Read The Synopsis Treasury Online
Authors: Christopher Sirmons Haviland
Tags: #Reference, #Writing; Research & Publishing Guides, #Publishing & Books, #Authorship
In fact, the day of her rejection from her parents’ home is one of the memories Oa relives. She also remembers the day the geos arrived on the island of the anchens, and she remembers scenes from her childhood such as the day each year when the children receive their naming tattoos. Isabel is a temptation to Oa, a danger, because it’s clear Isabel believes Oa to be a real person. Oa is drawn to the priest, craving her company, longing for her affection and protection, but believing that when Isabel finds out the truth, she too will reject Oa. Oa is convinced that the medicator, which tests her blood constantly, is searching for her soul. She fears the day when it finally determines she has none.
Through Jin-Li, Isabel sends Simon Edwards copies of the medicator readouts for Oa. She is unable to acquire the assessments for the child who died. Simon finds evidence of a small, benign anterior pituitary tumor, and an abundance of telomerase in Oa’s body as well, something normally found in cancerous and reproductive cells. Isabel reads the hardcopy of his message over and over, not just for the information, but because it brings her close, however briefly, to Simon. Jin-Li, characteristically, says nothing about the two of them, but she guesses at their relationship, and wonders at their separation.
Isabel and Oa, confined together in quarantine, grow closer and closer. Isabel tries to explain to Oa who and what she is, what her priesthood means. And at last, after weeks of trying to hide what she perceives to be the truth about herself, Oa confesses to Isabel that she is one of the anchens, the soulless ones. Isabel, shocked and confused, tries to comfort Oa, but realizes she will never understand the Sikassa without traveling to Virimund, to do a classic anthropological study. Whatever is happening in Oa’s body, her culture has developed a mythology, a belief system, to deal with it. To heal Oa, emotionally if not physically, Isabel must understand that system.
At the same time, Gretchen Boreson is growing frantic with impatience. Edetti finally releases Isabel from quarantine, and she demands to be allowed to return with Oa to Virimund. Edetti has determined, with the sophisticated equipment at his disposal in the Multiplex, that Oa has a virus that triggers the development of the pituitary tumor, which in turn produces telomerase. The telomerase inhibits the maturation of her reproductive system, and in fact inhibits all her cells from aging by stopping the shedding of DNA in normal cell division. Edetti is calling it the Delayed Senescence Factor, or DSF. He wants to keep Oa in his control, and to acquire other ‘subjects,’ as he calls the old children, for study. He refuses to allow Oa to leave. Only with Simon’s help, and the threat of exposing his actions to public scrutiny, is Isabel able to free the child, and their transport to Visimund is arranged.
Simon Edwards arrives in Seattle, having determined that the virus in Oa’s body is activated by a co-agent, a spore native to Virimund that is present in her lungs. He warns that he does not yet know the source. Paolo Edetti is furious, and fearful that Simon may win through to the secret of DSF before he does. When the transport leaves Earth for Virimund, both Edetti and Simon are on board. Jin-Li, without alarming Isabel, is keeping an eye on Edetti, believing it possible that Simon is in danger from the ambitious ESC physician. Gretchen Boreson is also on the transport, presumably to oversee the research into the Sikassa, to protect their rights, but in actuality because of her determination to acquire the virus herself.
Throughout the first part of the novel, Oa’s memories provide glimpses into the cruel culture of the Sikassa, the frequent and sudden violence, the anchens exiled, the fertility ceremonies, the lonely and desperate life the old children lead on their island. During the months of the journey, Isabel struggles to understand the context of Oa’s experiences, particularly the event of the tatwaj, the tattooing. Jin-Li observes everything, and begins to compile a record that she hopes may someday qualify her as a Port Force archivist. Isabel and Simon work together to search for the antiviral that could possibly ‘cure’ Oa’s condition, and they debate the ethical ramifications. The long-term effects are subject to conjecture. Isabel struggles also against her feelings for Simon, and her commitment to the Magdalene vows. She and Jin-Li and Simon are all emotionally involved with Oa, sympathetic to the terrible memories she carries, to the uncertain future she faces. They discover in her a merry, playful spirit that has been suffocating under the weight of misfortune that has been her life since her exile, and they have to deal with deeply ambivalent feelings over providing her with the cure she craves, that will allow her to grow up, and eventually to die. Before they reach Virimund, Simon insists on inoculating Isabel, Jin-Li, and himself against the virus.
