The Space Between (11 page)

Moloch laughs, shaking his head. “I assure you, I can. Look, I won’t even cut him, I promise. What I’m going to do is, I’m just going to choke him a little bit—just very gently—and then it will be all over.” He takes Truman by the shoulder and begins implacably to pull him out of my arms. “What do you want this joker for anyway? The guy’s not even capable of looking after himself.”

“I don’t need him to look after himself, I
need
him to help me find Obie.” My voice echoes in the tiny bathroom, ricocheting off the tile, and Moloch stares down at me like I’ve sprouted wings.

Then he tucks the wire back into his pocket and sits down with his back against the wall. We face each other in silence.

Finally, he rakes a hand through his hair and says, “Do you mind telling me what in the holy hell is going on? As in, what’s all this noise about Obie, why are you here, why is
he
not dead?”

“Something’s happened to my brother,” I say, hating how dismal I sound. “I need to find him, but I don’t know where to go, and now you’re here to collect the only person who might know where he is.”

“And see, here I thought I was just stopping by to collect an abject loser I was supposed to bring in a year ago. Daphne, the guy’s a wash. I hate to break it to you, but his primary state is facedown on the floor, and he
still
couldn’t help you find gravity.”

“You don’t know that.”

Moloch sighs and reaches into his boot, producing a small silver knife. Then, before I can stop him, he leans across me and presses the point to the ball of Truman’s thumb. Blood wells up in a fat, glossy drop. Moloch catches the drop on his knife, then raises the blade to his mouth.

“What are you doing? Are you drinking his blood?”

Moloch pauses with the knife an inch from his tongue. “I’m not drinking it, I’m tasting it. Now sit tight and let me have my moment of I-told-you-so.”

I watch as Moloch licks the blood off the knife, closing his eyes and tipping his head to one side like he’s listening for something.

“Can you taste what’s in it?”

He shakes his head. “Not what’s
in
it, exactly. More like the history—where it’s been, what it’s touched. Everything carries its past, even blood.” He smiles down at the knife. “Not a very macho talent, is it? Bet you thought a bone man would at least melt flesh or torture saints, right?”

He looks so abashed that I shake my head, even though at home, the talent of psychometry is considered unimpressive at best. “Did you learn anything?”

“He’s been drinking a lot lately—no surprise there. No drugs, though. He’s got a love affair with caffeine, doesn’t eat too well, and about a year ago, he lost a lot of blood, but we already knew that.” Moloch touches the blade to his tongue again. His expression is dispassionate. “He’s a mess, Daphne. Just let me take him.”

I don’t answer, but squeeze Truman’s hand, shaking my head.

“Perhaps we aren’t understanding each other,” Moloch says, holding up the knife. “You think you’re doing him a favor, but he would beg for this. If he were well enough to tell you, he would
beg
.”

“Liar,” I say. “People like to stay alive.” In movies, they outrun crazed killers, outer-space monsters, tidal waves, and volcanoes just to survive for when the credits start to spill up the screen.

Truman’s lips look bluish. He will not run anywhere.

When Moloch speaks, his voice is strangely desolate. “Look, this isn’t a one-time thing. It’s not like a car accident or a shooting or a fire. Do you see how unhappy he is? That doesn’t happen in one night. He is
always
almost dying.”

I touch Truman’s cheek, which feels warm under my hand. “But he’s not dead yet.”

Moloch leans closer, staring into my face. “It’s no good, you saving his life. If you do it tonight, you’ll have to keep saving it again and again.”

“Is it hard to do that—save lives?”

He smiles, but it’s small and morose. “I wouldn’t know. Look, you’re not cut out for the savior bit. And this kid, he’s not good for much of anything either. Are you sure there’s no one else who can help you?”

I shake my head. There’s the image of Estella and the door, but I don’t know what it means. My mother can see clearly and she can see far, but she doesn’t understand about maps or distances. Even if she could tell me how to find the door, it might not be enough, and Truman was actually
with
Obie when he left Pandemonium.

I look back at Moloch, feeling something like inevitability. “It has to be him.”

