The Roy Stories (6 page)

 

The Forgotten

I
t was snowing again and Roy couldn't wait to get out in it. Standing in line with the other second graders, all of them with their coats, mufflers, hats and gloves on, he was impatient to be released for morning recess. Roy had just told Eddie Gray that if the snow was deep enough they should choose up sides for a game of Plunge, when the teacher, Mrs. Bluth, called out to him.

“Roy! You know that you are not supposed to talk while I am giving instructions. You remain here while I take the rest of the class down to the playground.”

Roy stood still while everyone else filed out of the classroom. As soon as he was sure that they were on their way down the west staircase, Roy walked out of the room and headed in the opposite direction. Nobody was in the hallway. Roy walked down the east staircase to the ground floor and through the exit to the street. Snow was coming down hard and Roy put up the hood of his dark blue parka as he headed north on Fairfield Avenue. He could hear the kids yelling in the playground on the other side of the school.

At the corner of Rosemont and Washtenaw, near St. Tim's, Roy passed an old man wearing a brown trenchcoat and a black hat who was holding a handdrawn sign that said, “I am a brother to dragons, and a companion to owls. JOB, 30:28.”

“How old are you?” the man asked Roy.

“Seven,” Roy answered, and kept walking.

“Read the Bible!” the man shouted. “Don't forget, like I did!”

When Roy entered the house, his mother was seated in front of the television set in the living room, drinking coffee.

“Is that you, Roy?” she asked. “I thought you were at school. It's only a little after ten.”

“They let us out early today,” he said. Roy went over to where she was sitting. “What's on?”

“
The Lady from Shanghai
. It's a good one. Rita Hayworth with her hair bleached blonde. Do you think I'd look as good as a blonde, Roy?”

“I don't know, Ma. I like you the way you are.”

She kissed him on his forehead. Roy never drank coffee but he liked the odor of it.

“I'm going to play in my room,” he said.

“Okay, honey.”

About half an hour later, Roy heard the telephone ring and his mother answer it.

“Yes, this is she,” she said into the receiver. “Uh huh, he is. He's in his room right now. Oh, really. I see. Yes, well, that will be between you and Roy, won't it? I'm sure he had a good reason. I understand. He'll be there tomorrow, yes. Thank you for calling.”

Roy heard his mother hang up, then go into the kitchen and run water in the sink. A few minutes later, she appeared in the doorway to his room.

“Sweetheart,” she said, “I have to go out for a little while. Is there anything you'd like me to pick up at the grocery store?”

“No, thanks, Ma.”

“You'll be all right?”

“Sure, I'll be fine. I'm just playing with my soldiers.”

“Which ones are those?” she asked.

“French Zouaves.”

“Their uniforms are very beautiful. I've never seen soldiers with purple blouses before.”

“These Zouaves are from Algeria,” said Roy, “that's why their faces and hands are brown. They fought for France.”

“And white turbans, too,” his mother said. “Lana Turner wore one in
The Postman Always Rings Twice
. Do you remember that movie, Roy? Where she and John Garfield, who's a short order cook, kill her husband, who's much older than she is?”

“No, Ma, I don't.”

“Thanks to a tricky lawyer, at first they get away with the murder, but then they slip up.”

His mother stood there for a minute and watched Roy move the pretty Zouaves around the floor before saying, “I'm going now, honey. I'll be back in an hour.”

“Okay, Ma.”

“I'll make us grilled cheese sandwiches when I get back,” she said, “and maybe some tomato soup.”

It wasn't until after he heard the front door close that he took off his coat.

The next day at school, when he entered the classroom, Mrs. Bluth said, “Good morning, Roy. How are you feeling today?”

“Fine, Mrs. Bluth,” he said, and took his seat.

The other kids looked at Roy but didn't say anything. Later, on the playground during morning recess, Eddie Gray asked Roy if he'd gotten into trouble for having left school without permission the day before.

“No,” Roy said.

“Your mother didn't yell at you?”

“No.”

“Why'd you leave?” Eddie asked.

“I didn't like the way Mrs. Bluth talked to me.”

A few flurries began falling. Roy put up his hood.

“What about your dad?” asked Eddie. “What did he do?”

“My father's dead,” said Roy.

“You're lucky,” said Eddie Gray, “my old man would have used his belt on me.”