VIRIMUND
Despite the strictures of ESC’s charters, the geoponics installation is in full swing. The Port Force Administrator on Virimund is a plainspoken man, Oscar Jones, who is nervous about his orders to proceed when he knows of the charter violations ESC is committing. He has tried to keep the geoponics workers away from the Sikassa, but there have been incidents of violence just the same, though no one else has been killed. The geos are developing a hatred of the Sikassa despite his efforts, and he is eager to make peace and forestall a situation of war. No one on Virimund understands the Sikassa any more than they did two years before, when Oa was taken away by Edetti.
Oa’s return to the island of the anchens, with Isabel and Jin-Li, is a strange scene. At least thirty children, tattooed, wearing ragged clothes, with tangled hair and dirty faces, watch warily as they land on the beach. Oa, reverting to their patois, explains their presence, but still the children are suspicious, and every one of them carries some sort of weapon. Oa leads Jin-Li and Isabel to the monument at the top of the island’s mountain, the shrine to the Child Goddess, built of painted stones. She explains that the bones of the first anchen lie beneath it, that the girl died trying to protect other old children, and that the anchens believe on the Child Goddess can grant them what they want most—their souls, and the chance to grow up.
Isabel is moved at the sacrificial figure that has become the focus of the anchens’ prayers. She approaches the shrine with respect, and spends a long time kneeling before it, her head bent. She is not praying to the Child Goddess, although the anchens think she is. She is asking her own God for understanding, for wisdom, and for the grace of being able to help these abandoned ones. But her action impresses the anchens, and helps to begin a relationship between the old children and Isabel and Jin-Li.
Isabel’s charge, as a medical anthropologist, is to make sense of the Sikassa culture and how they have dealt with the challenges of life on Virimund, and the strange virus that affects some of the children. She needs to get to know the Sikassa on the other islands, but it’s a dangerous process. The anchens are wary, the Sikassa aggressive and unpredictable. Oa has made this much clear. Isabel spends days finding a way to be accepted on the nearest island where the Sikassa live in their shahtos, their tree houses. Oa is not allowed, but Jin-Li accompanies her, and Isabel is glad not to have to go alone. She feels she is getting close to understanding why the Sikassa reject the anchens. With Jin-Li, she develops a theory that the old children are the antithesis of what the emigrant colony needed to succeed in a time of high mortality and a dwindling gene pool. The anchens are weak, nonproductive, and infertile. The Sikassa developed a mythology around the anchens, a belief that children who do not age are in fact not human, that they are soulless. Isabel and Jin-Li witness the tattoo ceremony, the tatwaj. They have to stand by, idle, as the tattoos are counted, and they see the scene of weeping and sorrow when one boy is judged an anchen. Now they understand any child who accumulates fifteen tattoos without a sign of puberty is judged a useless member of the society, and a possible source of further infection, and is banished from the community. Occasionally a child who is believed to be an anchen comes to a late puberty, and is allowed to return to the community. The anchens believe these cases to be miracles wrought by prayers to the Child Goddess.
Isabel knows she is working under pressure of time, a pressure brought to bear by Gretchen Boreson’s quickly fading sight. In touch with Simon by r-wave, she learns his concern that the virus, if contracted by an adult, could be fatal, that a mature reproductive system would make the pituitary tumor malignant. He has identified the spore that he believes is the co-agent of the virus. He believes it comes from the trees that thickly cover the Sikassa islands. There are very few on the islands the geos and the Port Forcemen are working on, because they specifically chose islands with more open spaces for the hydroponics and aeroponics installations. Working with the practical Port Force Administrator, Oscar Jones, he has inoculated all the ESC employees, just in case. But Gretchen Boreson refuses the antiviral agent, and slips away in a boat, accompanied by Paolo Edetti, to the islands of the Sikassa, with the express intent of acquiring the virus.
