The Sarantine Mosaic (83 page)

‘What are we supposed to
do
with this?' the cleric protested in an irate whisper, following them in. There were a handful of people inside.

‘Pray for his soul,' the young man said. ‘Light candles. Someone will come for him.' He glanced meaningfully at Rustem, who reached for his purse and took out a few copper folles.

‘For the candles,' he said, extending them to the cleric. ‘I'll have someone get him.'

The cleric made the coins disappear—more smoothly than a holy man ought, Rustem thought sourly—and nodded briefly. ‘This morning,' he said. ‘By midday he's tossed into the street. This is a Bassanid, after all.'

He
had
been listening, earlier. Had done nothing at all. Rustem gave him his coldest look. ‘He was a living soul. He is dead. Show respect, for your own office and your god if for nothing else.'

The cleric's mouth fell open. The young man laid a hand on Rustem's arm and drew him outside.

They went back and Rustem took the mule's halter. He saw the blood on the stones where Nishik had lain, and he cleared his throat. ‘I owe you a great debt,' he said.

Before the other man could reply, there came a clattering sound. They both spun to look.

Fully a dozen long-haired youths careened around the corner and skidded to a halt.

‘There!' cried their first assailant savagely, pointing in triumph.

‘Run!'
snapped the young man at Rustem's side.

Rustem grabbed his own pack from the mule, the one with his papers from home and the manuscripts he'd bought in Sarnica, and he sprinted uphill, leaving behind the mule, his clothing, his staff, two swords, and all shreds of the dignity he'd imagined himself bearing as he entered the city of cities that was Sarantium.

At this same hour, in the Traversite Palace of the Imperial Precinct, the Empress of Sarantium is lying in a scented bath in a warm, tiled room through which wisps of steam are drifting, while her secretary—sitting on a bench, his back carefully turned to the exposed, reclining form of the Empress—reads aloud to her a letter in which the leader of the largest of the dissident tribes in Moskav proposes that she induce the Emperor to fund his long-planned revolt.

The letter also, with little subtlety, intimates that the writer is prepared to personally attend to the Empress's physical delight and rapture at some time in the future, should this persuasion of Valerius take place. The document concludes with an expression of well-phrased sympathy that a woman of the Empress's manifest magnificence should still be enduring the attentions of an Emperor so helplessly unable to conduct his own affairs of state.

Alixana stretches her arms out of the water and above her head and allows herself a smile. She looks down at the curves of her own breasts. The fashion in dancers has changed since her day. Many of the girls now are much as the male dancers are: small breasts, straight hips, a boyish look. This would not be a way to describe the woman in her bath. She has seen and lived through more than thirty quite remarkably varied years now and can still stop a conversation or double a heartbeat with her entrance into a room.

She knows this, of course. It is useful, always has been. At the moment, however, she is remembering a girl, about eight years of age, taking her first proper bath. She had been fetched from a laneway south of the Hippodrome where she'd been wrestling and tumbling with three other children in the dust and offal. It had been a Daughter of Jad, she remembers, a square-jawed, sternfaced woman, grey and unsmiling, who had separated the brawling offspring of the Hippodrome workers and then taken Aliana off with her, leaving the others watching, open-mouthed.

In the forbidding, windowless, stone-walled house where that sect of holy women resided, she had taken the now silent, overawed girl to a small, private room, ordered hot water brought, and towels, and had stripped and then bathed her there in a bronze tub, alone. She had not touched Aliana, or not intimately. She'd washed her filthy hair and scrubbed her grimy fingers and nails, but the woman's expression had not changed as she did so, or when she leaned back after, sitting on a three-legged wooden stool, and simply looked at the girl in the bath for a long time.

Thinking back, the Empress is very much aware of what must have been the underlying complexities of a holy woman's actions that afternoon, the hidden and denied impulses stirring as she cleansed and then gazed at the undeveloped, naked form of the girl in the bath. But at the time she had only been aware of apprehension slowly giving way to a remarkable sensation of luxury: the hot water and the warm room, the hands of someone else tending to her.

Five years later she was an official dancer for the Blues, growing in recognition, the child-mistress of one of the more notorious of the faction's aristocratic patrons. And she was already known for her love of bathing.
Twice a day at the bathhouse when she could, amid languorous perfumes and warmth and the drifting of steam, which meant shelter and comfort to her in a life that had known neither.

Nor has this changed, though she now knows the most extreme comforts in the world. And to her the most remarkable thing, really, about all of this is how vividly, how
intensely
,
she can still remember being the girl in that small bath.

The next letter, read while the Empress is being powdered, dried, painted, and dressed by her ladies, is from a nomadic religious leader in the desert south of Soriyya. A certain number of these desert wanderers are now Jaddite in their beliefs, having abandoned their incomprehensible heritage built around wind spirits and sets of holy lines, invisible to sight, mapping and crisscrossing the sands, marking sacred places and correspondences.

All the desert tribes embracing Jad have also adopted a belief in the god's son. This often happens among those converting to the faith of the sun god: Heladikos is the way to his father. Officially, the Emperor and Patriarchs have forbidden such beliefs. The Empress, usefully thought to be sympathetic to such out-of-favour doctrines, tends to conduct the exchange of letters and gifts with the tribesmen. They can be significant, often are. Even with the expensively bought peace with the Bassanids in place, in the unstable regions of the south allies are impermanent and important, valuable for hired warriors, and for gold and
silphium
—that extravagantly expensive spice—and for offering caravan routes for eastern goods coming around Bassania.

This letter ends without any promise of physical delight. The Empress refrains from expressing disappointment. Her current secretary has no sense of humour and her
attendants become distracted when amused. The desert leader does offer a prayer for light to attend upon her soul.