 

Mrs. Kashfi

M
y mother has always been a great believer in fortune-tellers, a predilection my dad considered as bizarre as her devotion to the Catholic Church. He refused even to discuss anything having to do with either entity, a policy that seemed only to reinforce my mother's arcane quest. Even now she informs me whenever she's stumbled upon a seer whose prognostications strike her as being particularly apt. I once heard my dad describe her as belonging to “the sisterhood of the Perpetual Pursuit of the Good Word.”

My own experience with fortune-tellers is limited to what I observed as a small boy, when I had no choice but to accompany my mother on her frequent pilgrimages to Mrs. Kashfi. Mrs. Kashfi was a tea-leaf reader who lived with her bird in a two-room apartment in a large gray brick building on Hollywood Avenue in Chicago. As soon as we entered the downstairs lobby the stuffiness of the place began to overwhelm me. It was as if Mrs. Kashfi lived in a vault to which no fresh air was admitted. The lobby, elevator, and hallways were suffocating, too hot both in summer, when there was too little ventilation, and in winter, when the building was unbearably overheated. And the whole place stank terribly, as if no food other than boiled cabbage were allowed to be prepared. My mother, who was usually all too aware of these sorts of unappealing aspects, seemed blissfully unaware of them at Mrs. Kashfi's. The oracle was in residence, and that was all that mattered.

The worst olfactory assault, however, came from Mrs. Kashfi's apartment, in the front room where her bird, a blind, practically featherless dinge-yellow parakeet, was kept and whose cage Mrs. Kashfi failed to clean with any regularity. It was in that room, on a lumpy couch with dirt-gray lace doily arm covers, that I was made to wait for my mother while she and Mrs. Kashfi, locked in the inner sanctum of the bedroom, voyaged into the sea of clairvoyance.

The apartment was filled with overstuffed chairs and couches, dressers crowded with bric-a-brac and framed photographs of strangely dressed, stiff and staring figures, relics of the old country, which to me appeared as evidence of extraterrestrial existence. Nothing seemed quite real, as if with a snap of Mrs. Kashfi's sorceress's fingers the entire scene would disappear. Mrs. Kashfi herself was a small, very old woman who was permanently bent slightly forward so that she appeared about to topple over, causing me to avoid allowing her to hover over me for longer than a moment. She had a large nose and she wore glasses, as well as two or more dark green or brown sweaters at all times, despite the already hellish climate.

I dutifully sat on the couch, listening to the murmurings from beyond the bedroom door, and to the blind bird drop pelletlike feces onto the stained newspaper in its filthy cage. No sound issued from the parakeet's enclosure other than the constant “tup, tup” of its evacuation. Behind the birdcage was a weather-smeared window, covered with eyelet curtains, that looked out on the brick wall of another building.

I stayed put on the couch and waited for my mother's session to end. Each visit lasted about a half hour, at the finish of which Mrs. Kashfi would walk my mother to the doorway, where they'd stand and talk for another ten minutes while I fidgeted in the smelly hall trying to see how long I could hold my breath.

Only once did I have a glimpse of the mundane evidence from which Mrs. Kashfi made her miraculous analysis. At the conclusion of a session my mother came out of the bedroom carrying a teacup, which she told me to look into.

“What does it mean?” I asked.

“Your grandmother is safe and happy,” my mother said.

My grandmother, my mother's mother, had recently died, so this news puzzled me. I looked again at the brown bits in the bottom of the china cup. Mrs. Kashfi came over and leaned above me, nodding her big nose with long hairs in the nostrils. I moved away and waited by the door, wondering what my dad would have thought of all this, while my mother stood smiling, staring into the cup.

 

The Old Country

My grandfather never wore an overcoat. That was Ezra, my father's father, who had a candy stand under the Addison Street elevated tracks near Wrigley Field. Even in winter, when it was ten below and the wind cut through the station, Ezra never wore more than a heavy sport coat, and sometimes, when Aunt Belle, his second wife, insisted, a woolen scarf wrapped up around his chin. He was six foot two and two hundred pounds, had his upper lip covered by a bushy mustache, and a full head of dark hair until he died at ninety, not missing a day at his stand till six months before.