Moloch sighs and slides the knife back into his boot. “Fine, then. But be advised, this isn’t over. I’m just the hatchet man. He’s the one who’s obsessed with killing himself.” He gets to his feet then, shoving his hands in his pockets. He leaves the bathroom without looking back.

At the sink, I run the faucet as cold as it will go and wet the hand towel. Then I crouch over Truman and say, “It’s time to wake up.”

When I ring the towel out over his face, nothing happens for a moment, and then he sucks in his breath in a huge, hoarse gasp, his eyes opening wide as the water runs down his neck and his temples, into his ears.

“Don’t,” he mutters, looking up, blinking against the water. “Leave me alone.”

I stare into his eyes, which are impossibly transparent, but blue, blue all the same. “I can’t leave you.”

“You can. Just go home.”

“I can’t go home,” I say, knowing that it’s true. There’s nothing for me there.

The city was never enough, even before Obie left. I just didn’t know it yet. And now my brother’s lost, the world is huge, and I have no idea how to begin looking for him. I want to say a swear like they do on TV, but suddenly I can’t think of any except
Goddamn
and that doesn’t seem adequate.

I grab the front of Truman’s sweater and pull. “I know you don’t feel well, but I need you to stand up.”

At first, he doesn’t move. Then I tug harder and he rolls over and pushes himself onto his hands and knees. “Stand up,” I say.

He makes a low whimpering noise and shivers in a convulsive jerk.

My legs ache from kneeling. “Stand up,” I say again.

And even though it takes him a long time, and even though his whole body is trembling, this time he does it.

3 DAYS 6 HOURS 2 MINUTES

T
he bathroom seemed to feather out from the center of Truman’s vision. He tried to get his balance and stumbled sideways, grabbing for the edge of the sink.

“Good,” said the girl from somewhere near his shoulder. “That’s good. Now let’s go.”

For a second, Truman was sure that he was only dreaming her, and dreaming the way the room seemed to waver and smear. After all, he’d dreamed her plenty of times before.

When he let go of the sink and looked down at her, it was hard to focus on anything but the dark flash of her eyes. She peered out at him from under the black fringe of her hair and reached for his arm. Her touch was electrifying.

It had to be a dream, because the light coming from the florescent tube above the sink was too blue and he couldn’t feel his hands and girls this pretty and this pale might exist in some sort of altered reality but they did not appear in Dio’s bathroom in real life.

Then she yanked hard on his wrist and he lurched forward and considered the possibility that she might exist after all.

She led him out of the bathroom and toward the front of the house. In the living room, the crowd was thicker, swarming around him. The air felt sweaty and there was too much noise.

Suddenly Claire was right next to him, clutching at his arm. “Truman!”

Her voice sounded broken, full of fractures and echoes, and he turned clumsily. She was a pink blur, winking around the edges, and he was dizzy with the sound of his own pulse.

Someone’s shoulder hit him in the chest, knocking the breath out of him. For one second, everything looked bright pink, and then nothing did.

Claire pulled hard on his arm, yanking him away from the black-haired girl. “Where are you going?” she cried, sounding angry and far away.

He tried to answer, but his throat was too dry and the words got lost in the noise of the crowd. He closed his eyes, and it felt good to just shut everything out. He wanted to stand like this, here in the dark—the house and the party and the whole world gone—but he was so dizzy. Everything seemed to tip and he staggered and opened his eyes again.

He was in the front hall now. Claire was gone and the crowd seemed to press in on him. Then the black-haired girl had him by the arm again, dragging him toward the door.

“Come on,” she said. “We’re going now.”

On the front stoop, he tripped and almost fell. His blood felt slow and thick in his veins.

“Careful.” The girl squeezed his hand, looking back over her shoulder at him. Her eyes were huge and dark and strange. “There’s a step.”

The wind was freezing. It caught and tore at his clothes, whipping his hair. He made a low noise in his throat, but the girl was smiling. When her lips parted, something flashed silver, blinding under the streetlight. The cold made it hard to breathe and he reached for her arm to keep from falling. He was leaning forward, trying to catch his balance, and when his legs turned rubbery and buckled, he landed hard on the sidewalk.

