The Skin Collector (27 page)

‘I did, yeah. It’s not that hard. You like it?’

Nathan admitted, ‘I guess I do.’

‘I could give you a tattoo, Nathan. If I do that would you move that razor away from my throat?’

‘What kind of tattoo?’

‘Anything you like.’

‘I’m not going up top.’ He said this as if Billy had suggested
strolling through a nuclear reactor core that was melting down.

‘No, I can do it here. I can give you a tattoo here. Would you like one?’

‘I guess I might.’

A nod at the backpack. ‘I’ve got my machine with me.’ He repeated, ‘It’s a hobby. I’ll give you a tattoo. And how ’bout some money? I’ve got some clothes too. I’ll give you all that if you move that razor and let me go.’

My Lord, he’s
strong. How could he be that strong, living down here? Nathan could kill him with his hands; he hardly needed the shining blade.

Eyebrows flexing closer.

Nathan was kneading the razor, then gripping it harder, Billy thought. The blade moved as twitchy and train-clattery as Bear-man’s sentences.

‘Nathan?’ Billy asked.

The man didn’t answer.

‘Nathan. I didn’t know this was your block. I just
was doing my work, checking the pipes and valves and things. I want people to be safe down here.’

The razor hovered.

And Bear-man’s breathing seemed harder now as he stared at the centipede. The red ink. The face, the fangs, the segments of the body.

The indecipherable eyes.

‘Nathan?’ Billy whispered. ‘A tattoo. You want that tattoo?’

Because what utility worker doesn’t cart around an American
Eagle tattoo machine to ink people on a whim?

‘I’ll give you my best tattoo. Would you like that? It’ll be a present. And the clothes and money I told you about? A hundred dollars.’

‘It won’t hurt?’

‘It’ll sting a little. But not bad. I’m going to get my backpack now. That’s where the money and clothes are, and my tattoo machine. Is it all right if I reach into my backpack?’

‘I guess you can,’
Nathan whispered.

Billy slid the backpack closer and extracted the parts to his machine. ‘You can sit down there. Is that all right?’ The razor was still not far away and was still open. God or Satan or the ghost of Abraham Lincoln might tell Nathan to kill this interloper at any moment. Billy moved very slowly.

Hmm. It seemed that Nathan
was
receiving transmission from on high.

He laughed
and whispered an indecipherable string of syllables.

Finally he dropped into a cross-legged position and grinned. ‘Okay. I’ll sit here. Give me a tattoo.’

It wasn’t until Billy too squatted on the packed-dirt ground that his breathing steadied and his thudding heart began to tap more slowly.

As Nathan watched carefully, Billy finished assembling his American Eagle. He extracted several vials
and set them on the ground. He tested the unit. It hummed.

‘One thing,’ the man said ominously, the razor rising slightly.

‘What’s that?’

‘Not a mole. Don’t tattoo me with a mole.’

‘I won’t do a mole, Nathan. I promise.’

Nathan folded the razor and put it away.

‘We don’t call them guns.’

‘Yeah, yeah, I know. I forgot. I meant “machine”. Tattoo
machine
,’ Lon Sellitto was saying.

‘And we prefer “skin art” or “work”. “Tattoo” has a cultural connotation I’m not happy with.’ The petite woman, highly tattooed (
skin arted
?), gazed at Sellitto from over an immaculate glass counter, inside which were neatly arranged packets of needles, machine-not-gun
parts, books, stacks of tattoo stencils, washable pens in all colors.
Draw first, ink later
, a sign warned.

The parlor was as clean as TT Gordon’s. Apparently legit skin artists took the disease stuff pretty seriously. You even got the impression that this woman would step out of the room to sneeze.

Her name was Anne Thomson and she was the owner of Femme Fatale Modification and Supplies. Mid-thirties,
with short dark hair and only one tasteful nose piercing, she was really pretty. And part of that was the four-color tats, okay, artwork, on her chest and neck and arms. One – on the chest – was a combination of a snake and a bird. It vaguely reminded Sellitto of a picture he’d seen a few times on vacation in Mexico, some religious symbol. On her neck were some of the constellations, not
only the stars but the animals they were inspired by. Crab, scorpion, bull. And when she turned once, he saw two sparkling red shoes on her shoulder. They looked real. Dorothy, my pretty …

Fuck art, Linc. That’s how I feel about art.