He never told anyone his business. He ran numbers from the stand and owned an apartment building on the South Side. He outlived three wives and one of his sons, my father. His older son, my uncle Bruno, looked just like him, but Bruno was mean and defensive whereas Ezra was brusque but kind. He always gave me and my friends gum or candy on our way to and from the ballpark, and he liked me to hang around there or at another stand he had for a while at Belmont Avenue, especially on Saturdays so he could show me off to his regular cronies. He'd put me on a box behind the stand and keep one big hand on my shoulder. “This is my
grandson
,” he'd say, and wait until he was sure they had looked at me. I was the first and then his only grandson; Uncle Bruno had two girls. “Good
boy
!”

He left it to his sons to make the big money, and they did all right, my dad with the rackets and the liquor store, Uncle Bruno as an auctioneer, but they never had to take care of the old man, he took care of himself.

Ezra spoke broken English; he came to America with his sons (my dad was eight, Bruno fourteen) and a daughter from Vienna in 1918. I always remember him standing under the tracks outside the station in February, cigar stub poked out between mustache and muffler, waiting for me and my dad to pick him up. When we'd pull up along the curb my dad would honk but the old man wouldn't notice. I would always have to run out and get him. I figured Ezra always saw us but waited for me to come for him. It made him feel better if I got out and grabbed his hand and led him to the car.

“Pa, for Chrissakes, why don't you wear an overcoat?” my dad would ask. “It's cold.”

The old man wouldn't look over or answer right away. He'd sit with me on his lap as my father pointed the car into the dark.

“What cold?” he'd say after we'd gone a block or two. “In the
old
country was cold.”

 

The Monster

I used to sit on a stool at the counter of the soda fountain in my dad's drugstore and talk to Louise, the counter waitress, while she made milk shakes and grilled cheese sandwiches. I especially liked to be there on Saturday mornings when the organ-grinder came in with his monkey. The monkey and I would dunk doughnuts together in the organ-grinder's coffee. The regular customers would always stop and say something to me, and tell my dad how much I looked like him, only handsomer.

One Saturday morning when I was about six, while I was waiting for the organ-grinder and his monkey to come in, I started talking to Louise about scary movies. I had seen
Frankenstein
the night before and I told Louise it was the scariest movie I'd ever seen, even scarier than
The Beast from 20,000 Fathoms
that my dad had taken me to see at the Oriental Theater when I was five. I had had dreams about the beast ripping up Coney Island and dropping big blobs of blood all over the streets ever since, but the part where the Frankenstein monster kills the little girl while she's picking flowers was worse than that.

“The scariest for me,” Louise told me, “is
Dracula
. There'll never be another one like that.”

I hadn't seen
Dracula
and I asked her what it was about. Louise put on a new pot of coffee, then she turned and rested her arms on the counter in front of me.

“Sex, honey,” she said. “Dracula was a vampire who went around attacking women. Oh, he might have attacked a man now and then, but he mainly went after the girls. Scared me to death when I saw it. I can't watch it now. I remember his eyes.”

Then Louise went to take care of a customer. I stared at myself in the mirror behind the counter and thought about the little girl picking flowers with the monster.

 

The Ciné

On a cloudy October Saturday in 1953, when Roy was seven years old, his father took him to see a movie at the Ciné theater on Bukovina Avenue in Chicago, where they lived. Roy's father drove them in his powder-blue Cadillac, bumping over cobblestones and streetcar tracks, until he parked the car half a block away from the theater.

Roy was wearing a brown and white checked wool sweater, khaki trousers and saddle shoes. His father wore a double-breasted blue suit with a white silk tie. They held hands as they walked toward the Ciné. The air was becoming colder every day now, Roy noticed, and he was eager to get inside the theater, to be away from the wind. The Ciné sign had a red background over which the letters curved vertically in yellow neon. They snaked into one another like reticulate pythons threaded through branches of a thick-trunked Cambodian bo tree. The marquee advertised the movie they were going to see,
King of the Khyber Rifles
, starring Tyrone Power as King, a half-caste British officer commanding Indian cavalry riding against Afghan and other insurgents. “Tyrone Cupcake,” Roy's father called him, but Roy did not know why.