Just as Isabel is coping with her final understanding of what the tatwaj is, and why the anchens experience the death of all their hopes of being human beings, adults, of having futures that are meaningful, Gretchen Boreson and Paolo Edetti arrive at the Sikassa islands. When the Sikassa, with their usual volatility, threaten their lives, Edetti reveals a weapon. Isabel, the peacemaker, puts herself between the two ESC people and the Sikassa. Simon, following in another boat with Oscar Jones, walks into the middle of the conflict. When Edetti fires his weapon, with Isabel protecting the Sikassa, Simon throws himself on the other physician, and is killed.
Gretchen Boreson, mad with her need, races up the beach and into the midst of the Sikassa. Bizarrely, they circle her, touching her, breathing on her, even putting their open mouths on her. Isabel, holding Simon’s body, sees this, and cries out to Edetti that the Sikassa are doing their best to infect Boreson. They wait on the beach until Gretchen Boreson returns, dazed, bruised, and triumphant.
By the time they have Boreson in the boat, and Simon’s body, Gretchen Boreson is already feverish. Isabel explains, through her grief, what Simon believed about the virus and a mature adult. She says there is no time to lose if Gretchen Boreson is to survive. Isabel, desolate at the feeling that she has lost Simon twice, insists that she will not abandon Oa, that Simon has sacrificed himself to save the anchens, and she will see his goal through to the end. The group hastens to the anchens’ island, where they pick up Oa, and then back to the Port Force clinic where Simon has the antiviral agent stored.
Oa watches in awe as the medicator is put to work on Boreson. For her, this is a revelation, that the machine should be used on a real person, an adult. She understands that Boreson has contracted the virus, and tells Isabel that it is always fatal in adults. Most of the Sikassa, of course, have antibodies against it, but Boreson, having never been exposed before, and having been so deliberately infected by the Sikassa, is overwhelmed by the illness. The medicator reveals that a fast-growing tumor has already developed on her pituitary, and as Simon Edwards predicted, it’s malignant. When Edetti, convinced at last, gives Gretchen Boreson the antiviral medication, and she begins a slow recovery, Oa is stunned.
Once Simon’s body has been laid to rest, with Isabel performing the funeral mass for him, Oa shocks Isabel by kneeling before her and presenting a heartfelt petition for the antiviral agent to be made available to the anchens.
The decision to do so is one that Jin-Li and Isabel discuss for hours. They are so fond of Oa, and now the other anchens, and they can hardly bear to see them change, to be no longer children. Yet they come to feel, after long consideration, that the anchens must be allowed to grow up if they wish; to make their own decisions about the future. Oa receives the antiviral agent, while the others watch, undecided and confused.
EARTH
Isabel returns to Earth with Oa. She takes the child back with her to the Mother House in Tuscany. Boreson, a changed woman, also returns, to have surgery to remove her tumor. Jin-Li stays with the Sikassa, to complete her archival project, to see the anchens through their recovery, and to offer the Sikassa the antiviral agent developed by Simon, and bearing his name. Edetti, humiliated and frustrated, leaves ExtraSolar to continue his research into DSF, but without much hope.
Oa, at home with Isabel, is overjoyed at the appearance of her first menstrual period. At almost the same moment, they receive word from Seattle that Gretchen Boreson’s sight is completely gone.
The Magdalenes hold a special celebration for Oa in their chapel. Though they always believed in her soul, they make a ceremony of Oa’s own new faith in it, and in herself. They honor the beginning of Oa’s life as a whole person. After the festivities, embracing Isabel, Oa speaks of herself in the first person at last. She swears to return to Virimund, to show the other anchens that she has acquired her soul, is truly growing up, and to offer them the same choice. Isabel bows to her will, releasing the child she has come to love into her own personhood, and her own life’s path.