But not this. Sellitto liked the images. He really liked them. The pictures seemed to move, to expand and contract. Almost three-dimensional. How the hell did
that work? It was as if he were looking at living paintings. Or at some entirely different creature, something not human but
more
than human. It took him back to some of the computer games his son had played a few years ago as a teenager. Sellitto remembered looking over the boy’s shoulder. ‘What’s that?’ Pointing at one of the creatures in the game. It looked like a snake with legs and sported
a fish’s tail and human head.

‘You know, a
nyrad
.’ Like, obviously.

Oh. Sure. Nyrad.

Sellitto now looked up and realized he’d been caught staring at the woman’s chest.

‘I—’

‘It’s okay. They’re there to be looked at. Plural. Works, I mean. Not boobs.’

‘I—’

‘You just said that. I’m not thinking you’re a dirty old man. And you’re about to ask if they hurt.’

‘Naw, I figure they hurt.’

‘They
did. But what in life doesn’t, if it’s important?’

Sex, dinner and collaring a prick of a criminal, Sellitto thought. Most of the time those didn’t hurt. But he shrugged. ‘What I was going to ask was, you draw them yourself? Design them, I mean.’

‘No. I went to an artist in Boston. The best on the East Coast. I just wanted Quetzalcoatl. Mexican god.’ Her finger touched the snake on her chest.
‘And we talked for a couple of days and she got to know me. She did the plumed serpent and recommended the constellations. I got Dorothy’s shoes too. She smiled. Sellitto smiled. ‘I don’t mean to be overly political, except I do. See, that’s how
women
artists handle an inking. A man goes into a male artist and says I want a chain, a death’s-head, a flag. And out he comes with a chain, a death’s-head
or a flag. Women take a different approach. Less impulsive, less instant, more thoughtful.’

Sellitto muttered, ‘Kinda like life in general. Men and women, I mean.’ The questions about Unsub 11-5 still needed to be answered. But he now asked, ‘Hey, just curious, you know. How’d you get into this business?’

‘You mean, aside from the skin art, I seem like a schoolteacher?’

‘Yeah.’

‘I was a schoolteacher.’
Thomson let the pause linger. Timing. ‘Middle school. Now,
there’s
a DMZ for you. You know, a no-man’s-land between the hormones to the south and the attitudes to the north.’

‘I got a kid. A boy. He’s outta college now. But he had to get to that age, you know.’

She nodded. ‘It wasn’t flying for me. I went to get a work at a parlor in town and, hard to explain, it set me free. I quit the school
and opened a shop. Now I do skin art
and
canvas painting too. Shows in SoHo, uptown too. Couldn’t’ve done it, though, if I hadn’t gotten inked in the first place.’

‘Impressive.’

‘Thanks. Now you were asking about the American Eagle machine.’

Thomson’s was the one shop in the Tri-State area that sold parts and needles for that model. She also had a used model for sale. To Sellitto it looked
gnarly, dangerous. Like a ray gun from some weird science-fiction flick.

‘Can I ask? Why’re you interested?’

The detective debated. He decided he owed it to her to tell all. Maybe it was that she was so devoted to the art. Or that she had a really incredible chest. He told her what 11-5 was doing.

‘No, my God, no.’ Her eyes were as wide as the Mexican snakebird’s were narrow. ‘Somebody’s actually
doing that, killing people with a machine?’ She shuddered and for a moment Thomson, for all her imposing creatures and
Wizard of Oz
shoes, didn’t seem mysterious or more than human at all. She seemed vulnerable and small. TT Gordon had had the same reaction – a sense of betrayal that somebody in their close-knit profession would use his talent to kill and do so in a particularly horrific way.

‘Afraid so.’

‘The American Eagles,’ she said. ‘Old machines, not as reliable as the new ones. One of the first portables.’

‘That’s what TT said.’

Thomson nodded. ‘He’s a good guy. You’re lucky he’s helping you. And I think I can help you too. Nobody’s ever bought a machine here but about a week ago a man came in and bought some needles for an American Eagle.’ She leaned forward, resting her
hands on the counter. The shiny black ring on her right index finger turned out to be ink.

‘I didn’t pay much attention. Late twenties, thirties. White. Had a cap on, dark, and a scarf around his neck. It came up high, almost covering his chin. Sunglasses too. Which he didn’t need because the weather was as bad as now. That, the glasses, seemed hipster and uncool. But we get imagistas in here
a lot. It’s a fine line between posing with ink and being real with ink.’

