Authors: Nick Cole
All of it seemed to be something that never happened or happened to someone else, long ago.
Who am I?
Jin called you . . .
“Don’t!” he croak-screamed into the dry expanse. “I can’t take it anymore.”
Hours later, crawling on his knee and pulling with his hand, dragging the side that would not work, he stopped.
He gasped, “Not much further now.”
You got to decide who you are, Boy. Not the world. Don’t let people ever tell you who you are. Some people tell nothing but lies. So why ask ’em anyways?
Yes. I remember when you said that.
I’m saying it now.
His hand felt the hard, burning surface of a road.
You’re dead.
I’m sorry about that, Boy. I never meant to leave you.
Tell me who I am.
I’m dead, Boy. Said so yourself.
Who am I?
Silence.
In the distance he heard a high-pitched whine and then a loud rumble beneath it.
He was alone in the middle of a desert plain, cracked and broken.
He laid his head down onto the hard dirt and felt it burn the side of his face as he closed his eyes.
My ears are buzzing. This must be death. It has been following me for some time. My whole life even. And now death is finally coming for me. What took you so long?
Who are you, Boy?
I don’t know. I never did.
The roar and whine consumed everything. It grew and grew, filling up the expanse of the desert and the sky. Everything was now shadow and heat.
Did you expect to find her in death?
He heard footsteps.
I was hoping to. But I think I will find only death. Who am I to think I might find Jin again? The world is made of stone. Who am I that it should be any different for me?
Death bent down and touched the Boy’s cheek.
Who am I? He mumbled to Death.
You should know who I am before you take me.
Or are you just a taker? A taker who doesn’t ask.
The Boy opened his eyes.
Death was an Old Man, thin and wiry, gray stubble. His eyes sharp and clear and blue.
“Who is he, Poppa?” A young girl’s voice from nearby.
“I don’t know. But he needs our help. He’s been out here for too long. He’s close to death.”
“I’ll get some water, Poppa,” said the girl, and the Boy heard the slap of shoes against the hot road.
The Boy began to cry.
Shaking, he convulsed.
Crying, he wheezed, begging the world not to be made of stone, begging the world to give back what it had taken from him.
“Who am I?” sobbed the Boy.
“I think he’s asking, who is he, Poppa!” said the girl as though it were all a game of guessing and she had just won.
The Old Man held the shaking, sobbing Boy and poured water onto cracked and sunburned lips in the shadow of the rumbling tank.
“He doesn’t know who he is, Poppa. Who is he?”
“He’s just a boy,” said the Old Man to his granddaughter, his voice trembling with worry and doubt.
“Who am I now?” sobbed the Boy.
The Old Man held the Boy close, willing life, precious life, back into the thin body.
“You’re just a boy, that’s all. Just a boy,” soothed the Old Man, almost in tears.
The Old Man held the Boy tightly.
“You’re just a boy,” he repeated.
“Just a boy.”
If you enjoyed
THE SAVAGE BOY, read on for an excerpt from Nick Cole’s
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Chapter One
I
t was dark when he stepped outside into the cool air. Overhead the last crystals of night faded into a soft blue blanket that would precede the dawn. Through the thick pads of his calloused feet he could feel the rocky, cracked, cold earth. He would wear his huaraches after he left and was away from the sleeping village.
He had not slept for much of the night. Had not been sleeping for longer than he could remember. Had not slept as he did when he was young. The bones within ached, but he was old and that was to be expected.
He began to work long bony fingers into the area above his chest. The area that had made him feel old since he first felt the soreness that was there. The area where his satchel would push down as he walked.
He thought about tea, but the smoke from the mesquite would betray him as would the clatter of his old blue percolator and decided against it.
He stepped back inside the shed, looked around once, taking in the cot, patched and sagging, the desk and the stove. He went to the desk and considered its drawers. There was nothing there that should go in his satchel. He would need only his tools. His crowbar, his worn rawhide gloves, his rope, the can of pitch, the tin of grease and his pliers. Not the book.
