The Shanghai Moon
Authors: S. J. Rozan
Tags: #General, #Fiction, #Mystery & Detective, #Hard-Boiled
S.J.
ROZAN
OF BLOOD
EBURY
PRESS
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Version 1.0
Epub ISBN 9781407079158
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Published in 2010 by Ebury Press, an imprint of Ebury Publishing
A Random House Group Company
First published in 2009 in the US by St Martins Press
as
The Shanghai Moon
Copyright © 2009 by S.J. Rozan
“You’re Nothing Without Me” From
City of Angels
Music by Cy Coleman. Lyrics by David Zippel Copyright © 1990 Notable Music Company, Inc. All rights administered by Chrysalis Music. All rights reserved. Used by permission.
“Pretty Lady” From
Pacific Overtures
Music and lyrics by Stephen Sondheim Copyright © 1975 (renewed) Rilting Music, Inc. (ASCAP) All rights administered by WB Music Corp. All rights reserved. Used by permission.
“Shanghai Lil” From
Footlight Parade
Music by Harry Warren. Lyrics by Al Dubin Copyright © 1933 Warner Bros. Inc. (ASCAP) All rights administered by WB Music Corp. All rights reserved. Used by permission.
S.J. Rozan has asserted her right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988
This novel is a work of fiction. Names and characters are the product of the author’s imagination and any resemblance to actual persons, living or dead, is entirely coincidental
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner
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For Barbara Seranella
RIP, girlfriend
S.J. Rozan was born and raised in the Bronx and is a long-time Manhattan resident. An architect for many years, she is now a full-time writer. Her critically acclaimed, award-winning novels and stories have won most of crime fiction’s greatest honours, including the Edgar, Anthony, Shamus, Macavity and the Nero Award.
Praise for S.J. Rozan and the Bill Smith/Lydia Chin series:
‘To read S.J. Rozan is to experience the kind of pure pleasure that only a master can deliver’ Dennis Lehane
‘She has created a story in which the tension and intrigue never lets up. She constantly has you looking over your shoulder into the dark’ Michael Connelly
‘Rozan’s soaring imagination is breathtaking’ Jeffery Deaver
‘Two of my favourite characters in crime fiction…one of America’s finest crime writers’ Linda Fairstein
‘It’s an exquisite novel full of heart, soul, passion and intelligence…’ Lee Child
‘Combines the sure, controlled prose of Ross MacDonald with the fury of early Hammet. Now is the time to discover what Rozan’s loyal readership has known all along’ George Pelecanos
‘A real novel, full of soul, that soars far above the average mystery’ Martin Cruz Smith
‘A savvy series’
The New York Times
As always, I’m grateful for so much, including help and support from:
Steve Axelrod, my agent
Keith Kahla, my editor
The Atlantic Center for the Arts
Art Workshop International
Steven Blier, Hillary Brown, Belmont Freeman, Eve Rudin, Max Rudin, Noah Rudin, James Russell, Amy Schatz
Betsy Harding, Royal Huber, Tom Savage, Jamie Scott
Susanna Bergtold, Nancy Ennis, Josh Paynter, Sui Ling Tsang, Joseph Wallace
Peter Blauner, for advice he probably doesn’t remember giving
Ruth Gruber, for knowledge
Lee Hyla, for the right music and a lot of birds
Guillermo Kuitca, for understanding
B. G. Ritts, for priceless research
“I’m back.”
I dropped my suitcase, slipped off my shoes, and listened to familiar Chinatown sounds spill in the windows. Horns honked, delivery vans rumbled. Mr. Hu’s songbird trilled from the roof next door. I heard a child squeal with laughter and her grandmother scold in Cantonese:
Hold my hand, you bad girl, or that fish truck will squash you flat.
And speaking of scolding in Cantonese, here came my mother.
“Who are you?” She shuffled from the kitchen and peered at me. “You look like my daughter, Ling Wan-ju, but I haven’t seen her in a long time. She went to California. She said she’d be back soon, but she stayed. I’m happy she’s having fun.”
My mother’s sarcasm could cut diamonds.
“Two extra weeks, Ma. And they’re
your
cousins.” I kissed her papery cheek, which she grudgingly allowed. “Have a good time while I was gone?”
