Read The spies of warsaw Online
Authors: Alan Furst
life as chess, draw you into some sort of clandestine rat maze, then
shut the trap."
"I believe it's a legitimate offer to change sides," Mercier said.
"Viktor Rozen seemed, ah, at least worried, maybe desperate. His
wife's the strong one."
"Maybe she outranks him," the ambassador said. "That's not
unknown. As for what's next, we--I mean you, colonel--cable Paris.
Tonight. I'll want to see the text before it goes to the code clerk."
"Tonight?" Jourdain said. "Couldn't we . . . explore the possibilities?"
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The ambassador's smile was all too knowing. "Your instincts are
perfect, Jourdain, but if we dawdle, the bureau in Paris will want to
know why. Still, colonel, don't say more than you have to, just follow
the form."
"They'll be out here, sir," Jourdain said. "All over us."
"Maybe. Can't be helped."
"So, five-thirty tomorrow," Mercier said. "A visit to the post
office."
"One can never have enough stamps," the ambassador said. "As
for me, I'm off to the Biddles' dinner party, you two work out the
details."
Jourdain and Mercier talked for a long time--what did they want,
what could they get, what was the price of salvation, this week?
10 January. In civilian clothing, but well dressed for the occasion,
Mercier strolled around Warecki square in a light snow. Then, precisely at five-thirty, he entered the busy post office, stood on line, and
bought a sheet of stamps. Very pretty, they were, the two-groszy issue,
blue and gold, with a handsomely engraved portrait of Chopin.
14 January. At the Spanish embassy, an evening of flamenco. The
ambassador represented the Republican, the legal, government of
Spain, but it was known that there was a Nationalist, a fascist, ambassador in Warsaw, waiting to present his credentials. Franco's forces
had now cut the country in two parts, holding the larger area, so it
was, the diplomatic community believed, just a matter of time.
Mercier arrived at the Spanish embassy precisely at nine and
found a seat at the end of a row toward the back. Not quite the usual
crowd, he saw, the audience determined by political alliance, so neither the German nor the Italian diplomats were to be seen. But no
problem filling the room, because half the Soviet embassy was evidently passionate for Spanish dance. Mercier did find Maxim--that
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was logical, because an evening of flamenco,
political
flamenco, was
just the thing for Maxim's clever column in the newspaper--who'd
saved the seat next to him with his folded overcoat. Then, as the
lights dimmed and the Spanish ambassador took the stage, a familiar silhouette hurried down the aisle and took the saved seat. What
went on in Mercier surprised him--only a glimpse of her silhouette.
But enough. The Spanish ambassador was speaking, though Mercier
never heard a word of it, until the end: ". . . the old and honored heritage of our nation, tonight gravely wounded and in peril, but which,
like the passionate art we bring you this evening, will endure." Thunderous applause.
Mercier liked the flamenco well enough--the fierce guitar, the
hammering rhythms of the dance--but his heart was elsewhere. And
as the troupe returned for a second encore, he walked quickly up the
aisle and out the door into the room where the reception would be
held. On a long table covered with a red cloth, bottles of wine and
plates of bread and cheese. He stood to one side and waited as the
audience filed out.
Maxim was delighted to see him. He strode over, swung his hand
back, then forward, grasping Mercier's extended hand as though he
meant to crush it. "Here's the general! Say, how goes the war?" Standing slightly behind him, Anna raised her eyes, looked at Mercier, then
lowered them.
"It's going well enough," Mercier said.
"Glad to hear it, glad to hear it, general, keep up the good work."
With a proprietary hand on Anna's arm, he headed for the wine.
An intense crowd, that night. As Mercier made his way across the
room, the conversation was loud, excited, fervent. Opinion on the war
in Spain was savagely divided--the battle for an ancient nation had
become a battle for the heart of Europe. At last, by the door to the
lobby, he spotted the Rozens, being lectured by a comic-opera official,
a minister of some state, in tailcoat, pince-nez, and Vandyke beard. As
Mercier approached, Viktor said something to the official and began
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to lead him away, the man making slashing motions with his hand as
he talked.
Malka Rozen wasted no time. "It must be soon," she said, her
voice an undertone, her false smile broad and beaming.
"Are you being watched?" Mercier said. "Here? Tonight?"
"I can't say. They're very good at it, when they don't want you to
know."
"Our answer is yes--we're going to help you get out of Poland."
"Thank God."
"But you will have to help us, in return. You will come bearing
gifts, as they say."
"What do you want?" The determination beneath the warm exterior was like steel.
"Photographs, that's best. Or hand copies. Of documents relating
first to France--operations in Poland that involve French interests--
and then to Germany."
"Why do you think we have anything like that? Our work is
against Poland, not France, or Germany."
"Madame Rozen," Mercier said. He meant:
please don't play
games with me
.
"And if we can't get anything you want? Then we die?"
"You work for people, madame, and I work for people. Maybe
they're not so different, the people we work for."
"I hope they are," she said.
"Are you saying you won't try?"
"No, no.
No.
We'll try. But we don't have long. We were directed
to return to Moscow last week. We told them we had important meetings in Warsaw, so our return was postponed--two weeks from today.
After that, the knock on the door at midnight, and finished. For
twenty years of secret work, for twenty years of faith and obedience,
nine grams." The weight of a revolver bullet, Soviet slang for execution.