But if I die. If I go too far or fall into a hole. If my leg is broken then I might want the book.
He dismissed those thoughts.
If you die then you can’t read. If you are dying then you should try to live. And if it is too much, that is what the gun is for. Besides, you’ve read the book already. Many times in fact.
He put the book back in its place.
He went to the shelf and opened the cigar box that contained the pistol. He loved the box more than the gun inside. The picture of the sea, the city and the waving palms on the front reminded him of places in the book. Inside the box, the gun, dull and waiting along with five loose shells, an evil number, rattled as his stiff fingers chased them across the bottom.
Moving quickly now he took the old blue percolator and rolled it into the thin blanket that lay on the cot. He stuffed them both inside the worn satchel, reminding him of the book’s description of the furled sail. ‘Patched with flour sacks… it looked the flag of permanent defeat.’ He shouldered the bag quickly and chased the line away telling himself he was thinking too much of the book and not the things he should be. He looked around the shed once more.
Come back with something. And if not, then goodbye.
He passed silently along the trail that led through the village. To the west, the field of broken glass began to glitter like fallen stars in the hard-packed red dirt as it always did in this time before the sun.
At the pantry he took cooked beans, tortillas, and a little bit of rice from the night before. The village would not miss these things. Still they would be angry with him. Angry he had gone. Even though they wished he would because he was unlucky.
Salao
. In the book unlucky is
Salao
. The worst kind.
The villagers say you are ‘curst’.
He filled his water bottle from the spring, drank a bit and filled it again. The water was cold and tasted of iron. He drank again and filled it once more. Soon the day would be very hot.
At the top of the small rise east of the village he looked back.
Forty years maybe. If my count has been right.
It was an old processing plant by the side of the highway east of what was once Yuma. It was rusting in the desert before the bombs fell, now it was the market and pantry of the village. Its outlying sheds the houses of the villagers, his friends and family. He tried to see if smoke was rising yet from his son’s house. But his daughter-in-law would be tired from the new baby.
So maybe she is still sleeping.
If his granddaughter came running out, seeing him at the top of the rise against the dawn, he would have to send her back. He was going too deep into the wasteland today.
Too dangerous for her.
Even though she knows every trick of salvage?
I might need her. What if I find something big?
‘I may not be as strong as I think, but I know many tricks and I have resolution.’
My friend in the book would say that, yes.
He would send her back. It was too dangerous. He adjusted the strap wider on his shoulder to protect the area above his heart where the satchel always bit, then turned and walked down the slope away from the village and into the wasteland.
Chapter Two
H
e sang bits of a song he knew from before. Years hid most of the lyrics and now he wanted to remember when he first heard the song. As if the memory would bring back the lost words he’d skipped over.
Time keeps its secrets. Not like this desert. Not like the wasteland.
In the rising sun, his muscles began to loosen as his stride began to lengthen, and soon the ache was gone from his bones. His course was set between two peaks none of the village had ever bothered to name after the cataclysm. Maybe once someone had a name for them. Probably on charts and rail survey maps of the area once known as the Sonoran Desert. But such things had since crumbled or burned up.
And what are names? He once had a name. Now the villagers simply called him The Old Man. It seemed appropriate. Often he responded.
At noon he stopped for the cool water in the bottle, kept beneath the blanket in his satchel. Still mumbling the words of the song amongst the silent broken rocks, he drank slowly. He had reached the saddle between the two low hills.
Where had he first heard the song? He wondered.
Below, the bowl of the wasteland lay open and shimmering. On the far horizon, jagged peaks, beyond those the bones of cities.
For seventy-eight days The Old Man had gone west with the other salvagers, heading out at dawn with hot tea con leche and sweet fry bread. Walking and pulling their sleds and pallets. In teams and sometimes alone. For seventy-eight days The Old Man had gone out and brought back nothing.
My friend in the book went eighty-six days. Then he caught the big fish. So I have a few days to go. I am only seventy-eight days unlucky. Not eighty-six. That would be worse.