***
Roberta Gellis
Roberta Gellis has been one of the most successful writers of historical fiction of the last few decades, having published more than forty meticulously researched historical novels since 1965. Most currently Gellis has been writing historical mystery (
A Mortal Bane
,
A Personal Devil
,
Bone of Contention
, and
Chains of Folly
) and historical fantasy (
This Scepter’d Isle
,
Ill Met By Moonlight
, and
By Slanderous Tongues
). Gellis has been the recipient of many awards, including the Silver and Gold Medal Porgy for historical novels from the West Coast Review of Books, the Golden Certificate from Affaire de Coeur, The
Romantic Times
Award for Best Novel in the Medieval Period (several times) and a Lifetime Achievement Award for Historical Fantasy, and Romance Writers of America’s Lifetime Achievement Award.
I am not at all certain that I should be included in this anthology of synopses because I am afraid I am singularly inept at writing them. My first two books,
Bond of Blood
and
Knight’s Honor
, were sold as completed manuscripts by my first agent. I do not know how she convinced an editor from Doubleday to buy the books, but I never wrote a synopsis for them.
My next books,
The Dragon and the Rose
and
The Sword and the Swan
, were also sold as completed manuscripts. Again I have no idea how the editor was “sold” on the manuscripts—but Lyle, God bless him, could sell ice to Eskimos in the middle of an arctic winter. Lyle was a book packager and remained my agent for many years. Synopses may well have been written for The Roselynde Chronicles and the many other historical novels that followed, but I did not write them. The plots of the books were history-driven, and the historical events in their proper order were all the synopses I needed.
When I could no longer sell historical romances because of the heavy historical content of my novels, I switched genres to mythological fantasy. Lyle had died (to my sorrow) and my current agent sold
Dazzling Brightness
to Kensington on the basis of the first three chapters. I had written a synopsis, but it turned out that my agent had never submitted it with the chapters. I discovered this after the contract was signed because the editor asked for a synopsis.
Since the story was based on the myth of the Rape of Persephone, I suppose the agent felt no synopsis was necessary. However I had written one, so I phoned the agent and asked her why she had not sent it with the chapters. It was so awful, she told me, that she hadn’t dared put it in with the chapters, which were very good.
My current agent—I had parted company with the one who sold my mythological fantasies, but not because of the truth she told me; there were other problems—is too kind and too polite to be so blunt. I had switched genres again, as readers—to my sorrow; I really loved putting flesh on myths and writing about the Greek gods—did not take to the ancient Greek setting. Now, because I missed the medieval setting I had settled on doing historical mystery, and synopses are a necessity for mysteries. However, I cannot say whether my synopsis writing has improved or whether it is my current agent’s charm and cleverness that sold my work.
It is therefore ironic that when I finally feel I have written a synopsis that, if not powerful and arresting, at least describes the book. I do not believe the synopsis really had anything to do with the sale. Harlequin had decided to launch a new “line” called Signature Select. (No, don’t ask what it means or what the name is supposed to convey; I haven’t the faintest idea.) This, I think, although I am not certain, was to be a mixture of “classical” romance and original work by the same author.
My agent had offered the editor of Signature Select the Roselynde Chronicles which are classical historical romance (I am assured by many sources—including
Romantic Times
, which gave me an award for them as classics). And Harlequin decided to reprint these works, to my very great joy. I love the Roselynde Chronicles which I think (please pardon me for tooting my own horn in this crude way) embody the best that historical romance has to offer. So Harlequin needed a new work by the old author. Thus, I suspect that
Desiree
was accepted more to fit the pattern Harlequin wished to establish than on the basis of the power of its synopsis.
Sigh. I hate writing synopses. I wish I could go back to the sweet days when I knew where I was going because of working within historical events or elaborating on a long-familiar myth. I don’t even mind writing a long working outline—I often do a 30-40 page outline for a mystery to lay out the clues and explain the events. It’s the snappy little synopsis that is supposed to sell a book that gives me the “grue.”
—Roberta Gellis
DESIREE
—Synopsis
To save herself from a marriage to Nicolaus of Lewes, a brutal man who might well have killed her for her lands, Desiree of Exceat contracts a platonic marriage with her grandfather’s friend, Frewyn of Polegate. Frewyn is a good man and Desiree is happy, but after more than three years of contented companionship, Frewyn has an apoplectic attack that leaves him nearly paralyzed and hardly able to speak. Thus when Sir Simon, sheriff of Sussex sends a warning that all barons must make ready to defend against an invasion from France, Desiree can only get her priest to write and beg for help.
