The Tears of Autumn (2 page)

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Authors: Charles McCarry

BOOK: The Tears of Autumn
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Christopher looked at a French girl who had just pulled herself out of the pool. She was wringing the water out of her long bleached hair, and her body curved like a dancer’s. “No,” he said.

“She has no navel. Look again.”

It was true. The girl’s belly was smooth except for a thin white surgical scar that ran through her tan into the waist of her bathing suit.

“She had an umbilical hernia,” said Wolkowicz, “so she asked them to remove it when she had a cesarean. The clever Vietnamese just removed her belly button altogether.”

The waiter went away with the signed chit.

“Christopher,” said Wolkowicz, “you’re a conscientious officer, everybody knows that. But Luong is not your child. He’s an agent. Go to Bangkok. Meet him. Give him his pay. Wipe his eyes. But leave well enough alone.”

“You mean let Nhu have him.”

“Nhu may not live forever,” said Wolkowicz.

On the airplane in Bangkok, a stewardess handed Christopher a hot towel. Stewardesses disliked him. He had no sexual thoughts about them; combed and odorless, in their uniforms, they seemed as artificial as airline food and drink. He had been in nine countries in twenty days, flying in and out of climates and time zones, changing languages and his name at each landing. His appetites and his emotions were suspended.

The jet turned over the city. Sunlight flashed on a pagoda that quivered on the brown plain like a column of crystal; Christopher knew that the pagoda was faced with broken blue china saucers, smashed in the hold of an English sailing ship by a storm a century before. He stood up when the seat-belt warning went out and removed his jacket. The jacket was wool because he was flying into a cold climate, and it was clammy with sweat. It was the last day of October, 1963, and it would be chilly in Paris, where he was going to make his report.

Christopher organized his mind, sorting out what he had learned and what he had done in the past twenty days. When he closed his eyes, he saw the girl who had no navel beside the pool in Saigon, the brown girl he had bought in Bangkok for Luong, and finally the girl in Rome who was waiting with his book of poems to make love to him.

Desire is not a thing that stops with death,
but joins the corpse and fetus breath to breath. . . .

Christopher remembered what he had written well enough, but not so well as he remembered what had made him write. His grandfather’s death had given him his first poem, eight quatrains in Tennyson’s voice. The old man, lying in a hospital with the tubes removed from his arms so that he might die in his own time, thought that he was in a railroad station; as he ran for his train he met his friends, and they were young again: “Mae Foster! Your cheeks are as red as the rose! . . . Caroline! You’re wearing the white dress I always loved!” Christopher’s last poem was written in his own voice after he slept with a girl whose brother, who trusted Christopher as Luong did, had died for nothing. She sobbed all through the act.

After the girl had gone to sleep, Christopher wrote a sonnet and left it beside her; rhyme and meter came as easily to him as the technique of sex, and had as little to do with love. This happened in Geneva, on a night when snow had fallen, so that the gray city under its winter clouds gave off a little light. Christopher, as he stepped off the curb, was nearly hit by a car. The incident did not frighten him. It interrupted his behavior, as a slight electric shock will cause a schizophrenic to cross over in the mind from one personality to another. He saw what his poems had become: another part of his cover, a way of beautifying what he did. He went back to the bedroom of the sleeping girl and burned what he had written. She found the ashes when she woke, and knowing what they were because Christopher had written her other poems, considered them more romantic than the sonnet.

“Do you wish to sleep?” the stewardess asked.
“No,” said Christopher. “Give me a large whiskey.”

2

Christopher walked out of the Aérogare des Invalides, under the bare elms along the Seine. Autumn chill, smelling of wet pavement and the river, went through his clothes and dried the sweat on his spine. He walked across the Pont Alexandre-III, where he had once kissed his wife and tasted the orange she had eaten. The winged horses on the roof of the Grand Palais were black against the electric glow above the city. “The French do have the courage of their vulgarity,” Cathy had said when, as a bride, she had first seen these colossal bronze animals trying to fly away with the ugliest building in France.

