The Source (20 page)

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Authors: Brian Lumley

BOOK: The Source
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A chill wind was now blowing from the north, which was gradually eating its way through Jazz's clothing to his bones. He shivered and knew that “north” was a very inhospitable place. And instinctively he began to pick his way across the plain of rocks and boulders toward the pass in the mountains.
But … this was strange. If the mountains ran east and west, and the—icelands?—were north, then the sun was due south. And still that blister of light and warmth hadn't moved. A sun lying far to the south, apparently motionless there? Jazz shook his head in puzzlement.
And now, finally he paused to let his gaze turn eastward, which was where anything real or vaguely familiar came to an abrupt end and the unreal or at best surreal took over. For if Jazz had wondered at the seismic or corrosive forces of nature which had created the mountains, what was he to make of the spindly towers of mist-wreathed rock standing to the east: fantastically carven, mile-high aeries that soared like alien sky-scrapers up from the boulder plain in the shadow of the rearing mountains? All the time he'd been here, Jazz had been aware of these structures, and yet he'd managed to keep his eyes averted; another sign, perhaps, that his choice of direction—the pass, and through the pass—was a good one.
Possibly these columns or stacks had been fretted from the mountains, to be left standing there like weird, frozen sentinels as the mountains themselves melted from around them. Certainly they were a “natural” feature, for it was impossible to conceive of any creature aspiring or even requiring to build them. And yet at the same time there was that about them which hinted of more than nature's handiwork. Especially in the towers and turrets and flying buttresses of their crowns, which looked for all the world like … castles?
But no, that could only be his imagination at work, his need to people this place with creatures like himself. It was a trick of the spectral light, a mirage of the twining mists which wreathed those great menhirs, a visual and mental distortion conjured of distance and dreams. Men had not built these megaliths. Or if they had, then they were not men as Michael J. Simmons understood them.
So … what sort of men? Wamphyri? Flight of fancy it might well be, but again, in his mind's eye, Jazz saw the warrior burning on the walkway, and heard his voice raised in savage pride and defiance:
“Wamphyri!”
Mile-high castles: the aeries of the Wamphyri! Jazz
gave a snort of grim amusement at his own imaginings, but … the idea had taken hold of his mind and for the moment was fixed there.
Suddenly a mood was on him; he felt as lonely—more lonely—than he'd ever felt in his life. And the thought struck him anew that he
was
alone, and totally friendless in a world whose denizens …
… What denizens? Animals? Jazz hadn't seen a one!
He looked at the sky. No birds flew there, not even a lone kite on the lookout for an evening meal. Was it evening? It felt like it. Indeed it felt like the evening not only of a place but of an entire world. A world where it was always evening? With the sun so low in the sky, that was possible. On this side of the mountains, anyway. And on the other side … morning? Always morning?
Reverie had taken hold, out of phase with Jazz's character, from which he must forcibly free himself. He gave a sigh, shook himself, set out with more purpose toward the opening of the pass and the blister-sun beyond it. The pass didn't lie level but climbed toward the crest of a saddle; and so Jazz, too, must climb. He found the extra effort strangely exhilarating; also, it kept him warm and was something he could concentrate on. Along the way grew coarse grasses and stunted shrubs, even the occasional pine, and above the scree the steep slopes were dense with tall trees. Just here the place was so like parts of the world he knew that … but it wasn't the world he knew. It was alien, and he'd had proof enough that it housed creatures whose natures were lethal.
Twenty-five minutes or so later, pausing to lean against a great boulder, Jazz turned and looked back.
The sphere was now a little less than two miles behind and below him, and he had actually entered the mouth of the “V” where it lay like a slash through the mountain range. But back there on the rock-littered plain …
the sphere was like a brilliant egg half-buried in its magmass nest. And a dark speck moved like a microbe against its glare. It could only be Vyotsky. A moment more—and Jazz nodded sourly. Oh, yes, that was Vyotsky all right!
The
crack
of a single ringing shot came echoing up to Jazz, bouncing itself from wall to wall of the pass. The Russian had found his gun where Jazz had left it for him; now he was telling this alien world that he was here. “So look out!” he was saying. “A man is here, and one to be reckoned with! If you know what's good for you, don't try fooling around with Karl Vyotsky!” Like a superstitious peasant whistling in the dark. Or maybe he was just saying: “Simmons, it's not over yet. This is just to warn you: keep looking back!”