"We'll meet again, in four days," Mercier said. "There's a talk
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being given at the Polish Economic Ministry, 'The Outlook for 1938.'
Surely you won't want to miss that. But, in an emergency, you can
signal us. At the central post office, you'll find a Warsaw telephone
directory in the public booth, the one by the window. On page twentyseven, underline the first name in the left-hand column. Do this at nine
in the morning or three in the afternoon, and we'll pick you up at the
cafe on the other side of Warecki square, thirty minutes later."
"Page twenty-seven? Left-hand column?"
"That's correct. But I expect to see you on the eighteenth. And I
expect you'll have something for us by then. At least a beginning."
She thought a moment, then said, "So, allright, we'll look through
the files." Her mood had changed: to resignation, and something like
disappointment. Yes, she knew all too well what his job entailed, but
she'd sensed in him some basic decency she'd hoped might play to
their advantage and so had approached him and not the British--the
other logical choice. But now, she discovered, he was like all the rest,
and would play by the rules. When he didn't answer immediately, she
said, "Maybe there's something."
"You'll do what you have to do, Madame Rozen. You know what's
at stake."
Viktor returned, having shed the talkative official. "Playing nicely,
children?"
Her look, sour and grim, told him what he needed to know.
Mercier nodded a formal goodby, walked away, and out the door.
On the eighteenth, Mercier was among the first to arrive at "The Outlook for 1938," but the Rozens never appeared. He tried, sitting on a
hard wooden chair, to keep his imagination in check, but it didn't
work. As the economic minister droned on--"With the reopening of
the Slawska mine, Silesian coal production . . ."--he could see them,
as in a movie, opening the door at midnight, led to a waiting car,
driven up to Danzig, then put under guard on a Soviet ship bound for
Leningrad. Then the Lubyanka prison, the brutal interrogation, and
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the nine grams in the back of the neck. Mercier knew also that not all
Stalin's victims got that far; the lucky ones died early, from rough
treatment, or purely from fright. He hoped he was wrong--there had
been no signal, and there were all sorts of explanations for the Rozens'
absence--but feared he was right.
With Jourdain supervising the watch on the post office, Mercier left
the embassy on the afternoon of the nineteenth. At home, he packed
carefully, then dressed even more carefully, choosing a shirt on the
fourth try--a soft one, thick and gray, with a maroon tie, and a
subdued tweed sport jacket. Then he considered the supposedly
"woodsy" cologne he'd bought the previous day, but decided against
it. He was determined--strange, how desire worked--to be as much
his usual self as he could be. And he guessed, given burly Maxim, that
Anna Szarbek wasn't the type who liked men who wore scent. What
did
she like? What did she like about
him
?
Such obsession was better than brooding about the Rozens. There
had been a flood of cables from Paris: someone in the bureau wanted
double agents, the great prize of their profession, who would reveal
what the Russians knew, and tell the Russians what the French wanted
them to believe. The classic game of spies. But there was no time for
that, and Mercier and Jourdain wound up
defending
them, like lions
with a kill. The Rozens would give up their agent networks, Polish and
possibly German, when they were interrogated in Paris, and would,
before they were taken out of the country, steal from the Soviet
embassy whatever they could. That is, Mercier thought,
if
they were
still free. Or
if
they were still alive. Because there were occasions when
these affairs ended very quickly.
Marek drove him to the Warszawa-Wiedenski station at 4:45 p.m.,
early for the 5:15 departure. His plan was to watch Anna Szarbek
arrive--making sure that Maxim had not come to see her off--then
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"discover" her as they waited to board the train. At first, he was
excited. From a vantage point by a luggage cart piled with trunks, he
watched the platform; the locomotive, venting white steam with a
loud hiss, and the smell of trains, scorched iron and coal smoke, suggesting journey, adventure. But then, as the hands of the platform
clock moved to 5:10, excitement was replaced by anxiety. Where
was
she? When the conductor stationed himself by the steps to the firstclass
wagon-lit,
Mercier realized he had to get on the train. Was he to
travel by himself? In white letters on a blue enameled panel by the
door, the train's route was announced:
Warszawa - Krakow - Brno
Bratislava - Budapest - Beograd
Beograd--the Serbo-Croatian name for Belgrade--was some seventeen hours away. Hours to be spent alone, apparently, in the splendor of his expensive compartment. Had she somehow managed to
board the train without his seeing her? Perhaps she'd never even
planned to attend the conference. But there was nothing to be done
about it, and on the chance he simply hadn't noticed her arrival, he
climbed the steps and a waiting porter showed him to his compartment. Splendid it certainly was. All dark-green plush and mahogany
paneling, the shade of the reading lamp made of green frosted glass
in the shape of a tulip, a vase in a copper bracket holding three white
lilies. When night fell, the porter would open out the long seat and
make the bed.
He raised the window and looked out on the platform, where a
few passengers were running for the train as the conductor shooed
them along, but not the one he was looking for. Then the whistle
sounded, the train jerked forward, and a very chastened Mercier
slammed the window shut and fell back on the seat. As the train left
the city and gathered speed, the porter appeared, asking if he preferred the first or second seating in the dining car.
"Which seating has Pana Szarbek chosen?"
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The porter peered at his list, down, up, and down again. "The
lady is not listed, Pan," he said.
"Then, the second."
After the porter moved on, Mercier walked along the broad corridor, glancing at the occupants of each compartment, finding an