There were two policemen on the bridge. Each carried a submachine gun under his cape. Christopher walked by them and waited until he was in the shadows at the other end of the bridge before checking again to see that he was not being followed. Christopher knew Paris better than any city in America. He had learned to speak French in Paris, had written his book of poems and discovered how to take girls to bed there, but he no longer loved it. More, even, than most places in the world, Paris was a city where his nationality was deplored and his profession was despised; he could not stay there long without being watched.

Near the Madeleine, Christopher went into a cafe, bought a
jeton,
and called his case officer. When Tom Webster answered, Christopher heard the click of the poor equipment the French used to tap Webster’s telephone. The volume of their speech faded and increased as the recording machine in the vault under the Invalides pulled power out of the line.

“Tom? Calisher here.”

They spoke in English because Webster did not understand French easily; he was slightly deaf, and he had learned Arabic as a young officer. The effort, Webster said, had been so great that it had destroyed his capacity to learn any other foreign tongue.

“I’m staying with Margaret tonight,” Christopher said.

“Then you’ve got better things to do than come over for a drink,” Webster said.

Christopher smiled. Webster’s tone of voice told him that he was proud of this quick-witted reply; he thought it made the conversation sound natural. Webster paused, sorting out with an almost audible effort the simple code they used on the telephone.

“Let’s have lunch,” he said at last. “Tomorrow, one o’clock at the Taillevent. I know you like the lobster there.”

“Fine,” Christopher said, and hung up. By the time he had climbed the stairs and ordered a beer at the bar, he had overcome the smile Webster’s voice had brought to his lips. Webster was not very good at telephone codes. After seven years, he knew that any name beginning with a C was Christopher’s telephone name. He was able to remember that “Margaret” was the euphemism for the safe house in the rue Bonaparte to which Christopher carried a key. It was the time-and-place formula that confused him. Christopher had spent many hours waiting alone in expensive restaurants like a disconsolate social climber because Webster was never sure whether to add or subtract seven hours from the time stated over the telephone for a meeting. Lunch at the Taillevent at one o’clock meant dinner at Webster’s apartment at eight o’clock.

In other ways, Webster was a skillful professional. When he was still in his twenties, he had saved a kingdom in the Near East by penetrating a revolutionary organization and turning it against itself, so that the terrorists murdered each other instead of their monarch. The king he saved was still his friend. Like all good intelligence officers, Webster knew how to form friendships and use the friends he made. No human action surprised him or touched his emotions.

Webster and Christopher needed to make no allowances for one another. They lived in a world where all personal secrets were known. They had been investigated before they were employed; everything that could be remembered and repeated about them was on file, the truth along with the gossip and the lies. Gossip and lies were valuable: much can be understood about a man by the untruths that are told about him. Once a year, on the anniversary of their employment, they submitted to a lie detector test. The machine measured their breathing, the sweat on their palms, their blood pressure and pulse, and it knew whether they had stolen money from the government, submitted to homosexual advances, been doubled by the opposition, committed adultery. The test was called the “flutter.” They would ask of a new man, “Has he been fluttered?” If the answer was no, the man was told nothing, not even the true name of his case officer.

To Webster, the flutter was the ordeal of brotherhood. He believed that those who went through it were cold in their minds, trained to observe and report but never to judge. They looked for flaws in men and were never surprised to find them: the polygraph had taught them so much about themselves— taught them that guilt can be read on human skin with a meter —that they knew what all men were.

They had no politics. They had no morals, except among themselves. They lied to everyone except their government, even to their children and the women they entered, about their purposes and their work. Yet they cared about nothing but the truth. They would corrupt men, suborn women, steal, remove governments to obtain the truth, cleansed of rationalization and every other modifier. To one another, they spoke only the truth. Their friendships were deeper than marriage. They needed each other’s trust as other men needed love.