And Jazz promised himself that he would …
 
Down beside the sphere, Vyotsky quit cursing, laid aside his gun and turned to the bike. He saw the seat laid back on its hinges and his face twisted into a grin. Tucked loosely into a pocket of one of his packs he had a small bag of tools. It was the last thing they'd given him on the other side, and he'd been in such a hurry that he hadn't stored his tools away under the seat. Then the sneering grin slid from his face and he breathed a sigh of relief. He'd not once thought of those tools since Simmons took the bike off him. If he had, then for sure he'd have thrown them away somewhere in the last couple of miles.
Now he unhooked a small kidney-pack from his back harness, got the tools out and loosened the front wheel. He stood on one of the forks with his foot wedged under the wheel, bent his back and hauled on the other fork one-handed until he could feel it giving, then slid the wheel free. Now it was only a question of straightening the forks. He picked up the front end of the bike, half-dragged, half-wheeled it over to a pair of large boulders where they leaned together. If he could jam
the twisted forks into the gap between the boulders, and apply the right amount of leverage in the right direction …
He upended the bike and got the forks in position, began to exert leverage—and froze! He stopped panting from his exertions, stopped breathing, too.
What the hell was that?
Vyotsky raced for his gun, grabbed it up and cocked it, looked wildly all about. No one. Nothing. But he'd heard something. He could have sworn he'd heard something. He went warily back to the bike, and—
There it was again! The big Russian's skin prickled, broke out in goose-flesh. Now what—? A tiny voice? A tinny, metallic calling? A cry for help? He listened hard, and yet again he heard the sound. But it wasn't a whisper, just a tiny, distant voice. A
human
voice—and it came from one of the magmass wormholes!
That wasn't all—Vyotsky recognized the voice. Zek Föener's voice, breathless and yet full of desperate hope, eager to communicate with someone, with anyone human in this entirely alien world.
He flung himself face-down beside the wormhole, peered over its rim. The smooth shaft was perfectly circular, about three feet in diameter, curving sharply inward toward the buried face of the sphere and so out of sight. But just where the shaft disappeared from view … there lay a small radio like the one Vyotsky carried in his own pocket! Obviously it had been Simmons's, and he'd discarded it. Every time Föener's voice came, so a little red monitor light flickered on and off on the control panel. It warned of reception, that light: it advised its operator to turn up the volume.
“Hello?” Zek Föener's voice came again. “Hello? Oh,
please
answer! Is anyone there? I heard you speaking but … I was
asleep!
I thought I was dreaming! Please,
please
—if there's anyone out there—please say again who you are? And where you are? Hello? Hello?”
“Zek Föener!” Vyotsky breathed, licking his lips as
he pictured her. Ah, but a different woman now from the acid-tongued bitch who'd spurned his advances at Perchorsk! This world had seen to that. It had changed her. Now she craved companionship. Any sort!
Vyotsky took out his own radio, switched it on and yanked up the aerial. There were only two channels. He systematically transmitted on both of them, and this was his message:
“Zek Föener, this is Karl Vyotsky. I'm sure you'll remember me. We've discovered a way to neutralize the one-way drag effect of the Gate. I've been sent to seek out any survivors of through-Gate experiments and bring them back. Find me, Zek, and you find your way out of here. Do you hear me?”
As he finished speaking, so the red light on his set began to flicker and blink. She was answering, but he couldn't hear her. He turned up the volume and got broken, crackling static. He shook the set, glared at it. Its plastic casing was cracked, and the miniature control panel in the top was badly dented. It must have got damaged when he was flung from the bike. Also, its proximity to Simmons's discarded radio was jamming reception on that set, too.
“Shit!” he hissed from between clenched teeth.
He set the broken radio aside and lowered his head, one arm and shoulder into the wormhole. He gripped its rim with his free hand and hooked one foot round a knob of rock. And he stretched himself down and around, inching his fingers toward Simmons's radio. Its antenna was fully extended, formed a slender, flexible half-hoop of telescoping metal sections where it had somehow jammed against the sides of the shaft to halt the radio's descent. Vyotsky's straining fingers touched the antenna—dislodged it!
