"No," I said. "Not yet."

We walked further. By now, we were almost two-thirds of the way to the curve of the "U." The stain trail on the carpet had resumed, seemed again to lead us.

Now came the parrotlike birds that had the mange and stumbled across the floor, too weak to fly. Now came cats and dogs that had been combined in peculiar ways and left to stagger, something wrong with their brains that made them lose their balance. Now came the fish tanks full of slop and mewling and naked, shivering tissue. Now came things living inside of other things, gone so completely wild that they were innocent of us.

The vines had crawled up the sides of the walls.

The vines were hiding other things, which peered out at us. Or had they become part of the vines?

She was looking around as if for a weapon, but we had decided against weapons.

"It will be over soon," I said. For some, it was already over.

She nodded. I knew she trusted me. We were not without weapons now that we had abandoned them.

What had looked like ornamentation ahead, at the join of the "U," was actually a row of faces jutting out of the wall, set slightly above what appeared to be a long love seat with thin crimson cushions. These faces - twenty or thirty of them - ranged from that of a boar to that of a kind of thick lizard to a thing very much like a woman. They were all undergoing a slow transmutation of expressions, as if sedated. None looked peaceful. None could speak, and where you could see their throats it was clear some surgery had been required of them. This was to be expected. But what were they supposed to be looking at?

My partner knelt and stared into the face of the woman-thing. There was not so much distance between them. Not really.

"These cushions were once white," she said, staring into the open, gray eyes of the woman-thing. Its lank hair fell straight. It gave off a smell of corruption.

"There has been spillage," I said. "And slippage."

"Can we free them?"

She, like me, had understood that these were not just faces. The bodies behind them must descend in living coffins behind the love seat. Did their feet touch the edge of some surface? Or did they hang, torsos held in harnesses? And if so, what lay beneath them?

I couldn't put my hand on her shoulder. When you let some things in you never get them out.

"Don't you see that they are already free?" I asked.

It was in the eyes. While the muscles in their cheeks, their jowls, their snouts, their muzzles, winced and pulled back in soundless rage or sadness, those eyes stared straight ahead, as dead as anything dead we'd yet seen.

"This is the work of a great man," she said, but I could hear the question.

"We should continue," I said.

For the row of faces led to a doorway, and the doorway led to the second corridor - the one that should lead back even though there had only been one entrance on the porch.

She rose, and on a whim peered back down the corridor we had just traveled through. "The lights are out," she said. "The lights are going out."

And they were. One by one, each lamp, each dim-glowing chandelier, was blinking out, leaving more and more shadow. More and more darkness. Into that space shapes moved where no shapes had been.

Was the shiver I felt one of anticipation? I don't know. Soon there would be an ending.

"We should continue," I repeated. Perhaps there was a tremor in my voice this time. I do not know.

Beyond the doorway lay the second corridor. Gone the rosewood. Gone the carpet. Gone the paintings on the wall. The walls were as off-white as the outside of the house. The stench of blood came from everywhere, and the lights here were bare bulbs and flickering fluorescent strips. The floor was linoleum and the stain of whatever had come through formed a long snarl of red disappearing into the distance. Now, though, it trailed up the walls, onto the ceiling, not just the floor. Spun crazily. Did not take a straight line.

We could not see the end of the corridor. We could see no trees or bushes. Now the lights went out one by one as we passed, and when I looked back there appeared to be a long shadow with one arm against the doorway staring at us. Then it was gone.

"Is he here?" she said.

"Yes," I said.

She took a step, then another, and I followed for a time and let her lead.

We came to a place where the wall gave way to a huge glass cage that held a wet, flickering, shifting mass of blackish-brown broken only by shimmers of red.

"What is it?" This time I asked.

She was quiet for a moment. "Starlings. So many starlings, so close together that they cannot move, held up by each other's bodies."

Now I could see the wings and beaks and feathered heads. The eyes bright, feverish, anguished.

"What purpose could this serve to him?" I asked.

She only laughed harshly, took my arm, tried to pull me away. I would not go.

"What purpose could this serve to him?" I asked again, and still she had no answer.

There was a way into the cage. A small chamber at the bottom that would allow a man to crawl in, shut the door, and then open another, translucent door into the space with the birds. The red trail led inside and then back out again.

She saw me looking at it. "What purpose would it serve to go in?" she asked.

"Then I would know why," I said.

"You might know why, or you might not. But you would come out mad."

"Am I not already mad?"

I couldn't find an individual starling within that glass cage. They had become something else.

"Trap," I said, wrenching my gaze away.

She nodded, led me forward. We had no weapons.

I had said no weapons.

Was I right?

The lights, they went out behind us. Now the few windows showed us not forest but darkness. Night had come, and kept encroaching while we walked down the corridor. I kept thinking about the starlings. I kept thinking about the soundless scream that must be rising within them.

We came to a massive enclave hollowed out from the inner wall. I did not think that there could be such a space within the house, until I remembered the second floor and the way the steepled roof had looked like a chapel.

Within this enclave lay a giant human body composed of many other bodies. And within its belly, which had been ripped open, there lay the bodies of animals too various to describe. And these bodies too had been torn apart and remade to create still stranger creatures. And those creatures had their own as well. The scene seemed to recede from us as we watched it, as if my mind wanted to put as much distance there as possible. The face of the giant human body was various - a patchwork of so many different possibilities that culminated in a gashed, bearlike muzzle. Flesh is only flesh, skin only skin, muscle only muscle. It can all change and be changed. There was a desperation to it, as of someone frustrated, thwarted, looking for a solution that never came.

The stain across the walls, across the ceiling, across the floor, had smashed through the glass divide between us and that tableau. The stain ended here even if the corridor did not. Somehow this change in logic unnerved me more than the box of starlings - more even than the body within bodies laid out before us.

"What is the meaning of us?" she whispered.

I know she meant "What is the meaning of this?" but that is not what she said.

"Keep moving," I said. "We are almost at the end now."

"What kind of end can that be?"

"The great man is nearby, I can tell."

"But we have no weapons."

"That is our weapon."

"I expected..."

"Stop."