Every canyon silent, every shed searched, every wreck empty. It was just bad luck the others said. It would turn. But in the days that followed he found himself alone for most of the day. If he went down a road, keeping sight of the other teams, they would soon be lost from view. At noon he would eat alone in the shade of a large rock, and smell on a sudden breeze their cookfires. He missed those times, after the shared lunch, the talk and short nap before they would start anew at what one had found, pulling it from the earth, extracting it from a wreck, hauling it back to the village. Returning after nightfall as the women and children came out to see this great new thing they could have back. This thing that had been rescued from the time before and would be theirs in the time of now. Forty years of that, morning, noon, and night of salvage. It was good work. It was the only work.
Until he found the hot radio.
His first years of salvage were of the things that had built the village. On early nights when the salvagers returned and light still hung in the sky, he could walk through the village and see the things he had hauled from the desert. The door on his son’s house that had once been part of a refrigerator from a trailer he and Big Pedro had found south of The Great Wreck. The trailer someone had been living in after the bombs. There were opened cans, beer and food inside the trailer. Cigarette butts in piles. That had been fifteen years after the war. But when they opened the door it was silent and still. An afternoon wind had picked up and the trailer rocked in the brief gusts that seem to come and go as if by their own choosing. Big Pedro did not like such places. The Old Man never asked the why of how someone salvaged. He accepted this of Pedro and together they’d worked for a time.
Outside he heard Pedro asking if there was anything. The Old Man knew he would find a dead body. There were always dead bodies. Salvage and dead bodies go hand in hand.
The trailer rocked for a moment, and as The Old Man adjusted his eyes to the dim light within, he waited for salvage to be revealed. This was how one salvaged. Just waiting and watching a thing. A wreck, someone’s home or a railway shed. In the desert it paid to wait. A quick choice owned you. A wrench, a hammer, and one might not see the saw. Too often the wealth of the past could distract one from what was really there. He had seen piles of money, gold, jewelry, pornography. What good were such things now?
But in the trailer there was a story. There was always a story of salvage. In a wreck, one could see the skeletons crushed under the weight of their possessions as the vehicle left the highway. Rolling over and over in the dirt and down a culvert. To lie trapped for years. Waiting for ambulances that would not come. Rescue that could not rescue itself while mushroom clouds broke the unbroken horizon. On that day when everything changed.
On that long ago hot afternoon when Big Pedro waited outside in the sighing wind, all was quiet inside. He stepped in, closing the door behind him. There was no life here. Just dry dust and the shed skins of the rattlers that seemed everywhere at times and then at others could not be found.
All the cans were crushed, all the cigarettes that lay in neat piles had been smoked down to the filter. Whoever had lived here had brought these cans and cigarettes from the cities. Beer and cigarettes, possibly a gun. Cans of food. But it had been too little. Whatever one brought for the destruction was always too little. The Old Man had seen it, would see it a thousand different ways. In the wrecks and the sheds and the boxcars and the fortified gas stations how long can any supplies last? Could anyone during those two weeks, when a new bomb fell on a new city each new day, could anyone have known that the terror would never end? That life as one knew it would never return.
No, even I did not know it.
Next week the government will come, things will return to normal. Next year. In two years time. One day you stop waiting and you begin to salvage.
What your crowbar can bring up from the desert is the only thing you can expect.
Whoever once lived in that trailer had refused to believe things would never be the same. It was a tale of smoked cigarettes near a smashed radio in the corner. Alcohol through the long night as angry winds struck at the sides of the trailer like some giant moving in the outer dark. Tomorrow became next year and next year became too much to bear. Eventually, whoever it was left, and that was all the story that remained and could be told truthfully of the trailer. What happened after, a gunshot at the end of a broken leg, sunstroke, exposure, insanity; those also were stories The Old Man had seen in the desert. But who could connect one to the other? One learned after the bombs, to stop needing answers or the ends of stories.