The set went clattering out of sight into unknown depths below.
Vyotsky snatched himself viciously up and out of the
hole and jumped to his feet. Of all the bloody luck! He picked up his own set again, said: “Zek, I can't hear you. I know you're out there and you can probably hear me, but I can't hear you. If you get my message you'll most likely want to start looking for me. Right now I'm at the sphere but I won't be staying here. Anyway, I'll be keeping my eyes peeled for you, Zek. It looks like I'm your one hope. How's that for a novel situation?”
The red light on his set started flickering again, a brief, unintelligible morse message that wasn't intended to be understood. He couldn't tell if she was pleading with him or screaming her defiance. But sooner or later she would have to search him out. He'd been lying when he said he was her one chance, but of course she couldn't know that. She might suspect it, but still she couldn't afford to ignore him.
Vyotsky grinned, however nervously. At least there was one thing in the world he could appreciate. And would appreciate. Still grinning, he switched his radio off …
Zek
TWO HOURS AFTER SETTING OUT FROM THE SPHERE—TWO lonely, shadowy hours, with only the grunts and groans of his own exertions for company—Jazz Simmons paused for his first real break and found a seat on a tall, flat-topped boulder which gave him good vantage over the terrain all around. He took hard biscuits from his pack and two cubes of dense black chocolate designed for sucking, not biting. Wash these down with a sip of water, and then he'd be on his way again. But now, while he sat here easing his deceptively gangly but powerful frame and catching a breather, there was time to look around a little and consider his position.
“His position.” That was a laugh! It certainly wasn't an enviable position: alone in a strange land, with hardtack food sufficient to last a week, enough weaponry to start World War III, and so far nothing to shoot at, blast or burn! Not that he was complaining about that. But again the thought occurred: where were they? Where in hell were this world's denizens? And when he did eventually find them, or they found him, what would they be like? Which was to assume, of course, that there were others here
unlike
those he already knew about. Which was to hope so, anyway.
It was as if his private thoughts were an invocation.
Two things occurred simultaneously: first a rim of bright half-moon, rising in the west and turning the sky in that quarter a gold-tinged indigo, showed itself over the peaks on the opposite side of the gorge; and second … second there sounded a far, almost anguished howl, a reverberating, sustained note echoing up to the moon and down again, picked up by kindred throats and passed mournfully on up the pass into the beckoning distance.
There could be no mistaking cries like that—wolves! And Jazz remembered what he'd been told about Encounter Two. That one had been lame, blind, harmless. These weren't. Nothing that sounded like that could possibly be in anything other than extremely good health. Which didn't bode too well for his own!
Jazz finished eating, washed the gritty chocolate from the back of his throat, adjusted his pack and got down from his rock. Time he was on his way again. But—he paused, then froze in his tracks, stared directly ahead, and up,
and up!
Before, the light from the blister-sun, however feeble, had kept the canyon walls in silhouette; they'd presented only a black, flanking frame to Jazz's eyes, with the main picture lying directly ahead. That picture had been the false horizon at the head of the saddle, the scree-littered way to it, and the thin arc of bright yellow light beyond; which, Jazz noted, had moved gradually from west to east, until now it was lying in the very corner of his picture.
When during the last two or three miles he'd turned his gaze away from the sun for a moment, turned his face to the flank and looked up, then, as they'd grown accustomed, his eyes had been able to spy the dark, forested heights, and above them the sharp silver gleam of snow. But in fact he'd had little time for sightseeing; mainly his attention had been glued to the nonexistent trail, picking a way through rocks and fallen jumble, always choosing the easiest way ahead. It had
scarcely dawned on him that as he progressed, so indeed there
had
been something of a trail. In his own world he'd have expected one, and so in this world it had failed to make an impression. Until now.
But here the gorge was a great deal narrower. Where two hours earlier, at the mouth of the pass, the distance between walls had been something more than a mile, maybe even a mile and a half, here it had narrowed down to less than two hundred yards, almost a bottleneck at the foot of steep canyon walls. The crest of the saddle, as he judged it, was only a quarter-mile ahead now, when at last he'd be able to look down and spy something of the world on the sunlit side of the range.