Sir Alexandre Baudoin, Sir Simon’s nephew, is assigned to make Exceat ready for war. He does so with great diligence but finds Desiree more and more attractive, as much because of her tender care of her invalid husband as for her charms. Desiree has come to love Frewyn, but Alex is a very attractive man with an obvious softness for women. More and more as they work together, Desiree finds herself desiring Alex. He cannot help but notice. There are some abortive love scenes.
Both are racked with guilt and do their best to avoid each other, but Frewyn keeps innocently bringing them together, to play games, for Desiree to sing and play, for Alex to explain what he is doing to ready the keep for war. Both are half crazy when Alex’s brother, Vachel, shows up.
Vachel has been expelled from his home because his father came to suspect him of having killed his two middle brothers and possibly planning harm to his elder brother. Vachel decides to seek a patron at the French Court and while there boasts of his rich and powerful uncle, Simon Lemagne, Queen Mother Eleanor’s liegeman. When Prince John, who is at the French court, comes to hear of this, he tells Vachel that if he can manage to kill his uncle, John will see that he gets to marry Simon’s enormously wealthy wife Alinor. Vachel agrees.
When Vachel arrives in Roselynde, Simon is temporarily out of his reach; however, he learns of his brother’s appointment to be castellan of Exceat. He decides to go there and see what profit can be made out of Alex.
Vachel made life hell for Alex in France in their parents’ home–Alex even suspected Vachel might have tried to kill him to get his mother’s letter of introduction to Simon. Nonetheless he and Desiree greet the guest with open arms, welcoming anything to dilute their effect on each other. Both soon regret the welcome because Vachel is unpleasant to Frewyn, whose slurred speech and partial paralysis he finds repulsive.
Not long after Vachel arrived, Frewyn is found dead and the servants who cared for him in a drugged sleep. No one suspects Vachel because he seems to have no motive; however he does have a motive. Before he went to Roselynde he was with Nicolaus in Lewes, to make sure he would have a safe retreat after killing Simon. He learned there that Nicolaus, who is secretly John’s man, wants Desiree and her lands.
Desiree suspects Alex, fearing that she had tempted him too far and he killed Frewyn, partly to end her husband’s misery and partly because of his desire for her; Alex suspects Desiree for the same reasons. They avoid each other. Vachel takes advantage of the estrangement to order Alex to leave Exceat. He says he will take charge of the keep and deliver Desiree to the very man she escaped by marrying Frewyn.
Alex refuses to leave–to protect Desiree and because Simon gave him the duty of castellan of Exceat. Vachel laughs at him and attacks him. Alex defends himself, easily defeats Vachel, and drives him away.
Desiree, half crazed between desire for Alex and guilt, accuses him of Frewyn’s murder. He proves he could not have done it and the accusation and manner of it proves to him that Desiree is also innocent. Together they reason out that Vachel must be guilty.
Alex has had the priest write to Simon to tell him of Frewyn’s death. Simon sends a deputy to care for Exceat and orders Alex to bring Desiree to Roselynde. They find Vachel there. Alex cannot bear to show family disloyalty by accusing Vachel of Frewyn’s death when he has no proof; however, Desiree tells Alinor the whole story and associates Vachel with Nicolaus of Lewes, a man Alinor suspects is a liegeman of John’s.
Alinor knows how much John hates Simon and her; she fears that Simon is Vachel’s true target. She searches Vachel’s luggage and finds sleeping powder and poison, both of which she substitutes with harmless substances.
Vachel remains in Roselynde when all the others go hunting. He puts what he believes is poison into the wine that is to be used for a feast that night. Then he flees to Nicolaus, who asks if he has killed Simon as promised. He says he has, but that he was seen and that he wants to go back to France; John can reward him there. John’s henchman agrees but then has Vachel killed.
Simon arranges for Alex to win a small estate and he and Desiree are married.
***