Roy and his father entered the Ciné lobby and headed for the concession stand, where Roy's father bought Roy buttered popcorn, a Holloway All-Day sucker and a Dad's root beer. Inside the cinema, they chose seats fairly close to the screen on the right-hand side. The audience was composed mostly of kids, many of whom ran up and down the aisles even during the show, shouting and laughing, falling and spilling popcorn and drinks.

The movie began soon after Roy and his father were in their seats, and as Tyrone Power was reviewing his mounted troops, Roy's father whispered to his son, “The Afghans were making money off the opium trade even back then.”

“What's opium, Dad?” asked Roy.

“Hop made from poppies. The Afghans grow and sell them to dope dealers in other countries. Opium makes people very sick.”

“Do people eat it?”

“They can, but mostly they smoke it and dream.”

“Do they have bad dreams?”

“Probably bad and good. Users get ga-ga on the pipe. Once somebody's hooked on O, he's finished as a man.”

“What about women? Do they smoke it, too?”

“Sure, son. Only Orientals, though, that I know of. Sailors in Shanghai, Hong Kong, Zamboanga, get on the stem and never make it back to civilization.”

“Where's Zamboanga?”

“On Mindanao, in the Philippine Islands.”

“Is that a long way from India and Afghanistan?”

“Every place out there is a long way from everywhere else.”

“Can't the Khyber Rifles stop the Afghans?”

“Tyrone Cupcake'll kick 'em in the pants if they don't.”

Roy and his father watched Tyrone Power wrangle his minions for about twenty minutes before Roy's father whispered in Roy's ear again.

“Son, I've got to take care of something. I'll be back in a little while. Before the movie's over. Here's a dollar,” he said, sticking a bill into Roy's hand, “just in case you want more popcorn.”

“Dad,” said Roy, “don't you want to see what happens?”

“You'll tell me later. Enjoy the movie, son. Wait for me here.”

Before Roy could say anything else, his father was gone.

The movie ended and Roy's father had not returned. Roy remained in his seat while the lights were on. He had eaten the popcorn and drunk his root beer but he had not yet unwrapped the Holloway All-Day sucker. People left the theater and other people came in and took their seats. The movie began again.

Roy had to pee badly but he did not want to leave his seat in case his father came back while he was in the men's room. Roy held it until he could not any longer and then allowed a ribbon of urine to trickle down his left pantsleg into his sock and onto the floor. The chair on his left, where his father had been sitting, was empty, and an old lady seated on his right did not seem to notice that Roy had urinated. The odor was covered up by the smells of popcorn, candy, and cigarettes.

Roy sat in his wet trousers and soaked left sock and shoe, watching again as Captain King exhorted his Khyber Rifles to perform heroically. This time after the film was finished Roy got up and walked out with the rest of the audience. He stood under the theater marquee and waited for his father. It felt good to be out of the close, smoky cinema now. The sky was dark, just past dusk, and the people filing in the Ciné were mostly couples on Saturday night dates.

Roy was getting hungry. He took out the Holloway All-Day, unwrapped it and took a lick. A uniformed policeman came and stood near him. Roy was not tempted to say anything about his situation to the beat cop because he remembered his father saying to him more than once, “The police are not your friends.” The police officer looked once at Roy, smiled at him, then moved away.

Roy's mother was in Cincinnati, visiting her sister, Roy's aunt Theresa. Roy decided to walk to where his father had parked, to see if his powder-blue Cadillac was still there. Maybe his father had gone wherever he had gone on foot, or taken a taxi. A black and gold-trimmed Studebaker Hawk was parked where Roy's father's car had been.

Roy returned to the Ciné. The policeman who had smiled at him was standing again in front of the theater. Roy passed by without looking at the cop, licking his Holloway All-Day. His left pantsleg felt crusty but almost dry and his sock still felt soggy. The cold wind made Roy shiver and he rubbed his arms. A car horn honked. Roy turned and saw the powder-blue Caddy stopped in the street. His father was waving at him out the driver's side window.

Roy walked to and around the front of the car, opened the passenger side door and climbed in, pulling the heavy metal door closed. Roy's father started driving. Roy looked out the window at the cop standing in front of the Ciné: one of his hands rested on the butt of his holstered pistol and the other fingered grooves on the handle of his billy club as his eyes swept the street.

“Sorry I'm late, son,” Roy's father said, “Took me a little longer than I thought it would. Happens sometimes. How was the movie? Did Ty Cupcake take care of business?”