What had caused him to freeze was this:
The moon, rising swiftly over the western side of the gorge, now shone its silvery-yellow light down on the east wall. Jazz was close to that side of the gorge, so that the previously silhouetted face seemed to tower almost directly overhead. But no longer in silhouette—no longer a vertical, soaring jut of black rock—the mighty cliff of the canyon had taken on a different aspect entirely.
Picked out now by the moon in sharp detail, Jazz saw a castle built into the vertiginous heights! A castle, yes, and no way he could be mistaken on this occasion. Where once a wide ledge had scarred the cliffs face, now the walls of a fortress rose up fantastically to meet the massy overhang of natural stone high overhead. A castle, an outpost, a grimly foreboding keep guarding the pass. And Jazz knew he'd hit upon its purpose here at the first throw: a keep guarding the pass!
Craning his neck, he took in its awesome moonlit bleakness, the gaunt soullessness of its warlike features. There were battlements, with massive merlons and gaping embrasures; and where towers and turrets were supported by flying buttresses, there yawned the mouths of menacing corbels. Stone arches formed into steps joined parts of the architecture which were otherwise
inaccessible, where the natural rock of the cliff bulged or jutted and generally obstructed; flights of stone stairs rose steeply between the many levels, carved deep into the otherwise sheer rock; window holes gloomed like dark eyes in the moon-yellowed stone, frowning down on Jazz where he crouched in the shadows and gazed, and wondered.
The structure started maybe fifty feet up the cliff face, half-way to the top of a lone, projecting stack. In the chimney between cliff and pillar, stone steps were visible zig-zagging upwards to the mouth of a domed cave; presumably the cave was extensive, with its own passageways to the castle proper. Higher still, the fortifications themselves spread outward across the face of the cliff like some strange stone fungus, covering nature's bastions with the lesser but more purposeful works of … men? Jazz could only suppose so.
But whoever had built this aerie, they were not here now. No figures moved in the battlements or on the stairways; no lights shone in the windows, balconies or turrets; no smoke curled from the tall chimneys moulded to the face of the cliff. The place was deserted—maybe. That “maybe” was because Jazz was sure as he'd ever been that hooded eyes were upon him, studying him where he in turn held his breath and studied the cliff-fashioned castle.
The lower part of the stack where it stood mainly free of the canyon's wall was still in shadow, which gradually drew back as the moon rose higher still. Jazz was glad of that moon, for the sun was now plainly declining. When he crossed the crest of the saddle, then perhaps he'd catch up a little with the sun, earn himself maybe an hour or so more of its dim light; but here in the lee of the great grim castle, for the present the moon was his only champion. He moved swiftly forward, going at a lope because of the imagined (?) eyes, sticking to the shadows of boulders where possible and crossing the moonlit gaps between at speed. And presently
he came to the base of the stack of weathered rock where it leaned outward a little from the cliff. Or at least, he came to the great wall which surrounded that base.
The wall was of massive blocks; it stood maybe twelve feet high and was crowned with merlons and embrasures; the mouths of dragons formed spouts for corbel chutes. But the carven dragons were not Earth's dragons. Jazz swiftly, silently skirted the wall, came to a gate of huge timbers studded with iron and painted with a fearsome crest: the dragon again, with the face and wings of a bat and the body of a wolf! He was reminded of nothing so much as the magmass thing in the tank back at Perchorsk. But this dragon was split down the middle with the menacing darkness of a courtyard—for the great gates stood open a little, inwards. As if in invitation. If so, then Jazz ignored it; he hurried on toward the waning sun, desiring only to put as much distance as possible between himself and this place while there was still light enough to do so.
Minutes later he began to breathe more easily, reached the crest and was at once bathed in warm, wan sunlight. Shielding his eyes against the sudden light, however hazy, he turned to look back. A quarter-mile away, the castle had merged once more into the face of the cliff. Jazz knew it was there for he'd seen it—had even
felt
it—but stone was stone and the uneven cliff face was a good disguise. And Jazz realized how glad he was to have come past that place unscathed. Maybe there was no one, or nothing, there after all. But still he was glad.
He took a deep breath, issued it in a long drawn-out sigh—and gave a massive start!
Something moved close by, in the shadow of fallen boulders where they humped darkly on his left, and a cold female voice, speaking Russian, said: “Well, Karl Vyotsky, it's your choice. Talk or die. Right here and right now!”