“Get up,” she said.

Her voice was clear and insistent, not a request, not a suggestion. He felt his muscles tensing, his body straightening even when he was sure he would never be able to stand by himself. He was trembling, shivering, unsteady.

He was on his feet again.

CHAPTER ELEVEN

T
he Red Line roars up to the platform, accompanied by a vast wind. Paper is blowing everywhere, grimy with the dirt of the city. When the train comes to a stop, the doors gasp open and people file out in twos and threes.

Truman is sitting slumped against the wall of the L-train shelter with his head tipped back, mouth open a little. His eyes are closed, but I can see that he’s still breathing.

“This is our train,” I tell him, looking down into his face. His eyes are half-closed and the lids are still a bad bruised color. “It’s here, so you have to stand up now.”

When he doesn’t respond, I grab the front of his sweater and pull until he stands. He has to use the wall to do it, keeping his back against the shelter. Every part of him looks like it hurts.

With my hand on his arm, he steps through the open doors and sinks into the nearest empty seat.

I settle myself beside him and try to make sense of the nighttime train-riders. There are boys and girls with haircuts so jagged and bright that their heads look like the plumage of tropical birds. On the other side of Truman is a man with a dark, wrinkled complexion and a light blue coverall. His hands are cracked at the knuckles and there’s something black beneath his fingernails. Even when I watch him for minutes at a time, he will not look in my direction.

At Jackson Street, we transfer to the Blue Line. In the seat next to me, Truman shivers, holding his elbows. I can’t think of anything to help him. He’s rocking, making a low noise in his throat, and I reach for his hand.

“We need to get off the train,” he says in a thick, hoarse voice. “The next stop, I need to get off.”

“No, our stop isn’t here yet. Two more platforms.”

He shakes his head, his eyes barely open, pulls his hand away. “I have to get off right now.”

“I read the timetable. It had a map. Your stop isn’t for two more platforms.”

“I have to get off the train.” He’s leaning forward, his elbows propped on his knees and his head hanging down. “I feel really sick.”

I touch him and feel the bones in his back, the way his spine juts through the sweater.

“Please,” he says again, looking up. His lips are a cold blue-gray color.

As the train slows into the next station, I try to help him, but he’s already on his feet, stumbling toward the sliding doors.

I smile politely at the girl who steps out of Truman’s way to let him off, and at the other people in the car. The smile feels false, but no one comments on my teeth this time. When I step out onto the platform, it’s a relief to be away from their stares. The doors wheeze shut behind me and I go to retrieve Truman Flynn.

I find him in the dark, beside the little station shelter. The lights above him have all blown out, leaving shards that crunch under my boots and glitter with the reflected glow of the street. He’s on his feet, but barely, hands braced against the shelter wall, head hanging down. I stand with my bag propped against my shins and my hands in the pockets of my coat, and wait for him to finish being sick.

I’d make a face to show disdain or disgust, something that Moloch would do, but I don’t know the way to shape my mouth. Everything feels wrong and I don’t know how to act like I’m above it. The train is roaring away, the platform shaking roughly, the shelter rattling. There is broken glass everywhere.

“You can help him,” my mother says at my feet in a hundred bright, clear voices. She echoes from the shards under my boots, reverberates in the jagged reflections of herself. “All you have to do is take away tonight. He’ll feel better and you need the fix.”

“I can’t just take a whole night from someone. This is
his
.”

The horde of tiny Liliths smile up at me maliciously. “And clearly an experience worth cherishing. He doesn’t need it and you do. Don’t tell me you’ve got no appetite.”

She’s right. The hollow feeling in my chest is there, not unbearable, but growing. I look away, shaking my head. “I’m not doing that.”

“Your sisters were never this squeamish,” she says, twinkling in the scattered glass, already disappearing. “Take him home then and let him sleep. In the morning, make him tell you what he knows.”

I step into the shadow under the broken lights, where Truman is still slumped with his palms braced against the shelter. I touch him, resting my hand on his back, and he leans his forehead against the wall.