Webster recited these things to Christopher when he was far gone in drink. They were true enough. Webster, a phlegmatic man, had tears in his eyes; he had lost a young American in Accra. The boy had been shot by members of the Ghanaian service, who thought murder was the way in which secret agents dealt with their enemies. “What that kid really liked about this life is what we all like,” Christopher said. “It’s like living in a book for boys.” Webster was outraged; he leaped at Christopher. “But he died! How many have you seen die? I can name them for you.” Christopher gave his old friend another drink. “No need; I remember,” he said. “But, Tom, be honest. If it had been you those black amateurs shot, what would have been your last thought?” Webster shook his head to clear the whiskey from his voice: “I’d laugh. It would be such a goddamn joke of a death.” Christopher lifted his glass. “Absent friends,” he said.

Webster was short and muscular. He had once held the shot-put record at Yale. He wore the clothes he had had in college, fifteen years before, and shoes he had inherited from his father that were a half size too small for him. Though he was homely and had no luck with women, he was amused by Christopher’s good looks and the way girls came to him. “I’m the portrait you keep in your attic,” he told Christopher. “Each time you sin, I get another wart.”

Christopher, finishing his beer, remembered this and laughed aloud as in his mind he saw Webster as clearly as in life. The bartender took away his glass and didn’t ask if he wanted another drink.

In the safe house, an apartment on the sixth floor of an old building behind the Ecole des Beaux-Arts, Christopher ate the food that had been left in the refrigerator for him, took a shower, and sat down at a portable typewriter. He worked steadily on his report until he heard the morning traffic moving on the quais along the Seine. He wrote nothing about Luong, except to include the receipt for the money he had thrown into the river. He burned his notes and the typewriter ribbon and flushed the ashes down the toilet.

Then, placing the typed report inside the pillowcase, he went to bed and slept for twelve hours. He dreamed that his wife, standing with the light behind her in a room in Madrid where he had slept with another girl, told him that she had given birth; even asleep, his mind knew that he had no child, and he ended the dream.

3

Tom Webster’s apartment in the avenue Hoche had once belonged to a member of the Bonapartean nobility. Its salon preserved the taste of the marquis and his descendants. Caryatids with broken noses stood at the corners of the ceiling; rosy women picnicked on the grassy banks of a painted brook that flowed along the wainscoting.

“Tom makes fun of the decor,” said Sybille, his wife. “But really, in his heart of hearts, he thinks it’s
très luxe.”

“There’s no need for all that before the other guests come,” Webster said. “Paul knows that the chief decoration in all our houses is my scrotum, which you nailed to the wall years and years ago, Sybille.”

“Does Paul know that?” Sybille asked. “But then he’s trained to notice everything, isn’t he? Paul, Tom is always so glad to see you. He tells me in bed that you’re absolutely the best in the whole company. In
bed
—what is the significance of that, do you suppose?”

Sybille Webster was a quick woman who liked to pretend that she was married to a slow man. Her fine face was more beautiful in photographs than in life. There were pictures of her in every room, and these were an embarrassment to her; she cleared away the frames when she invited strangers into the house. Webster married her thinking that he would want sex with no one else for the rest of his life, and he still gazed through his glasses at his wife as if she were, at all times, whirling about the room in a ballet costume. It was he who had taken the photographs.

Christopher took the drink Sybille had made for him and kissed her on the cheek. He handed his report to Webster. “Read the first two contact reports, if you have a minute,” he said. “You may want to send something tonight.”

“Why are you so good at the work, Paul?” asked Sybille. “Do you know?”

“People trust him,” Webster said.

“Do they? Wouldn’t you think that word would get around?”

“Oh, I think it has, Sybille,” Christopher said. “You notice that Tom never leaves us alone.”

“He’s been that way ever since he started to flag,” Sybille said. “That was, oh, the fourth day of our honeymoon. He took me to New York—the Astor Hotel. I was just a simple virgin from Tidewater Virginia. So many memories. Tom used to go to the Astor when he was a soldier and meet interesting people in the bar.”

Sybille, sitting on the arm of Christopher’s chair with her legs crossed, pointed a finger at Webster, who never gave any sign that he heard the things she said about him.

Webster tapped the report. “This is hotter than a firecracker,” he said. “Do you think Diem and Nhu are really in touch with the North?”

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