Alixana, dressed now, sipping at a cup of honeyed wine, dictates replies to both communications. She has just finished the second when the door opens, without a knock. She looks up.

‘Too late,' she murmurs. ‘My lovers have fled and I am, as you see, entirely respectable.'

‘I shall destroy forests and cities searching for them,' the thrice-exalted Emperor, Jad's holy regent upon earth, says as he takes a cushioned bench and accepts a cup of the wine (without honey) from one of the women. ‘I shall grind their bones into powder. May I please proclaim that I found Vertigus importuning you and have him torn apart between horses?'

The Empress laughs and then gestures, briefly. The room empties of secretary and attendants. ‘Money, again? I could sell my jewels,' she says, when they are alone.

He smiles. His first smile of the day, which for him has gone on for some time by now. She rises, brings a plate of cheese, fresh bread, cold meats to him. It is a custom, they do this every morning when demands allow. She kisses his forehead as she sets down the plate. He touches her wrist, breathing in her scent. In a way, he thinks, a new part of his day begins when he first does so. Each morning.

‘I'd make more selling you,' he says.

‘How exciting. Gunarch of Moskav would pay.'

‘He can't afford you.' Valerius looks around the bathing room, red and white marble and ivory and gold, jewelled chalices and drinking cups and alabaster caskets on the tables. Two fires are lit; oil lamps hang from the ceiling in silver-wire baskets. ‘You are a very expensive woman.'

‘Of course I am. Which reminds me. I still want my dolphins.' She gestures towards the upper part of the wall
on the far side of the room. ‘When are you done with the Rhodian? I want him to start here.'

Valerius looks at her repressively, says nothing.

She smiles, all innocence, wide-eyed. ‘Gunarch of Moskav writes that he could offer me delights such as I have only dreamt of in the dark.'

Valerius nods absently. ‘I'm sure.'

‘Speaking of dreams … ' his Empress says. The Emperor catches the shift in tone—she is skilled at such changes, of course—and looks at her as she returns to her own seat.

‘I suppose we were,' he says. There is a silence. ‘Better than talking of illicit dolphins. What is it now, love?'

She shrugs, delicately. ‘Clever you. The dream
was
about dolphins.'

The Emperor's expression is wry. ‘Clever me. I have just been steered like a boat where you wanted to go.'

She smiles, but not with her eyes. ‘Not really. It was a sad dream.'

Valerius looks at her. ‘You really do want them for these walls?'

He is deliberately misunderstanding, and she knows it. They have been here before. He doesn't like talking about her dreams. She believes in them, he does not, or says he does not.

‘I want them
only
on the walls,' she says. ‘Or in the sea far from us for a long time yet.'

He sips his wine. Takes a bite of cheese with the bread. Country food, his preference at this hour. His name was Petrus, in Trakesia.

‘None of us knows where our souls travel,' he says, at length, ‘in life, or after.' He waits until she looks up and meets his eyes. His face is round, smooth, innocuous. No one is deceived by this, not any more. ‘But I believe I am unshakeable on this war in the west, love, proof against dreams and argument.'

After a time, she nods. Not a new conversation, or a new conclusion. The dream in the night was real, though. She has always had dreams that stay with her.

They talk of affairs of state: taxation, the two Patriarchs, the opening ceremonies for the Hippodrome, a few days off. She tells him of an amusing wedding taking place today, with a surprisingly fashionable guest list.

‘There are rumours,' she murmurs, pouring more wine for him, ‘that Lysippus has been seen in the city.' Her expression is suddenly mischievous.

His looks rueful, as if caught out.

She laughs aloud. ‘I knew it! You've been planting them?'

He nods. ‘I
should
sell you somewhere, far away. I have no secrets. Yes, I'm … testing things.'

‘You would really bring him back?'

Lysippus the Calysian, gross of body and of appetite, was nonetheless the most efficient and incorruptible Quaestor of Imperial Revenue Valerius has ever had. His association with the Emperor is said to go back a very long way and involve some details that are unlikely to ever be made known. The Empress has never even asked, in fact; not really wanting to know. She has her own memories—and dreams, sometimes—of men screaming in the street one morning below rooms he'd rented for her in an expensive district, in the days when they were young and Apius was Emperor. She is not overly delicate about such things, cannot be after that childhood in the Hippodrome and the theatre, but this memory—with the smell of charred flesh—has lingered and will not leave.

The Calysian has been exiled nearly three years now, in the wake of the Victory Riot.

‘I'd bring him back,' the Emperor says. ‘If they let me. I'd need the Patriarch to absolve him and the accursed factions to be calm about it. Best during the racing season, when they have other things to scream about.'

She smiles a little. He doesn't like the racing, it is an ill-guarded secret. ‘Where is he now, really?'

Valerius shrugs. ‘North still, I assume. He writes from an estate near Eubulus. Has resources enough to do whatever he likes. Is probably bored. Terrifying the countryside. Stealing children by dark of moon.'

She makes a face at that. ‘Not a pleasant man.'

He nods. ‘Not in the least. Ugly habits. But I need money, love, and Vertigus is next to useless.'

‘Oh, I agree,' she murmurs. ‘You can't
imagine
how useless.' She runs a tongue across her lips. ‘I think Gunarch of Moskav will please me
much
more.' She is hiding something, though. A feeling, distant intuition. Dolphins and dreams and souls.

He laughs, has to laugh, eventually takes leave after finishing his quick meal. There are reports from the military and provincial governors to be read and responded to back in the Attenine Palace. She is receiving a delegation of clerics and holy women from Amoria in her own reception rooms, will sail in the harbour after, if the winds are light. She enjoys going out to the islands in the strait or the inner sea, and with winter ending she can do so again on a mild day. There is no formal banquet tonight. They are to dine together with a small number of courtiers, listening to a musician from Candaria.