Imagistas
. Clever.

Sellitto showed her the Identi-Kit pic.

Thomson shrugged. ‘Could be. Again, not paying much attention. Oh, but one thing I remember. He wasn’t inked that I could see. Wasn’t pierced either. Most skin artists’re pretty modded.’

‘He has one on his arm. Maybe a dragon, some creature. In red. Does that
mean anything?’

The snake-and-bird woman shook her head. ‘No – after that book, that thriller, a lot of people wanted dragons. Copycats. No significance that I know.’

He then asked, ‘You know anything significant about a tattoo of the words “the second”? Or “fort”Y? They mean anything in the skin art world?’

‘No, not that I’ve ever heard.’

He displayed pictures of the tattoos.

‘Well,’ she
said. ‘Old English font. That’s hard to do. And the lesions, the raised part? That was because of the poison?’

‘Yeah.’

‘Well, whatever else, he’s good. Real good.’

‘And he worked fast. Probably did that in ten, fifteen minutes.’

‘Really?’ She seemed astonished. ‘And the scarification too? The scalloped border?’

‘All in ten or fifteen. Does that, or the style, give you any idea who this guy
might be?’

‘Not really … But I don’t see the outlines.’

‘No, TT said he used a bloodline. Freehand.’

‘Then nobody I know could do a work like that in fifteen minutes. And I know all the talented people in town. That’s one hell of an artist you’re dealing with.’

‘TT said he was from out of town but didn’t know where.’

‘Well, you don’t see that font much in the area. But I couldn’t tell you
what’s hot now in Albany – or Norwalk or Trenton. My clientele’s pretty much downtown Manhattan.’

‘He paid cash for the needles, right?’

Why bother to ask?

‘Right.’

‘Any chance you’d still have the money? For prints.’

‘No. But it wouldn’t matter. He wore gloves.’

Natch …

‘I thought that was a little weird too. But not suspicious weird, you know?’

Imagistas.

‘Did he say anything?’

‘To
me? No. Other than to ask for the needles.’

Sellitto, paying attention to that first sentence. ‘But?’

‘When he was leaving he got a call on his mobile. After I’d rung him up I stepped into the back room. When he was walking out the door he said, “Yeah, the Belvedere.” And then I think he said “address”. Anyway, that’s what I thought. But it might’ve been “bella dear” or something else.’

Sellitto
wrote this down. Asked the standard: ‘Anything else you can think of?’

‘No, I’m afraid not.’

It was usually afraid not or no or don’t think so. But at least Thomson had thought about the question and was being honest.

He thanked her and, with a last glance at Quetzawhatever on her chest, headed back into the sleet, speed-dialing Rhyme to tell him don’t get your fucking hopes up but he
might
have a lead.

A good workout.

As he walked from his health club back to his apartment on East 52nd Street to collect his car, Braden Alexander was counting the crunches he’d done. He’d given up after a hundred.

Counting them, that is. The crunches themselves? Plenty. He’d forgotten how many.

Alexander had a sedentary job – writing code for one of the big investment firms (one that actually had
not
been the subject of an investigation) – and the thirty-seven-year-old was determined to stay in good shape, despite the eight-hour days at his workstation – and the one-hour reverse commute to Jersey, where his company’s IT headquarters building was located.

And the curls? With the thirty-pound bells? Maybe two hundred. Damn, he sure felt it. He decided he’d take it a bit easier tomorrow.
No need to push
too
far. It was more important to be consistent, Alexander knew. Every day he made the trek from his apartment west to the health club on Sixth Avenue. Every day, the stationary bike and curls and squats and, yeah, crunches, crunches, crunches … What do we think, 150?

Probably.

He glanced at himself in a window and thought: The weight’s okay. His skin seemed a little pale. Not
so good, that. He and his family would get to an island soon. Maybe after Thanksgiving. Anyway, who wouldn’t look sickly on a day like this? The sleet had let up but the light was gray and anemic. He was actually looking forward to getting into his cubicle. He found it cozy, a word he wouldn’t use with anybody but his wife.

Today there was something else to look forward to. He’d be picking up
a bicycle at his brother’s house in Paramus. Joey’d gotten a new mountain bike and was giving his old one to Alexander’s son. The boy was ecstatic and had texted twice from school, just to see how ‘everything was going?’