“Your brother’s children are very noisy.” I have four brothers, but my mother rarely uses their names when she talks to me; I’m supposed to know which one she means. This time I did: Ted, the oldest. She’d stayed at his place in Queens while I was away.
“But you had the downstairs apartment to yourself, right?”
“I was fortunate it was empty. It’s so dark, no wonder no one will rent it.”
“I think Ted and Ling-an did a nice job on it.”
“Too many rooms for one person. With such a big kitchen! Hard to find all the pots and pans.”
“Did you cook?”
“Your brother and his wife both work so hard, come home late. They order from restaurants. So expensive! I made
har gow,
and long-life noodles.”
“I’ll bet the kids liked that.”
“And so much lawn, so many useless flowers! I planted melons.”
“You did?”
“Your nephew helped.”
I could see that scene: my mother in a straw hat, plants dangling from each hand while ten-year-old Barry dug and mulched. Luckily, both Ted’s kids adore her. They know her frowning and finger-wagging are scams to hoodwink malicious spirits into thinking her useless, disobedient grandchildren aren’t worth stealing.
“Flushing. Pah!” my mother finished. “Too far away.”
I sighed. She’d seen right through us. That apartment, far from being “fortunately” empty, had been built for her. My brothers and I think this fourth-floor walk-up we grew up in is getting hard for her to manage. But her refusal to leave Chinatown begins with a refusal to acknowledge she has anywhere to go.
Jet-lagged, I didn’t have energy for this argument. “I’m
going to unpack, Ma. Then I’ll tell you all about the wedding.”
“You could have gotten married yourself, you were there so long. Have you eaten?”
“Not yet.”
“I made congee. There may be enough for two.”
Detouring into the kitchen, I waved at old Chow Lun, leaning over the street from his usual windowsill. I lifted the lid from a steaming pot and found enough congee for an army. The table held bowls of chopped spring onions, pickles, and dried fish.
My mother’s never liked fish in her congee. But I love it.
While I unpacked, I called my office phone. No messages. Not that I’d expected any. Work was slow, and anyway I’d been checking in daily from California. Now, that might sound like I was waiting for a particular call, but of course I wasn’t. I especially wasn’t waiting for a call from Bill Smith, my former associate, then partner; former close friend, then almost-I-don’t-know-what, who’d done a vanishing act months ago after our last case together. The case, involving Bill’s nephew Gary, had ended badly. As his partner and close friend, I felt terrible for him and understood why he wanted no part of anyone for a while. But as his partner and close friend, it made me furious to be one of the people he wanted no part of.
To the tune of my mother bullhorning Chinatown gossip across the apartment, I excavated my suitcase. I was down to the T-shirts when my cell phone rang. I grabbed it; the number was unfamiliar. Squashing down a pang of
disappointment, I gave my name in both English and Chinese. Then I yanked the phone from my ear as an off-key tenor bellowed:
“The stars that hang high
Over Shanghai
Bring back the memory
Of a thrill!
I’ve been looking hiiiiigh, and I’ve been looking looooow,
Looking for you, Shanghai Lil!”
“
Stop!
Pilarsky, your singing has
not
improved.”
“Hey, it wasn’t ‘Lydia the Tattooed Lady.’ I thought you’d be happy. How are you, Chinsky?”
“Oh, I’m fine.” I sighed. “How are you? What can I do for you? And what was that?”
“
Footlight Parade
. Busby Berkeley, Cagney, Keeler. One of the greats. And me, I could be worse. I’m still in business. Are you? If yes, it’s not what you can do for me, it’s I have a job for you.”
“Doing what?”
“Do I know? A client wants someone who can, quote, operate discreetly in the Chinese community.”
“So why did he call you?”
“Apparently, because I speak Yiddish. And he’s a she.”
“I don’t—”
“I don’t either. Come to the Waldorf at four and we’ll both find out.”
“Today?”
“Of course today.”
“Well . . .” Chasing to a meeting with Joel Pilarsky when I’d just fought my way in from JFK wouldn’t have been my first choice; but work is work. “Okay.”
“Good girl. I’ll be lurking behind a potted palm.”
I bristled at the “girl,” but Joel was on the far side of sixty, and I was in fact younger than two of his three daughters.
As I clicked off, my mother’s face floated around the doorjamb. She must have been in the hall, responding to a sudden need to rearrange the linen closet or straighten the family photos. “Who was that? You were talking about work. Was that the white baboon?”