Jazz's finger had been on the trigger of his SMG ever
since the castle. Even before the woman's voice had started speaking, he'd turned and sprayed the darkness where she was hiding. She was dead now—or would be if the weapon had been cocked! Jazz was glad it wasn't. Sometimes, with his speed and accuracy, it was as well to take precautions. On this occasion his precaution had been to leave the gun safe. It was good practice for his nerves, that's all. Shooting at shadows was a sure sign that a man was cracking up.
“Lady,” he said, his voice tense, “—Zek Föener? —I'm not Karl Vyotsky. If I was you'd probably be on your way to an alien heaven right now!”
Eyes peered at Jazz from the darkness, but not a woman's eyes. They were triangular—and yellow. And much too close to the ground. A wolf, grey, huge, hungry-looking, stepped cautiously into view. Its red tongue lolled between incisors nearly an inch and a half long. And
now
Jazz cocked his weapon. The action made a typical ch-
ching
sound.
“Hold it!” came the woman's voice again. “He's my friend. And until now—maybe even now—the only friend I have.” There came a scuffing of stones and she stepped out of the shadows. The wolf went to heel on her right and a little to her rear. She had a gun like Jazz's, which shook in her hands where she pointed it at him.
“I'll say it again,” he said, “just in case you weren't listening: I'm
not
Karl Vyotsky.” Her gun was still shaking, violently now. Jazz looked at it, said: “Hell, you'd probably miss me anyway!”
“The man on the radio?” she said. “Before Vyotsky? I … I recognize your voice.”
“Eh?” Then Jazz understood. “Oh, yes, that was me. I was trying to give Khuv a hard time—but I doubt if he could hear me. It was Khuv sent me through the Gate, just like he did it to you. Only he didn't lie to me about it. I'm Michael J. Simmons, a British agent. I don't know how you feel about that, but … it looks
like we're in the same boat. You can call me Jazz. All my friends do, and … would you mind not pointing that thing at me?”
She sobbed, a great racking gulp of a sob, and flew into his arms. He could feel her straining not to, but she had to. Her gun went clattering to the stony earth and her arms tightened round him. “British?” she sobbed against his neck. “I don't care if you're Japanese, African, or an Arab! As for my gun—it's jammed. It has been for days. And I'm out of bullets anyway. If it was working and I had the ammunition—I'd probably have shot myself long ago. I … I …”
“Easy,” said Jazz. “Easy!”
“The Sunsiders are after me,” she continued to sob, “to give me to the Wamphyri, and Vyotsky said there's a way back home, and—”
“He what?” Jazz held her close. “You've spoken to Vyotsky? That's impos—” And he checked himself. The antenna of a radio was sticking out of her top pocket. “Vyotsky's a liar,” he said. “Forget it! There isn't a way back. He's just looking for a chum, that's all.”
“Oh, God!” Her fingers were biting into his shoulders. “Oh,
God!”
Jazz tightened his grip on her, stroked her face, felt her tears hot in the crook of his neck. He smelled her, too, and it wasn't exactly flowers. It was sweat, and fear, and more than a little dirt, too. He pushed her away to arm's length and looked at her. Even in this deceptive light she looked good. A little haggard but good. And very human. She couldn't know it, but he was just as desperately pleased to see her.
“Zek,” he said, “maybe we should find ourselves a nice safe place where we can talk and exchange notes, eh? I think you can probably save me a hell of a lot of time and effort.”
“There's the cave where I rested,” she told him, a little breathlessly. “It's about eight miles back. I was
asleep when I heard your voice on my radio. I thought I was dreaming. By the time I realized I wasn't it was too late. You'd gone. So I headed for the sphere, which was where I was going anyway. And I kept calling every ten minutes or so. Then I got Vyotsky …” She gave a small shudder.
“OK,” Jazz quickly told her. “It's all right now—or about as right as it can be. Tell me all about it on our way to this cave of yours, right?” He stooped to pick up her gun, and the great wolf went into a crouch, screwed its face into a ferocious mask and snarled a warning.
She patted the animal almost absently on its great head where its ears lay flat to the long skull, said: “It's all right, Wolf—he's a friend.”

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